Cloud9

Private Dancer

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: sculpture made of vines and flowers, the vines have different coloured strands running through them. The sculpture is of a dancer dancing against a dystopian city background. Double exposure a sepia image of a dystopian city in the background
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Dancer in a Floral Cityscape

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: sculpture made of vines and flowers, the vines have different coloured strands running through them. The sculpture is of a dancer dancing against a dystopian city background. Double exposure a sepia image of a dystopian city in the background
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Commune

• Model: FluX

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Conciousness as an emergent phenomenon. Abstract minimalism. Surreal in the style of Hieronymous Bosch, Charles rennie macintosh
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Life is Like That

• Model: FluX

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: My life it winds a varied track, I know not where I'll be, But I'll keep my past to myself, Obscured deep down in memory
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Somewhere Inbetween

• Model: FluX

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Conciousness as an emergent phenomenon. Abstract minimalism. Surreal in the style of Hieronymous Bosch, Charles rennie macintosh
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Neural Network

• Model: FluX

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Conciousness as an emergent phenomenon. Abstract minimalism. Surreal in the style of Hieronymous Bosch, Charles rennie macintosh
  • Upscale & Enhance: 0
  • Aspect Ratio: square

The Internal Universe

• Model: FluX

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Abstract minimalism. Surreal artwork. Underneath my outside face There's a face that none can see. A little less smiley, A little less sure, But a whole lot more like me
  • Upscale & Enhance: 0
  • Aspect Ratio: square

As Is

• Model: Artistic 2

• Size: 1016 X 1016 (1.03 MP)

• Used settings:

  • Prompt: hand painted antique canvas of a Risograph Art. The moody backdrop creates an atmosphere of entertainment and enchantment and delight high resolution fine detailed textures fine colors scratches, tears, burn marks, cracks in the paint in the mix style of Joan Miro Gabriel Pacheco, antique extreme canvas textured
  • Using base image: Yes (Effect strength - 70%)
  • Base image resolution: Default
  • Upscale & Enhance: 0

Play it again, Sam

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Create an image that blends the styles of surrealism, Jackson Pollock, and cubism. The image should be a vibrant and chaotic composition of abstract shapes and figures, reminiscent of Pollock's drip paintings. The shapes should also be suggestive of musical instruments and sounds, as if the image is capturing the essence of music in visual form.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Shell

• Model: FluX

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: : Abstract minimalism. Surreal artwork. Underneath my outside face There's a face that none can see. A little less smiley, A little less sure, But a whole lot more like me
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

The Self Within

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Abstract minimalism. Surreal artwork. Underneath my outside face There's a face that none can see. A little less smiley, A little less sure, But a whole lot more like me
  • Upscale & Enhance: 0
  • Aspect Ratio: square

The Inner Monologue

• Model: FluX

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Abstract minimalism. Surreal artwork. Underneath my outside face There's a face that none can see. A little less smiley, A little less sure, But a whole lot more like me
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Technocrat

• Model: FluX

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: I studied Theory of Science, Logic, Theoretical Linguistics, Philosophy and Law at the Universities of Mainz, Munich, Florence and Lancaster. My main field of interest is the interaction between law, science and computer technology from doctrinal, comparative and legal-theoretical perspectives. This research encompasses both the problems that technology and technological change poses to the law – technology law – and the use of technology in the justice system and the legal services industry – legal informatics. Both perspectives, technology as a subject of regulation and a tool for regulation, are brought together through a theoretical perspective: How can law, understood as a system, communicate with systems external to it? “Computational legal theory”, in the understanding of my chair, tries to give answers to this question, by exploring the scope and also limits of computational representations of legal thought, and also by an analysis of how technology changes the way law thinks about such issues as responsibility, liability, harm and ultimately personhood and what it means to be human, and living life lawfully.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Eye to the Telescope

• Model: FluX

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Where would I be without you, just living inside my head, with only dreams to breathe through, and the rest of life unsaid
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Identity

• Model: VideoMorph

• Size: 1080 X 1920 (2.07 MP)

• Used settings:

  • Aspect ratio: portrait

The Information Matrix

• Model: FluX

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: I studied Theory of Science, Logic, Theoretical Linguistics, Philosophy and Law at the Universities of Mainz, Munich, Florence and Lancaster. My main field of interest is the interaction between law, science and computer technology from doctrinal, comparative and legal-theoretical perspectives. This research encompasses both the problems that technology and technological change poses to the law – technology law – and the use of technology in the justice system and the legal services industry – legal informatics. Both perspectives, technology as a subject of regulation and a tool for regulation, are brought together through a theoretical perspective: How can law, understood as a system, communicate with systems external to it? “Computational legal theory”, in the understanding of my chair, tries to give answers to this question, by exploring the scope and also limits of computational representations of legal thought, and also by an analysis of how technology changes the way law thinks about such issues as responsibility, liability, harm and ultimately personhood and what it means to be human, and living life lawfully.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Life as Fragments

• Model: VideoMorph

• Size: 1080 X 1920 (2.07 MP)

• Used settings:

  • Aspect ratio: portrait

Loves Lost

• Model: Artistic

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Where would I be without you, just living inside my head, with only dreams to breathe through, and the rest of life unsaid. Pastel colours dripping vertically down the image of a very faint double exposure sepia image as if made from a foggy waterpaint brush stroke.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Life as Fragments

• Model: FluX

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Where would I be without you, just living inside my head, with only dreams to breathe through, and the rest of life unsaid
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

The Memory of Me Cannot Be Seen

• Model: Artistic 2

• Size: 1016 X 1016 (1.03 MP)

• Used settings:

  • Prompt: Where would I be without you, just living inside my head, with only dreams to breathe through, and the rest of life unsaid. Pastel colours dripping vertically down the image of a very faint double exposure sepia image as if made from a foggy waterpaint brush stroke.
  • Using base image: Yes (Effect strength - 50%)
  • Base image resolution: Default
  • Upscale & Enhance: 0