Prompt: A mountain village, stone-paved street with flowers and overgrown cliff view behind, add much more colourful flowers, blooming village, By Jean-Baptiste Monge, Catherine Abel, ink and watercolour illustration. Incorporate fantastical creatures like fairies or dragons into the scene to create a sense of whimsy and enchantment. Add a gentle breeze that rustles the flowers and trees, or show a character walking down the street to give the scene a sense of movement and life. Use light and shadow to create depth and contrast in the scene, highlighting certain areas and casting others into shadow.Use a range of brushstrokes and textures to create depth and dimension in the scene, giving it a tactile and immersive quality.Add a character or characters to the scene that suggest a story or adventure, creating a sense of intrigue and possibility. Use bold, saturated colors to make the scene pop and create a sense of drama and intensity.Use perspective to show the scale of the village in relation to the towering cliff behind it, giving the scene a sense of grandeur and awe.
Prompt: very cute fluffy main coon cat with smile and big apple, on the meadow, watercolor painting patchwork, crisp quality, watercolor painting by Jean-Baptiste Monge and Annie Stegg,
vivid colors, high definition, ultra detailed, fantasy, very cute, ideal anatomy,
Prompt: A mountain village, stone-paved street with flowers and overgrown cliff view behind, add much more colourful flowers, blooming village, By Jean-Baptiste Monge, Catherine Abel, ink and watercolour illustration. Incorporate fantastical creatures like fairies or dragons into the scene to create a sense of whimsy and enchantment. Add a gentle breeze that rustles the flowers and trees, or show a character walking down the street to give the scene a sense of movement and life. Use light and shadow to create depth and contrast in the scene, highlighting certain areas and casting others into shadow.Use a range of brushstrokes and textures to create depth and dimension in the scene, giving it a tactile and immersive quality.Add a character or characters to the scene that suggest a story or adventure, creating a sense of intrigue and possibility. Use bold, saturated colors to make the scene pop and create a sense of drama and intensity.Use perspective to show the scale of the village in relation to the towering cliff behind it, giving the scene a sense of grandeur and awe.
Prompt: A mountain village, stone-paved street with flowers and overgrown cliff view behind, add much more colourful flowers, blooming village, By Jean-Baptiste Monge, Catherine Abel, ink and watercolour illustration. Incorporate fantastical creatures like fairies or dragons into the scene to create a sense of whimsy and enchantment. Add a gentle breeze that rustles the flowers and trees, or show a character walking down the street to give the scene a sense of movement and life. Use light and shadow to create depth and contrast in the scene, highlighting certain areas and casting others into shadow.Use a range of brushstrokes and textures to create depth and dimension in the scene, giving it a tactile and immersive quality.Add a character or characters to the scene that suggest a story or adventure, creating a sense of intrigue and possibility. Use bold, saturated colors to make the scene pop and create a sense of drama and intensity.Use perspective to show the scale of the village in relation to the towering cliff behind it, giving the scene a sense of grandeur and awe.
Prompt: Beginning my studies the first step pleas’d me so much,
The mere fact consciousness, these forms, the power of motion,
The least insect or animal, the senses, eyesight, love,
The first step I say awed me and pleas’d me so much,
I have hardly gone and hardly wish’d to go any farther,
But stop and loiter all the time to sing it in ecstatic songs.
Prompt: How they are provided for upon the earth, (appearing at intervals,)
How dear and dreadful they are to the earth,
How they inure to themselves as much as to any -what a paradox
appears their age,
How people respond to them, yet know them not,
How there is something relentless in their fate all times,
How all times mischoose the objects of their adulation and reward,
And how the same inexorable price must still be paid for the same
great purchase.
Prompt: Me imperturbe, standing at ease in Nature,
Master of all or mistress of all, aplomb in the midst of irrational things,
Imbued as they, passive, receptive, silent as they,
Finding my occupation, poverty, notoriety, foibles, crimes, less
important than I thought,
Me toward the Mexican sea, or in the Mannahatta or the Tennessee,
or far north or inland,
A river man, or a man of the woods or of any farm-life of these
States or of the coast, or the lakes or Kanada,
Me wherever my life is lived, O to be self-balanced for contingencies,
To confront night, storms, hunger, ridicule, accidents, rebuffs, as
the trees and animals do.
Prompt: There’s a patch of old snow in a corner
That I should have guessed
Was a blow-away paper the rain
Had brought to rest.
It is speckled with grime as if
Small print overspread it,
The news of a day I’ve forgotten–
If I ever read it.
Prompt: Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favour fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
Prompt: The way a crow
Shook down on me
The dust of snow
From a hemlock tree
Has given my heart
A change of mood
And saved some part
Of a day I had rued.
Prompt: Whose woods these are I think I know.
His house is in the village, though;
He will not see me stopping here
To watch his woods fill up with snow.
My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.
He gives his harness bells a shake
To ask if there is some mistake.
The only other sound’s the sweep
Of easy wind and downy flake.
The woods are lovely, dark, and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.
Prompt: He halted in the wind, and — what was that
Far in the maples, pale, but not a ghost?
He stood there bringing March against his thought,
And yet too ready to believe the most.
“Oh, that’s the Paradise-in-bloom,” I said;
And truly it was fair enough for flowers
had we but in us to assume in march
Such white luxuriance of May for ours.
We stood a moment so in a strange world,
Myself as one his own pretense deceives;
And then I said the truth (and we moved on).
A young beech clinging to its last year’s leaves.
Prompt: The rain to the wind said,
‘You push and I’ll pelt.’
They so smote the garden bed
That the flowers actually knelt,
And lay lodged–though not dead.
I know how the flowers felt.
Prompt: God gave a loaf to every bird,
But just a crumb to me;
I dare not eat it, though I starve,--
My poignant luxury
To own it, touch it, prove the feat
That made the pellet mine,--
Too happy in my sparrow chance
For ampler coveting.
It might be famine all around,
I could not miss an ear,
Such plenty smiles upon my board,
My garner shows so fair.
I wonder how the rich may feel,--
An Indiaman--an Earl?
I deem that I with but a crumb
Am sovereign of them all.
Prompt: I taste a liquor never brewed,
From tankards scooped in pearl;
Not all the vats upon the Rhine
Yield such an alcohol!
Inebriate of air am I,
And debauchee of dew,
Reeling, through endless summer days,
From inns of molten blue.
When the landlord turn the drunken bee
Out of the foxglove's door,
When butterflies renounce their drams,
I shall but drink the more!
Till seraphs swing their snowy hats,
And saints to windows run,
To see the little tippler
Leaning against the sun!
Prompt: I had been hungry all the years-
My noon had come, to dine-
I, trembling, drew the table near
And touched the curious wine.
'T was this on tables I had seen
When turning, hungry, lone,
I looked in windows, for the wealth
I could not hope to own.
I did not know the ample bread,
'T was so unlike the crumb
The birds and I had often shared
In Nature's dining-room.
The plenty hurt me, 't was so new,--
Myself felt ill and odd,
As berry of a mountain bush
Transplanted to the road.
Nor was I hungry; so I found
That hunger was a way
Of persons outside windows,
The entering takes away.
Prompt: Full knee-deep lies the winter snow,
And the winter winds are wearily sighing:
Toll ye the church bell sad and slow,
And tread softly and speak low,
For the old year lies a-dying.
Old year you must not die;
You came to us so readily,
You lived with us so steadily,
Old year you shall not die.
He lieth still: he doth not move:
He will not see the dawn of day.
He hath no other life above.
He gave me a friend and a true truelove
And the New-year will take ‘em away.
Old year you must not go;
So long you have been with us,
Such joy as you have seen with us,
Old year, you shall not go.
He froth’d his bumpers to the brim;
A jollier year we shall not see.
But tho’ his eyes are waxing dim,
And tho’ his foes speak ill of him,
He was a friend to me.
Old year, you shall not die;
We did so laugh and cry with you,
I’ve half a mind to die with you,
Old year, if you must die.
He was full of joke and jest,
But all his merry quips are o’er.
To see him die across the waste
His son and heir doth ride post-haste,
But he’ll be dead before.
Every one for his own.
Prompt: Near Clapham village, where fields began,
Saint Edward met a beggar man.
It was Christmas morning, the church bells tolled,
The old man trembled for the fierce cold.
Saint Edward cried, “It is monstrous sin
A beggar to lie in rags so thin!
An old gray-beard and the frost so keen:
I shall give him my fur-lined gaberdine.”
He stripped off his gaberdine of scarlet
And wrapped it round the aged varlet,
Who clutched at the folds with a muttered curse,
Quaking and chattering seven times worse.
Said Edward, “Sir, it would seem you freeze
Most bitter at your extremities.
Here are gloves and shoes and stockings also,
That warm upon your way you may go.”
The man took stocking and shoe and glove,
Blaspheming Christ our Saviour’s love,
Yet seemed to find but little relief,
Shaking and shivering like a leaf.
Said the saint again, “I have no great riches,
Yet take this tunic, take these breeches,
My shirt and my vest, take everything,
And give due thanks to Jesus the King.”
The saint stood naked upon the snow
Long miles from where he was lodged at Bowe,
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.