Prompt: abstract and minimalist painting of a dandelion with seeds blowing in the wind; The dandelion is reduced to a few lines and dots, creating a sense of movement and space; Minimalism, Abstract art; Oil, Ink; Color field, Line art; Even, diffuse lighting; Low contrast with white and black; Simple, elegant, serene; by Mark Rothko, Agnes Martin, and Yoko Ono; Unreal engine 5.
Prompt: Show yourself you ghost
Let me see your
Awful dark presence
Be here in front of me
In all your brilliant terror
Touch me with
Dead hands,
kiss me with cold lips
Rather the terror of your shade
Than this fragile fading memory
In the dark light.
Touch me,
Whisper in my ear
Show yourself you ghost
I fear your memory
Not your shade
Revenge yourself
Let loose your rage
Haunt my dreams,
Haunt my days
Call all the demons
But come to me
Come to me with cold breath
This I want not death
Wither me my face
Boil my eyes
Just show yourself you faded jade
Wake me in the night
With icy fingers
And chilling stare
Rather this
Than waking without you
Show yourself you ghost
I fear your loss more than
Your shade
Shrieking terror is better than
This empty world
If I can't hear you laugh
Let me hear your banshee wail
Haunt my days, not my dreams
Haunt my nights not my thoughts
Push the lid, leave your coffin
Rise from the dead
Wraith stop my breath
With choking hands
Fat fingers on my throat
Leave your grave,
Raise your spirit
Just don't leave me alone
Show yourself you ghost
Blindfold, Shroud.
Prompt: Create an abstract black and white portrait of an indeterminate person. The person's head and face should appear as if they are disintegrating or exploding into streaks and splatters, extending outward from the central point of the head in a chaotic and dynamic manner. The splatters should be detailed and sharp, resembling ink splashes against a crisp white background. The person's body is visible from the shoulders upward, and it similarly appears to be composed of fluid, smudged, and smeared black shading, giving the illusion of the body melting into the white space around it. The body should have no discernible clothing details, maintaining an abstract and formless quality. The overall scene conveys a sense of movement and intensity, as if captured in mid-explosion, without any clear facial features or identifiers of the person.
Prompt: Cozy Christmas interior, warm fireplace glow, festive tree with ornaments, wreath on wall, table cluttered with treats, mugs, decorative reindeer, person on wooden stool playing a guitar. Ethereal blue and white swirling portal, seamless blend of warm and cool tones, nostalgic wonder, stark contrast, dreamlike outdoor realm, floating musical notes, introspective atmosphere, festive joy, longing emotion, surreal and visually rich, detailed illustration, high-quality digital painting, intricate details, warm and cool color palette, soft and ambient lighting, by a skilled fantasy artist.
Prompt: Synthwave Melody (Ghostly, Synthwave, Vaporwave)
Setting: A neon-drenched forest pulsates with vibrant synth colors. Geometric shapes and holographic projections weave between the trees.
Central Figure: A woman with glowing, cybernetic eyes and flowing, holographic hair. Wispy tendrils of code trail behind her as she plays a futuristic instrument adorned with glowing panels and buttons.
Mood: Nostalgic, futuristic, and dreamlike. The image captures the juxtaposition of technology and nature in a vaporwave aesthetic.
Prompt: Adjacent display boxes at an outdoor market, viewed extremely close up, inside them we see fresh ginger roots and fresh turmeric roots. The two boxes are surrounded by smaller boxes filled with various berries: raspberries, blackberries, blueberries, strawberries, goji berries, red currants. The appetizing superfood display attracts many customers to the superfood market stall. The atmosphere of the farmer's market is summery, the lighting is bright and natural, highlighting the glossy surfaces and extremely ornate, intricate details of the different boxes of ginger, turmeric, and berries. The scene evokes a warm and inviting rural feel. Still life rendered full-screen, sunlit, sharp-focus, macro-view, very close-up and in watercolor. The still life is painted all the way to the edges of the paper. The foods are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Halloween still life rendered full-screen, sidelit by the creepy, pale orange glow of a street lamp outside the picture. Sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a close-up of an extremely intricately carved pumpkin, nothing else, only one pumpkin. The delicate line-art carving shows an amazingly accurate Van-Gogh Starry-Night motif on the pumkin, not a classical jack-o'-lantern. The carving is illuminated in pale yellow by the candle inside the pumpkin against the otherwise dark orange jack-o'-lantern. Art piece entry in a neighborhood exhibit of artfully carved pumpkins. It is a dark Halloween night lit only by the carved pumpkin and the sickly orange light of the streetlamp. The night background of the still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the Van-Gogh jack-o'-lantern is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning illustration, museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Newton's cradle perpetuum mobile desk toy, modern look, sparse, made of one piece of steel wire, with five hanging, heavy, cherry-red balls, sidelit by sunlight, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed, full-screen image is a Newton's cradle toy with cherry-red apples instead of metal balls. The toy stands on an elegant, dark leather-covered desktop. No other items clutter the desk. The bookcase background of the still life is rendered in wet-on-wet alcohol ink. The image is painted completely and all the way to the edges of the paper. The Newton's cradle with its apples is lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink. Prize-winning illustration in a modern style. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Culinary still life rendered full-screen, sidelit by sunlight streaming in the kitchen window, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a wooden cutting board with a small, sharp, stainless-steel kitchen knife used to cut large, fully ripe, drippingly juicy, dark orange, red-cheeked apricots in half. Behind the wooden cutting board lies a pile of halved apricots on one side and a pile of whole apricots on the other side.The apricot kernels are piled up on the right side of the cutting board. The board and the apricots lie on a dark stone kitchen counter. Behind the seemingly artless arrangement, we can make out a rough, whitewashed, stone kitchen wall. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the apricots, the kernels, the cutting board and the reflective knife are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Exquisitely detailed branch of bkack currants loaded with many plump, juicy, shiny black currants, watercolor, sunlit. Rendered in watercolor, full-screen, sharp-focus, very close up. The background of the biology illustration is rendered as a very small, very detailed William-Morris-style pattern, ornate, intricate, colored in a washed-out bluish-aqua-green with pen-and-ink pattern outline details. The watercolor illustration is painted all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Culinary still life rendered full-screen, sidelit by sunlight streaming in the kitchen window, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a woven water hyacinth basket filled with an array of elongated, narrow, oblong finger limes tapering at both ends, in the colors red, dark green, reddish-brown, light green and yellow-green. A single finger lime lies outside the basket on a wooden cutting board along with a small, weathered paring knife. The dark-red lime is cut in half, spilling its round, little, transparent pink, glassy lime caviar. The board lies on a dark stone kitchen counter. Behind the seemingly arrangement, we can make out a rough, whitewashed, stone kitchen wall. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the basket, the limes, the cutting board and the cut lime and the knife are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Exquisitely detailed branch of large, shiny, plump, juicy, very dark red-burgundy-colored cherries in watercolor, sunlit. Full-screen, wide-screen, sharp-focus, very close up. The background of the illustration extending all the way to the edges of the paper is a very small, very detailed mini-Cubist canvas, with style elements recalling Juan Gris, Paul Cézanne and Paul Klee, intricate, colored in a delicate, washed-out yellow-green-apricot abstract pattern with outline details. The watercolor illustration is painted completely, all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Create a storybook image of a serene landscape featuring a row of silhouetted trees against an azure blue evening sky at dusk transitioning to darker tones near the horizon. Include a variety of tree shapes, showcasing several tall, bare trees with extremely intricate branches reaching upward, indicating a late autumn setting. One small tree should have a few leaves remaining, dark against the dusky sky, highlighting the late autumn feeling among the otherwise barren branches. The trees stand in a grassy field, slightly illuminated by the remaining light. The overall atmosphere should evoke a sense of calm and tranquility, reflecting the beauty of nature in a peaceful environment. The trees have a magical feel and are illuminated by myriads of scintillating, rainbow-colored fairy lights, gibving the entire scene a storybook ambience.
Prompt: Serene Pacific coast landscape featuring a pair of slender Pacific pine trees with twisting trunks with of textured brown bark and detailed olive-green needles. The trees stand majestically on a golden, grassy knoll overlooking the Pacific ocean. The tranquil ocean fades into a soft blue horizon, while a bright sky transitions from deep blue at the top to lighter shades closer to the horizon. The overall composition evokes a sense of calmness and natural beauty. Style mentors: Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Magical winter landscape linocut of gentle, snow-covered mountains and snow-covered evergreen trees. The scene is bathed in a warm, golden light from a low sun, casting soft shadows across the pristine white snow that blankets the foreground. The mountains in the background are majestic and snow-capped, with some peaks partially shrouded in wispy clouds. The sky is a gradient of blue, magenta, pink, orange, and soft yellow tones, suggesting a sunset. In the foreground, clusters of tall, snow-laden fir trees stand proudly, their branches heavy with fresh snow. Tranquil, peaceful, majestic, and serene natural landscape on a crisp late afternoon in winter day in a mountainous region. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Extremely detailed magical landscape of a wide expanse of lush dark-green grass in the foreground transitioning to a field of electric-yellow colza in the middle ground. The colza field is bright and contrasts strikingly with the greenery. In the background, a row of trees beginning to sprout light green leaves in spring, with some bare branches still peeking through. The sky above is somewhat overcast with soft gray clouds against a light blue background. Harmonious nature composition, peaceful and picturesque rural setting. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Richly detailed magical forest linocut tapestry filled with scintillating leaves in shades of green, olive, aqua, gold and ochre. The trees stand close together, with their dense foliage interweaving in ornate, organic patterns reminiscent of a pattern by William Morris. Several pheasants perch gracefully in the trees, spreading their wings and showing their shiny, reflective feathers and plumes in shades of rust, blue and oange. At the base of the trees, an array of flowers blooms: delicate white flowers with intricate petals, complemented by an assortment of orange carnations clustered in the center, framed by lush green foliage. The background is a deep blue, enhancing the forest colors. Harmonious nature composition, peaceful and picturesque setting. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Generate an image of a close-up view of dark-green, gold-veined ivy leaves. Amidst the leaves are several clusters of ripe, mature, dark purple-black ivy berries set against rich, dark green foliage. Include a shiny, spiral-striped, rainbow-colored snail on a leaf, to the side of the flowers. The nature still life conveys a sense of freshness and natural beauty, highlighting the intricate details of each berry and leaf, with a softly blurred, dark-green background to enhance the focus on the leaves and berries. Harmonious nature composition, illustration and linocut using a technique of extremely, almost microscopically fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Full-screen museum-quality fine-art linocut of a branch of a willow tree in early fall with electric yellow, long and slender leaves. The leaves are illuminated by sunlight, casting a warm glow and creating distinct highlights along their edges. The background is very dark, emphasizing the contrast between the luminous yellow leaves and the shadowy backdrop. Some darker green foliage can be faintly seen in the lower part of the image, adding depth to the scene. The texture of the leaves shows imperfections or veins. Early fall magic in the forest. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Masterful, highly detailed, full-screen linocut of an extremely focused close-up view of a hanging branch of a birch tree with leaves in autumn shades of yellow, ochre and washed-out green. An early November snow clings to the leaves and branches in wet tufts, creating a soft, white contrast against the colorful foliage. The bokeh background features a blurred view of more snow-covered branches, enhancing the wintry atmosphere. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Extremely detailed, fine guilloche pattern of lines and dots, like on a banknote, depicting a serene autumn landscape with three tall poplar trees with white bark and yellow and orange leaves. The background is a clear blue sky with a few wispy clouds. Many dense branches extend outward and have gently fluttering leaves. The branches and leaves are rendered in a precise, intricate and repetitive guilloche pattern. The lighting is warm and golden, typical of a sunny autumn day.
Prompt: "A fallen angel stands in a desolate, apocalyptic world, embodying the decay and bleakness of a degraded landscape. The scene has a haunting chromatic and plutonium effect, blending dark, moody tones with sharp highlights. The angel's worn wings and tattered garments are rendered in the style of an Arthur Rackham charcoal drawing, with intricate linework and a sweeping linear perspective that captures a vast, wide field of view. The atmosphere reflects the surreal, dystopian qualities of Zdzisław Beksiński’s art, combined with the delicate detail of Harry Clarke and the mathematical precision reminiscent of Luca Pacioli. The image portrays a powerful yet somber scene, where every line and shadow emphasizes the weight of ruin and lost grace."
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
