Prompt: A maiden of flame leans toward blue blossoms, her hair a river of fire in the golden dusk. Autumn leaves burn gently at her feet, yet her touch is soft, reverent, as though she is listening to the flowers breathe. Around her, the air is jeweled with sparks of light, not ash, but blessings. In her presence, even fire becomes tender.
Inspired by the poetry of fleeting love and the visual style of Catrin Welz-Stein, Makoto Shinkai, and Tran Nguyen. Dreamy hazy breezy watercolour, wet-on-wet technique, visual poetry, minimalist impressionism, melancholic beauty, soft rainlight, floating textures, (((no text or symbols))).
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 22, Fun’ya no Yasuhide, of the Ogura Hyakunin Isshu: "It is by its breath That autumn's leaves of trees and grass are wasted and driven. So they call this mountain wind The wild one, the destroyer." The image shows a side view of a richly wooded, sloping mountainside in late fall. A gale-force gust of wind is blowing down the mountainside quite dramatically and, for the sake of the viewer, with a visible pattern. The wind is blowing red and yellow leaves before it, and bending grasses all the way to the ground. The leaves swirl and twirl in the crisp fall air. The red and yellow of the trees and leaves contrast sharply with the white pattern used to visualize the wind against an electric blue sky. Intricate watercolor overlaid with a woodblock print. Exquisite Japanese folio.
Prompt: Foreground: The focal point of the scene is a humble kitchen table, worn from years of use, with a rough wooden texture that bears the marks of countless meals and conversations. A chipped, ceramic teapot with faded floral patterns sits on the table, steam gently rising from its spout, swirling in the cool morning air. The teapot, along with the delicate teacup beside it, is rendered with palette knife technique, giving them a slightly textured and tactile appearance, capturing the imperfections and rustic charm of the old ceramic. The light glints softly off the surface of the hot tea, with small details like the reflection of a distant window, adding to the realism. A few crumbs from a loaf of freshly baked bread are scattered across the table, their textures detailed with impasto technique, adding a subtle, three-dimensional quality to the scene.
Background: The background is bathed in a soft, early morning light that filters through the window, illuminating the worn, whitewashed walls of the kitchen. The impasto technique is used here to emphasize the play of light and shadow, capturing the soft glow as it touches the surfaces, making the room feel warm and inviting despite its simplicity. The walls are slightly cracked, with peeling paint revealing the age of the house, each crack and flake detailed with precise brushstrokes. The window itself, a simple wooden frame, casts a pattern of light and shadow onto the floor and walls, creating an interplay of textures that contrasts with the rougher, more textured foreground.
Light and Details: The light in the scene is soft and diffused, entering the room from the window on the right side. It casts long, gentle shadows that stretch across the table, illuminating the steam from the teapot and highlighting the small details like the crumbs and the floral pattern on the teapot. The impasto technique is subtly employed to capture the richness of the light as it reflects off the surfaces.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: "Winter Evening by Candlelight"
On a wooden table, its dark surface richly textured with palette knife strokes, stands a simple brass candlestick. From the candle, painted with thick layers of impasto technique, a gentle flame flickers, warm and lively, in shades of orange, gold, and white. Wax has begun to drip down the candle, hardening into smooth, delicate ridges. The candlelight casts soft, dancing shadows on the wall behind the table, rendered in pastel knife strokes. The wall is an aged cream color, with subtle cracks and peeling paint, carefully textured to capture its character. In the background, a window with frosted glass reveals delicate crystalline patterns of ice, crafted with sharp, precise knife strokes. Outside, it’s a winter night – trees in the distance are blanketed in snow, illuminated by moonlight filtering through thick clouds. The sky is a deep blue, tinged with hints of purple and silver, its cool tones contrasting with the interior’s warmth. On the table, beside the candlestick, lies an open book. Its yellowed pages are layered with paint, each line of text suggested with faint, nearly invisible strokes, while the paper's edges curl slightly, reflecting its age and use. The atmosphere exudes peace, warmth, and nostalgia, as the flickering flame serves as a living witness to a quiet winter evening.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: Imagine a scene: Winter Landscape with Lanterns and a Lonely Bench. Foreground (Bench and Lanterns): In a snow-covered square, an old wooden bench stands alone, its surface portrayed with thick palette knife strokes. Every detail of the bench—cracked paint, wooden knots, and signs of age—is layered with the impasto technique. White snowflakes resting on its backrest appear like fluffy clouds, rendered with light, playful strokes. Above the bench, two vintage street lanterns cast a golden glow over the scene, their flames flickering inside glass enclosures. Each light reflection is depicted with warm, transparent layers, contrasting with the cool, grayish-blue snow. The lanterns are richly ornamented with wrought-iron details, painted meticulously to emphasize their endurance and patina. Background (Atmosphere and Landscape): Behind the bench, a row of trees stretches into a soft haze. The branches, thin and delicate, are painted with fine lines that dissolve into bluish-purple hues of the winter twilight. Snowflakes fall dreamily, each unique and textured, adding depth and motion to the air. The snow on the ground sparkles under the lanterns, covered in a gentle golden shimmer that softens the harshness of winter. The square is empty, with only faint, blurred footprints remaining, while the cold winter air feels silent and solemn. Contrast of warmth and cold: Golden lantern light against icy tones of the snow and sky. Reflections and shadows: Lanterns create warm, elongated shadows on the snow, while the snow reflects subtle light back to the bench. Details: Every snowflake, tree line, and crack on the bench is rendered with a focus on texture and light interplay. Technical Enhancements: Impasto for snow layers: Differing thicknesses and shades of white give the snow depth and vibrancy. Glass lantern reflections: Layered knife strokes create a three-dimensional illusion.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: The Vinyl Hour.
Foreground: A young man with tousled hair sits cross-legged on a wooden floor, carefully placing a vinyl record on an old turntable. His fingers, smudged with graphite from earlier sketches, are steady with care. Light glints off the edge of the black vinyl. The detail is painted using Glazing to achieve the soft transparency of dust in the air and the shine of the record, while the sleeve beside him is rendered in Impasto, with thick, expressive strokes giving it tactile texture. Middle Ground: Behind him, a rustic shelf filled with records and books stands as a quiet testament to his passions. A poster of Miles Davis curls slightly at the corner. The wall is painted using Mixing Palette Knife, blending warm ochres and cool shadows to give the space a moody, nostalgic character. Background: Golden afternoon light streams through linen curtains, casting long shadows across the room. A cat naps in a sunlit patch on a tattered rug. This entire backdrop is handled with Glazing and Sfumato, softening edges to create a dreamy, timeless feel.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: The Coat Hanger at the Tram Stop.
Foreground: An elderly man in a worn work coat sits on a bench at the tram stop. In front of him — an old iron coat hanger. Hanging on it, a velvet blazer, neatly pressed, dignified. In his hand, a plastic bag with a loaf of bread and two tomatoes. Middle ground: A tram arrives, people step out — in suits, with laptop bags, staring into their phones. Not a single glance toward him. He watches them, not with bitterness — more like someone who once had that place, now simply watching how life’s timetable changes.
Background: A huge billboard above the stop, advertising “success without limits” with an artificial smile. The sky is gray, muddy puddles reflecting the tram lights. Impasto is used to texture the man’s coat, his gray hair, and the concrete stop. Mixing Palette Knife is applied to the sky, billboard, and moving tram — creating a contrast between the quiet inner world and the noisy outside.
Prompt: Prompt by jexiq q: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: A Serene Autumn Afternoon in a Village Yard
In the foreground, an old wooden table stands under a sprawling walnut tree. The Mixing Palette Knife technique is used to emphasize the weathered surface of the table, with textured strokes of brown and gray capturing its aged, uneven planks. A scattering of freshly fallen golden and orange leaves rests on the tabletop, painted with soft, jagged strokes to give them depth and individuality. Next to the table, a wicker basket filled with ripe red apples, depicted using the Impasto technique, adds vibrancy to the scene. The apples are rendered with thick, glossy layers of crimson and hints of yellow, making them appear freshly picked, their surfaces glistening in the dappled sunlight filtering through the tree branches. In the background, a rustic cottage stands with its whitewashed walls and dark wooden beams. The Glazing technique is used to create a gentle contrast between the bright, sunlit sections of the house and the soft shadows cast by the tree. The windows of the cottage reflect the golden afternoon light, their glass surfaces glowing subtly against the rustic walls. The entire yard is blanketed with a soft carpet of autumn leaves, their edges curling slightly, blending tones of orange, gold, and brown with textured strokes. A light breeze is suggested with delicate streaks of motion, as a few leaves seem to lift and float mid-air, catching the warm sunlight.
Prompt: On a dark, rustic wooden board, an impressive scene is created using the encaustic painting technique. Heated wax, mixed with pigments, is applied in layers and carefully shaped while still warm, creating rich texture and depth.
Foreground: Depicted is a lonely cottage by the lake. The walls of the cottage are crafted from warm brown tones of wax, with golden hues reflecting the light of the setting sun. The roof is covered in darker shades, with carefully shaped tiles giving a sense of age and patina.
Background: In the background, a serene lake stretches out, with reflections of the sky and surroundings gently rippling. The water is represented by cool blue and green tones of wax, with smooth transitions and soft lines illustrating the calm surface. Mountains rise on the horizon, made from darker shades that provide depth and contrast.
Sky: The sky is covered with dramatic clouds, with layers of wax in shades of pink, orange, and purple, creating a spectacular sunset. The clouds are layered, giving them a three-dimensional look extending over the landscape.
Details: Next to the cottage, a tree in autumn attire stands as a witness to time. The leaves are crafted from tiny spots of wax in shades of red, yellow, and orange, adding warmth and life to the scene. Small details like birds in the sky and reeds by the lake further enrich the scene, creating a sense of peace and stillness.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: The Forgotten Violin.
Foreground (Mixing Palette Knife): A wooden violin lies abandoned on a stone bench, its polished surface chipped and weathered with time. The violin’s body is textured with streaks of warm mahogany and burnt umber, its strings glinting faintly in the low light, painted with deliberate, sharp strokes of metallic silver. The bow rests nearby, its horsehair fraying and catching faint highlights of a soft golden glow. The stone bench beneath is rugged, sculpted with heavy layers of smoky grey and hints of mossy green creeping up its edges, suggesting the slow embrace of nature reclaiming it. Middle Ground (Impasto): A cluster of wildflowers grows beside the bench, rendered in bold, raised strokes. Vibrant purples, yellows, and whites pop against a backdrop of deep greens, their petals thick and textured, each one standing in defiance of the violin's abandonment. A small sheet of crumpled music lies partially buried among the flowers, the notes and staves barely visible, painted in thin, expressive lines of faded black ink. The surrounding grass sways slightly, painted with strong, upward strokes of emerald and olive, giving a sense of gentle movement. Background (Glazing): A dim, overcast sky looms above, with clouds layered in translucent hues of muted blue, soft grey, and pale lavender, achieved through glazing. In the distance, a dense line of trees emerges from the mist, their silhouettes fading gently into the horizon. The faintest hint of sunlight breaks through a gap in the clouds, casting a delicate glow over the scene, with the violin and wildflowers catching the light in a subtle interplay of warm and cool tones.
Prompt: Create a highly detailed, textured painting of a solitary woman seen from behind, standing against a swirling, abstract background that looks sculpted with thick oil paint strokes. The woman is holding a large, bright red umbrella above her, which is also textured with heavy brushstrokes. She wears a flowing, vivid red-orange dress that twists and lifts dramatically in the wind, with paint-like textures giving it a sense of movement and depth.
Her long black hair is also caught in motion, blowing to the left, partially hiding her face. The figure’s skin tone is warm brown, but mostly shadowed, adding mystery to her identity. The background is a mix of gray, cream, beige, and charcoal tones — painted in dynamic, circular swirls and splashes, creating a sense of turbulence or emotional storm.
Prompt: *Oil on cracked canvas painting. Impasto details.
*I'm sitting by the sea. The summer that ran away from me, bringing with it August that soothes my mind and my soul.
*A vibrant colour palette of the late summer. Intricate brushwork, rich colour palette, evocative mood, emotional depth, with elements of melanholy and sadness.
Prompt: A vibrant auto-rickshaw in the streets of New Delhi, fully decorated in Art Nouveau style. The vehicle is painted with flowing organic patterns, elegant curves, and a woman's portrait surrounded by red poppies and floral motifs. The color palette blends deep greens, warm oranges, and vivid reds, inspired by vintage illustration posters. The background shows a lively New Delhi street with shops, wires, and hazy light, while the tuk-tuk stands out as a moving piece of art.
Prompt: old man walking through a creepy forest at night, eyes seem to be watching him from the trees, the trees lean toward the man, Wassily Kandinsky, Stephen Gibb, Michael Cheval,
Prompt: Create a flat gouache painting inspired by the aesthetic of Gustav Klimt. The scene features a sleek black-and-white cat sitting gracefully on a mound of snow, gazing upward at a luminous, starry night sky. The composition emphasizes intricate, gilded details and circular patterns, achieved through the use of gold leaf for shimmering highlights. Rich, layered colors and bold contrasts are created using gouache for a flat matte finish and bold, opaque color. Egg tempera for fine details and a layered decorative aesthetic. Use precise, fine brushwork for the cat’s jewel-like adornments and the glowing orbs that fill the sky. The background showcases a whimsical forest with delicate tree branches, adorned with golden and coppery ornaments that glimmer against deep blue tones. The textures and patterns in the painting evoke a sense of depth and enchantment, blending flowing organic forms and mosaic-like details to give the artwork a mystical, dreamlike quality. The overall style incorporates elements of Symbolism and decorative Art Nouveau, bringing a balance of warmth, whimsy, and narrative magic.
Aug 25 2025 Curious Groundhog in a Snowy Landscape
Model:
DigitalDaVinci
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: winter scene, in the foreground is a woodchuck, detailed, cute, sitting on its hind legs. In the background are rolling snow covered hills, several farm houses, silos and barns.
Prompt: A dreamlike watercolor painting of a sailing boat being pulled by large colorful kites instead of sails. The watercolor style is flowing and dripping, with soft gradients and vibrant hues blending into each other, giving a poetic and fluid impression. The sea and sky melt together with transparent washes of blue and turquoise, while the kites stretch high in the sky, painted in vivid splashes of red, orange, and yellow. The overall atmosphere is airy, imaginative, and surreal, like a drifting dream captured in flowing watercolor.”
Prompt: Oil painting in the style of Alphonse Mucha in the stained glass style. A steaming cup, a teapot, and a bouquet of flowers in front of a window. Night sky. Dominant colors: blue, gold, and black. Contrasts.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.