Prompt: In the artist's vision, hell appears as a monstrous surreal place. The right wing of the triptych is often called “Musical Hell” by critics due to the fact that many different musical instruments are used here. However, one should not hope that they are used for their intended purpose. In fact, even the devils don’t play them, as one might suspect. Bosch decided to use methods of using them that were completely far from the direct purpose of musical instruments. In most cases, they act as torture devices
Prompt: girls with birds and berries on their heads, swimming in a lake, around which riders on different animals are moving. The foreground is filled with people having fun. The company of young people sitting in the thistle bushes is noteworthy. To their left, a young man, swimming with a girl and a stork in a large bright fruit through the dark waters of the lake, feeds blackberries to the swimmers. Immediately behind them to the left are several large birds. The figure of an already middle-aged man sitting on the back of a goldfinch is interesting; he lowered his head low, as if he did not want to look at the disgrace happening around him.
Prompt: srednevekov'ya.
A frozen pond with wormwood, where a sinner rushes astride a huge skate, people flying into the light like mindless midges, a man stuck in a door lock - all these images are allegorical and certainly were understandable to the artist’s contemporaries. Some of what was seen can be interpreted and interpreted even today, but from the point of view of a person of our time, and not of the late Middle Ages.
Prompt: The abnormality of this place is marked by the incredible size of the berries and fruits, scattered here and there throughout the sash. When you look at this, it’s not clear who is here – the berry people or the berry people? The world turned upside down and became home.
The key place in the composition of the sash belon
Model:
DigitalDaVinci
Size:
1152 X 896
(1.03 MP)
Used settings:
Prompt: The key place in the composition of the sash belongs to the image of a man-tree. On his head lies a tabletop and a bagpipe, around which demons lead sinners. Some researchers tend to see in this character a self-portrait of the master himself.
Prompt: The artist chose an ancient occupation of various kinds of scammers as the plot of the painting — a trick with thimbles. While everyone present is staring at the magician, his accomplice in the crowd is stealing a purse. Hieronymus Bosch depicted an allegorical symbol on the table and in the mouth of a frog bent over the table. This amphibian was included in paintings where it was necessary to convey some kind of vice or ridicule church rituals (for example, exorcism). The magician's clothes suggest an analogy with the red mantle of papal cardinals, and the table with objects for tricks is a church altar.
The artist endowed each of the crowd at the table with individual features and engaged in their own business. Leaning over the table is a wealthy citizen, from whose mouth a frog peeks out as a symbol of vice and sinfulness. The man who steals money from him is depicted in the clothes of a member of the Dominican Order. A man in black clothes openly flirts with a woman in a red headdress, placing one hand on her shoulder and the other on her chest. The nun is closely watching the magician's actions, and a man in green clothes standing next to her is looking at the audience. As it was noticed by researchers of Hieronymus Bosch's work, the face of a man in green clothes is found on other canvases. The color of the genre scene is based on the juxtaposition of colors such as white, red and black, as well as minor shades of brown, blue and green
Prompt: Titan Kronos devouring his children in fear of being overthrown by one of them seems the most creepy. Goya depicted madness on the face of the already ugly monster, which further thickens the atmosphere of horror of what is happening. This work “decorated” the wall in his “House of the Deaf,” but it is unlikely that anyone else would want to pass by such a painting in their home at night.
Prompt: The artist chose an ancient occupation of various kinds of scammers as the plot of the painting — a trick with thimbles. While everyone present is staring at the magician, his accomplice in the crowd is stealing a purse. Hieronymus Bosch depicted an allegorical symbol on the table and in the mouth of a frog bent over the table. This amphibian was included in paintings where it was necessary to convey some kind of vice or ridicule church rituals (for example, exorcism). The magician's clothes suggest an analogy with the red mantle of papal cardinals, and the table with objects for tricks is a church altar. The artist endowed each of the crowd at the table with individual features and engaged in their own business. Leaning over the table is a wealthy citizen, from whose mouth a frog peeks out as a symbol of vice and sinfulness. The man who steals money from him is depicted in the clothes of a member of the Dominican Order. A man in black clothes openly flirts with a woman in a red headdress, placing one hand on her shoulder and the other on her chest. The nun is closely watching the magician's actions, and a man in green clothes standing next to her is looking at the audience. As it was noticed by researchers of Hieronymus Bosch's work, the face of a man in green clothes is found on other canvases. The color of the genre scene is based on the juxtaposition of colors such as white, red and black, as well as minor shades of brown, blue and green
Prompt: The artist chose an ancient occupation of various kinds of scammers as the plot of the painting — a trick with thimbles. While everyone present is staring at the magician, his accomplice in the crowd is stealing a purse. Hieronymus Bosch depicted an allegorical symbol on the table and in the mouth of a frog bent over the table. This amphibian was included in paintings where it was necessary to convey some kind of vice or ridicule church rituals (for example, exorcism). The magician's clothes suggest an analogy with the red mantle of papal cardinals, and the table with objects for tricks is a church altar. The artist endowed each of the crowd at the table with individual features and engaged in their own business. Leaning over the table is a wealthy citizen, from whose mouth a frog peeks out as a symbol of vice and sinfulness. The man who steals money from him is depicted in the clothes of a member of the Dominican Order. A man in black clothes openly flirts with a woman in a red headdress, placing one hand on her shoulder and the other on her chest. The nun is closely watching the magician's actions, and a man in green clothes standing next to her is looking at the audience. As it was noticed by researchers of Hieronymus Bosch's work, the face of a man in green clothes is found on other canvases. The color of the genre scene is based on the juxtaposition of colors such as white, red and black, as well as minor shades of brown, blue and green
Prompt: Titan Kronos devouring his children in fear of being overthrown by one of them seems the most creepy. Goya depicted madness on the face of the already ugly monster, which further thickens the atmosphere of horror of what is happening. This work “decorated” the wall in his “House of the Deaf,” but it is unlikely that anyone else would want to pass by such a painting in their home at night.
itan Kronos devouring his children in fear of bein
Model:
Animatron
Size:
1152 X 896
(1.03 MP)
Used settings:
Prompt: itan Kronos devouring his children in fear of being overthrown by one of them seems the most creepy. Goya depicted madness on the face of the already ugly monster, which further thickens the atmosphere of horror of what is happening. This work “decorated” the wall in his “House of the Deaf,” but it is unlikely that anyone else would want to pass by such a painting in their home at night.
Prompt: Dusk And Her Embrace
When the sun has wept upon the waveless lake
And the mists steal in with ease
Covened wolves are their eerie dissonant napes
In adoration of the moon and thee
"They call as I to thee...."
And I will come, as if in dream
My languid, dark and lustrous Malaresian Queen
Of vengeful, ancient breed
Gilded with the pelts of many enemies
Erishkigal, raven-haired
Thy seduction haunts the castle in erotic despair
I can taste thy scent by candlelight
Legs of porcelain traced and laced to their lair
Appease the beast on spattered sheets
Dyed unearthly red as sobriety weeps
Nocternity....
She shall come for me
A black velvet painting sprung to elegant life
Like a poignant Madonna perverted to night
And I have ridden from the westerning light
To expend my lust
Tear away the funereal dress
Know that I will escape from my death
Surrendered to the splendour of her sharpened caress
Lo! The pale moonlight
Weaves a poetic spell of vital death and decline
Of mist and moth and the hunger inside
Kisses took to fever and the fever, demise
Prompt: Beauty Slept In Sodom
Death, spirit me away
My anguished soul doth strain
On taut and twisted reins
Yet, insatiate I still remain
Like a proud, unfalled star
That dares thee from afar
To calm my thund'rous heart
Else, rend it's knots apart
So I may never sing
Of jewelled skies o'er my strings
And love, a wanton thing
Can plunge on burnt, black wings
To hang amid the thorns
In scarlet, like velvet worn
About the clouded moon
Who wanes in solitude....
I am alone
Thirsting for the dark
That lurks beneath marbled stone
What black witchcraft
Shalt prise thee from thy dreams
And what perverse world-strategy
Will wend it's way with thee from sleep?
"Rouse my disease
And with cadent naked dance I shalt teach
Thee wisdom of darkness
From earth and red sea
Lightbearing Samael
Coalesce with me...."
Prompt: Hosannas in Extremis
Invading tempestuous skies
When Inanna rose, bringing angels repose
And Narcissus' date as their prize
Blinded by Diana's mirror
Wherein coffined truth struggles, forlorn
And covetous stars out their eyes to deceive
The horrors performed on Her shores
As jewelled Ishtar, in darker Aeons
Trespassed Ereshkigal's grasp
Her ravening twin, wreathed in whispers and wind
Now inspires Catharsis to dance
Through the weave of white vaults
Where the shadows revolt
At the incest of spiritual love
Castrata choirs, bereft of such lusts
Spatter virginal breasts with their blood
The iron tongue of midnight hath told twelve
(Thirst-ridden) Wolves serenade a moon
Who seems no mistress of Herself
And heavens pour forth vast casualties
Thy host given up for me
Thou which wert once and then ceased to be
Art now ensconced to chapters
Of a lengthening tragedy
Whilst we scream free
Deep forests impale the sinister mist
Their sorcery taught to the clouds
Who muster like mountains, a fountainous wish
To vex the sweet dead from silk odious shrouds
Prompt: Hosannas in Extremis
Invading tempestuous skies
When Inanna rose, bringing angels repose
And Narcissus' date as their prize
Blinded by Diana's mirror
Wherein coffined truth struggles, forlorn
And covetous stars out their eyes to deceive
The horrors performed on Her shores
As jewelled Ishtar, in darker Aeons
Trespassed Ereshkigal's grasp
Her ravening twin, wreathed in whispers and wind
Now inspires Catharsis to dance
Through the weave of white vaults
Where the shadows revolt
At the incest of spiritual love
Castrata choirs, bereft of such lusts
Spatter virginal breasts with their blood
The iron tongue of midnight hath told twelve
(Thirst-ridden) Wolves serenade a moon
Who seems no mistress of Herself
And heavens pour forth vast casualties
Thy host given up for me
Thou which wert once and then ceased to be
Art now ensconced to chapters
Of a lengthening tragedy
Whilst we scream free
Deep forests impale the sinister mist
Their sorcery taught to the clouds
Who muster like mountains, a fountainous wish
To vex the sweet dead from silk odious shrouds
Prompt: A monkey wearing a jockey outfit is riding on the back of a Big belly seahorse (Hippocampus abdominalis). swimming in wavy water with bubbles and splashing.
Prompt: itan Kronos devouring his children in fear of being overthrown by one of them seems the most creepy. Goya depicted madness on the face of the already ugly monster, which further thickens the atmosphere of horror of what is happening. This work “decorated” the wall in his “House of the Deaf,” but it is unlikely that anyone else would want to pass by such a painting in their home at night.
Prompt: itan Kronos devouring his children in fear of being overthrown by one of them seems the most creepy. Goya depicted madness on the face of the already ugly monster, which further thickens the atmosphere of horror of what is happening. This work “decorated” the wall in his “House of the Deaf,” but it is unlikely that anyone else would want to pass by such a painting in their home at night.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
