#text2dream

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Windows are placed to maximize the input of heat-creating light while minimizing the loss of heat through glass, a poor insulator. In the northern hemisphere this usually involves installing a large number of south-facing windows to collect direct sun and severely restricting the number of north-facing windows. Certain window types, such as double or triple glazed insulated windows with gas filled spaces and low emissivity (low-E) coatings, provide much better insulation than single-pane glass windows. Preventing excess solar gain by means of solar shading devices in the summer months is important to reduce cooling needs. Deciduous trees are often planted in front of windows to block excessive sun in summer with their leaves but allow light through in winter when their leaves fall off. Louvers or light shelves are installed to allow the sunlight in during the winter (when the sun is lower in the sky) and keep it out in the summer (when the sun is high in the sky). Coniferous or evergreen plants are often planted to the north of buildings to shield against cold north winds.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Sustainable architecture is architecture that seeks to minimize the negative environmental impact of buildings through improved efficiency and moderation in the use of materials, energy, development space and the ecosystem at large. Sustainable architecture uses a conscious approach to energy and ecological conservation in the design of the built environment.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Eric Kuhne and Associates were commissioned as concept architects, with Todd Architects appointed as lead consultants. The building's design is intended to reflect Belfast's history of shipmaking and the industrial legacy bequeathed by Harland & Wolff. Its angular form recalls the shape of ships' prows, with its main "prow" angled down the middle of the Titanic and Olympic slipways towards the River Lagan.[8] Alternatively, it has been suggested that the building looks like the Titanic, and locals have already nicknamed it "The Iceberg".[18] Most of the building's façade is clad in 3,000 individual silver anodised aluminium shards.[9] It stands 126 feet (38 m) high, the same height as Titanic's hull.[18]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The roof is the major achievement of the building: a 90 m (300 ft) wide hexagon echoing the building's floor map. With a surface area of 8,000 m2 (86,000 sq ft), the roof structure is composed of sixteen kilometres of glued laminated timber, that intersect to form hexagonal wooden units resembling the cane-work pattern of a Chinese hat. The roof's geometry is irregular, featuring curves and counter-curves over the entire building, and in particular the three exhibition galleries. Imitating this kind of hat and its protective fabric, the entire wooden structure is covered with a white fibreglass membrane and a coating of teflon, which has the distinction of being self-cleaning, protecting from direct sunlight, while providing a transparent view at night. The roof structure can be seen from high up during both day and night in Metz from above, an aerial movie made by French photographer Yann Arthus-Bertrand.[6]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Designed by Toronto architects Frank Darling and John A. Pearson,[30] the architectural style of the original building (now the western wing) is a synthesis of Italianate and Neo-Romanesque.[31] The structure is heavily massed and punctuated by rounded and segmented arched windows with heavy surrounds and hood mouldings. Other features include applied decorative eave brackets, quoins and cornices. The eastern wing facing Queen's Park was designed by Alfred H. Chapman and James Oxley. Opened in 1933, it included the museum's elaborate art deco, Byzantine-inspired rotunda and a new main entrance. The linking wing and rear (west) façade of the Queen's Park wing were originally done in the same yellow brick as the 1914 building, with minor Italianate detailing. However, the Queen's Park façade of the expansion broke away from the heavy Italianate style of the original structure. It was built in a neo-Byzantine style with rusticated stone, triple windows contained within recessed arches and different-coloured stones arranged in a variety of patterns.[31] This development from the Roman-inspired Italianate to a Byzantine-influenced style reflected the historical development of Byzantin
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Zentrum Paul Klee is a museum dedicated to the artist Paul Klee, located in Bern, Switzerland and designed by the Italian architect Renzo Piano. It features about 40 percent of Paul Klee's entire pictorial oeuvre.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The New Museum of Contemporary Art, founded in 1977 by Marcia Tucker, is a museum in New York City at 235 Bowery, on Manhattan's Lower East Side.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The designers were sensitive to the appearance of the building in its natural setting. Walter Hood, a landscape architect based in Oakland, designed the museum's new gardens. The entire exterior is clad in 163,118 sq ft (15,154.2 m2) of copper, which is expected to eventually oxidize and take on a greenish tone and a distinct texture to echo the nearby eucalyptus trees. In order to further harmonize with the surroundings, shapes were cut into the top to reveal gardens and courtyards where 48 trees had been planted, the giant tree-ferns that form a backdrop for the museum entrance are particularly dramatic. 5.12 acres (20,700 square meters) of new landscaping were planted as well, with 344 transplanted trees and 69 historic boulders. The building is clad with variably perforated and dimpled copper plates, whose patina will slowly change through exposure to the elements. This exterior facade was developed and fabricated by engineers at Zahner.[20] A 144 ft. (44 m) observation tower allows visitors to see much of Golden Gate Park's Music Concourse (see below) and rises above the Park's treetops, providing a view of the Golden Gate and Marin Headlands.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Walker Art Center maintains a professional, in-house design and editorial department to fulfill its various communication needs. The department is responsible for the design and editing of all printed materials, including the creation and planning of publications such as exhibition catalogues, bi-monthly magazines, and books, as well as exhibition and event graphics, signage programs, and promotional campaigns. Additionally, the department organizes design-related projects and programs, such as lectures, exhibitions, and special commissions. Over the course of its 60-plus year history, the department has organized many important exhibitions on architecture and design, and has served as a vital forum for contemporary design issues, bringing hundreds of world-renowned architects, designers, and critics to the Twin Cities through programs such as the Insights design lecture series, which celebrated its 30th year in 2016. During the 1940s, the Walker built two "idea houses" exhibiting the latest in building materials, furnishings and architectural design trends.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The de Young Museum, formally the M. H. de Young Memorial Museum, is a fine arts museum located in San Francisco, California. Located in Golden Gate Park, it is a component of the Fine Arts Museums of San Francisco, along with the Legion of Honor. The de Young is named for early San Francisco newspaperman M. H. de Young.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Denver Art Museum (DAM) is an art museum located in the Civic Center of Denver, Colorado. With encyclopedic collections of more than 70,000 diverse works from across the centuries and world, the DAM is one of the largest art museums between the West Coast and Chicago.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The twisting 144 foot (44 m) tall tower is a distinctive feature, and can be seen rising above the canopy of Golden Gate Park from many areas of San Francisco. The museum offers a two-floor museum store, free access to the lobby and tower, and a full-service cafe with outdoor seating in the Osher Sculpture Garden.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Milwaukee art museum is a multi-purpose 142,050-square-foot building with areas that include a reception hall, auditorium, exhibition space, and stores. It was design by the Spanish Architect Santiago Calatrava who was inspired by Frank Lloyd Wright's works. The construction methods of concrete slabs into timber frames was revolutionary in architecture and was completed in 2001. Windover Hall is a 90 foot tall grand reception area topped with a glass roof. The style and symbolism of the building is based on gothic architecture and designed to represent the shape of a ship looking over Lake Michigan. Santiago states, “the building’s form is at once formal (completing the composition), functional (controlling the level of light), symbolic (opening to welcome visitors), and iconic (creating a memorable image for the Museum and the city).”
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The double-skin façade is a system of building consisting of two skins, or façades, placed in such a way that air flows in the intermediate cavity. The ventilation of the cavity can be natural, fan supported or mechanical. Apart from the type of the ventilation inside the cavity, the origin and destination of the air can differ depending mostly on climatic conditions, the use, the location, the occupational hours of the building and the HVAC strategy. The glass skins can be single or double glazing units with a distance from 20 cm up to 2 metres. Often, for protection and heat extraction reasons during the cooling period, solar shading devices are placed inside the cavity.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Shanghai Tower was designed by the American architectural firm Gensler, with Shanghainese architect Jun Xia leading the design team. The tower takes the form of nine cylindrical buildings stacked atop each other that total 128 floors, all enclosed by the inner layer of the glass facade. Between that and the outer layer, which twists as it rises, nine indoor zones provide public space for visitors. Each of these nine areas has its own atrium, featuring gardens, cafés, restaurants and retail space, and providing panoramic views of the city. Both layers of the façade are transparent, and retail and event spaces are provided at the tower's base. The transparent façade is a unique design feature, because most buildings have only a single façade using highly reflective glass to reduce heat absorption, but the Shanghai Tower's double layer of glass eliminates the need for either layer to be opaqued. The tower can accommodate as many as 16,000 people daily. The Shanghai Tower joins the Jin Mao Tower and SWFC to form the world's first adjacent grouping of three supertall buildings. Its 258-room hotel, the J Hotel Shanghai Tower, located between the 84th and 110th floors.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: There have been many criticisms of the innovative design of the park since its original completion. To some, the park has little concern with the human scale of park functions and the vast open space seem to challenge the expectation that visitors may have of an urban park. Bernard Tschumi designed the Parc de la Villette with the intention of creating a space that exists in a vacuum, something without historical precedent. The park strives to strip down the signage and conventional representations that have infiltrated architectural design and allow for the existence of a “non-place.” This non-place, envisioned by Tschumi, is the most appropriate example of space and provides a truly honest relationship between the subject and the object.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The deconstructivist reading of Complexity and Contradiction is quite different. The basic building was the subject of problematics and intricacies in deconstructivism, with no detachment for ornament. Rather than separating ornament and function, like postmodernists such as Venturi, the functional aspects of buildings were called into question. Geometry was to deconstructivists what ornament was to postmodernists, the subject of complication, and this complication of geometry was in turn, applied to the functional, structural, and spatial aspects of deconstructivist buildings. One example of deconstructivist complexity is Frank Gehry's Vitra Design Museum in Weil-am-Rhein, which takes the typical unadorned white cube of modernist art galleries and deconstructs it, using geometries reminiscent of cubism and abstract expressionism. This subverts the functional aspects of modernist simplicity while taking modernism, particularly the international style, of which its white stucco skin is reminiscent, as a starting point. Another example of the deconstructivist reading of Complexity and Contradiction is Peter Eisenman's Wexner Center for the Arts.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The structure is made mostly of concrete and is comparatively small, enclosed by thick walls, with the upturned roof supported on columns embedded within the walls, like a sail billowing in the windy currents on the hill top. In the interior, the spaces left between the walls and roof are filled with clerestory windows, as well as the asymmetric light from the wall openings, serve to further reinforce the sacred nature of the space and reinforce the relationship of the building with its surroundings. The lighting in the interior is soft and indirect, from the clerestory windows and reflecting off the whitewashed walls of the chapels with projecting towers. The structure is built mostly of concrete and stone, which was a remnant of the original chapel built on the hilltop site destroyed during World War II. Some have described Ronchamp as the first Post-Modern building, and others as the first building of the movement Expressionist architecture after World War II. It was constructed in the early 1950s.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Vitra Design Museum is a privately owned museum for design in Weil am Rhein, Germany. These works, originally the private collection of Rolf Fehlbaum, are now permanently on display at the newly completed Schaudepot building on the Vitra premises. In addition, the museum puts on temporary exhibitions in the main building, often with loans from other collections. In turn, parts of the collection are lent to other institutions around the world. In addition, the museum produces workshops, publications and museum products, as well as maintaining an archive, a restoration and conservation laboratory, and a research library. It also organises guided tours of the Vitra premises, a major attraction to those interested in modern architecture. The museum produced the travelling exhibition 'Rudolf Steiner - Alchemy of the Everyday', a major retrospective exhibition drawn from its own collection and borrowed exhibits, coinciding with the one hundred and fiftieth anniversary of the birth of its subject.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A second library, at five stories and 206,000 square feet (19,100 m2), was built at the site of the old Carnegie library and opened on March 26, 1960. The new building designed by architects Bindon and Wright, with Decker, Christenson, and Kitchin as associates, featured an international-style architecture and an expanded interior, with features such as drive-thru service to offset the lack of available parking. George Tsutakawa's "Fountain of Wisdom" on the Fifth Avenue side (relocated to Fourth Avenue in the current library) was the first of that artist's many sculptural fountains. A remodeling finished in 1972 gave the public access to the fourth story, dedicated to the arts and sound recordings. By the late 1990s, the library became too cramped again and two-thirds of its materials were held in storage areas inaccessible to patrons. Renewed consciousness of regional earthquake dangers drew concern from public officials about the seismic risks inherent to the building's design.
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