AlexFlorence

The Watermelon Sailboat Sculpture

• Model: DaVinci2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: This is an amazing example of watermelon carving, a form of art that transforms a watermelon into a detailed and intricate sculpture. The piece features a sailing ship with multiple sails, carved from the red flesh of the watermelon, while the green rind forms the hull and outer structure. ### Key Features: - **Sails**: The three large sails are adorned with graceful folds that mimic fabric, giving them a realistic, billowing appearance. - **Mast and rigging**: The central mast supports the sails, and the thin lines represent the rigging and ropes. - **Hull and deck**: The base of the ship is carved into the curved shell of the watermelon, with details such as railings and deck structures visible. - **Waves-like details**: The bottom of the carved watermelon features stylized waves, suggesting that the ship is sailing on the sea. - **Flag**: A small flag is attached to the top of the mast, adding a finishing touch.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Ogura Hyakunin Isshu No. 38 - Ukon

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 38, Ukon, of the Ogura Hyakunin Isshu: "Forgotten by him / I do not think of myself. / But I can't help worry / about the life of the man who / swore so fervently before the gods!" A contemporary woman spurned by her lover sits sadly and contemplatively on a Japanese platform-style bed made of dark wood. The bed is pristine and perfectly made up with light-brown sheets and pillows. The elegant, young woman is despondently holding her head in her palms and is staring glumly out of the window of her high-rise apartment. The quiet of the starkly decorated, perfectly arranged apartment contrasts with the apparent bustling, busy, urban life outside. She is elegantly clothed in a gold-and-white silk kimono with a woven bird pattern. Combination watercolor and woodcut, executed in a style reminiscent of Kawase Hasui. Deft execution, melancholy motif. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 39 - Sangi Hitoshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 39, Sangi Hitoshi, of the Ogura Hyakunin Isshu: "Though I reveal my love / as sparingly as the sparse reeds / that grow in low bamboo fields, / it overwhelms me - why is it / that I must love her so?" We see a gently sloping, green meadow densely populated by shorter reed grass, among which stands taller bamboo grass. Extreme woodcut esthetic. The sky is filled with little, puffy clouds rendered as woodcut lines that, upon closer inspection, hide the barely discernible image of a Japanese man. The Japanese man is definitely to be made out in the clouds. Combination linocut and woodcut, hand-colored additionally with watercolors, executed in a style reminiscent of Kawase Hasui. Deft execution, melancholy motif. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 41 - Mibu no Tadami

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 41, Mibu no Tadami, of the Ogura Hyakunin Isshu: "My name already / is bandied about with / rumors I'm in love - / though, unknown to anyone, I thought, / I had only just begun to love her!" The image shows an animated group of four young Japanese salarymen sitting at a bar counter after work, engaged in eye-winking, lighthearted banter. One of the young men cups his hand near another's ear and is whispering something. The third young man in the group is looking lovelorn at a beautiful, contemporary young Japanese woman sitting apart from the group at the other end of the L-shaped bar. She has coyly and demurely lowered her eyes. The image combines an extremely detailed, richly colored, mineral pigment technique with watercolor and is rendered according to Nihonga art principles. Deft execution, whimsical motif. Masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Autumn Serenity by the Waterway

• Model: Artistic

• Size: 1136 X 904 (1.03 MP)

• Used settings:

  • Prompt: black and white autumn Landscape, Trees, Autumn Flowers, Dark Clouds, Bad Weather, September, wet in wet
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Autumn Bliss in a Cozy Kitchen Retreat

• Model: AIVision

• Size: 1011 X 850 (0.86 MP)

• Used settings:

  • Prompt: Cozy kitchen,the view of the autumn garden.colorful leafs on the windowsill and on the floor Rainy day. Jean-Baptiste Monge style, watercolor, ink. Picturesque and colorful.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Autumn Serenity: Cats at sunset

• Model: DaVinci2

• Size: 1168 X 880 (1.03 MP)

• Used settings:

  • Prompt: 2 cats perched on a fence at sunset
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Autumn time

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: A real masterpiece.Autumn.Ashberry.A beautiful woman in a sundress with a loose blond braid stands by a rowan tree. A Pavlovsky Posad shawl is draped over his shoulders.Show her to her full height.Russian patterns.Zhostovo painting.Palekh. the most beautiful painting in the world.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ogura Hyakunin Isshu No. 37 - Fun’ya no Asayasu

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 37, Fun’ya no Asayasu, of the Ogura Hyakunin Isshu: "In the autumn fields / When the heedless wind blows by / Over the pure-white dew, / How the myriad unstrung gems / Are scattered everywhere around." This poem uses fairly common imagery: Glistening, refractive, rainbow-color-reflecting, opalescent, sparkling, jewel-like dewdrops densely covering the crumpled leaves of fall shine like pearls and gemstones. The image focuses on the sunshine on fallen leaves on the forest floor and their sparkly dewdrops. Some leaves are being whirled about by the wind, spraying their gemstone-like dewdrops through the air to create a glittering spectacle with a bokeh esthetic. The gust of wind is made visible by almost comic-like parallel lines and curls. Combination watercolor and woodcut, executed in a style reminiscent of Kawase Hasui. Deft execution, whimsical, peaceful, nature motif. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 3 - Kakinomoto no Hitomaro

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 3, Kakinomoto no Hitomaro, of the Ogura Hyakunin Isshu: "Oh, the foot-drawn trail Of the mountain-pheasant's tail Drooped like down-curved branch! Through this long, long-dragging night Must I lie in bed alone?" The image shows a forlorn, old man in a Japanese patterned cotton robe lying supine on a stark bed, arms crossed over his chest, staring into the sky. Outside his bedroom window, it is the break of dawn. A foggy, orange glow lies over the landscape. In the morning haze, we can make out a mountain footpath leading up to a snowy peak. Exquisitely detailed Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 10 - Semimaru

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Semimaru, of the Ogura Hyakunin Isshu: "Truly, this is where Travelers who go or come Over parting ways--Friends or strangers--all must meet: The gate of "Meeting Hill." The image shows a small, weathered wooden gate overgrown by grass and weeds on either side of the gate. The gate is integrated in a wooden rail-and-post fennce in rich, dense vegetation. A gravelly path leads up to and beyond the gate. The path winds up a grassy slope and beyond to the Meeting Hill. A wan sun shines down on the scene from a cloudy sky. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 15 - Emperor Kōkō

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 14, Emperor Kōkō, of the Ogura Hyakunin Isshu: "It is for your sake That I walk the fields in spring, Gathering green herbs, While my garment's hanging sleeves Are speckled with falling snow." The image shows an elegantly dressed, young man, Kōkō Tennō, bending over to pick wildflowers and green herbs in very early spring. Snowflakes are falling on the sleeves of the emperor's intricately patterned silk kimono. He is fully concentrated on his task, and is holding a small bouquet of greens and spring wildflowers in one hand while he is bending over and picking a single flower to add to the bouquet. The weather is cold and gray, with a strong wind blowing patterned clouds through the sky. The emperor's exquisitely colored silk robe contrasts starkly with the inclement, gray weather. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 22 - Fun'ya no Yasuhide

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 22, Fun’ya no Yasuhide, of the Ogura Hyakunin Isshu: "It is by its breath That autumn's leaves of trees and grass are wasted and driven. So they call this mountain wind The wild one, the destroyer." The image shows a side view of a richly wooded, sloping mountainside in late fall. A gale-force gust of wind is blowing down the mountainside quite dramatically and, for the sake of the viewer, with a visible pattern. The wind is blowing red and yellow leaves before it, and bending grasses all the way to the ground. The leaves swirl and twirl in the crisp fall air. The red and yellow of the trees and leaves contrast sharply with the white pattern used to visualize the wind against an electric blue sky. Intricate watercolor overlaid with a woodblock print. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 33 - Ki no Tomonori

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 33, Ki no Tomonori, of the Ogura Hyakunin Isshu: "In these spring days / with the tranquil light encompassing / the four directions / why should the blossoms scatter / with uneasy hearts?" The image shows a line of Sakura cherry trees in two-point perspective leading from the left lower-hand corner of the image to the horizon and the last third of the image. The cherry trees are in full bloom, with rich, double blossoms in shades of pink to magenta, under a peaceful spring sun. The grassy meadow under the cherry trees is fresh and green. A Zephyr is blowing, tossing about fallen blossoms that whirl thorugh the air. The sweep of the wind is made visible by many parallel, elegantly curved woodcut lines. Combination lithograph and woodcut, executed in a styles reminiscent of Kawase Hasui. Deft execution, introspective, peaceful nature motif. The whirling blossoms add a melancholy note of transience to the spring tableau. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 34 - Fujiwara no Okikaze

• Model: AIVision

• Size: 5376 X 3024 (16.26 MP)

• Used settings:

  • Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 34, Fujiwara no Okikaze, of the Ogura Hyakunin Isshu: "IWho is still alive / When I have grown so old / That I can call my friends? / Even Takasago's pines / No longer offer comfort." The image focueses on a single, ancient secred, venerable pine tree, with a split trunk and twisted limbs. The iconic pine tree stands before Takasago Shrine. The shrine can be made out behind the branches of the pine tree. The single, old pine tree symbolizes the loneliness of age. Combination lithograph and woodcut, executed in a styles reminiscent of Kawase Hasui. Deft execution, introspective, peaceful, melancholy nature motif rendered in dark colors. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Autumn Serenity: A Colorful Landscape

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: Mesmerizing evocative dreamy oil painting, expressive hard brush strokes, textured oil on canvas, dynamic paint splashes, drifting paint splatters, thick palette knife technique reminiscent of Mona Edulesco, evoking the iconic style of Van Gogh, winter cold dark muted desaturated colours, intricate details, bold and confident EmmAI composition, masterful blending of sad colours, intense emotion, dramatic lighting. A vibrant autumn landscape featuring swirling trees with colourful leaves in shades of orange, yellow, and purple. A tranquil river reflects the brilliant colours of the foliage, surrounded by lush greenery and wildflowers. The winding path beside the river invites exploration, bathed in warm, golden sunlight streaming through the trees. The scene is filled with a sense of dreamy enchantment, reminiscent of impressionist art, with exaggerated colors and patterns. In the style of Michael Cheval, Michael Whelan, Dali, Alex Gray, Renoir, surreal, vivid colors, masterpiece, best quality AI art, diffuse lighting, ambient occlusion, Polished, Masterful Surrealism, Photorealistic, unreal engine, 128K, UHD, crisp quality, light reflections, RHADS, atmospheric, 3D texture, 3D shading, ultra 3-dimensional effect, octane render, volumetric lighting, highest quality AI art, classic composition, ultra-realistic, sharp, clear realism, pencil sharp edges, rich texture and color, clear, ultra-real, soft glow, trippy, dreamy, thick paint, visible brush strokes
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 35 - Ki no Tsurayuki

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 35, Ki no Tsurayuki, of the Ogura Hyakunin Isshu: "The depths of the hearts / Of humankind cannot be known. / But in my birthplace / The plum blossoms smell the same / As in the years gone by." The image shows an unassuming-looking, older, contemporary Japanese man looking out of a train window, his head resting on his palm, and his elbow on the windowsill. He is contemplating the sunny, early spring landscape outside the train window. As if in a perfect snapshot, a single, magnificent plum tree in full bloom stands on a grassy meadow and can be seen right in the middle of the windowpane, with only the left side of the tree slightly obscured by the profile of the man looking out of the window. Combination watercolor and woodcut, executed in a style reminiscent of Kawase Hasui. Deft execution, introspective, peaceful, melancholy motif. The view out of the window is rendered in pastel spring colors, contrasting with the darker, shaded tones of the man inside the train window. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Mystical Forest: A Dreamlike Encounter

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: (A masterpiece of unparalleled excellence), ((anime style, A serene figure in a beautifully embroidered traditional garment stands amidst a mystical forest, illuminated by glowing lanterns hanging from intricate tree branches. The scene exudes magic and tranquility)). The artwork, rendered in vivid, ultra-realistic detail, features a harmonious blend of alcohol ink, pen, illustration, and watercolor. The whimsical style, bright colors, and intricate floral elements create a dreamlike setting, enhanced by soft lighting and a charming atmosphere. Stunning Chinese watercolors, Pen and Ink, Pencil drawings, as if created by Arthur Rackham, Ernst Haeckel, Gustav Klimt, Jean-Baptiste Monge, Kandinsky, Tim Burton.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Doubt thou the stars are fire in Florence 1

• Model: DaVinci2

• Size: 2640 X 3504 (9.25 MP)

• Used settings:

  • Prompt: The Palazzo Vecchio of Florence: (A masterpiece of unparalleled excellence), (("A vibrant, whimsical scene featuring colorful birds flying around two clock towers against a spiral sky, filled with a crescent moon and stars, creating a dreamy, magical atmosphere.". Colorful complex stipple texture)), Inspired by the style illustrations of Debbie Criswell, Catrin Welz-Stein, Gediminas Pranckevicius, Kate Beaton, Deborah Azzopardi, Laura Callaghan. (Full Size image).
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Dreamlike Pathway of Colorful Blooms

• Model: DaVinci2

• Size: 3072 X 3000 (9.22 MP)

• Used settings:

  • Prompt: A twilight orchard stretches endlessly, each tree crowned with lantern-like blossoms that shimmer as though spun from molten amber. The grass is an undulating sea of indigo and emerald, whispering under a phantom wind. In the center, a winding path of luminous stones spirals outward, glowing faintly as if alive with secrets. Above the sky ripples like stained glass set in motion, constellations rearranging themselves in fluid mosaics. The horizon melts into a spectrum of copper and violet haze, glowing as if the world itself is exhaling. The scene resonates with the cosmic mysticism of Leonora Carrington, the symbolic surrealism of Max Ernst, and the fluid chromatic poetics of Gustav Klimt. Rendered in shimmering gouache layered with gold leaf and ink etchings, the vision feels at once eternal and fleeting, as though captured from the dream of another universe.
  • Using base image: Yes (Effect strength - 70%)
  • Base image resolution: Default
  • Upscale & Enhance: 0