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Colorful Surrealism and Elegance

• Model: DaVinci2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: (A masterpiece of unparalleled excellence), (("Breathing life into every corner of the world", Wear stunning outfits, Complex texture, Abstract expressionism surrealism, Stunning color oil drawing on textured paper, 16K, Max Quality, Max detailed, Maximum Surrealism, Stunning, Masterpiece)), Inspired by the style illustrations of Hajime Sorayama, Gustav Klimt, Amanda Clark, Catrin Welz-Stein, Dee Nickerson.
  • Upscale & Enhance: 0
  • Aspect Ratio: square

- They walked like giants -

• Model: FluX

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Artist Jean-Baptiste Monge style. A vast pale-yellow pastel-valley. Orange tendrils. Pale-blue tendrils. orange tendrils. gnarly silver-metallic robot-insects.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

- Mechworld inZect -

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Artist Jean-Baptiste Monge style. A vast pale-yellow pastel-valley. Orange tendrils. Pale-blue tendrils. orange tendrils. Silver-metallic robot-insects.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

- [The DDG-AI went bananas!] -

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Artist Jean-Baptiste Monge style. The lost City of fluffy pale-blue floating BaNanas.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

- The Demigods of Ragnarok -

• Model: FluX

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Artist Jean-Baptiste Monge style. The four hoarse men of the Apocalypse-Armageddon-Ragnarok.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

- Autumn Impressions -

• Model: Animatron

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Artist Jean-Baptiste Monge style. A pale-orange-pale-green-pale-yellow gnarly curvy-curly-whirly tendrils Autumn-Forest Girl.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

- (mischievous) Tomatoes -

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Artist Jean-Baptiste Monge style. A happy killer-tomato.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

- Dance of the (slightly insane) 'Spaghetti Fairy' -

• Model: Animatron

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Artist Jean-Baptiste Monge style. Funny insane red Spaghettis dancing on a table.
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

The Escape

• Model: ProVideo

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Mode: Base
  • Generated From: Image
  • Duration: 5 seconds

Dancing Rasta Bears

• Model: Runway

• Size: 1280 X 768 (0.98 MP)

• Used settings:

  • Aspect ratio: landscape

Surf's Up

• Model: Runway

• Size: 720 X 720 (0.52 MP)

• Used settings:

  • Aspect ratio: square

School of Fish

• Model: ProVideo

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Mode: Base
  • Generated From: Image
  • Duration: 5 seconds

Ogura Hyakunin Isshu No. 27 - Chūnagon Kanésuké

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 27, Chūnagon Kanésuké, of the Ogura Hyakunin Isshu: "Like Izumi River / that wells up and flows, / dividing the Moors of Urns / when did I see her, I wonder, / fthat I should yearn for her so?" The image shows lively river flowing wiht currents and eddies, which flow together to show a lovely Japanese woman of antiquity, if you look closely. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 37 - Fun’ya no Asayasu

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 37, Fun’ya no Asayasu, of the Ogura Hyakunin Isshu: "In the autumn fields / When the heedless wind blows by / Over the pure-white dew, / How the myriad unstrung gems / Are scattered everywhere around." This poem uses fairly common imagery: Glistening, refractive, rainbow-color-reflecting, opalescent, sparkling, jewel-like dewdrops densely covering the crumpled leaves of fall shine like pearls and gemstones. The image focuses on the sunshine on fallen leaves on the forest floor and their sparkly dewdrops. Some leaves are being whirled about by the wind, spraying their gemstone-like dewdrops through the air to create a glittering spectacle with a bokeh esthetic. The gust of wind is made visible by almost comic-like parallel lines and curls. Combination watercolor and woodcut, executed in a style reminiscent of Kawase Hasui. Deft execution, whimsical, peaceful, nature motif. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 39 - Sangi Hitoshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 39, Sangi Hitoshi, of the Ogura Hyakunin Isshu: "Though I reveal my love / as sparingly as the sparse reeds / that grow in low bamboo fields, / it overwhelms me - why is it / that I must love her so?" We see a gently sloping, green meadow densely populated by shorter reed grass, among which stands taller bamboo grass. Extreme woodcut esthetic. The sky is filled with little, puffy clouds rendered as woodcut lines that, upon closer inspection, hide the barely discernible image of a Japanese man. The Japanese man is definitely to be made out in the clouds. Combination linocut and woodcut, hand-colored additionally with watercolors, executed in a style reminiscent of Kawase Hasui. Deft execution, melancholy motif. Old masters' technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 42 - Kiyohara no Motosuke

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 42, Kiyohara no Motosukei, of the Ogura Hyakunin Isshu: "Our sleves were wet with tears / As pledges that our love - / Will last until / Over Sue's Mount of Pines / Ocean waves are breaking." The image shows a forlorn, weeping young Japanese man in a very ornately woven and patterned, red suikan. The garment is very loose-fitting and has very large sleeves. He is wiping his eyes with one wet sleeve as if it were a tissue. His lover's feelings have grown cold, even though the lovers had sworn each other eternal love during their time of passion. The man is standing in front of a pine tree rendered in high detailed; the pine tree is growing on Sue-no-Matsu Mountain. The image combines an extremely detailed, richly colored, woodcut technique with watercolor and is executed in the style of Hokusai. Extreme detail, lively motif. Masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 46 - Sone no Yoshitada

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 46, Sone no Yoshitada,of the Ogura Hyakunin Isshu: "Like a mariner / Sailing over Yura's strait / With his rudder gone: / Where, over the deep of love, / The end lies, I do not know." This image shows a Japanese sailor in a small skiff being tossed about by Hokusai-style waves. The young Japanese sailor has lost one of his two oars, so he is quite distraught and lacks orientation in the high waves. The weather is stormy, with rain and wind driving the the skiff in all directions. The image is executed as a detailed, highly symbolic woodcut, with the young sailor lost and without direction in the straits of love. Extreme detail, timeless motif combined with a classical woodcut esthetic and masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 47 - Egyō Hōshi

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 47, Egyō Hōshi, of the Ogura Hyakunin Isshu: "To the lonely house / where the weeds, eight layers deep, / have grown rank, / not a soul can be seen - / but autumn, at least, has come." This image shows a simple, dilapidated Japanese hut made of stone in the midst of high, dry, spent weeds that have gone to seed. Some of the weedy vines have engulfed the hut and have climbed almost all the way to the roof. It is autumn, and the air is crisp, the sky is blue with puffy, white clouds. The lovely fall day hides the fact that the house is lonely, decrepit, and that winter is around the corner. The hut symbolizes a person in the fall of life. The image is executed as a detailed, highly symbolic woodcut, with a strong, rich, wet watercolor wash overlay. Extreme detail, clarity of rendering, timeless motif combined with a classical woodcut esthetic and masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape_wide

Ogura Hyakunin Isshu No. 48 - Minamoto no Shigeyuki

• Model: AIVision

• Size: 5960 X 3352 (19.98 MP)

• Used settings:

  • Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 48, Minamoto no Shigeyuki, of the Ogura Hyakunin Isshu: "Like a driven wave, / Dashed by fierce winds on a rock, / So am I: alone / And crushed upon the shore, / Remembering what has been." The ocean is buffeted by a gale-force storm driving mighty waves onto the shore made of high, rocky cliffs. The left side of the image shows the cliffs stretching out along the shore. The right side of the image shows ocean spray and foam flying high into the air as the waves crash into the cliffs. Dark blue-gray clouds scud before the gusts of wind. The ocean is a dark blue-green with white foam. The crashing waves symbolize the poet's desparation. The unmoved, rocky cliffs symbolize the dispassionate object of his desire. The image is executed as an exceedingly detailed, highly symbolic woodcut, with a strong, wet watercolor wash overlay, providing rich and varied colors and splashes. The ocean, the wind, and the clouds are rendered in painstaking detail; the composition is lively. Extreme detail, clarity of rendering, timeless, symbolical motif combined with a classical woodcut esthetic and masterful technique. Exquisite Japanese folio.
  • Upscale & Enhance: 5
  • Aspect Ratio: landscape_wide

Lady and Autumn

• Model: DaVinci2

• Size: 1520 X 1520 (2.31 MP)

• Used settings:

  • Prompt: ABSTRACT PORTRAIT - beautiful lady
  • Using base image: Yes (Effect strength - 30%)
  • Base image resolution: Default
  • Upscale & Enhance: 0