#ukraine

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: magnificent glass facade of an Art Nouveau retro futuristic townhouse in Amsterdam , huge windows with no curtains or drapes,staircase in front of the entrance door
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The facade was designed to blend with the low Byzantine dome of St. Bartholomew's Church and shares the same brick color, with terracotta decorations chosen to coordinate. Brick in orange, tawny, and buff colors was used throughout the facade. The bricks, laid out randomly in American bond, create from a distance the impression of a rich bronze color. The window sills, corbels, spandrels, and other elements on the facade are made of terracotta in similar shades. The terracotta details include reliefs that depict lightning. The lowest section of the ground-story facade is made of reddish granite, and some of the upper-story trimmings are made of reddish marble. The terracotta on the upper stories was sprayed with fourteen-carat gold. The detail of the facade wraps around to its rear elevations as well. The facade contains few flat surfaces. The design is emphasized by rounded vertical piers, which separate the facade into bays, and recessed spandrels, which separate the windows between each floor. The piers rise above and between the openings of the first floor. The spandrels are mostly similar in design. On the building's primary elevations.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Frozen lake with island of rocks in the middle and large mountain in the background with pine trees and snow everywhere. Fit nicely in landscape.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Minimalist architecture. Little to no ornamental features. Simple, basic materials, such as concrete, glass, and stone. Neutral color palettes. Clean lines and geometric shapes, often repeated for orderliness. Uses structure, shape, light, and space to create maximum visual impact with as few items as possible.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Modern architecture. Clean, minimal lines. These lines lack additional ornamentation and are generally a consistent, smooth texture. Broad roof overhangs. Several modern homes emphasize low, horizontal structures with large roof overhangs. Walls of glass and large windows. You will find a very generous use of glass, which allows a significant amount of natural light into the interior. Open and well-defined floorplans. Since modern architecture focuses on form over function, architects sought to include large, spacious floorplans with dining and living spaces that flowed into one another. Modern and traditional building materials. Some common materials in modern homes include steel, concrete block, iron, and glass. More conventional building materials like wood, brick, and stone were used in more straightforward ways to show off their natural beauty. A relationship to the outside environment. A lot of thought went into building sites and how buildings would relate to the natural landscape surrounding them. Asymmetrical designs. Modern architects played around with large, smooth shapes and asymmetrical compositions that were cleanly planed and lacked any additional decoration.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: NASA Orbit Pavilion, pictured here in NYC, designed by Studio KCA. This shell-shaped chamber has a futuristic skin of aluminium panels that are cut with a pattern that illustrates the orbital paths of the satellites through space. The decision to use the water jet cutting technique for the structure was made because of ‘the precision and quality needed in making so many cuts across 3,500 sf of material’. The captivating pavilion, a symbol for the collaboration between the STEM industries, has been inspiring younger generations of astronomers and architects alike.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: At this Yangzhou bookshop an optical illusion turns an ordinary, rectangular room into a cylindrical tunnel. Created by Shanghai-based studio XL-Muse for book retailers Zhongshuge, a black mirrored floor paired with two walls of arched shelving helps to create a seemingly never-ending funnel of books.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Salerno Maritime Terminal, by Zaha Hadid Architects. The programme inside is straightforward, containing administration offices for national border controls and shipping lines; a terminal for international ferries and cruise ships; and a separate terminal for local and regional ferries. Internal ramps criss-cross the building, enhancing connections between areas. The terminal’s striking form is illuminated at night, acting as a beacon or lighthouse for the coastal town. ’The new terminal operates, both functionally and visually, as a smooth transition between land and sea,’ explain the architects, ’a coastal land formation that mediates between solid and liquid.’
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The unusual monolithic building is characterized by a nonlinear framework that emerges from the ground and wraps around a couple of towers and a core atrium to produce a massive block accented by three rippling gaps that mirror figure eight. The hollowed-out sections allow guests to encounter Morpheus’ interior and exterior features as they move around the structure. This allows the interior and exterior to engage with one another. Within, three innovative sky bridges link the major circulatory cores while also offering spectacular social dining and leisure areas. There are more than 780 guest rooms and casino facilities on the upper levels. Interior designer Peter Remedios draws inspiration from superyachts for his custom-designed fabrics and furniture. An all-white lounge area is partly contained in a geometric steel-angled frame on the bottom level.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The structure was opened in the Campania area of southern Italy, the first constructed by the business following the architect’s unexpected death. There was no need for more confirmation that Zaha Hadid’s legacy would carry on inspiring people, even after her passing. The initiative was undertaken by Vincenzo De Luca, the mayor at the time, to help assist in the economic, cultural, and environmental restoration of the neighborhood. During the busy summer months, the structure’s harsh, the asymmetric concrete exterior was meant to shelter people from the area’s intense heat. Its curvy shape, a Hadid signature, even echoes the water, abstractly like an oyster. Within, there are administrative offices for international border controls and commercial shipping routes, as well as a terminal for global ferries and cruise liners and a separate port for regional and local boats. Internal slopes crisscross the structure, improving connectivity between spaces. The remarkable structure of the terminal is illuminated at night, serving as a beacon to the seaside community. The new port acts as a seamless transition between water and land, both operationally and aesthetically.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The newest addition to the Iowa University campus – which houses the departments of sculpture, ceramics, photography, metals, printing, and 3D multimedia – covers four floors of pupil and faculty studios, classrooms, and gallery spaces. The stylish new structure replaced an older structure that had previously housed similar departments but had been devastated by flooding in 2008. Seven courtyards, together with other basic square windows on the façades, offer ample access to sunlight within, allowing light to penetrate deep into the structure’s wide floors. The perforated zinc coating also helps with this and at the very same time, its design provides complexity to the facility’s exterior and gives it a cool, steely grey color.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Gothic Revival is an architectural movement that began in the late 1740s in England. The movement gained momentum and expanded in the first half of the 19th century, as increasingly serious and learned admirers of the neo-Gothic styles sought to revive medieval Gothic architecture, intending to complement or even supersede the neoclassical styles prevalent at the time. Gothic Revival draws upon features of medieval examples, including decorative patterns, finials, lancet windows, and hood moulds. By the middle of the 19th century, Gothic Revival had become the preeminent architectural style in the Western world, only to fall out of fashion in the 1880s and early 1890s. Revival architecture varied considerably in its faithfulness to both the ornamental style and principles of construction of its medieval original, sometimes amounting to little more than pointed window frames and touches of neo-Gothic decoration on a building otherwise on a wholly 19th-century plan and using contemporary materials and construction methods, most notably in the use of iron and, after the 1880s, steel in ways never seen in medieval exemplars.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Paxton's modular, hierarchical design reflected his practical brilliance as a designer and problem-solver. It incorporated many breakthroughs, offered practical advantages that no conventional building could match and, above all, embodied the spirit of British innovation and industrial might that the Great Exhibition was intended to celebrate. The geometry of the Crystal Palace was a classic example of the concept of form following manufacturer's limitations: the shape and size of the whole building was directly based around the size of the panes of glass made by the supplier, Chance Brothers of Smethwick. These were the largest available at the time, measuring 10 inches (25 cm) wide by 49 inches (120 cm) long. Because the entire building was scaled around those dimensions, it meant that nearly the whole outer surface could be glazed using millions of identical panes, thereby drastically reducing both their production cost and the time needed to install them. The original Hyde Park building was essentially a vast, flat-roofed rectangular hall. A huge open gallery ran along the main axis, with wings extending down either side.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Carreras Cigarette Factory was faced in Atlas White cement, coloured to look like sand. The front of the building was lined with a colonnade of twelve large papyriform columns, painted in bright colours with Venetian glass decoration. The columns are thought to have been inspired by columns at tombs in Amarna. The main entrance was approached by a staircase, the handrails designed in the shape of serpents mounted on the wall with bronze human hands. The entrance itself was designed in the style of a tent, similar to the cavetto-moulded lintels seen in architecture dating from the Old Kingdom. Above the door was a carved Horus of Behdet, a symbol of the winged disk of the Sun. During World War II it was felt that this symbol resembled too closely the eagle imagery of the Third Reich and it was covered up. It was not replaced during the 1990s restoration. Cow-horned Hathor lamps stood in front of the black cat statues. The repeated black cat logo also featured across the front of the building. Ornamental railings around the building featured Egyptian hieroglyphs. The building was the first factory in Britain to make use of pre-stressed concrete technology.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The King City High School Auditorium is executed in cast-in-place concrete. The design makes full use of concrete's potential for plastic form, with compound curves, rounded corners and cast-in sculptural forms. The structure is somewhat elliptical in plan, with rounded corners. A projecting rounded bay at the front comprises the main entrance, with three pairs of doors separated by tall fluted pilasters surmounted by cast busts of Comedy and Tragedy, dividing a triptych relief sculpture that is itself divided into three levels. The ends of the facade curve around to the side elevations, which have inset fluted panels whose pilasters are crowned with more cast sculpture derived from characters from A Midsummer Night's Dream. The rear elevation is comparatively plain and utilitarian. The lobby is detailed with bright blue wainscoting and ceilings. Curved stairs give access to the balcony on either side of the lobby, with six doors into the main house. Floors throughout are covered in cork, as well as in the aisles of the auditorium. The auditorium seats 596 in the orchestra section and 387 in the balcony.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The American Radiator Building was designed in a black and gold color scheme. These specific colors came from a "somewhat offhand" suggestion made during an early discussion with Hood and Fouilhoux's team. It is not known who exactly suggested the black and gold colors, but architectural writer Walter Littlefield Creese says it may have been Hood's friend, architect Joseph Urban. Hood used the black and gold palette because he believed that conventional office buildings, with their white-masonry facades and dark glass windows, were monotonous. He had compared such windows to "waffles" and wished to find a color to make the window openings more conspicuous. After the tower's completion, Hood anticipated that additional colorful skyscrapers would be developed in New York City. The primary color of black was used to signify coal, while gold-coated decorations were used to symbolize fire. The "gold" was actually bronze powder placed on cast stone, a technique which was devised after a number of experiments by Hood and Fouilhoux's team. Hood had visited Brussels just before the American Radiator Building was built, and he had realized how golden colors had made "gloomy and dingy".
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A city exists three miles high and countless miles long encompassing tens of millions of people displaced from Earth. Structors (the builder's guild) deconstruct the "TailEnd" of the city and rebuild the "Frontend" in a sort of glacial urban march from the mountains to the sea over 30,000 years. Multiple generations of folk living at the TailEnd are obliged to pack up and relocate to the Frontend. However, entropy and decay has set in. Machines cease to function and fall into disrepair and society slowly loses technological knowledge with each successive generation. moving those houses all of mankind All mankind lived in The City, a self-enclosed towering single building that had always moved generation by generation across the vast empty landscape.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: savanna, huge acacia trees, sun, massive storm clouds, Ivan Shishkin,Victo Ngai,Gregorio Catarino,Cyril Rolando,Michal Karcz,Anato Finnstark,Flavio Greco Paglia, hyperdetailed defined oil painting, vibrant colors, 8K resolution, polished divine photorealistic intricate complex HDR, amber glow, dreamy
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: Inca architecture is the most significant pre-Columbian architecture in South America. The Incas inherited an architectural legacy from Tiwanaku, founded in the 2nd century B.C.E. in present-day Bolivia. Inca buildings were made out of fieldstones or semi-worked stone blocks and dirt set in mortar; adobe walls were also quite common, usually laid over stone foundations. The material used in the Inca buildings depended on the region, for instance, in the coast they used large rectangular adobe blocks while in the Andes they used local stones. The most common shape in Inca architecture was the rectangular building without any internal walls and roofed with wooden beams and thatch. There were several variations of this basic design, including gabled roofs, rooms with one or two of the long sides opened and rooms that shared a long wall. Rectangular buildings were used for quite different functions in almost all Inca buildings, from humble houses to palaces and temples. Even so, there are some examples of curved walls on Inca buildings, mostly in regions outside the central area of Peru.
  • Using base image: Yes

Ukraine, Lviv, Lviv O & B Theatre

• Model: Artistic

• Size: 832 X 704 (0.59 MP)

• Used settings:

  • Prompt: The revolution in materials came first, with the use of cast iron, drywall, plate glass, and reinforced concrete, to build structures that were stronger, lighter, and taller. The cast plate glass process was invented in 1848, allowing the manufacture of very large windows. The Crystal Palace by Joseph Paxton at the Great Exhibition of 1851 was an early example of iron and plate glass construction, followed in 1864 by the first glass and metal curtain wall. These developments together led to the first steel-framed skyscraper, the ten-story Home Insurance Building in Chicago, built in 1884 by William Le Baron Jenney.[3] The iron frame construction of the Eiffel Tower, then the tallest structure in the world, captured the imagination of millions of visitors to the 1889 Paris Universal Exposition.
  • Using base image: Yes