Prompt: Windswept silence fills a vast white desert, where a woman stands with her back to the viewer, in the style of Richard Dadd, framed in a close-up perspective. Rendered in the textured brushwork of an old master oil painting on canvas, her loose white robe flutters in the dry wind, sand swirling softly around her ankles. Fine subliminal mycelium patterns subtly interlace with both her figure and the shifting dunes beneath her. Her hair, tangled and windblown, partially veils her face, mirroring the tension of the stormy atmosphere. Overhead, the sky is layered in muted greys and off-whites, with a dim sun barely breaking through the haze. The setting recalls the sparse landscapes of Simon Stålenhag, blended with the intricate monochrome fine defined line detail of Aubrey Beardsley and the cinematic tension found in Ash Thorp’s compositions. A visual study in solitude, depth, and restrained surrealism, presented with raw texture and contrasts of surreal-realism. --v 5 --ar 3:4 --q 2 --style raw
Wanderer 06 - Summertime In The Magic Hour, Just After Sunset (To The Valley Below)
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: In a scene by IVAN BILIBIN the viewer sees a solitary man in hat and long coat with his face turned away and his back to the viewer, he is standing on a rise in the hill country and looking toward the horizon and the gradual flattening of the hill country into flatlands that spread all the way to the horizon, where farmers' fields alternated with fallow fields where green and gold grasses and sage was growing tall ; as he stands there the solitary man appears to be looking at a well-built single story farm-house in the distance ; everything is under a bright blue cloudless SUMMER sky, bright color palette, ILLUSTRATED IN THE STYLE OF IVAN BILIBIN ESPECIALLY HIS FOLK TALES AND FAIRY TALES
Forever Autumn / In This Beauty Wood ( Seasons Series - Autumn 001 )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Wide open FOREST wilderness without a single building or person or animal or bird anywhere, in an AUTUMN scene with HARDWOOD TREES IN RED AND ORANGE AND YELLOW LEAVES ; the EVERGREEN TREES and the GRASS in the clearing are all still in SHADES OF GREEN, painted in the combined styles of Claude Monet, Pierre-Auguste Renoir and Paul Cezanne
Brother/Sister (Machine Elves #3) Portrait Representation of an Entheogenic Extradimensional Entity
Model:
DaVinci2
Size:
1296 X 1728
(2.24 MP)
Used settings:
Prompt: USING ABSTRACT REPRESENTATIONAL ART Please Show me a TRUE REPRESENTATION for ONE KIND OF ENTITY ENCOUNTERED by DMT users USING ABSTRACT REPRESENTATIONAL ART to create a UNIQUE CREATION OF A KIND NEVER SEEN BEFORE designed by DDG's AI
Brother (Machine Elves #2) Portrait Representation of an Entheogenic Extradimensional Entity
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: USING ABSTRACT REPRESENTATIONAL ART Please Show me a TRUE THREE DIMENSIONAL REPRESENTATION for ONE KIND OF ENTITY ENCOUNTERED by DMT users USING ABSTRACT REPRESENTATIONAL ART
New York City, 1947 - a cityscape at night, full moon, in comic book style ( landscape in 3,4 )
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: New York City, 1947 with vintage architecture by Bernard Buffet translated into comics illustration for the quoted text : "There are monsters in our world, hiding in the shadows. They’re unknown to most, but a threat to us all."
Forested Cliffs, a Landscape Painted in Traditional Japanese Sumi-e Style
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: A sumi-e ink painting with a scroll layout depicting a traditional Japanese wilderness landscape ; this painting uses the expressive ink strokes, the Minimalism style, the clever use of negative space, and the interplay of light and shadow that are all characteristic of the Sumi-e medium ; the painting communicates the fleeting nature of things and the quiet poetry of tradition ; the painting is in monochrome, with delicate brushwork and traditional elegance, painted by Hokusai and Hiroshige.
Prompt: A small village on the Great Plains region of the United States in the year 1840, in a Springtime scene with flowers blooming, painted in the combined styles of Monet, Renoir, and Cezanne, and Erin Hanson
Martine Delacroix, Age 18, Seeking Respite From Her Parents' Arguing ( 5W-5 )
Model:
DaVinci2
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: Sitting on a rooftop watching the city lights: She sits on the edge of a rooftop, her feet dangling as she watches the city lights twinkle below. Elaborate frayed relief print, Elegant and fantastic view.
ARTemis NOUVEAU, a portrait by Gustav Klimt, 1901 ( 5W-2 )
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: USING OIL PAINTING IN THE STYLE OF
GUSTAV KLIMT during his Austrian Symbolism Period,
Please CREATE for me a TRUE TWO DIMENSIONAL REPRESENTATION for
ONE KIND OF ENTITY ENCOUNTERED by DMT users
A Stylized Landscape, with Design Elements from Western Art and Traditional Japanese Painting
Model:
DaVinci2
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: single image, aquarelle painting, 3D abstract fine line pencil drawing, a magnificent enchanting Japanese landscape, ripples, surrounded by magnolia trees and sea oats, big gold foil sun in background, white stripes, small triangles and geometric patterns in pink and lavender, fine line drawing executed with calligraphic precision, textured with gold, copper, black, cerulean blue and silver threads, filigree, very defined lines in the style of Esao Andrews and Brendan Monroe. Chinese ink painting, muted colours, rice paper texture, splashes of lavender and gold colour. Rich and varied textures, 3D brushwork, hints of kintsugi gold cracks, intricately detailed. An intricate pattern that delights with its unusual and precise lines, a harmonious combination of colours, a masterpiece inspired by Odilon Redon.
Nightmare City - a landscape of 'The Third Place,' i.e., The Dream World
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A Hellish cityscape at night painted in the Nazarene movement art style as typified by the artists Johann Friedrich Overbeck, Franz Pforr, Ludwig Vogel and Johann Konrad Hottinger, a group of early 19th-century German Romantic painters who aimed to revive spirituality in art
Blood Bouncy, the Sentient Toy ( Surreal Demi-Abstract Portrait )
Model:
DaVinci2
Size:
864 X 1152
(1.00 MP)
Used settings:
Prompt: (( as my emotions keep me afloat in droste effect of minimalistic whimsical biomechanoid oddity (cursed surreally occult kid toy) by some whimsical illustration, magical, by Anna Silivonchik & Sam Toft & Stewart Edmondson, made with blood ink using just a few curved cuts in impasto thick cracked cracking and damage in multilayers ))
New York City, 1947 in the Comics 05 ( cityscape and landscape )
Model:
DaVinci2
Size:
720 X 720
(0.52 MP)
Used settings:
Prompt: Vintage New York City, 1947 in the serene pre-dawn light, streets empty; classic architecture with skyline's skyscrapers, street-level view of vintage architecture by Bernard Buffet in comic illustration, CMYK color process, Golden Age comics artists' styles blend: Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's detail, Graham Ingels' atmosphere, Matt Baker's character designs, Jack Kirby's iconic style. Broadway in 1947, pedestrian's sidewalk perspective, empty streets, bygone era essence, intricate classic architecture, ornate designs. Nostalgic, grand, artistic, Golden Age comics style, transportive, rich colors, detailed linework, dramatic shadows, atmospheric touch, iconic style.
New York City, 1947 in the Comics 04 ( cityscape and landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: New York City, 1947 in the first glimmers of pre-dawn light WHEN THE STREETS ARE EMPTY ; the classic architecture of the city's streets composed together for maximum artistic effect, with a street level view of vintage architecture by Bernard Buffet translated into comics illustration, colored by duplicating the CMYK process for printing comic books in many different colors ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age, with Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's attention to detail, Graham Ingels' atmospheric touch, Matt Baker's elegant character designs, and Jack Kirby's iconic style.
New York City, 1947 in the Comics 03 ( cityscape and landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: New York City, 1947 in the first glimmers of pre-dawn light WHEN THE STREETS ARE EMPTY ; the classic architecture with the skyline's skyscrapers composed together for maximum artistic effect, with a street level view of vintage architecture by Bernard Buffet translated into comics illustration, colored by duplicating the CMYK process for printing comic books in many different colors ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age, with Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's attention to detail, Graham Ingels' atmospheric touch, Matt Baker's elegant character designs, and Jack Kirby's iconic style.
New York City, 1947 in the Comics 02 ( cityscape and landscape )
Model:
DaVinci2
Size:
716 X 716
(0.51 MP)
Used settings:
Prompt: New York City, 1947 in the first glimmers of pre-dawn light WHEN THE STREETS ARE EMPTY ; the classic architecture with the skyline's skyscrapers composed together for maximum artistic effect, with a street level view of vintage architecture by Bernard Buffet translated into comics illustration, colored by duplicating the CMYK process for printing comic books in many different colors ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age, with Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's attention to detail, Graham Ingels' atmospheric touch, Matt Baker's elegant character designs, and Jack Kirby's iconic style.
New York City, 1947 in the Comics 01 ( cityscape and landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: New York City, 1947 in the first glimmers of pre-dawn light WHEN THE STREETS ARE EMPTY ; the classic architecture with the skyline's skyscrapers composed together for maximum artistic effect, with a street level view of vintage architecture by Bernard Buffet translated into comics illustration, colored by duplicating the CMYK process for printing comic books in many different colors ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age, with Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's attention to detail, Graham Ingels' atmospheric touch, Matt Baker's elegant character designs, and Jack Kirby's iconic style.
New York City, 1947 in the Comics 06 ( cityscape and landscape )
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: New York City, 1947 in the first glimmers of pre-dawn light WHEN THE STREETS ARE EMPTY ; the classic architecture of the city's streets composed together for maximum artistic effect, with a street level view of vintage architecture by Bernard Buffet translated into comics illustration, colored by duplicating the CMYK process for printing comic books in many different colors ; the comics illustration uses the combined styles of many of the greatest artists of comics' Golden Age, with Frank Frazetta's dynamic compositions, Lou Fine's intricate linework, Will Eisner's storytelling flair, Jack Cole's bold colors, Bill Everett's dramatic shadows, Alex Schomburg's detailed backgrounds, Wally Wood's attention to detail, Graham Ingels' atmospheric touch, Matt Baker's elegant character designs, and Jack Kirby's iconic style.
Prompt: anthropomorphic block print, illustration, exposed brick wall with a Joker poster by artist Marshall Rogers, water stained ecru textured background, insane composition, multilayered
Prompt: anthropomorphic block print, illustration, exposed brick wall with an ICONIC ORIGINAL VERSION OF THE JOKER BY CREATOR BOB KANE in a poster, water stained ecru textured background, insane composition, multilayered
Prompt: anthropomorphic block print, illustration, exposed brick wall with a poster of The JOKER ; water stained ecru textured background, insane composition, multilayered
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
