Prompt: water color loose, A winter to Spring -themed, Cubist-style abstract artwork, featuring fragmented and reassembled elements of flowers, trees, and city landscapes in bold, contrasting colors and textures.
Prompt: Extremely textured and intricate artwork in the style of Arthur Rackham, Van Gogh, Cecilia Frigati and Anton Pieck, layered textures and fragmented elements of an abstract sunny country side fishing port, street merchants with mobile booths on the dirt road between old houses, gold leaf splatter overlays and a vibrant colour gradient of cream, aquamarine, orange, faint purple, lime, green and earthy tones, flowers, trees, potted plants, flying seagulls, fantastical, surrealistic, elegant, beautiful high definition fine 3D line art, watercolor ink and pen, extremely detailed, SK, intricate, elaborate, HDR, beautiful, award winning, fantastic view, fantasy, crisp quality
Two Extremely Evil Cats Starting Their Day of Hacking and Stalking
Model:
FluX
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: Two extremely evil cats riding bicycles at the beginning of their day of hacking and stalking. Bad hair day. Palette: Pacific blue, Mango, papaya, soft yellow, metallic copper. Spooky. Bad hair day.
Prompt: I'm going to lay down my burden down by the riverside.A meadow chock-full of wildflowers. A river in spate.
I'm going to lay down my burden down by the riverside.A meadow chock-full of wildflowers. A river in spate. Reflective. Beautiful, evocative silhouetted tree trunks.
Prompt: A tale of two sisters, and two sisters who are the daughters of one of the sisters. if you have something to say, then say it to my face.I give up trying to reason with you. What did you do to him? You know what? You told me yourself. You were on a roof in Kauai. That's what that was about. Did you know that? I loved you so deeply that they kept having to give me substitutes because I couldn't accept that you were dead. I knew you liked men. I didn't care. I just loved you. who is Leonid? Did he play the violin? So it was unsatisfactory to you. Jumping ahead, it has occurred to at least one of you that I have the talent, the heart and the brain to write about it. but it never becomes unwound. But I am tired and losing interest, and you guys just can't get it together to make it happen, so an opportunity that may not happen again is slipping away, so you all can continue to sleep your uneasy sleeps and walk my roof like ghosts, because you probably spitefully put me in harm's way before you realized who was really responsible. And the ghosts continue to pile up.so I am sorry. I really am. but this has already caused me too much harm, and the pull to do this gets weaker and weaker, as you can see. you haunt my rooftop because he was killed on a rooftop. sad. Beginning to unspool. I have no apologies for that. Love requires no apologies. The bigotry does.
Prompt: Create an image featuring three stylized cats in a folk art design. The background is a gradient that transitions from pale pink at the top to a creamy beige hue at the bottom. In the upper-center, there's a simple sun with wavy rays in a gradient of light orange and red.
Each cat has a slim body, with a central larger cat flanked by two identical larger cats. The two larger cats are partially off-canvas with only the front halves visible. All three cats have long, upright tails with a folk-art flower pattern on them consisting of shapes like teardrops and hearts in black, light brown, and light red. Their bodies are adorned with similar flower and plant patterns with prominent flower shapes around where their hearts would be, in colors of black, light brown, dark brown, red, orange, and yellow.
The cats' faces are angular with ears pointing upwards. The larger cats on the sides have orange and black masks around their eyes with a dividing line that aligns with their ears and nose, while the central cat has a dark brown and light brown mask. Their eyes are white with black pupils, and they have small white whiskers with a simple, straight white mouth line. Above their eyes are thin, dark eyebrows. The area surrounding their facial features is pale beige, and their noses are small and red.
The area around the cats features abstract plant designs with elements such as leaves and flowers, in colors complementing the cats' patterns—red, orange
Prompt: A black and white charcoal, a fusion of Alphonse Mucha, John William Waterhouse, and tonalism, where subjects are rendered with idealized naturalism and softened contours set against layered, atmospheric textures. The palette follows a harmonious structure, anchored by a dominant hue with thoughtfully placed complementary tones. Ink painting-inspired techniques combine smooth blending with deliberate, visible brushwork, enhancing depth and drawing attention to key visual elements while maintaining fidelity to the source aesthetics. A woman, fully body painted with intricate dalmatian-like spots, stands with her back to the viewer, one hand resting on the neck of a real dalmatian beside her. Both the figure and the dog wear vivid red collars, sharply contrasting against the otherwise monochrome pattern of their forms. A pristine white studio featuring minimalist styling, where soft, diffused lighting highlights the paint’s texture on skin and the fine detail of the Dalmatian's fur. Subtle, well-placed shadows ground the figures, adding dimension without distraction with a white background
Prompt: A beautiful young indigenous woman sits atop a rock, looking out at a vast mountain range under an orange-tinted, cloudy sky. Three eagles fly in the sky above her. The mountains are covered in snow, and a river flows through the valley below. The landscape is rugged and wild, with sparse trees scattered throughout. The woman is wearing traditional Native American clothing, including a fringed dress and leggings adorned with intricate patterns and beads. Her dark hair flows around her shoulders and is decorated with feathers and beads. The overall atmosphere is serene and majestic, with a sense of natural harmony and connection to the environment. The warm tones of orange and brown contribute to a spiritual or timeless mood.
Prompt: A starlet in sunglasses and a polka dot day dress stands next to a 1958 teal and white Chrysler big tailfin car parked on an overlook along the Pacific highway; a single image, an abstracted vignette in pencil, pen and colored ink and oil pastels by John D Batten, Gaston La Touche, and Henry James Soulen; Gray, Teal, Red, Blue & Yellow
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.