Prompt: many pale calla lilies in the jungle, moonlit night, cool colors, grainy texture, psychedelic, electric, iconic, linocut in the manner of Frances Gearhart and Henri Rousseau
Prompt: bodyscape of luminescent rain forest landscape on female model with beautiful body proportions, fluorescent pigment body painting style by John Poppleton and Bob Ross; that uses fluorescent pigment to paint landscapes on female, soft diffused lighting on her face
Prompt: rule of thirds portrait: full portrait of an insanely beautiful detailed green bioluminescent fantasy female with glowing skin and in best body proportion; her floor-length glowing hair is growing like a tree with fantasy glowing biomorphic flowers and bioluminescent flies are surrounded, magic particles, glitters, cosmic, celestial, surreal
Prompt: The city of Weimar was another important center of the Jugendstil, thanks largely to the Belgian architect and designer Henry van de Velde. Van de Velde had played an important role in the early Belgian Art Nouveau, building his own house and decorating it in Art Nouveau style, with the strong influence of the British Arts and Crafts Movement. He was a known in Germany for his work in Belgium and Paris, and began a new career in Dresden in 1897, with a display at the Dresden Exposition of decorative arts. His work became known in Germany through decorative arts journals, and he received several commissions for interiors in Berlin, for a villa in Chemnitz, the Folkwang Museum in Hagen, and the Nietzsche House in Weimar for Elisabeth Förster-Nietzsche, the sister of philosopher Friedrich Nietzsche. He settled in Weimar in 1899 and produced a wide variety of decorative works, including silverware and ceramics, all in strikingly original forms. His silverware was particularly unusual: each piece had its own form, with sleek curving lines, but together they formed a harmonious ensemble. In 1902, he decorated the apartment of Count Harry Kessler, a prominent patron of the Impressionist
Prompt: Between 1900 and 1914, Art Nouveau imposed itself and it began to be the subject of debate, discussion and criticism37. From 1900, many art critics attacked this movement. They criticize in particular for obstinately leaving aside one of the principles of the decorative arts, which states that the ornamentation of an object must be subordinated to its function. As early as the Universal Exhibition of 1900, Charles Genuys, critic for La revue des arts décoratifs, raised this point among others39. Art Nouveau was also violently attacked by nationalist movements, from the years 1904-1905, where French far-right associations condemned Hector Guimard in particular. These movements do not hesitate to use the same rhetoric as for the Jews, accusing these artists of being against the nation and needing to be eliminated6. In addition, the authentic creators are quickly overtaken by the success of a fashion of which they are the inspiration, and which triumphs from the universal exhibition in 1900, in particular in an invasive bimbeloterie which tarnishes for a long time the memory of Art. new. From 1910, the decorative arts salons were flooded with random objects, taking up old styles and
Prompt: Jugendstil was an artistic movement, particularly in the decorative arts, that was influential primarily in Germany and elsewhere in Europe to a lesser extent from about 1895 until about 1910. It was the German counterpart of Art Nouveau. The members of the movement were reacting against the historicism and neo-classicism of the official art and architecture academies. It took its name from the art journal Jugend, founded by the German artist Georg Hirth. It was especially active in the graphic arts and interior decoration.
Prompt: Antoni Gaudi and Shukhov carried out experiments with hyperboloid structures nearly simultaneously, but independently, in 1880–1895. Antoni Gaudi used structures in the form of hyperbolic paraboloid (hypar) and hyperboloid of revolution in the Sagrada Família in 1910.[4] In the Sagrada Família, there are a few places on the nativity facade – a design not equated with Gaudi's ruled-surface design, where the hyperboloid crops up. All around the scene with the pelican, there are numerous examples (including the basket held by one of the figures). There is a hyperboloid adding structural stability to the cypress tree (by connecting it to the bridge). The "bishop's mitre" spires are capped with hyperboloids.[citation needed]
Prompt: Wipping widow on lake with high contrast and distinct high detail color patterns which are slightly individually smudged by brush techniques, create a dramatic and impactful result, Sunbeams through the clouds from left clear view from middle to left detailed blades of grass dried thin flowers in front of the camera in the wind in the distance only a few thick oak trees; + add Sherry Akrami and Yossi Kotler style
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.