A try from SiouX: Desert Dreamscape: Red Sun and Stripes
Model:
AIVision
Size:
1792 X 1024
(1.84 MP)
Used settings:
Prompt: Jackrabbits run at the yellow sunset:Three colors, red, white, black, monochromatic horizontal and vertical lines form a picture of an abstract desert garden, saguaro cactuses, reminiscent of a composition of a masterpiece by Caspar David Friedrich in a contemporary context. A slender, overlong JACKRABBIT accompanied by an elegant ROADRUNNER is of high quality. The composition conveys a sense of enchanted, abstract, creative and avant-garde like drawing, 3D image
Prompt: The Darkness from which we try to escape may often be a portal to the Light of Divine Love. Best let the Source draw us through it in Its own Way and Time
Prompt: Greek village scene by the sea... black cat sitting on a white step... in the style of Aziz Sulaymanov... street with white houses... view of sea and distant mountains... bright and airy feel... sunny... blue sky...
Prompt: **Upon a hill, where daisies bloom,
There sat a maid in golden light,
Her hair did shine, like threads of loom,
Her fingers danced, both soft and slight.**
**A lyre she held, of wood and gold,
Its strings did hum a gentle tune,
With every note, a tale was told,
A melody that matched the moon.**
**Her voice did rise, so pure, so clear,
Like whispers from the ancient glen,
And all who heard, both far and near,
Were lost within her song again.**
**The trees did bow, the winds did cease,
The rivers stilled to hear her play,
And in that moment, all was peace,
As night did fold the edge of day.**
**O maiden fair, with hair of sun,
Thy music sweet as honeyed dew,
In thy soft song, all hearts were won,
And dreams were born, both old and new.**
Prompt: A captivating re-imagining of Sydney Opera House, artistic representation is constructed entirely from musical instruments, & features aspects of recursion¸ by blending distinctiveness of MC Escher with futuristic surrealism of Adam Martinkas; sails of the Opera House are formed by grand piano and/or/ violins and/or harps, with curves & details emphasized by strings & keys; building, base and remaining structures are built from drum sets, guitars, brass instruments like trumpets & trombones, saxophones & flutes for detailing, music symbols & notes for intricate details & embellishments; Recursion effect is portrayed by embedding smaller versions of the Sydney Opera House within the larger structure, made from the same musical elements;. smaller versions appear within the sails & around the base, creating a loop of the Opera House within itself; the iconic structure is amid a realistic surreal setting: the night sky has a Van Gogh Starry Starry night-like vibe, with dynamic stars made from musical notes & symbols that can include treble clefs, bass clefs, quarter notes, eighth notes, musical staves, rests, sharps, flats which can reflect in a small visible part of Sydney Harbor; the result is very much a symphony of elements, artists Escher, Adam Martinkas, Van Gogh, who blend harmoniously while maintaining original architects Jørn Utzon, Peter Hall, vision in a gorgeous, slightly whimsical masterpiece
Yoda Brick Road: Paved for Luke, it was. Featuring Luke S as coiffed C Lion
Model:
AIVision
Size:
2688 X 1536
(4.13 MP)
Used settings:
Prompt: A reimagined scene inspired by "The Wizard of Oz," featuring a German Spitz male with goldish-orange hair, reminiscent of the Cowardly Lion’s mane, styled in voluminous ringlets with a ribbon on top as per the film; . golden Spitz is the most glorious & regal figure, standing out with its elegant cascading mane of ringlet curls & a confident demeanor; surrounding the Spitz on the iconic Yellow Brick Road are other small dogs playfully dressed as the Tin Man & the Scarecrow, adding a touch of whimsy; scene is set against the lush, vibrant green landscape of Oz, with the Emerald City visible in the distance; atmosphere should capture the magical & cinematic essence of the original movie, with a rich, colorful palette + detailed textures, emphasizing the grandeur & charm of the scene.
Modifiers: Artistic Styles: Golden Age of Animation, Cinematic Realism
Key visual: detailing of tight spiral ringlets of mane scenic detailing, Note: subject’s eyes are brown with high reflection; Textures: Soft, voluminous curls; metallic & rustic details for Tin Man & Scarecrow costumes
Mood: Whimsical, Heroic, Epic;Color Palette: Warm golden tones for the Spitz, plus brown eyes; & landscape is in rich greens & yellows; Lighting: Vibrant & cinematic, with a mix of warm & cool tones to highlight the characters & setting
Prompt: That’s A Moiré - Imagine a dimension where moirés are interwoven into everything, from the Young moonlit couple engaged in dynamic gazing at each other, to the elegant bride upon which they stand to the moire fog, , the moon, its armor of light to every element that enhances a carefree romantic mood, & every visible surface - swathed in gorgeous richly colored moirés , many silky moiré designs, artistically & aesthetically arranged, & layered with, patterns being continuous, as every line & edge surreally & artfully flow with beautiful seamless fluidity into new realms of moiré, fluid kinetic dynamic silky, multi-textured layers; ; the effect flowing textures beautifully dynamic & precise fluidity with consistent Iris Van Herpen (luxe designs) fluidity )& (kineticism), (sublime designs) (rich sensuous colors), permeate the dynamic dandelion wisp night yerka ; moirés can include aesthetically resonant Interference patterns, aliasing, beat patterns, fringe patterns, overlapping & superimposed, , sleek silky luxe continuity, Moiré Magic Textile by (Iris van herpen), (Alberto Biasi) moiré, (Kate Mosher Hall, (Anoka Faruqee,) (victor Vasarely) (Sampad), hyper realism surrealism, fashion, atmospheric, hyper realistic eyes with hyper realistic light reflections, , hyper realistic chiseledd symmetrical facial features, hyper realistic facial expressions and mechanics of body position, water colore moire vibe, hyper detailed with incredible blending of moires that at an ethereal dyamic essence that even the atoms in the air swoon, just by being in their moire presence features,
Prompt: alone flover grown from the ruins of a abondoned, destroyed and devastated Newyork City Style by ALBRECHT DÜRER, large Bush strokes in razumov and garmash style, watercolor, quick painting, drips, splashes, stains , intricate detailed, eartquake, fallen stones, dust, rubbish
Prompt: A book lies on a visual representation and time-lapse photo-montage of {{{many inter-dimensional podiums of varying styles but all the same height}}}, fiery mathematical equations are written on it's open pages. Themes of one book staying in a static place opened to glowing alien text and many alternate realities flickering by leaving a different podium beneath this book. Ultra-fine brushwork for micro-small artistic embellishments furthering the alien and exaggerated sense of dimensional travel. Visual storytelling furthers the feel of one magical occult hostile book in place with shifting scenes of other {{{cosmic horror}}} worlds evoking feelings of awe and expectation of discovering something new.
Prompt: Full screen macro view of a bunch of ripe, juicy, Japanese pink grapes, translucent, delicate pnk, perfectly round, hanging heavy and plump from a single vine, surrounded by perfectly shaped, green wine leaves,. The fruit is in its natural surroundings. The grapes are rendered in quick and dirty wet-on-wet watercolor. Museum-quality aquarelle on heavy handmade rag paper.
Prompt: Macro view of several ripe, plump, purple-hued figs hanging on a fig tree branch in the sun, against a backdrop of perfect, green fig leaves, in their natural surroundings. Quick and dirty wet-on-wet watercolor of the branch of figs, museum-quality aquarelle on heavy handmade rag paper.
Prompt: Full screen macro view of large, ripe, glowing red, semi-translucent, perfectly shaped raspberries hanging down heavily from a single rasberry cane, very close close-up showing theight spot on each drupelet of the berries, which are shown against the background of perfectly shaped, green raspberry leaves. Behind the cane, we see bokeh vegetation. The raspberries are rendered in quick and dirty, sloppy, very wet-on-wet watercolor. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, macro-view watercolor of two dozen freshly picked, school-bus-yellow chanterelle mushrooms spilling out of a brown paper cone bag onto a black stone slab table. Next to the chanterelle mushrooms lies a short vegetable knife, and behind the mushrooms, we can discern a few onions and a bunch of fresh, dark green parsley held together with a red rubber band. The culinary still life shows fresh ingredients ready to be prepared and cooked. The tableau is deftly and painstakingly rendered in quick, wet-on-wet watercolor, the dark background is blurry and spotty. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, front-lit, sharp-focus, macro-view watercolor of several sprigs of variegated sage in shades of grayish white, pale yellow and dusty green lying on a white-and-gray Carrara marble chopping board along with a head of white-and-purple garlic and a Japanese sekizo paring knife with a hammer-forged blade and an elaborately patterned blue-and-green handle. Behind the marble chopping board, the kitchen wall is made of glass over a delicate patterned, frosted, darkish green background. The background is rendered in blurry, wet-on-wet watercolor and is hastily painted whereas the chopping board, the sprigs of sage, the head of garlic and the paring knife are deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail. Some details are emphasized with a touch of pen-and-ink. The aquarelle painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
