Prompt: And he answers back, crosses me, and yells in a foul language: Kolya, where are you, the devil is talking to me in your voice. I go to him with jars of pickles and tomatoes in both hands, and I say: "Vasya, stop drinking, I'll give you more dick, you're losing your mind. And Vasiliy did not stop, ran to the stove, grabbed the poker and came at me. He hit me on the head with the poker with all his might. I grabbed my head in pain and let the cans out of my hands. The cans broke. The contents spilled out on the floor. I grabbed my head and screamed: - What are you doing, you half-assed humanoid? And this blue humanoid, no matter what, he took another swing at me with the poker. I decided to dodge it. I backed away. But it was not there, I slipped on two cucumbers and a tomato, and how I flew into hell, there where the devil Vaska came out. You know, in the cellar. How come I didn't break my neck while I was going headlong down the stairs.
Prompt: - What is it? - my master's sweetheart asked.
- I think he gave you a shot when he was rubbing your tits, and I didn't even notice. Don't you see? They're Arabian horses. They've lost weight in five years, but they can still give a head start to country mares. I used to ride them for 300 versts, I couldn't catch up.
Prompt: The fiery - gehenna verdict of the "Fashionable verdict" A special day was present at the copper on the sabbath, young witches gathered , took out brooms for flying from the barn , but could not find proper outfits for them, opening their hereditary chests , they searched for dresses for a long time that should drive annoying devils crazy , tried on, rummaged through a pile of old rags, swore obscenities as if they saw a pattern of crucifixes on a corset, suffocating the chest and a waist above the hip. Well, what are you doing glamorous girls? The one-eyed sister hissed at them in an angry tone - After all, the morning is near! - - And the sabbath will end by morning! - Now I'll teach you how to dress quickly! Yesterday, in that box of fantasies of the human world, which people call "TV", I saw with a lonely eye the program "fashion verdict", which stylist Vasiliev somehow led dejectedly. So into this small screen, a Gothic fat girl, I don't know how, without crushing those present, somehow got in there. So Vasiliev and the pretentious crowd in the jury dressed the fat sides of that scoundrel in black outfits. And we, let's put on black and gloomy outfits, so that the warts are not visible under the huge hooked noses! And if you don't like our dark look, the coven party! Vasiliev will burn in hell with all the members of the jury! Then the producers of the channels will understand, it is not necessary to promote such programs and if you are present in the jury, keep in mind what a fiery - gehenna verdict awaits your opinion!
Prompt: Peasant wedding (painting by Brueghel, 1568)
The wedding takes place on the threshing floor of the peasant's yard. In the XVI century, there were no large tables even in rich houses, they were made of planks during the holiday. The man on the far right, dressed in black, is sitting on an upside—down vat, the rest are on benches made of rough planks. An old man is sitting on the only chair with a back, perhaps a notary invited to conclude a marriage contract.
In the foreground, two people serve bowls of porridge, and a door that has been removed from its hinges serves as a tray. The one on the left is the largest figure on the canvas. Brueghel also highlighted it in the color scheme. Probably, the artist wanted to stabilize the complex composition of the canvas in this way. On the food carrier, the semi-diagonals of those sitting in the front rows converge, and the edges of his apron mark the axis of symmetry of the canvas. On his hat, as well as on the instruments of the bagpipe players, a bunch of ribbons is tied. Such ribbons were usually used in those days to tie trousers, and their presence on hats and instruments indicated belonging to a certain group. At that time, young people joined
Prompt: Hotei is one of the seven deities who bring good luck. So it should be understood that Hotei not only multiplies money, but also has broader abilities.
As for appearance, this deity is hardly an ideal of beauty: He is bald, plump, but he is constantly in high spirits. People often confuse Buddha (Gautama) with Hotei, so they mistakenly call him the "Laughing Buddha". But the main difference between Hotei and Buddha is the presence of a canvas bag. The figures of the real Buddha are made without one.
Prompt: A beautiful flower bouquet, delicately coloured in pale luminous purple and pink pastel watercolour wash. Fragile, Thin and Delicate Rice Paper, Semi-Transparent. Black matt background. Ethereal. Backpropagation algorithm optimization lighting in pale delicate purple glow
Prompt: Hotei is one of the seven deities who bring good luck. So it should be understood that Hotei not only multiplies money, but also has broader abilities.
As for appearance, this deity is hardly an ideal of beauty: He is bald, plump, but he is constantly in high spirits. People often confuse Buddha (Gautama) with Hotei, so they mistakenly call him the "Laughing Buddha". But the main difference between Hotei and Buddha is the presence of a canvas bag. The figures of the real Buddha are made without one.
Prompt: The painting depicts a gang of boatmen during the transportation of a barge. The group consists of eleven figures moving from the depths of the canvas from right to left, so that the leftmost of them are closest to the viewer. The boatmen are lined up along the same line, forming a small angle with the horizontal — as a result, almost all the figures are located on the same plane, as on a bas-relief, in accordance with the principles of classicism, which was an important part of academic education. Such a construction, on the one hand, allows you to convey the difficulty of movement and the severity of the work, and on the other — to reveal the inner world of individual boatmen and show the "complex unity" of their totality as a whole. The monumentality of the boatmen's figures is emphasized by the relatively low horizon line
Prompt: Deep Dream
She, noble and rich, rides on a simple sledge with straw. This is how the artist emphasizes the humiliations he has endured: arrest, torture, sentence to burning.
But she still does not deviate from the old faith. All in black, with a pale and thin face. She pulls her double-fingered hand up.
She, emaciated and blackened by torture, knows that she is going against the system to certain death. She's doomed, but she won't back down for anything.
Prompt: You know you're all alone
Your friends they aren't at home
Everybody's gone to the garden
As you look into the trees
You can look but you don't see
The flowers seem to tease you at the garden
Everybody's there, but you don't seem to care
What's it with you man, and this garden
Turned into my worst phobia,
a crazy man's utopia
If you're lost no one can show ya,
but it sure was glad to know ya
Only poor boys take a chance,
on this garden's song and dance
Feel her flowers as they wrap around,
but only smart boys do without
You can find it all inside
No need to wrestle with your pride
No you ain't losing your mind
You're just in the garden
They can lead you to yourself
Or you can throw it on the shelf
But you know you can look inside
For the garden
I wasn't really scared
Lost my virginity there,
to a gypsy with blond hair
But now no one seems to care
Like a mouse inside a maze,
wandering round 4 daze
Prompt: Peasant wedding (painting by Brueghel, 1568)
The wedding takes place on the threshing floor of the peasant's yard. In the XVI century, there were no large tables even in rich houses, they were made of planks during the holiday. The man on the far right, dressed in black, is sitting on an upside—down vat, the rest are on benches made of rough planks. An old man is sitting on the only chair with a back, perhaps a notary invited to conclude a marriage contract.
In the foreground, two people serve bowls of porridge, and a door that has been removed from its hinges serves as a tray. The one on the left is the largest figure on the canvas. Brueghel also highlighted it in the color scheme. Probably, the artist wanted to stabilize the complex composition of the canvas in this way. On the food carrier, the semi-diagonals of those sitting in the front rows converge, and the edges of his apron mark the axis of symmetry of the canvas. On his hat, as well as on the instruments of the bagpipe players, a bunch of ribbons is tied. Such ribbons were usually used in those days to tie trousers, and their presence on hats and instruments indicated belonging to a certain group. At that time, young people joined
Prompt: The painting depicts a gang of boatmen during the transportation of a barge. The group consists of eleven figures moving from the depths of the canvas from right to left, so that the leftmost of them are closest to the viewer. The boatmen are lined up along the same line, forming a small angle with the horizontal — as a result, almost all the figures are located on the same plane, as on a bas-relief, in accordance with the principles of classicism, which was an important part of academic education. Such a construction, on the one hand, allows you to convey the difficulty of movement and the severity of the work, and on the other — to reveal the inner world of individual boatmen and show the "complex unity" of their totality as a whole. The monumentality of the boatmen's figures is emphasized by the relatively low horizon line
Prompt: Peasant wedding (painting by Brueghel, 1568)
The wedding takes place on the threshing floor of the peasant's yard. In the XVI century, there were no large tables even in rich houses, they were made of planks during the holiday. The man on the far right, dressed in black, is sitting on an upside—down vat, the rest are on benches made of rough planks. An old man is sitting on the only chair with a back, perhaps a notary invited to conclude a marriage contract.
In the foreground, two people serve bowls of porridge, and a door that has been removed from its hinges serves as a tray. The one on the left is the largest figure on the canvas. Brueghel also highlighted it in the color scheme. Probably, the artist wanted to stabilize the complex composition of the canvas in this way. On the food carrier, the semi-diagonals of those sitting in the front rows converge, and the edges of his apron mark the axis of symmetry of the canvas. On his hat, as well as on the instruments of the bagpipe players, a bunch of ribbons is tied. Such ribbons were usually used in those days to tie trousers, and their presence on hats and instruments indicated belonging to a certain group. At that time, young people joined
Prompt: Brunet nervously and sharply took out a bag from his pocket. Nervously clutching it in his hand, he began waving it around. Seeing the new object, I decided to make conversation with interest. - Good morning," I said, referring to the bag
Prompt: Peasant wedding (painting by Brueghel, 1568)
The wedding takes place on the threshing floor of the peasant's yard. In the XVI century, there were no large tables even in rich houses, they were made of planks during the holiday. The man on the far right, dressed in black, is sitting on an upside—down vat, the rest are on benches made of rough planks. An old man is sitting on the only chair with a back, perhaps a notary invited to conclude a marriage contract.
In the foreground, two people serve bowls of porridge, and a door that has been removed from its hinges serves as a tray. The one on the left is the largest figure on the canvas. Brueghel also highlighted it in the color scheme. Probably, the artist wanted to stabilize the complex composition of the canvas in this way. On the food carrier, the semi-diagonals of those sitting in the front rows converge, and the edges of his apron mark the axis of symmetry of the canvas. On his hat, as well as on the instruments of the bagpipe players, a bunch of ribbons is tied. Such ribbons were usually used in those days to tie trousers, and their presence on hats and instruments indicated belonging to a certain group. At that time, young people joined
Prompt: The key place in the composition of the sash belongs to the image of a man-tree. On his head lies a tabletop and a bagpipe, around which demons lead sinners. Some researchers tend to see in this character a self-portrait of the master himself.
Prompt: Create an image of a woman in profile with an ethereal and artistic aesthetic. She has pale skin and a delicate facial structure, with a slightly closed eye that conveys a sense of tranquility. Her hair is a cascade of elaborate swirls and circular patterns flowing into an abstract space, featuring shades of black, gray, white, and hints of tones like red and gold and purple and complementary colours, resembling a mix between a starry night and a Gustav Klimt painting. The woman's dress is an extension of this design, adorned with countless intricate circles and dots, blending into a skirt that transitions into a pixelated pattern as it approaches the bottom right corner of the image. The background should have a resemblance to intricate mosaic art in grayscale, contributing to the overall dreamlike quality of the image.
Prompt: Brunet nervously and sharply took out a bag from his pocket. Nervously clutching it in his hand, he began waving it around. Seeing the new object, I decided to make conversation with interest. - Good morning," I said, referring to the bag
Prompt: itan Kronos devouring his children in fear of being overthrown by one of them seems the most creepy. Goya depicted madness on the face of the already ugly monster, which further thickens the atmosphere of horror of what is happening. This work “decorated” the wall in his “House of the Deaf,” but it is unlikely that anyone else would want to pass by such a painting in their home at night.
Prompt: Peasant wedding (painting by Brueghel, 1568)
The wedding takes place on the threshing floor of the peasant's yard. In the XVI century, there were no large tables even in rich houses, they were made of planks during the holiday. The man on the far right, dressed in black, is sitting on an upside—down vat, the rest are on benches made of rough planks. An old man is sitting on the only chair with a back, perhaps a notary invited to conclude a marriage contract.
In the foreground, two people serve bowls of porridge, and a door that has been removed from its hinges serves as a tray. The one on the left is the largest figure on the canvas. Brueghel also highlighted it in the color scheme. Probably, the artist wanted to stabilize the complex composition of the canvas in this way. On the food carrier, the semi-diagonals of those sitting in the front rows converge, and the edges of his apron mark the axis of symmetry of the canvas. On his hat, as well as on the instruments of the bagpipe players, a bunch of ribbons is tied. Such ribbons were usually used in those days to tie trousers, and their presence on hats and instruments indicated belonging to a certain group. At that time, young people joined
Prompt: A monkey wearing a jockey outfit is riding on the back of a Big belly seahorse (Hippocampus abdominalis). swimming in wavy water with bubbles and splashing.
Prompt: The painting depicts a gang of boatmen during the transportation of a barge. The group consists of eleven figures moving from the depths of the canvas from right to left, so that the leftmost of them are closest to the viewer. The boatmen are lined up along the same line, forming a small angle with the horizontal — as a result, almost all the figures are located on the same plane, as on a bas-relief, in accordance with the principles of classicism, which was an important part of academic education. Such a construction, on the one hand, allows you to convey the difficulty of movement and the severity of the work, and on the other — to reveal the inner world of individual boatmen and show the "complex unity" of their totality as a whole. The monumentality of the boatmen's figures is emphasized by the relatively low horizon line
Prompt: girls with birds and berries on their heads, swimming in a lake, around which riders on different animals are moving. The foreground is filled with people having fun. The company of young people sitting in the thistle bushes is noteworthy. To their left, a young man, swimming with a girl and a stork in a large bright fruit through the dark waters of the lake, feeds blackberries to the swimmers. Immediately behind them to the left are several large birds. The figure of an already middle-aged man sitting on the back of a goldfinch is interesting; he lowered his head low, as if he did not want to look at the disgrace happening around him.
Prompt: The painting depicts a gang of boatmen during the transportation of a barge. The group consists of eleven figures moving from the depths of the canvas from right to left, so that the leftmost of them are closest to the viewer. The boatmen are lined up along the same line, forming a small angle with the horizontal — as a result, almost all the figures are located on the same plane, as on a bas-relief, in accordance with the principles of classicism, which was an important part of academic education. Such a construction, on the one hand, allows you to convey the difficulty of movement and the severity of the work, and on the other — to reveal the inner world of individual boatmen and show the "complex unity" of their totality as a whole. The monumentality of the boatmen's figures is emphasized by the relatively low horizon line
Prompt: itan Kronos devouring his children in fear of being overthrown by one of them seems the most creepy. Goya depicted madness on the face of the already ugly monster, which further thickens the atmosphere of horror of what is happening. This work “decorated” the wall in his “House of the Deaf,” but it is unlikely that anyone else would want to pass by such a painting in their home at night.
Prompt: There are no words to describe this outrage. There is no worse feeling of waiting in line. You wait, you wait, and you get all wound up. Queuing in stores is normal. It doesn't make it easy, just hard. Petrovich and I stood in line at the store, hoping to buy a pair of family underpants, which once a year were thrown on the counter for Soviet citizens. Behind us, a tall citizen took the line. He was thin, tall, had an oval-shaped face, and small gray close-set eyes that looked around viciously. His nose was oversized, his Jewish roots predominating. He was very proud of this fact of his ancestry and often stressed to his acquaintances that his father was of Jewish descent.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
