#text2dream

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: City of Graz – Historic Centre and Schloss Eggenberg. The City of Graz – Historic Centre and Schloss Eggenberg bear witness to an exemplary model of the living heritage of a central European urban complex influenced by the secular presence of the Habsburgs and the cultural and artistic role played by the main aristocratic families. They are a harmonious blend of the architectural styles and artistic movements that have succeeded each other from the Middle Ages until the 18th century, from the many neighbouring regions of Central and Mediterranean Europe. They embody a diversified and highly comprehensive ensemble of architectural, decorative and landscape examples of these interchanges of influence.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Citadel of the Ho Dynasty. The 14th -century Ho Dynasty citadel, built according to the feng shui principles, testifies to the flowering of neo-Confucianism in late 14th century Viet Nam and its spread to other parts of east Asia. According to these principles it was sited in a landscape of great scenic beauty on an axis joining the Tuong Son and Don Son mountains in a plain between the Ma and Buoi rivers. The citadel buildings represent an outstanding example of a new style of south-east Asian imperial city. The Citadel of Ho Dynasty built in 1397, composed of the Inner Citadel, La Thanh Outer Wall and the Nam Giao Altar covers 155.5 ha, surrounded by a buffer zone of 5078.5 ha. It is located in accordance with geomantic principles in a landscape of great scenic beauty between the Ma and Buoi rivers in Vinh Loc district, Thanh Hoa province of Viet Nam. The Inner Citadel constructed of large limestone blocks represents a new development of architectural technology and adaptation of geomantic city planning in an East Asian and South-east Asian context.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Cathedral of St James in Šibenik (1431-1535), on the Dalmatian coast, bears witness to the considerable exchanges in the field of monumental arts between Northern Italy, Dalmatia and Tuscany in the 15th and 16th centuries. The three architects who succeeded one another in the construction of the Cathedral - Francesco di Giacomo, Georgius Mathei Dalmaticus and Niccolò di Giovanni Fiorentino - developed a structure built entirely from stone and using unique construction techniques for the vaulting and the dome of the Cathedral. The form and the decorative elements of the Cathedral, such as a remarkable frieze decorated with 71 sculptured faces of men, women, and children, also illustrate the successful fusion of Gothic and Renaissance art. Criterion (i): The structural characteristics of the Cathedral of St James in Šibenik make it a unique and outstanding building in which Gothic and Renaissance forms have been successfully blended. Criterion ii The Cathedral of St James is the fruitful outcome of considerable interchanges of influences between the three culturally different regions of Northern Italy, Dalmatia, and Tuscany in the 15th and 16th centuries.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Trogir is a remarkable example of urban continuity. The orthogonal street plan of this island settlement dates back to the Hellenistic period and it was embellished by successive rulers with many fine public and domestic buildings and fortifications. Its beautiful Romanesque churches are complemented by the outstanding Renaissance and Baroque buildings from the Venetian period. The Committee decided to inscribe this property on the basis of criteria (ii) and (iv), considering that Trogir is an excellent example of a medieval town built on and conforming with the layout of a Hellenistic and Roman city that has conserved its urban fabric to an exceptional degree and with the minimum of modern interventions, in which the trajectory of social and cultural development is clearly visible in every aspect of the townscape.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The largest group of religious monuments and megalithic sculptures in South America stands in a wild, spectacular landscape. Gods and mythical animals are skilfully represented in styles ranging from abstract to realist. These works of art display the creativity and imagination of a northern Andean culture that flourished from the 1st to the 8th century.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Several monumental statues of human figures can be seen in the park, which also contains many hypogea dating from the 6th to the 10th century. These huge underground tombs (some burial chambers are up to 12 m wide) are decorated with motifs that reproduce the internal decor of homes of the period. They reveal the social complexity and cultural wealth of a pre-Hispanic society in the northern Andes. The National Archaeological Park of Tierradentro is located in the south-western of Colombia in Andean's central cordillera, in the municipality of Inzá, department of Cauca. Four areas, dispersed over a few square kilometres, make up the archaeological park: Alto de San Andrés, Alto de Segovia, Alto del Duende, El Tablón and as a site of importance but outside the park boundary the Alto del Aguacate. The park contains all known monumental shaft and chamber tombs of Tierradentro culture, the largest and most elaborate tombs of their kind.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Rapa Nui National Park. Rapa Nui, the indigenous name of Easter Island, bears witness to a unique cultural phenomenon. A society of Polynesian origin that settled there c. A.D. 300 established a powerful, imaginative and original tradition of monumental sculpture and architecture, free from any external influence. From the 10th to the 16th century this society built shrines and erected enormous stone figures known as moai , which created an unrivalled cultural landscape that continues to fascinate people throughout the world.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Old Bridge Area of the Old City of Mostar. The historic town of Mostar, spanning a deep valley of the Neretva River, developed in the 15th and 16th centuries as an Ottoman frontier town and during the Austro-Hungarian period in the 19th and 20th centuries. Mostar has long been known for its old Turkish houses and Old Bridge, Stari Most, after which it is named. In the 1990s conflict, however, most of the historic town and the Old Bridge, designed by the renowned architect Sinan, was destroyed. The Old Bridge was recently rebuilt and many of the edifices in the Old Town have been restored or rebuilt with the contribution of an international scientific committee established by UNESCO. The Old Bridge area, with its pre-Ottoman, eastern Ottoman, Mediterranean and western European architectural features, is an outstanding example of a multicultural urban settlement. The reconstructed Old Bridge and Old City of Mostar is a symbol of reconciliation, international co-operation and of the coexistence of diverse cultural, ethnic and religious communities.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Thracian Tomb of Sveshtari. Discovered in 1982 near the village of Sveshtari, this 3rd-century BC Thracian tomb reflects the fundamental structural principles of Thracian cult buildings. The tomb has a unique architectural decor, with polychrome half-human, half-plant caryatids and painted murals. The 10 female figures carved in high relief on the walls of the central chamber and the decoration of the lunette in its vault are the only examples of this type found so far in the Thracian lands. It is a remarkable reminder of the culture of the Getes, a Thracian people who were in contact with the Hellenistic and Hyperborean worlds, according to ancient geographers. The Thracian Tomb near Sveshtari is an extremely rare and very well preserved monument of the sepulchral architecture containing remarkable elements in terms of their quality and style sculpture and painting. The Tomb is also remarkable for the fact that it represents local art, inspired by Hellenism, a rare case of an interrupted creative process which possesses specific characteristics.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Situated in the Rhone valley, the ancient theatre of Orange, with its 103-m-long facade, is one of the best preserved of all the great Roman theatres. Built between A.D. 10 and 25, the Roman arch is one of the most beautiful and interesting surviving examples of a provincial triumphal arch from the reign of Augustus. It is decorated with low reliefs commemorating the establishment of the Pax Romana. Situated in the Rhône Valley, in the Provence-Alpes-Côte-d'Azur region, the ancient theatre of Orange, with its 103 m long and 37 m high facade, is one of the best preserved of all the great Roman theatres. Built in the beginning of the Christian era, the ancient theatre presents all the components of the Latin Theatre according to Vitruvius: the cavea (semicircular tiers), the lateral accesses and the surprisingly preserved stage wall flanked by parascenia. Columns and numerous statues in niches originally decorated the stage. Only a few vestiges remain of this original decoration, including the statue of Augustus displaced to the large central niche. Closed by Imperial decree in 391, the theatre was abandoned and, later, ransacked and looted by Barbarians.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This stark Burgundian monastery was founded by St Bernard in 1119. With its church, cloister, refectory, sleeping quarters, bakery and ironworks, it is an excellent illustration of the ideal of self-sufficiency as practised by the earliest communities of Cistercian monks. Located in the Bourgogne Franche-Comté region in the Côte-d’Or Department in the commune of Marmagne, the Cistercian Abbey of Fontenay was founded in 1119 by St Bernard in a marshy valley of Bourgogne. With its austere architecture, church, cloister, refectory, sleeping quarters, bakery and its ironworks, it illustrates the ideal of self-sufficiency as practised by the earliest communities of Cistercian monks.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Arles is a good example of the adaptation of an ancient city to medieval European civilization. It has some impressive Roman monuments, of which the earliest – the arena, the Roman theatre and the cryptoporticus (subterranean galleries) – date back to the 1st century B.C. During the 4th century Arles experienced a second golden age, as attested by the baths of Constantine and the necropolis of Alyscamps. In the 11th and 12th centuries, Arles once again became one of the most attractive cities in the Mediterranean. Within the city walls, Saint-Trophime, with its cloister, is one of Provence's major Romanesque monuments.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Shortly after its foundation in the 9th century, the Benedictine abbey of Vézelay acquired the relics of St Mary Magdalene and since then it has been an important place of pilgrimage. St Bernard preached the Second Crusade there in 1146 and Richard the Lion-Hearted and Philip II Augustus met there to leave for the Third Crusade in 1190. With its sculpted capitals and portal, the Madeleine of Vézelay – a 12th-century monastic church – is a masterpiece of Burgundian Romanesque art and architecture. The church of St Mary Magdalene is a former French abbey established in Vézelay in Burgundy-Franche-Comté, in the department of Yonne. Located on a high hill, still called the “eternal hill", this landmark of Christianity of the Middle Ages can be seen from afar.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Used by the kings of France from the 12th century, the medieval royal hunting lodge of Fontainebleau, standing at the heart of a vast forest in the Ile-de-France, was transformed, enlarged and embellished in the 16th century by François I, who wanted to make a 'New Rome' of it. Surrounded by an immense park, the Italianate palace combines Renaissance and French artistic traditions. Used by the kings of France from the 12th century, the hunting lodge of Fontainebleau, standing in the heart of the vast forest of the Ile-de-France in the Seine-et-Marne region, was transformed, enlarged and embellished in the 16th century by King François I, who wanted to make it a “new Rome”. Surrounded by an immense park, the palace, to which notable Italian artists contributed, combines Renaissance and French artistic traditions. The need to expand and decorate this immense palace created the conditions for the survival of a true artistic centre.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Palace of Versailles was the principal residence of the French kings from the time of Louis XIV to Louis XVI. Embellished by several generations of architects, sculptors, decorators and landscape architects, it provided Europe with a model of the ideal royal residence for over a century. Located in the Île-de-France region, south-west of Paris, privileged place both of residence and the exercise of power of the French monarchy from Louis XIV to Louis XVI, the Palace and Park of Versailles, built and embellished by several generations of architects, sculptors, painters, ornamentalists and landscape artists, represented for Europe for more than a century, the perfect model of a royal residence. The architectural planning and the majestic composition of the landscape form a close symbiosis, serving as a setting for the magnificence of the interior decorations of the apartments.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Partly built starting in 1145, and then reconstructed over a 26-year period after the fire of 1194, Chartres Cathedral marks the high point of French Gothic art. The vast nave, in pure ogival style, the porches adorned with fine sculptures from the middle of the 12th century, and the magnificent 12th- and 13th-century stained-glass windows, all in remarkable condition, combine to make it a masterpiece. Notre-Dame de Chartres Cathedral, located in the Centre-Val-de-Loire region, is one of the most authentic and complete works of religious architecture of the early 13th century. It was the destination of a pilgrimage dedicated to the Virgin Mary, among the most popular in all medieval Western Christianity. Because of the unity of its architecture and decoration, the result of research of the first Gothic era, its immense influence on the art of Middle Age Christianity, Chartres Cathedral appears as an essential landmark in the history of medieval architecture. The outstanding stained-glass ensemble, monumental statuary of the 12th and 13th centuries and the painted decorations miraculously preserved from the ravages of humankind and time, make Chartres one of the most admirable.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Petäjävesi Old Church, in central Finland, was built of logs between 1763 and 1765. This Lutheran country church is a typical example of an architectural tradition that is unique to eastern Scandinavia. It combines the Renaissance conception of a centrally planned church with older forms deriving from Gothic groin vaults. Built for a small Lutheran parish in central Finland, Petäjävesi Old Church is located on a peninsula at Lake Solikkojärvi and is surrounded by an agricultural landscape with lakes and forests, typical of the region. Construction of this wooden church was led by a local master builder, Jaakko Leppänen. The bell tower was added to the western part of the church in 1821 by the master’s grandson, Erkki Leppänen. Petäjävesi Old Church is representative of the architectural tradition of wooden churches in northern Europe. The Old Church is a unique example of traditional log construction techniques applied by the local peasant population in northern coniferous forest areas. European architectural trends, which have influenced the external form and layout of the church, have been masterfully applied to traditional log construction.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Situated on the Gulf of Botnia, Rauma is one of the oldest harbours in Finland. Built around a Franciscan monastery, where the mid-15th-century Holy Cross Church still stands, it is an outstanding example of an old Nordic city constructed in wood. Although ravaged by fire in the late 17th century, it has preserved its ancient vernacular architectural heritage. Situated on the Gulf of Bothnia, Rauma is one of few medieval towns in Finland. The core of the town is Old Rauma, which is composed of some 600 buildings constructed of wood, most of which are privately owned, and covers an area of 29 ha. Originally situated at the seashore, the Old Town is located some 1.5 km inland from the present coastline due to land uplift. Old Rauma is both a commercial and a residential area comprising the town area within the toll boundaries of Rauma in the 19th century. The town plan structure of Rauma has been maintained since the medieval period, including the irregular street network, city blocks, plots of land and courtyards. The buildings are mainly one storey tall, and date back between the 18th and 19th centuries, while some cellars remain from earlier houses.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Built in the second half of the 18th century by Sweden on a group of islands located at the entrance of Helsinki's harbour, this fortress is an especially interesting example of European military architecture of the time. Suomenlinna (Sveaborg) is a sea fortress, which was built gradually from 1748 onwards on a group of islands belonging to the district of Helsinki. The work was supervised by the Swedish Admiral Augustin Eherensvärd (1710-1772), who adapted Vauban’s theories to the very special geographical features of the region. The landscape and the architecture of the fortress have been shaped by several historic events. It has served to defend three different sovereign states over the years: the Kingdom of Sweden, the Russian Empire and most recently the Republic of Finland.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Konso Cultural Landscape is an arid property of stone walled terraces and fortified settlements in the Konso highlands of Ethiopia. It constitutes a spectacular example of a living cultural tradition stretching back 21 generations (more than 400 years) adapted to its dry hostile environment. The landscape demonstrates the shared values, social cohesion and engineering knowledge of its communities. The site also features anthropomorphic wooden statues - grouped to represent respected members of their communities and particularly heroic events - which are an exceptional living testimony to funerary traditions that are on the verge of disappearing. Stone steles in the towns express a complex system of marking the passing of generations of leaders.
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