Pierre

C'est la Vie de Village (AIVision)

• Model: AIVision

• Size: 2946 X 1697 (5.00 MP)

• Used settings:

  • Prompt: Winter riverside pub bridge and old Victorian mews having a toy shop a bakery a pub and an art gallery, speckled impasto speed painting using deeply thick oil-on-oil applied with potato shaped polygons and bold brush strokes, highly detailed maximalist composition, multi point perspective cubism, background of windswept winter vista, a great range of depth of field and greater sensitivity, artist's techniques are used in the following sequence: the background has gold leaf embroidery patchwork art, dry brush technique by Georges de La Tour and Arnold Böcklin (dark mystery and symbolism), Sidney Nolan and William Timlin (wild and imaginative), Darek Zabrocki and Edward Burne-Jones (ethereal mythology); the middleground is well lit and has strong shadows, using thick paint and palette knife by Pol Ledent and John Lowrie Morrison (bold use of shapes and textures), Alfred Joseph Casson and Carl Spitzweg (whimsical nature and everyday scenes), Lluis Bruguera and Hernan Bas (provocative exploring social identity); and, in the foreground the calligraphic line edges are harder sharper crisper creating more avant-definition by Catrin Welz-Stein (bold colours and stylized figures), Susanne Loose (expressive colours and clean lines), and Tomasz Alen (modern surrealist and clean lines), 8K QLED colour technology.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape

C'est la Vie de la Fleuristerie (EssenceOfReality)

• Model: EssenceOfReality

• Size: 2461 X 2032 (5.00 MP)

• Used settings:

  • Prompt: Speed painting using incredibly almost unbelievably deeply thick oil-on-oil impasto, a greenhouse window sill (no snow) there just sits a single vase, closeup is a florist’s wonderful Christmas floral detailing of emperor strains such as nasturtium and fritillaria aurora and ixia and huang-ti-hua and pansy and magnolia and tulip and chrysanthemum, a windswept snow vista scene outside the window; a great range of depth of field and greater sensitivity of artist's techniques in the following sequence: the background dry brush technique by Edward Burne-Jones and William Timlin (ethereal mythology); the middleground is well lit and has strong shadows, using thick paint and palette knife by Pol Ledent and John Lowrie Morrison (bold use of shapes and textures), Alfred Joseph Casson and Carl Spitzweg (whimsical nature and everyday scenes); and, in the foreground the calligraphic line edges are harder sharper crisper creating more avant-definition by Susanne Loose (tattoo artist), and Tomasz Alen (modern surrealist), Jeremy Mann (experimentation), Picasso (cubism), 8K QLED colour technology.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape

Wrecking

• Model: AIVision

• Size: 2523 X 1982 (5.00 MP)

• Used settings:

  • Prompt: Impasto splash paint on hessian burlap fabric of windswept estuary; a great range of depth of field and greater sensitivity of artist's techniques: Graham Crowley (saturates colours to heighten the emotional character of a scene), 8K QLED colour technology.
  • Upscale & Enhance: 5
  • Aspect Ratio: square

Beachcombing

• Model: AIVision

• Size: 2236 X 2236 (5.00 MP)

• Used settings:

  • Prompt: Colourful splash art using impasto closeup of a windswept beach; a great range of depth of field and greater sensitivity of artist's techniques: Jeremy Mann (contemporary), Picasso (cubism), 8K QLED colour technology.
  • Upscale & Enhance: 5
  • Aspect Ratio: square

2024, Dawn and New Beginnings in Art

• Model: Artistic 2

• Size: 2565 X 1949 (5.00 MP)

• Used settings:

  • Prompt: Dawn beginnings and all is well in the land, speckled impasto speed painting using deeply thick oil-on-oil applied with potato shaped polygons and bold brush strokes, a great range of depth of field and greater sensitivity, artist's techniques are used in the following sequence: the background has gold leaf embroidery patchwork art, dry brush technique by Georges de La Tour and Arnold Böcklin (dark atmospheric focus on mystery and symbolism), Sidney Nolan and William Timlin (wild and imaginative), Darek Zabrocki and Edward Burne-Jones (dreamlike ethereal drawing inspiration from mythology and fairytales); the middleground is well lit and has strong shadows, using thick paint and palette knife by Victo Ngai and Winold Reiss (visually striking captivating bold colours and intricate details), Leon Bakst and Catrin Welz-Stein (bold colours, intricate patterns, and stylized figures), Alfred Joseph Casson and Carl Spitzweg (whimsical charming focus on nature and everyday scenes), Lluis Bruguera and Hernan Bas (thought-provoking and provocative exploring themes of social commentary and identity), also Lluis Bruguera and Hernan Bas (thought-provoking and provocative exploring themes of social commentary and identity); and, in the foreground the calligraphic line edges are harder sharper crisper creating more avant-definition by Susanne Loose (vibrant colours and expressive brushwork), and Pol Ledent (bold use of shapes and patterns), John Lowrie Morrison (intricate details and textures), Tomasz Alen (modern minimalist focus on geometric shapes and clean lines), 8K QLED colour technology.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape

Penguin Houses

• Model: Artistic 2

• Size: 2527 X 1979 (5.00 MP)

• Used settings:

  • Prompt: An old house, with trees and flowers. Oil painting, colorful, bright, painted impasto with thick palette knife. Modifiers: fantasy oil on canvas beautiful colorful Jacek Yerka light reflections Gediminas Pranckevicius Impressionism
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Upscale & Enhance: 5