#text2dream

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: One of the writers who used science fiction to explore the sociology of near-future topics was H. G. Wells, with his classic The Time Machine (1895) revealing the human race diverging into separate branches of Elois and Morlocks as a consequence of class inequality: a happy pastoral society of Elois preyed upon by the Morlocks but yet needing them to keep their world functioning—a thinly veiled criticism of capitalist society, where the exploiter class, or the bourgeoisie, is symbolized by the useless, frivolous Elois, and the exploited working class, or the proletariat, is represented by the subterranean-dwelling, malnourished Morlocks. Wells' The Sleeper Awakes (1899, 1910) predicted the spirit of the 20th century: technically advanced, undemocratic and bloody. Next to prognoses of the future of society if current social problems persisted, as well as depictions of alien societies that are exaggerated versions of ours (exemplified by The War of the Worlds of 1897), Wells also heavily criticized the then-popular concept of vivisection, experimental "psychiatry" and research that was done for the purpose of restructuring the human mind and memory (clearly emphasized in The Island
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Mundane science fiction (MSF) is a niche literary movement within science fiction that developed in the early 2000s, with principles codified by the "Mundane Manifesto"[1] in 2004, signed by author Geoff Ryman and "The Clarion West 2004 Class". The movement proposes "mundane science fiction" as its own subgenre of science fiction, typically characterized by its setting on Earth or within the Solar System; a lack of interstellar travel, intergalactic travel or human contact with extraterrestrials; and a believable use of technology and science as it exists at the time the story is written or a plausible extension of existing technology. There is debate over the boundaries of MSF and over which works can be considered canonical. Rudy Rucker has noted MSF's similarities to hard science fiction and Ritch Calvin has pointed out MSF's similarities to cyberpunk. Some commentators have identified science fiction films and television series which embody the MSF ethos of near-future realism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The name "dieselpunk" is a derivative of the science fiction subgenre cyberpunk,[5] and represents the time period from World War I until the 1950s, when diesel-based locomotion was the main technological focus of Western culture.[6] The "-‍punk" suffix attached to the name is representative of the counterculture nature of the genre with regard to its opposition to contemporary aesthetics.[3] The term also refers to the tongue-in-cheek[7] name given to a similar cyberpunk derivative, "steampunk", which focuses on science fiction based on industrial steam power and which is often set within the Victorian era.[8]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Kawazoe, Maki and Kurokawa had invited a selection of world architects to design displays for the Mid-Air Exhibition that was to be incorporated within the roof. The architects included Moshe Safdie, Yona Friedman, Hans Hollein and Giancarlo De Carlo.[71] Although Tange was obsessed with the theory of flexibility that the space framed provide he did concede that in reality it was not so practical for the actual fixing of the displays.[70] The roof itself was designed by Koji Kamaya and Mamoru Kawaguchi who conceived it as a huge space frame. Kawaguchi invented a welding-free ball joint to safely distribute the load and worked out a method of assembling the frame on the ground before raising it using jacks.[72]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Lviv is the largest city in western Ukraine, and the sixth-largest in Ukraine, with a population of 717,273 (2022 est.).[5] It serves as the administrative centre of Lviv Oblast and Lviv Raion,[6] and is one of the main cultural centres of Ukraine. It was named in honour of Leo, the eldest son of Daniel, King of Ruthenia. Lviv emerged as the centre of the historical regions of Red Ruthenia and Galicia in the 14th century, superseding Halych, Chełm, Belz, and Przemyśl. It was the capital of the Kingdom of Galicia–Volhynia[7] from 1272 to 1349, when it was conquered by King Casimir III the Great of Poland. From 1434, it was the regional capital of the Ruthenian Voivodeship in the Kingdom of Poland. In 1772, after the First Partition of Poland, the city became the capital of the Habsburg Kingdom of Galicia and Lodomeria. In 1918, for a short time, it was the capital of the West Ukrainian People's Republic. Between the wars, the city was the centre of the Lwów Voivodeship in the Second Polish Republic. After the German-Soviet invasion of Poland in 1939.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Most embroidery was used for clothing. The primary object of clothing that was decorated with embroidery was the shirt or vyshyvanka. The shirt was mostly decorated with embroidery on the sleeves, and also on the neck, bosom, and the cuffs. Other elements of clothing are also embroidered, including scarves, skirts, aprons, men's caps and trousers, sleeveless jackets, kozhukh and kozhushanka (sheepskin coats), sashes, ochipok, etc. In some areas, bed linens were also embroidered. Aside from clothing, other items decorated with embroidery are towels, tablecloths, bench covers, veils and kerchiefs, and pillowcases. Many of these items are used to decorate the interior of churches, for example a cover for the sacraments or a shroud for icons.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The beginnings of this art are perceptible in the dreamlike dimension of the work of pre-romantic painters. The style of Augustus Pugin (England, 1812-1852), classified among the artists of the neo-Gothic style, foreshadows the extraordinary decorative saturation of Art Nouveau, the freedom of forms, the power of color, the struggle between architecture and decoration, which is one of the great artistic battles of the second half of the 19th century6. Furthermore, pre-Raphaelism awakened in 1850 to curves and colours, inspired by the Italian masters of the 15th century or the Florentine Renaissance (Botticelli) in reaction to the industrial revolution15.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Externally characteristic parts or elements of Art Nouveau are decorative curved lines and large floral ornaments. However, such formal classifications should not overlook the fact that Art Nouveau was by no means a cohesive movement. It is a series of partly divergent currents in Europe, which at best were really united in turning away from historicism, i.e. rejecting the hitherto common imitation of historically handed-down formal models. Numerous artistic programs and manifestos are associated with Art Nouveau. In today's understanding, it also stands for large overall artistic designs, such as that of the Palais Stoclet in Brussels, in which everything from the outer building to the decorative interior was designed in a uniform manner. This was also linked to the demand for the great fusion of "art and life", the re-inclusion of art in everyday life in the sense of a comprehensive artistic redesign of all everyday things, with the decorative arts being particularly important. On this point, however, Art Nouveau tied in with historicism, which had already elevated the “Gesamtkunstwerk” to a program. It was a programmatic alternative to the detachment of auratic works of art
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In 1905, with the patronage of the Grand Duke of Weimar, he created the Grand Ducal School of Arts and Crafts in Weimar. He created a showcase of applied arts for the Dresden Exposition of Applied Arts in 1906, decorated with paintings by Ludwig von Hofmann, intended as the main room of a new museum of decoration in Weimar. He transposed the characteristics of his silverware, dishes, and furniture into the architecture. Van de Velde left off the curling vegetal lines of Art Nouveau decoration and replaced them with much simpler, more stylized curves which were part of the structure of his buildings and decorative works. In 1907, van de Velde became director of the a new school of decorative arts in Weimar. His remake of Art Nouveau into a more functional and simplified style very different appeared in his door handles, his chairs, and the facades of his buildings. The ornament merged into the structure. The importance of Weimar as a cultural was broken in 1906, when its main patron, Count Harry Kessler, commissioned Rodin to make a nude statue for the Archduke. The Archduke was scandalized, and Kessler was forced to resign. The Weimar school of design lost its importance until
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A bellcote, bell-cote or bell-cot is a small framework and shelter for one or more bells. Bellcotes are most common in church architecture but are also seen on institutions such as schools. The bellcote may be carried on brackets projecting from a wall or built on the roof of chapels or churches that have no towers. The bellcote often holds the Sanctus bell that is rung at the consecration of the Eucharist.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Town Hall has three main stories, lined with pointed Gothic windows on the three sides visible from the Grote Markt. Above is a gallery parapet, behind which rises a steep roof studded with four tiers of dormers. At the angles of the roof are octagonal turrets pierced with slits allowing for the passage of light. Statues in canopied niches are distributed all over the building. The corbels supporting the statues are carved with Biblical scenes in high relief. While the niches and corbels are original with the building, the 236 statues themselves are relatively recent, dating from after 1850. Those of the first floor represent personages of importance in the city's local history; those of the second, patron saints and symbolic figures; those of the third, the Counts of Leuven and Dukes of Brabant from various ages. The main façade has an entrance staircase, and two portals in the centre, above which are figures of Saint Peter (left) and the Madonna and Child (right), the former in compliment to the patron of the church opposite.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This building is more than just a functional machine: it responds to the significance of being located at the junction of two main streets, elegantly bearing its landmark status and acting as a gateway to the city beyond. It is something beautiful, sculptural and human. Despite its landmark status, the emphasis is not solely on height. Our design features a continuous balcony that surrounds the whole building, eliminating the vertical barriers traditionally used in high rise architecture. The entire building rotates by different degrees at different levels, corresponding with the surrounding scenery.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The scheme also conserves the courtyard's original spatial layout, aesthetic and material temperament, restoring it to its original glory; with the wood filigree panels lining it having been stripped of their stains and returned to their original lustre. Glazing along the street front has been replaced with transparent glass, maximizing natural light on the interior. From here, no one suspects the existence of the 'bubbles' beyond.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism is all about sleek, modern designs that are both striking and functional. When combined with Neo-gothic elements, it creates a unique fusion of old and new. The building's overall structure is made up of sharp angles and bold lines, with a focus on asymmetry and irregular shapes. The facade of the building is characterized by tall, pointed arches and intricate stonework, which harkens back to traditional Gothic architecture. However, these elements are given a modern twist with the use of sleek glass panels and metal framing. Inside, the building features an open floor plan with plenty of natural light, thanks to large windows and skylights. The interior decor is minimalistic and clean, with bold pops of color and metallic accents that add a touch of futuristic flair. Overall, this Neo-futuristic, Neo-gothic building seamlessly blends the past and present to create a truly unique architectural masterpiece.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The building you're referring to is an interesting combination of two contrasting styles: Neo-futurism and Gothic architecture. Neo-futurism is characterized by its use of modern materials, sleek lines, and minimalist design, while Gothic architecture is known for its ornate detailing, pointed arches, and ribbed vaults. The building's facade features a mix of these two styles, with a Gothic-inspired entrance archway leading into a more futuristic lobby area. The exterior of the building, on the other hand, has a more futuristic look, with clean lines and geometric shapes. The walls are made of glass and steel, giving the building a modern and sleek appearance. Inside, the building has a unique blend of Gothic and Neo-futurist elements. The space is open and airy, with high ceilings and lots of natural light. The Gothic arches are paired with modern materials, such as polished concrete floors and steel beams, creating a contemporary feel. The use of technology is also evident, with smart systems controlling lighting and temperature.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The architecture of Casa Vicens is inspired by a mixture of Gothic and Moorish styles, which is reflected in the decorative brickwork, ornate tiles, and intricate ironwork that adorn the building. The facade is covered in colourful tiles arranged in a checkerboard pattern, which is a signature feature of Gaudi's work. Another possibility is to use shell-like forms as a decorative element, perhaps incorporating them into the facade of the building or as part of the interior design. Whatever approach you choose, the key is to keep the design forward-thinking and innovative, while still paying homage to the natural. The result is a futuristic aesthetic that blends seamlessly with the environment, creating a sense of harmony between the built environment and the natural world. Neo-futurism with biomimetic architecture may also incorporate elements of sustainable design. The dome measures 76 meters in diameter and 62 meters in height, and is supported by a central mast that rises 63 meters above the ground. Neo-futurism with the architectural element of shells.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Gothic influence can be seen in the tall spires, pointed arches, and ribbed vaults, which are characteristic of the style. Gaudí's Art Nouveau influence can be seen in the organic shapes and curves that are present throughout the basilica. Gaudí's naturalism style is evident in the use of natural elements such as stone, wood, and stained glass, which are incorporated into the design to create a harmonious relationship between the building and its surroundings. The use of light and color also plays a significant role in the design, with the stained glass windows creating a kaleidoscope of colors inside the basilica. eo-futurism is an architectural style that emerged in the 1960s and 70s, characterized by a futuristic and visionary approach to design. Biomorphic shapes, which are based on organic and natural forms, are often used in neo-futurist buildings to create a sense of movement and fluidity. When it comes to integrating shell-like forms into neo-futuristic structures, there are a few distinct approaches you could take. One option is to create a building that is itself shaped like a shell, with a curved exterior and perhaps an interior layout that follows the same flowing
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism could become even more prevalent, with an increased focus on sustainability, technology, and innovative materials. Buildings and structures could incorporate unique geometric shapes and forms, such as hexagons, triangles, and dodecahedrons, which not only create visually striking exteriors but also offer functional benefits such as improved energy efficiency. In this future, smart technology and automation could become more prominent in buildings, with features such as automated lighting systems, adjustable heating and cooling, and other features that can be controlled by a central hub or through mobile devices. This would make buildings more efficient, comfortable, and customizable for their occupants. Additionally, green spaces and natural elements could become more integrated into building designs, with the use of living walls, green roofs, and indoor gardens. These features not only improve air quality and provide a relaxing environment for occupants but also contribute to the sustainability of the building.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism architecture with Julia set is an architectural style that combines the principles of neo-futurism with the use of the Julia set, a mathematical concept that describes the behavior of complex numbers under iterative operations.In neo-futuristic buildings with Julia set, the intricate and complex shapes of the Julia set are often used as a basis for the design. Architects use the principles of the Julia set to create intricate and unique shapes and forms that are both aesthetically pleasing and mathematically interesting.One way in which the Julia set is used in neo-futuristic architecture is through the use of fractal patterns. The Julia set is a fractal pattern that repeats itself at different scales, creating self-similar shapes and structures. In neo-futuristic buildings, these fractal patterns are often used to create intricate and complex shapes, adding a sense of depth and dimensionality to the design. Another way in which the Julia set is used in neo-futuristic architecture is through the use of parametric design. Parametric design is a computational design approach that allows architects to manipulate and control design parameters such as shape, form.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism architecture with fractal trees is an architectural style that combines the principles of neo-futurism with the use of fractal trees. Fractal trees are a type of fractal pattern that describes the branching of trees in nature. In neo-futuristic buildings with fractal trees, the principles of fractal trees are often used to create intricate and organic shapes. The use of branching patterns and self-similar shapes can be seen in the design of elements such as columns or walls, which are arranged in a fractal pattern to create a sense of organic unity and flow. Another way in which fractal trees are used in neo-futuristic architecture is through the use of natural forms and shapes. The branching patterns of trees can be used as inspiration for the design of buildings, creating a sense of harmony between the built environment and nature. Overall, neo-futurism architecture with fractal trees represents a bold and innovative approach to design that seeks to incorporate natural forms and patterns into the built environment. It emphasizes the use of organic shapes and branching patterns to create a sense of unity and harmony.
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