Prompt: Between 1919 and 1933 the Bauhaus movement revolutionized architectural and aesthetic thinking and practice in the 20th century. The Bauhaus buildings in Weimar, Dessau and Bernau are fundamental representatives of Classical Modernism, directed towards a radical renewal of architecture and design. This property, which was inscribed on the World Heritage List in 1996, originally comprised buildings located in Weimar (Former Art School, the Applied Art School and the Haus Am Horn) and Dessau (Bauhaus Building, the group of seven Masters' Houses). The 2017 extension includes the Houses with Balcony Access in Dessau and the ADGB Trade Union School in Bernau as important contributions to the Bauhaus ideas of austere design, functionalism and social reform.
Prompt: These places in Saxony-Anhalt are all associated with the lives of Martin Luther and his fellow-reformer Melanchthon. They include Melanchthon's house in Wittenberg, the houses in Eisleben where Luther was born in 1483 and died in 1546, his room in Wittenberg, the local church and the castle church where, on 31 October 1517, Luther posted his famous '95 Theses', which launched the Reformation and a new era in the religious and political history of the Western world. The Luther Memorials in Eisleben and Wittenberg, located in the State of Saxony-Anhalt in the centre of Germany, are associated with the lives of Martin Luther and his fellow-reformer Philipp Melanchthon. They include Melanchthon's house in Wittenberg, the houses in Eisleben where Luther was born (1483) and died (1546), his room in Wittenberg, the local church, and the castle church where, Luther posted his famous '95 Theses' on 31 October 1517, launching the Reformation and a new era in the religious and political history of the Western world.
Prompt: The World Heritage properties comprises twelve separate buildings or ensembles: Goethe's House and Goethe´s Garden and Garden House; Schiller's House; Herder Church, Herder House and Old High School; Residence Castle and Ensemble Bastille; Dowager's Palace (Wittumspalais); Duchess Anna Amalia Library; Park on the Ilm with the Roman House; Belvedere Castle and Park with Orangery; Ettersburg Castle and Park; Tiefurt Castle and Park; and Historic Cemetery with Princes´ Tomb.
Prompt: The museum as a social phenomenon owes its origins to the Age of Enlightenment in the 18th century. The five museums on the Museumsinsel in Berlin, built between 1824 and 1930, are the realization of a visionary project and show the evolution of approaches to museum design over the course of the 20th century. Each museum was designed so as to establish an organic connection with the art it houses. The importance of the museum's collections – which trace the development of civilizations throughout the ages – is enhanced by the urban and architectural quality of the buildings. The Berlin Museumsinsel is a complex of buildings composed of individual museums of outstanding historical and artistic importance located in the heart of the city. The five museums, built between 1824 and 1930 by the most renowned Prussian architects, represent the realization of a visionary project and the evolution of the approaches to museum design over this seminal century. They form a unique ensemble that serves purely museological purposes and constitutes a town-planning highlight in the urban fabric as a kind of city crown.
Prompt: The Garden Kingdom of Dessau-Wörlitz is an exceptional example of landscape design and planning of the Age of the Enlightenment, the 18th century. Its diverse components - outstanding buildings, landscaped parks and gardens in the English style, and subtly modified expanses of agricultural land - serve aesthetic, educational, and economic purposes in an exemplary manner. The Garden Kingdom of Dessau-Wörlitz, located in Saxony-Anhalt in the Middle Elbe Region, is an exceptional example of landscape design and planning from the Age of the Enlightenment in the 18th century. Its diverse components – the outstanding buildings, English-style landscaped parks and gardens, and subtly modified expanses of agricultural land – served aesthetic, educational, and economic purposes in an exemplary manner.
Prompt: The island of Reichenau on Lake Constance preserves the traces of the Benedictine monastery, founded in 724, which exercised remarkable spiritual, intellectual and artistic influence. The churches of St Mary and Marcus, St Peter and St Paul, and St George, mainly built between the 9th and 11th centuries, provide a panorama of early medieval monastic architecture in central Europe. Their wall paintings bear witness to impressive artistic activity. The Monastic Island of Reichenau on Lake Constance in south-west Germany represents a masterpiece of human creative genius as the ensemble of the three churches on the monastic island constitutes an exceptional example of an integrated group of medieval churches retaining elements of Carolingian, Ottonian, and Salian architecture that are relevant to the history of architecture. The Benedictine monastery was an important artistic centre of its time, superbly illustrated by its monumental wall paintings and its illuminations, and is of great significance to the art history in Europe of the 10th and 11th centuries.
Prompt: The medieval towns of Wismar and Stralsund, on the Baltic coast of northern Germany, were major trading centres of the Hanseatic League in the 14th and 15th centuries. In the 17th and 18th centuries they became Swedish administrative and defensive centres for the German territories. They contributed to the development of the characteristic building types and techniques of Brick Gothic in the Baltic region, as exemplified in several important brick cathedrals, the Town Hall of Stralsund, and the series of houses for residential, commercial and crafts use, representing its evolution over several centuries.
Prompt: The strategic location of the dramatic 65km stretch of the Middle Rhine Valley between Bingen, Rüdesheim und Koblenz as a transport artery and the prosperity that this engendered is reflected in its sixty small towns, the extensive terraced vineyards and the ruins of castles that once defended its trade. The river breaks through the Rhenish Slate Mountains, connecting the broad floodplain of the Oberrheingraben with the lowland basin of the Lower Rhine. The property extends from the Bingen Gate (Binger Pforte), where the River Rhine flows into the deeply gorged, canyon section of the Rhine Valley, through the 15km long Bacharach valley, with smaller V-shaped side valleys, to Oberwesel where the transition from soft clay-slates to hard sandstone, results. In a series of narrows, the most famous of which is the Loreley, no more than 130m wide (and at 20m the deepest section of the Middle Rhine), and then up to the Lahnstein Gate (Lahnsteiner Pforte), where the river widens again into the Neuwied Valley. The property also includes the adjoining middle and upper Rhine terraces (Upper Valley) which bear witness to the course taken by the river in ancient times.
Prompt: The 18th- and 19th-century cultural landscape of Dresden Elbe Valley extends some 18 km along the river from Übigau Palace and Ostragehege fields in the north-west to the Pillnitz Palace and the Elbe River Island in the south-east. It features low meadows, and is crowned by the Pillnitz Palace and the centre of Dresden with its numerous monuments and parks from the 16th to 20th centuries. The landscape also features 19th- and 20th-century suburban villas and gardens and valuable natural features. Some terraced slopes along the river are still used for viticulture and some old villages have retained their historic structure and elements from the industrial revolution, notably the 147-m Blue Wonder steel bridge (1891–93), the single-rail suspension cable railway (1898–1901), and the funicular (1894–95). The passenger steamships (the oldest from 1879) and shipyard (c. 1900) are still in use.
Prompt: The Old Town Hall is a two-storey hall building with a rectangular floor plan, 41.5 m by 15.8 m. It is described as a transverse rectangular Saalgeschossbau (i.e. a multi-storey construction built to contain a large hall). The ground floor is formed of one large hall with oak pillars; it served for merchants and theatrical performances. The upper floor has the main festivity hall of the same dimensions. Between the windows, there are stone statues representing the emperor and prince electors, which date from the original Gothic period, integrated with late-Renaissance sculptural decoration symbolising civic autonomy. Underground, the town hall has a large wine cellar with one hall in the dimensions of the ground floor with stone pillars, which was later extended to the west and is now used as a restaurant.
Prompt: Muskauer Park / Park Mużakowski is an extensive landscape initially developed between 1815 and 1844 by Prince Hermann von Pückler-Muskau on the grounds of his estate, and continued by his student, Eduard Petzold. Set harmoniously in the river valley of the Lusatian Neisse, the park’s integration into the local town and surrounding agricultural landscapes heralded a new approach to landscape design and contributed to the advancement of landscape architecture as a discipline. The extensive site includes the river Neisse, other water features, human-made and natural, bridges, buildings, forested areas, and paths. It is an example of a cultural landscape in which the site’s natural attributes have been harnessed with the utmost skill. The park is of the highest aesthetic quality and its composition blends fluidly with the naturally-formed river valley. Its essence is the visual relationship between the central residence, the New Castle, and a series of topographical focal points comprising ideal vantage points laid out along riverside terraces flanking the valley, each of which forms part of a masterfully fashioned network of vistas.
Prompt: Located on the Danube River in Bavaria, this medieval town contains many buildings of exceptional quality that testify to its history as a trading centre and to its influence on the region from the 9th century. A notable number of historic structures span some two millennia and include ancient Roman, Romanesque and Gothic buildings. Regensburg’s 11th- to 13th-century architecture – including the market, city hall and cathedral – still defines the character of the town marked by tall buildings, dark and narrow lanes, and strong fortifications. The buildings include medieval patrician houses and towers, a large number of churches and monastic ensembles as well as the 12th-century Old Bridge. The town is also remarkable for the vestiges testifing to its rich history as one of the centres of the Holy Roman Empire that turned to Protestantism.
Prompt: Wartburg Castle blends superbly into its forest surroundings and is in many ways 'the ideal castle'. Although it has retained some original sections from the feudal period, the form it acquired during the 19th-century reconstitution gives a good idea of what this fortress might have been at the height of its military and seigneurial power. It was during his exile at Wartburg Castle that Martin Luther translated the New Testament into German. Wartburg Castle blends superbly into its forest surroundings and is in many ways "the ideal castle". Although it contains some sections of great antiquity, it acquired the current layout over the course of 19th-century reconstructions. This renewal of interest was justified by its symbolic nature for the German people, and today the castle continues to be a symbol of the nation's past and present. Its current state is a splendid example of what this fortress might have been at the peak of its military and seigneurial power.
Prompt: Lutherans the world over know of the castle as the very place where Martin Luther made his translation of the Bible. The veneration of Saint Elizabeth, which extends far beyond the frontiers of Germany, includes Wartburg Castle where she lived and worked. The patronage of Hermann I, Landgrave of Thuringia, occupies an extraordinary place in the creation of a national literary tradition. In poetry and in legends, Wartburg Castle, the medieval Court of the Muses, bears an undying reputation through the names of Walther von der Vogelweide and Wolfram von Eschenbach. While these authors represented the first steps in German literature, and Martin Luther's translation of the New Testament marked the creation of a unified and accessible written German language, Wartburg Castle is also associated with the beginnings of a bourgeois and democratic nation, through the content and effects of the Wartburg festival of German students' associations. From the very earliest days of its existence, this fortress of the Landgraves of Thuringia has repeatedly acted as a venue for and witness of historic events and activities worthy of renown as a monument to national and world history.
Prompt: The Zollverein industrial complex in Land Nordrhein-Westfalen consists of the complete infrastructure of a historical coal-mining site, with some 20th-century buildings of outstanding architectural merit. It constitutes remarkable material evidence of the evolution and decline of an essential industry over the past 150 years. The Zollverein XII Coal Mine Industrial Complex has a high level of authenticity. The individual industrial components have inevitably lost their functional authenticity. However, a policy of sensitive and imaginative adaptive reuse has ensured that their forms survive intact, with significant items of the industrial plant preserved, and that their interrelationships remain visible in a clear and logical manner. In particular, the authenticity of the important group of industrial buildings designed for Zollverein XII by Fritz Schupp has been carefully conserved.
Prompt: Lübeck – the former capital and Queen City of the Hanseatic League – was founded in the 12th century and prospered until the 16th century as the major trading centre for northern Europe. It has remained a centre for maritime commerce to this day, particularly with the Nordic countries. Despite the damage it suffered during the Second World War, the basic structure of the old city, consisting mainly of 15th- and 16th-century patrician residences, public monuments (the famous Holstentor brick gate), churches and salt storehouses, remains unaltered.
Prompt: Cologne Cathedral is a High Gothic five-aisled basilica (144.5 m long), with a projecting transept (86.25 m wide) and a tower façade (157.22 m high). The nave is 43.58 m high and the side-aisles 19.80 m. The western section, nave and transept begun in 1330, changes in style, but this is not perceptible in the overall building. The 19th century work follows the medieval forms and techniques faithfully, as can be seen by comparing it with the original medieval plan on parchment.
Prompt: This serial property of 111 small individual sites encompasses the remains of prehistoric pile-dwelling (or stilt house) settlements in and around the Alps built from around 5000 to 500 B.C. on the edges of lakes, rivers or wetlands. Excavations, only conducted in some of the sites, have yielded evidence that provides insight into life in prehistoric times during the Neolithic and Bronze Age in Alpine Europe and the way communities interacted with their environment. Fifty-six of the sites are located in Switzerland. The settlements are a unique group of exceptionally well-preserved and culturally rich archaeological sites, which constitute one of the most important sources for the study of early agrarian societies in the region.
Prompt: The series of 111 out of the 937 known archaeological pile-dwelling sites in six countries around the Alpine and sub-alpine regions of Europe is composed of the remains of prehistoric settlements dating from 5,000 to 500 BC which are situated under water, on lake shores, along rivers or in wetlands. The exceptional conservation conditions for organic materials provided by the waterlogged sites, combined with extensive under-water archaeological investigations and research in many fields of natural science, such as archaeobotany and archaeozoology, over the past decades, has combined to present an outstanding detailed perception of the world of early agrarian societies in Europe. The precise information on their agriculture, animal husbandry, development of metallurgy, over a period of more than four millennia, coincides with one of the most important phases of recent human history: the dawn of modern societies.
Prompt: A masterpiece of Baroque theatre architecture, built between 1745 and 1750, the Opera House is the only entirely preserved example of its type where an audience of 500 can experience Baroque court opera culture and acoustics authentically, as its auditorium retains its original materials, i.e. wood and canvas. Commissioned by Margravine Wilhelmine, wife of Frederick, Margrave of Brandenburg–Bayreuth, it was designed by the renowned theatre architect Giuseppe Galli Bibiena. As a court opera house in a public space, it foreshadowed the large public theatres of the 19th century. The highly decorated theatre’s tiered loge structure of wood with illusionistic painted canvas represents the ephemeral ceremonial architectural tradition that was employed in pageants and celebrations for princely self-representation.
Prompt: The 18th century Margravial Opera House in Bayreuth is a masterwork of Baroque theatre architecture, commissioned by Margravine Wilhelmine of Brandenburg as a venue for opera seria over which the princely couple ceremonially presided. The bell-shaped auditorium of tiered loges built of wood and lined with decoratively painted canvas was designed by the then leading European theatre architect Giuseppe Galli Bibiena. The sandstone façade designed by court architect Joseph Saint Pierre provides a focal point within the urban public space that was particularly planned for the building. As an independent court opera house rather than part of a palace complex, it marks a key point in opera house design, foreshadowing the large public theatres of the 19th century. Today it survives as the only entirely preserved example of court opera house architecture where Baroque court opera culture and acoustics can be authentically experienced. The attributes carrying Outstanding Universal Value are its location in the original 18th century public urban space; the 18th century Baroque façade; the original 18th century roof structure spanning 25 metres.
Prompt: Descending a long hill dominated by a giant statue of Hercules, the monumental water displays of Wilhelmshöhe were begun by Landgrave Carl of Hesse-Kassel in 1689 around an east-west axis and were developed further into the 19th century. Reservoirs and channels behind the Hercules Monument supply water to a complex system of hydro-pneumatic devices that supply the site’s large Baroque water theatre, grotto, fountains and 350-metre long Grand Cascade. Beyond this, channels and waterways wind across the axis, feeding a series of dramatic waterfalls and wild rapids, the geyser-like Grand Fountain which leaps 50m high, the lake and secluded ponds that enliven the Romantic garden created in the 18th century by Carl’s great-grandson, Elector Wilhelm I. The great size of the park and its waterworks along with the towering Hercules statue constitute an expression of the ideals of absolutist Monarchy while the ensemble is a remarkable testimony to the aesthetics of the Baroque and Romantic periods.
Prompt: The relict structure and pattern of the Erzgebirge/Krušnohoří Mining Region remains highly legible and is characterized by specific and formative contributions made by the exploitation of different metals, at different times, in unevenly distributed locations defined by an exceptional concentration of mineral deposits. Separate mining landscapes emerged on both sides of the Ore Mountains, characterized by exchange of technical know-how, miners and metallurgists between Saxony and Bohemia. These deposits became key economic resources that were exploited during crucial periods in world history, events that were dictated by evolving empirical knowledge and exemplary practice and technologies devised or improved in the Ore Mountains; the vagaries of global markets impacted by new mineral discoveries, politics and wars, and the successive discovery of ‘new’ metals and their uses. The Ore Mountains was the most important source of silver in Europe, particularly in the century from 1460 to 1560; silver was also the trigger for new organization and technology. Tin was produced in a steady manner throughout the long history of the Ore Mountains and rare cobalt ore.
Prompt: The mining region of Erzgebirge/Krušnohoří bears exceptional testimony to technological, scientific, administrative, educational, managerial and social aspects that underpin the intangible dimension of living traditions, ideas and beliefs of the people associated with the Ore Mountains’ culture. The organization as well as its hierarchical administration and management are fundamental to understanding the mining tradition of the Ore Mountains that developed from the beginning of the 16th century. A tradition emerged whereby the mining bureaucracies of absolute rulers maintained strict control of the work force and induced a favourable climate for an early capitalistic system of financing. Such an approach influenced the economic, legal, administrative and social system of mining in all the mining regions of continental Europe. The state-controlled mining organization strongly influenced the development of early modern monetary systems, particularly witnessed by the royal mint in Jáchymov, where the heavy silver coins known as thalers, first minted from 1520, served for several centuries as a standard for the monetary systems in many European countries.
Prompt: The Darmstadt Artists’ Colony on Mathildenhöhe, the highest elevation above the city of Darmstadt in west-central Germany, was established in 1897 by Ernst Ludwig, Grand Duke of Hesse, as a centre for emerging reform movements in architecture, arts and crafts. The buildings of the colony were created by its artist members as experimental early modernist living and working environments. The colony was expanded during successive international exhibitions in 1901, 1904, 1908 and 1914. Today, it offers a testimony to early modern architecture, urban planning and landscape design, all of which were influenced by the Arts and Crafts movement and the Vienna Secession. The serial property consists of two component parts including 23 elements, such as the Wedding Tower (1908), the Exhibition Hall (1908), the Plane Tree Grove (1833, 1904-14), the Russian Chapel of St. Maria Magdalena (1897-99), the Lily Basin, the Gottfried Schwab Memorial (1905), the Pergola and Garden (1914), the “Swan Temple” Garden Pavilion (1914), the Ernst Ludwig Fountain, and the 13 houses and artists’ studios that were built for the Darmstadt Artists’ Colony and for the international exhibitions.
Prompt: This transnational serial property comprises eleven spa towns, located in seven European countries: Baden bei Wien (Austria); Spa (Belgium); Františkovy Lázně; Karlovy Vary; Mariánské Lázně (Czechia); Vichy (France); Bad Ems; Baden-Baden; Bad Kissingen (Germany); Montecatini Terme (Italy); and City of Bath (United Kingdom). All of these towns developed around natural mineral water springs. They bear witness to the international European spa culture that developed from the early 18th century to the 1930s, leading to the emergence of grand international resorts that impacted urban typology around ensembles of spa buildings such as baths, kurhaus and kursaal (buildings and rooms dedicated to therapy), pump rooms, drinking halls, colonnades and galleries designed to harness the natural mineral water resources and to allow their practical use for bathing and drinking. Related facilities include gardens, assembly rooms, casinos, theatres, hotels and villas, as well as spa-specific support infrastructure. These ensembles are all integrated into an overall urban context that includes a carefully managed recreational and therapeutic environment in a picturesque landscape.
Prompt: The pattern of straight lines established by the grid of north-south and east-west streets and inspired by the Italian Renaissance, is one of the best examples in Latin American town planning and all that remains of the 16th-century city. Most of the surviving civil, religious, and civic buildings date from the 17th and 18th centuries and constitute magnificent examples of colonial architecture in the Americas. These buildings reflect a regional stylistic variation known as Barroco antigueño. Distinctive characteristics of this architectural style include the use of decorative stucco for interior and exterior ornamentation, main facades with a central window niche and often a deeply-carved tympanum, massive buildings, and low bell towers designed to withstand the region’s frequent earthquakes. Among the many significant historical buildings, the Palace of the Captains General, the Casa de la Moneda, the Cathedral, the Universidad de San Carlos, Las Capuchinas, La Merced, Santa Clara, among others, are worth noting.
Prompt: Modern development pressure and increased tourism in the area have required more protection for the historic area and certain initiatives, at both the community and legislative levels, have been undertaken. These include recently developed tools for promoting local awareness, the participation by the community association Salvemos Antigua (Save Antigua), as well as a public education campaign (with a newsletter, schoolchildren programs etc.) supported by the Japanese government. The revision of Antigua’s Protection Law, which requires approval of Congress, has also been promoted to adequately respond to existing factors and threats. Sustaining the Outstanding Universal Value of the property will require not only the updating and enforcement of legislative and regulatory measures, but also the definition and efficient protection of a the buffer zone and the sustained implementation of a master plan. The latter will need to include provisions for risk preparedness and disaster risk management, particularly in light of the vulnerability of the property. Comprehensive visitor management and clear conservation guidance and policies, will also be crucial for the property.
Prompt: Inhabited since the 2nd century A.D., Quirigua had become during the reign of Cauac Sky (723–84) the capital of an autonomous and prosperous state. The ruins of Quirigua contain some outstanding 8th-century monuments and an impressive series of carved stelae and sculpted calendars that constitute an essential source for the study of Mayan civilization. Quirigua is one of the major testimonies to the Mayan civilization. For reasons which are not clear, it then entered a period of decline. It is known that, at the time of the arrival of the European conquerors, the control of the jade route had been taken over by Nito, a city closer to the Caribbean coast. Although Quirigua has retained ruins and vestiges of dwellings ranging between AD 200 and AD 900, most of the monuments that ensure Quirigua its world-wide reknown date from the 8th century, the period during which the city was entirely remodelled in accordance with its function as royal residence and administrative centre.
Prompt: This stretch of the Danube has been the location of human settlement since the Palaeolithic. It was the site of the Roman city of Aquincum, situated to the north of the inscribed property which comprises parts of two originally quite separate cities: Buda on the spur on the right bank and Pest on the plain on the left bank. Pest was the first medieval urban centre, devastated in 1241-2. A few years later the castle of Buda was built on a rocky spur on the right bank by King Bela IV. Thereafter, the city reflected the history of the Hungarian monarchy. After the end of the Turkish occupation, recovery did not really begin until the 18th century. In the 19th century, the city’s role as a capital was enhanced by the foundation of the Hungarian Academy, housed from 1862 in a neo-renaissance palace, and by the construction of the imposing neo-gothic Parliament building (1884–1904). W.T. Clark’s suspension bridge, finalised in 1849, symbolised the reunification of Buda and Pest, which did not actually come about until 1873. The symbol of the development of the city as a modern metropolis was the radial Andrássy Avenue, which was included in the property in 2002. From 1872.
Prompt: As a centre for receiving and disseminating cultural influences, Budapest is an outstanding example of urban development in Central Europe, characterised by periods of devastation and revitalisation. Budapest has retained the separate structural characteristics of the former cities of Pest, Buda and Óbuda. One example thereof is the Buda Castle Quarter with its medieval and characteristically Baroque style, which are distinct from the extended and uniquely homogeneous architecture of Pest (with its historicising and art nouveau styles) which is characterised by outstanding public buildings and fitted into the ringed-radial city structure. All this is organized into a unity arising from the varied morphological characteristics of the landscape and the Danube, the two banks of which are linked by a number of bridges. The urban architectural ensemble of the Andrássy Avenue (‘The Avenue’) and its surroundings (Heroes' Square, the City Park, historic inner city districts and public buildings) are high-quality architectural and artistic realisations of principles of urbanism reflecting tendencies, which became widespread in the second part of the 19th century.
Prompt: Architectural Planning Juries, both at the level of the districts and at the level of the Capital of Budapest, facilitate high quality architectural developments in accordance with the values of the property. The Gyula Forster National Centre for Cultural Heritage Management is the World Heritage Management Body. Based on the national World Heritage Act of 2011, the state of conservation of the property, as well as threats and preservation measures will be regularly monitored and reported to the National Assembly, while the management plan will be reviewed at least every seven years. Once finalised and approved, the management plan and the management body provide transparent governance arrangements with clear responsibilities, where different interests can manifest themselves and where the institutional framework and methods for the cooperation of the different stakeholders are available.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.