#woodenroom

Bionggggg

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: A jack in the box with a evil teddy bear popping out of the box
  • Using base image: No
  • Aspect Ratio: landscape

Chapter 35 – The Name the Cottage Must Never Hear Part 2 – The Memory That Belonged to Nobody

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1664 (3.73 MP)

• Used settings:

  • Prompt: Ja, da sind wir wieder über Bananas **3.500-Zeichen-Grenze** gerutscht.
  • Using base image: Yes

Chapter 30 The Name the Cottage Was Told to Forget Part 3 The Name That Was the Lock

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: Für **Part 3** konzentrieren wir uns ganz auf Mara, den namenlosen älteren Wizard und das lebendig werdende **First Room**. So bekommen wir einen deutlich düstereren Abschluss als bei Part 2. Wichtig: Der Schriftzug **MARA** sollte diesmal wirklich gut sichtbar Bestandteil der Holzwand sein. Chapter 30 – The Name the Cottage Was Told to Forget, Part 3 – The Name That Was the Lock Create a realistic painterly fantasy storybook illustration, 4:3 landscape format. Use the uploaded reference image strictly for Mara (CR-01a). Preserve her exact established face, long golden-blonde hair, green tunic, dark trousers, brown boots and natural proportions. Mara is 22 years old and about 1.70 m tall. Scene: Mara is trapped inside the FIRST ROOM, a small ancient wooden chamber with no windows. The room feels older than the Cottage itself. Dark weathered floorboards and walls surround her. Hundreds of faint scratched names and almost-erased letters cover parts of the old wood. Beside Mara stands the mysterious older wizard from Part 1: human male, silver beginning at his temples, worn long coat patched at the elbows, serious intelligent face. His appearance is beginning to fade subtly, as though the Cottage is forgetting him. He looks alarmed toward the wall behind Mara. The room is becoming alive. Thin glowing golden veins spread organically through the wooden floorboards and climb the walls like luminous roots. The floor subtly pulses and the wooden walls appear to expand and contract almost like slow breathing, but keep the effect mysterious rather than grotesque. MAIN VISUAL FOCUS: on the dark wooden wall behind Mara, glowing golden letters are forming her name: MARA The word must be clearly readable, spelled exactly M-A-R-A, naturally embedded into the magical wooden wall, not floating like a graphic title. Beneath MARA is a second empty glowing line where another name could eventually appear. Mara has just realized what the Cottage is doing. She looks shocked and uneasy, one hand partly raised toward her mouth. The older wizard urgently reaches toward her wrist as if warning her not to answer. A broken wooden chair lies nearby with thin roots curling around its legs. A folded old paper lies near Mara, showing only faint magical writing; do not make its text a visual focus. Lighting: mostly dark amber and brown wooden tones illuminated by the supernatural golden veins and the glowing name MARA. Soft light catches Mara's face and the wizard while the corners remain mysterious and shadowy. Atmosphere: ancient, magical, claustrophobic and suspenseful, the Cottage itself awakening around them. No gore or horror-monster imagery. Cinematic composition, realistic painterly fantasy storybook style, highly detailed wood textures, soft volumetric golden light. Only Mara and the older wizard are physically inside the room. No Biblior, Horologia, Memoris, Sir Fegelot or Madam Arabica. No duplicate Mara, no extra people, no modern objects. Bottom-right: small white full-body unicorn watermark with the words “AI by Unicorngraphics”.
  • Using base image: Yes

Chapter 17 – The Door That Waited Before the Cottage Part 3 – The Story That HadShadows in the Study

• Model: Nano Banana 2 (Ultra)

• Size: 2219 X 1664 (3.69 MP)

• Used settings:

  • Prompt: A highly detailed cinematic fantasy illustration in painterly realism, landscape 4:3. Every recurring character must remain identical to previous illustrations. Inside the Quiet Room before every beginning, a small warm wooden room with a simple round wooden table. The ancient oil lamp is almost extinguished, casting dramatic golden shadows. Four blank books lie open on the table while a fifth book remains closed with a silver ribbon. The Storyteller is the clear central figure. An elderly man with long white hair tied back, kind intelligent eyes and an old grey coat patched from many different stories. He stands firmly in front of the others with one raised hand, protecting them. His expression is calm, fearless and determined. From a wide crack in the wooden floor rises a tall faceless humanoid figure made entirely of swirling black liquid ink. It has no eyes, no mouth, no claws and no visible face. Its body constantly flows and changes shape like living ink and black smoke. It is mysterious and unsettling rather than monstrous. Behind the Storyteller stands the entire group as one united line. Mara, with long golden-blonde hair and a green medieval tunic, and Linora, with long dark-blonde hair and a blue medieval tunic, stand closest together. Linora holds Lumio, a living enchanted smartphone glowing with a bright crimson warning light. Behind them stand Biblior, the small elderly librarian carrying his huge ancient book, and Memoris, the tall guardian holding his crystal staff. Ticko, the tiny brass alarm clock with his magical lantern, stands on the edge of the round table. Klemmi, the tiny living silver paperclip with his satchel, stands beside Ticko. Sir Fegelot, the living broomstick with expressive eyes at the top of the handle and his slightly crooked black magic hat, stands beside Madam Arabica, the living polished copper coffee pot. The room trembles gently as tiny black drops of ink float through the air. The last glowing golden letters rise from the dying oil lamp while the confrontation between the Storyteller and the nameless ink-being dominates the entire composition. Ultra detailed, cinematic lighting, realistic anatomy, dramatic perspective, masterpiece quality, mysterious rather than violent. Tiny engraved chapter mark 17-3 on the edge of the round wooden table. Bottom right: small white full-body unicorn logo with the text AI by Unicorngraphics.
  • Using base image: No
  • Aspect Ratio: landscape

Chapter 17 – The Door That Waited Before the Cottage Part 2 – The Room That Existed Before Home

• Model: Nano Banana 2 (Ultra)

• Size: 2219 X 1664 (3.69 MP)

• Used settings:

  • Prompt: A highly detailed cinematic fantasy illustration in painterly realism, landscape 4:3. Inside the Quiet Room before every beginning, a small timeless room built of warm honey-colored wood without windows. A simple round wooden table stands in the center. An ancient oil lamp burns with an eternal golden flame, filling the room with soft warm light while tiny glowing letters slowly float upward into the air. The atmosphere is peaceful, magical and filled with quiet mystery. An elderly Storyteller stands beside the table. He has long white hair tied back, kind intelligent eyes and a gentle smile. He wears an old grey coat carefully patched with fabrics from many different stories. One hand rests on a mysterious fifth book bound with a silver ribbon while four completely blank books stand beside it. Around the table stand Mara, a young woman with long wavy golden-blonde hair, blue eyes, freckles, wearing a green medieval tunic, dark trousers and brown boots, and Linora, a young woman with long dark-blonde hair, blue-grey eyes, wearing a blue medieval tunic, dark trousers and brown boots while gently holding Lumio, a living enchanted smartphone glowing with soft blue magical light beneath its glass. Nearby stands Biblior, a small elderly librarian with a white beard, wearing a green hooded robe and carrying a huge ancient book. Beside him is Memoris, a tall elderly guardian with long white hair, a trimmed beard, a grey robe and a crystal staff. Ticko, a tiny living brass alarm clock with expressive eyes, little boots and a magical lantern, stands on the table examining the glowing oil lamp. Klemmi, a tiny living silver paperclip with expressive eyes, white gloves and a small brown satchel, watches curiously from below. Sir Fegelot, an enchanted living broomstick with expressive eyes at the very top of the wooden handle, flexible twig arms, natural straw bristles and a slightly crooked old black magic hat, respectfully removes his hat while standing beside Madam Arabica, a polished living copper coffee pot with expressive eyes, elegant wire arms and legs and a warm smile. Everything feels calm, welcoming and timeless, as if this is the place where every story receives its first beginning. Ultra detailed, realistic anatomy, cinematic composition, volumetric lighting, masterpiece quality.
  • Using base image: No
  • Aspect Ratio: landscape

Wonderland Box Solitude

• Model: ChatGPT 2 (Base)

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt: (((Masterpiece))) A whimsical scene in mixed media of gouache and encaustic flecks with messy oil brushstrokes. A surrealistic image of an enclosed room with wood pannels. Like the story Alice in Wonderland an elongated young woman is stuck in this tiny space. Seen from the side, she is hunched over and takes almost all the space of this tiny little area. The profile of her face is gorgeous but very stylized and doll like, with small red lips and dark almond eyes - emphasise on black lashes. She has long frizzy blonde hair with a black ribbon in it. She is wearing a long red patchwork dress, tight at the waist, with yellow and turquoise blossoms on it. Her arms and legs have black and white stripes on them. She is wearing a pair of glittery red shoes. As she looks down at a small door is in the room beneath her ,the small door has a silver knob in the middle and two cartoon stylized eyes on it looking fearfully up at her, small line mouth. The scene is comical and highly detailed, with a small vintage lamp on the other side of the wall. Etthereal glowing light, surreal and enchanting, otherwordly, stylized and funny. Gothic elegance.
  • Using base image: No
  • Aspect Ratio: square

Whimsical Corner Story

• Model: Nano Banana 2 (Turbo)

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt: (((Masterpiece))) A whimsical scene in mixed media of gouache and encaustic flecks with messy oil brushstrokes. A surrealistic image of an enclosed room with wood pannels. Like the story Alice in Wonderland an elongated young woman is stuck in this tiny space. Seen from the side, she is hunched over and takes almost all the space of this tiny little area. The profile of her face is gorgeous but very stylized and doll like, with small red lips and dark almond eyes - emphasise on black lashes. She has long frizzy blonde hair with a black ribbon in it. She is wearing a long red patchwork dress, tight at the waist, with yellow and turquoise blossoms on it. Her arms and legs have black and white stripes on them. She is wearing a pair of glittery red shoes. As she looks down at a small door is in the room beneath her ,the small door has a silver knob in the middle and two cartoon stylized eyes on it looking fearfully up at her, small line mouth. The scene is comical and highly detailed, with a small vintage lamp on the other side of the wall. Etthereal glowing light, surreal and enchanting, otherwordly, stylized and funny. Gothic elegance.
  • Using base image: No
  • Aspect Ratio: square

Charming Woman in Rustic Cabin Setting

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: breathtaking alla prima oil painting, A cinematic, early 20th-century mining town interior. A young woman in a simple white blouse and dark skirt sits on a wooden chair, looking down at her ankle. Her legs are open, Her skirt has ridden up exposing her white thigh. An older miner in worn, dusty work clothes kneels in front of her, carefully examining her foot. A vicar in black clerical clothing stands just behind her, watching with a conflicted expression. Two other miners stand in the background observing quietly. The room is dimly lit by a warm oil lamp, with smoky atmosphere, earthy tones, dramatic lighting, shallow depth of field, realistic photography style., close up, alla prima style, oil on linen, painterly oil on canvas, painterly style, exquisite composition and lighting, modern painterly masterpiece, in the style of alexi zaitsev, award-winning painterly alla prima oil painting. Overall, it's an absolute world-class masterpiece oil painting. It's an aesthetically pleasing oil painting with impeccable attention to detail and impressive composition.
  • Using base image: No
  • Aspect Ratio: landscape

Winny and the Eyes Beneath the House

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: Dark fairytale fantasy illustration inside Winny’s ancient crooked house at night. Winny, an elderly kind witch with a worn dark dress, gray hair, wrinkles, and a weathered magical staff, stands frightened inside her candlelit living room while golden protection symbols glow across the cracked walls. In front of her stands the anthropomorphic two-legged stag guardian, clearly upright like a human, wearing old layered clothing, leather belts, boots, and a long mystical coat, with enormous branching antlers glowing with golden runes. Around them, cracked mirrors line the walls, some filled with swirling black darkness and ghostly reflections. One shattered mirror releases thick black mist crawling across the wooden floor like living fingers. Nearby stands the Man Without Echo, his body partially breaking apart into floating silver light fragments. Deep below the open cellar staircase rises a colossal ancient entity made of shadow, black mist and enormous skeletal structures with countless glowing golden eyes opening inside the darkness. Massive golden lines pulse beneath the floor like living veins connected to a hidden underground structure far below the house. The atmosphere is eerie, mystical and ancient, filled with fear, memory and forbidden magic. Candle flames bend in the cold breath rising from the cellar. Ultra detailed cinematic magical realism, haunting fairytale horror, style of Jean-Baptiste Monge × Iris Compiet × Alan Lee, include a very small sterilized full-body white unicorn logo with delicate proportions and the text “AI by Unicorngraphics” beneath it in the bottom right corner.
  • Using base image: No
  • Aspect Ratio: landscape

Winny and the House of Silent Mirrors The Whispering Behind the Glass

• Model: Nano Banana 2 (Pro)

• Size: 2240 X 1680 (3.76 MP)

• Used settings:

  • Prompt: An old countryside witch house during a heavy rainstorm at night, warm wooden interior filled with hanging herbs, candles, old books, glass bottles and dried flowers, cozy melancholic atmosphere slowly being invaded by unnatural cold silver mirror-light flowing down from the attic staircase above, Winny depicted EXACTLY as an older gentle village witch and herbal healer with soft gray hair loosely tied back, warm melancholic face with tired wise eyes, wearing a simple worn green countryside dress with layered shawl and practical rustic clothing, sitting quietly near a wooden table covered with herbs and magical glass objects while staring upward in growing fear toward the attic staircase, the familiar warmth of her home contrasting against the cold supernatural mirror-light spreading across the walls and floor, ancient mirrors throughout the hallway reflecting impossible rooms and distorted reflections instead of normal images, outside the rain-covered windows several silent false mirror versions of Winny standing motionless among dark trees with black empty eyes, the “Man Without Echo” partially emerging at the top of the attic staircase from a shattered mirror flooded with silver light, impossibly tall and elegant, wearing a long flowing coat made from living darkness, smooth reflective mirror-glass face with NO eyes and NO mouth, fragments of floating broken mirror surrounding him unnaturally in the cold air, magical glass jars on shelves glowing softly including the warm golden Glass of Hope and the swirling silver Memory Glass showing visions of gigantic mirror halls and ancient doors deep inside the mist, emotional atmosphere focused on quiet supernatural dread, reflections, memories and ancient impossible doors rather than action or horror violence, painterly realism, cinematic contrast between warm candlelight and cold silver mirror-light, rain against windows, drifting fog, melancholic magical realism, style by Alan Lee × dark European fairy tale illustration × atmospheric supernatural realism, NO young character, NO animal character, NO cartoon fantasy style, NO grimdark horror monster aesthetic, focus on emotional unease and fragile warmth threatened by cosmic mirror horror, include a very small sterilized full-body white unicorn logo with delicate proportions and the text “AI by Unicorngraphics” beneath it in the bottom right corner.
  • Using base image: No
  • Aspect Ratio: landscape

Steampunk Elegance in a Mystical Setting

• Model: DaVinci2

• Size: 1344 X 768 (1.03 MP)

• Used settings:

  • Prompt: A carnal female, secret, steampunk, Oil painting with impasto technique in style of Odd Nerdrum
  • Using base image: No
  • Aspect Ratio: landscape_wide

Sleepytime (for two deaf mice)

• Model: Nano Banana 2 (Ultra)

• Size: 4800 X 3584 (17.20 MP)

• Used settings:

  • Prompt: Please create a whimsical, magical clock collector’s room filled with every kind of clock imaginable. The room has beautiful polished pine plank walls in warm honey and amber tones, rich wood grain visible, softly glowing in warm golden light. Every wall is arranged like an organized art display of clocks: tall ornate grandfather clocks and elegant grandmother clocks standing in the corners, walls filled with antique brass clocks, carved wooden cuckoo clocks with tiny birds, vintage alarm clocks, pocket-watch style wall clocks, colorful modern digital clocks with glowing numbers, art-deco clocks, whimsical painted clocks, and steampunk clocks with visible gears. The clocks are arranged in balanced artistic patterns across the walls, creating a harmonious gallery of timepieces. Pendulums gently swing, tiny gears and clock hands are clearly visible, intricate mechanical details, engraved brass, polished wood carvings, crystal clock faces, precise clockwork mechanisms, ultra-detailed craftsmanship. At the base of the tall grandfather and grandmother clocks are tiny cozy beds tucked beside the wooden cases. In each miniature bed, two adorable small gray mice are sleeping peacefully. The mice have soft fluffy fur, tiny pink noses, delicate whiskers, rounded ears, and gentle closed eyes. They curl together under tiny patchwork quilts with little pillows, their tails wrapped around each other. The room feels warm, magical, cozy, and storybook-like, filled with vibrant color accents from the many clock faces. Highly detailed textures, sharp focus, soft warm lighting, intricate clockwork mechanisms, cute expressive animals, fantasy illustration, whimsical storybook atmosphere, ultra-detailed, rich colors, imaginative cozy scene.
  • Using base image: No
  • Aspect Ratio: landscape