#text2dream

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Enemy Mine is a 1985 American science fiction action drama film directed by Wolfgang Petersen and written by Edward Khmara, based on Barry B. Longyear's novella of the same name. The film stars Dennis Quaid and Louis Gossett Jr. as a human and alien soldier, respectively, who become stranded together on an inhospitable planet and must overcome their mutual distrust in order to cooperate and survive. An international co-production between the United States, United Kingdom and West Germany, Enemy Mine began production in Budapest in April 1984 under the direction of Richard Loncraine, who quickly ran into "creative differences" with producer Stephen Friedman and executives at 20th Century Fox; the project was shut down after a week of shooting. Petersen then took over as director and reshot Loncraine's scenes after moving the production to Munich. Originally budgeted at $17 million, the film ultimately cost more than $40 million after marketing costs were factored in, and was a box office failure during the 1985 holiday season, earning only a little over $12 million. However, the film was successful in the former Soviet Union, where it became the first Western sci-fi film shown in
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: We are in the midst of a historical transformation. Current times are not just part of normal history. Multiple perspectives are at the heart of futures studies, including unconventional thinking, internal critique, and cross-cultural comparison. Consideration of alternatives. Futurists do not see themselves as value-free forecasters, but instead aware of multiple possibilities. Participatory futures. Futurists generally see their role as liberating the future in each person, and creating enhanced public ownership of the future. This is true worldwide. Long-term policy transformation. While some are more policy-oriented than others, almost all believe that the work of futures studies is to shape public policy, so it consciously and explicitly takes into account the long term. Part of the process of creating alternative futures and of influencing public (corporate, or international) policy is internal transformation. At international meetings, structural and individual factors are considered equally important.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Technocentrism is a value system that is centered on technology and its ability to control and protect the environment.[citation needed] Technocentrics argue that technology can address ecological problems through its problem-solving ability, efficiency, and its managerial means.[1] Specifically, these capabilities allow humans control over nature, allowing them to correct or negotiate environmental risks or problems.[1] Although technocentrics may accept that environmental problems exist, they do not see them as problems to be solved by a reduction in industry. Rather, environmental problems are seen as problems to be solved using rational, scientific and technological means. They also believe in scientific research. Indeed, technocentrics see the way forward for both developed and developing countries, and the solutions to environmental problems, as lying in scientific and technological advancement (sometimes referred to as sustainopreneurship).[2]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Ensigns kidnap a senior officer and proceed to travel to the past with the mission of convincing them to stop the show. Once there, they meet their actor doubles and realize that they are exact doppelgängers; even their imagined backstories became integral events of the Ensigns' lives. Dahl strikes a deal with the show's producer and head writer, who is Jenkins's double, to save the life of the producer’s comatose son by switching him with his crew member double. Because the producer's son appeared on the show as an extra, one of the crew members is effectively his identical twin, and will revert to the young man's personality by staying in the past. Conversely, Dahl reasons that bringing the comatose son into the future will allow them to use "the Narrative" to their advantage, letting the advanced technology and reality-altering properties of the writing revive him.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The parameters of a dynamic equation evolve as the equation is iterated, and the specific values may depend on the starting parameters. An example is the well-studied logistic map, x n + 1 = r x n ( 1 − x n ) {\displaystyle x_{n+1}=rx_{n}(1-x_{n})}, whose basins of attraction for various values of the parameter r r are shown in the figure. If r = 2.6 {\displaystyle r=2.6}, all starting x x values of x < 0 x<0 will rapidly lead to function values that go to negative infinity; starting x x values of x > 1 x>1 will also go to negative infinity. But for 0 < x < 1 0<x<1 the x x values rapidly converge to x ≈ 0.615 {\displaystyle x\approx 0.615}, i.e. at this value of r r, a single value of x x is an attractor for the function's behaviour. For other values of r r, more than one value of x x may be visited: if r r is 3.2, starting values of 0 < x < 1 0<x<1 will lead to function values that alternate between x ≈ 0.513 {\displaystyle x\approx 0.513} and x ≈ 0.799 {\displaystyle x\approx 0.799}. At some values of r r, the attractor is a single point (a "fixed point"), at other values of r r two values of x x are visited in turn (a period-doubling bifurcation), or, as a result of furt
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Fredric Brown reprises the popular image of Martians as little green men, who are around 75 cm tall and have small torsos, long frayed limbs, and spherical bald heads. They have six fingers on each hand and wear boots and trousers. They consider the human race inferior and are both interested and amused by human behaviour. Unlike most other fictional Martian invaders, the Martians that Brown writes of do not intend to invade Earth by violence but instead spend their wakeful hours calling everyone 'Mack' or 'Toots' (or some regional variation thereof), reveal embarrassing secrets, heckling theatre productions, lampoon political speeches, and even provide cynical colour commentary to honeymooners' frustrated attempts at consummating their marriage. The nonstop acerbic criticism stops most human activity and renders many people insane, including Luke, whose stress-induced inability to see the little green maligners divides opinion on whether he should be considered mad or blessed.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Tokusatsu (特撮, lit. 'special effects') is a Japanese term for live action film or television series that makes heavy use of practical special effects. Developed by Godzilla and Ultraman creator Eiji Tsuburaya, Tokusatsu entertainment mainly refers to science fiction, war, fantasy, or horror media featuring such technology but is sometimes dubbed a genre itself. Its contemporary use originated in the Japanese mass media around 1958 to explain special effects in an easy-to-understand manner and was popularized during the "first monster boom" (1966-1968). Prior to the monster boom, it was known in Japan as Tokushu gijutsu (特殊技術, lit. 'special technology') and Tokugi (特技, lit. 'special skill').
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The capsules were constructed of light steel welded trusses covered with steel sheeting mounted onto the reinforced concrete cores. The capsules were 2.5 metres wide and four metres long with a 1.3 metre diameter window at one end. The units originally contained a bed, storage cabinets, a bathroom, a colour television set, clock, refrigerator and air conditioner, although optional extras such as a stereo were available. Although the capsules were designed with mass production in mind, there was never a demand for them.[54] Nobuo Abe was a senior manager, managing one of the design divisions on the construction of the Nakagin Capsule Tower.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The palace was built for entrepreneur Ermengildo Castiglioni, who chose architect Giuseppe Sommaruga because of his anticonventional solutions. Castiglioni wanted the palace to reflect his wealth and grandeur; the choice of the Liberty style, a new and "trendy" style, for a building that would be located in the historic centre of Milan, was intended by Castiglioni and Sommaruga as a sort of challenge to the Milanese conservative élite. The most provocative element of the original design turned out to be a couple of nude female statues, by Ernesto Bazzaro, decorating the facade; these raised such turmoil that the local newspaper Guerin Meschino published a series of satyrical illustrations on them, and the Milanese population renamed the palace "Cà di ciapp" (in Milanese, "house of buttocks"). The statues, that were intended to represent "Peace" and "Industry", were eventually removed and are now used as decorations of another Milanese palace also by Sommaruga, the Villa Romeo Faccanoni on Via Michelangelo Buonarroti #48.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Wheat is a grass widely cultivated for its seed, a cereal grain that is a worldwide staple food.[2][3][4] The many species of wheat together make up the genus Triticum /ˈtrɪtɪkəm/;[5] the most widely grown is common wheat (T. aestivum). The archaeological record suggests that wheat was first cultivated in the regions of the Fertile Crescent around 9600 BCE. Botanically, the wheat kernel is a type of fruit called a caryopsis.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Officially the leader of Zaporozhian Host never carried the title of hetman, while all leaders of cossacks formations were unofficially referred to as one.[15] The highest body of administration in the Zaporozhian Host was the Sich Rada (council).[12] The council was the highest legislative, administrative, and judicial body of the Zaporozhian Host.[12] Decisions of the council were considered the opinion of the whole host and obligated to its execution each member of the cossack comradeship.[12] At Sich Rada were reviewed issues of internal and foreign policies, conducted elections of military starshina, division of assigned land, punishment of criminals who committed the worst crimes etc.[12]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Lavra fortification is a system of walls, towers and other constructions built for the protection of the Cave Monastery in Kyiv, the capital of Ukraine. The fortification around the monastery first arouse at the end of the 12th century, when a 2 metre wide leave, 5 metre high stone wall was erected. The total length of the walls was 1,090 m (3,580 ft), thickness - 3 m (9.8 ft), and height - 7 m (23 ft). The fort had three gates, Holy gates with the Trinity Gate Church, Economy gates with the All Saints Church, and Southern gates or Caves gates.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In addition to mentioning the construction of the church above the passage of the Golden Gate in the chronicle, it is also mentioned in Metropolitan Ilarion's "Word of Law and Grace" of the Golden Gate. Gate Church had to serve "the heavenly protection of the city", but was also a regular church – people arrived to pray there. The bell chapel is reproduced in the form of a three-nave four-pillar single-dome temple. In the architectural decoration of the facades used ornaments from the brick, typical for the ancient buildings of that period. The floor of the church is decorated with a mosaic, the picture of which is based on the ancient floor design of Saint Sophia's Cathedral in Kyiv. Reconstruction of the monument reproduces the segments of the shaft adjoining to the gate. On the outside they have suspended slopes. At the top of the shaft there are wooden bunks. On the ends conventionally shown internal structures. From the city side on the facade there are warehouses. Inside the restored shaft segments there is an exposition of the Museum of the Golden Gate and the stairs leading to the balcony, from which a magnificent panorama of the city is visible.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Construction on the main phase of the museum began in early 2013 by a consortium headed by Arabtec, Constructora San José and Oger Abu Dhabi, under a $653 million contract. This stage included waterproofing and the two basement levels, along with four concrete pillars that will support the 7,000-tonne dome.[29] Work on the construction of the gallery spaces and initial preparation for the dome began in the fourth quarter of 2013. On 5 December 2013, the first element of the museum's canopy was lifted into place.[30] On 17 March 2014 TDIC announced the completion of the first permanent gallery structure to mark the first anniversary of the start of construction. At this time, it was claimed that a total of ten million man hours had been worked and 120,538 cubic meters of concrete used.[31] On 22 September 2014, the final super-sized element in the canopy was fitted in place, marking a significant milestone in the museum's construction phase. In October, The Tourism & Development Investment Company announced that the Louvre Abu Dhabi was more than 50 percent complete.[32]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The mosque's courtyard forms a dramatic approach that helps to frame the view of the main dome from outside.[19] The central outer gate on the northwest side of the courtyard is unusually simple, as the customary muqarnas canopy is replaced by a simple round arch.[19][20] Inside, the courtyard is surrounded by four porticos of arches and domes. The southeastern portico, immediately preceding the entrance to the prayer hall, is significantly taller than the other three porticos in order to match the great height of the mosque itself.[19] This portico is composed of three wide arches with two very small arches between them, a configuration vaguely resembling a triumphal arch and very different from the earlier monumental portico designed by Sinan for the Süleymaniye Mosque.[19] The façades above these arches are decorated with two marble circles inscribed with quotes from the Qur'an.[21] The large lower windows around the courtyard are surmounted by decorative lunettes, except for the two windows on either side of the entrance portal, which are set below muqarnas niches instead. The lunettes of the windows on the prayer hall side are filled with Iznik tiles painted with calligraphy
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Selimiye Mosque was built at the peak of Ottoman military and cultural power. Sultan Selim II, the son and successor of Suleiman the Magnificent, chose Edirne instead of Istanbul (the Ottoman capital) as the location to build his own sultanic mosque. The reasons for this decision are a matter of debate among historians.[5] Selim II appeared to have a passion for the city, having served as its governor between 1548 and 1550, and he visited it frequently after becoming sultan.[6][7] Edirne, a former Ottoman capital, was also one of the most important cities in the empire and a major stop on the imperial highway between Istanbul and the Balkan provinces.[6][7] Other motivations may have included the fact that there were no more prominent hilltop sites in Istanbul available for the construction of an imperial mosque complex – at least not without resorting to mass expropriations.[8][7] At the time of the mosque's commission, Selim II had also not commanded a victorious military campaign, which Islamic scholars of the time considered to be a requirement for building a sultanic mosque in Istanbul.[8]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Surpassing the complex opera house typology, MAD articulates an architecture inspired by nature and saturated in local identity, culture and art. As the Harbin Opera House deepens the emotional connection of the public with the environment, the architecture is consequently theatrical in both its performance of narrative spaces and its context within the landscape.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Harbin Opera House emphasizes public interaction and participation with the building. Both ticketholders and the general public alike can explore the façade’s carved paths and ascend the building as if traversing local topography. At the apex, visitors discover an open, exterior performance space that serves as an observation platform for visitors to survey the panoramic views of Harbin’s metropolitan skyline and the surrounding wetlands below. Upon descent, visitors return to the expansive public plaza, and are invited to explore the grand lobby space.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: On the exterior, the architecture references the sinuous landscape of the surrounding area. The resulting curvilinear façade composed of smooth white aluminum panels becomes the poetry of edge and surface, softness and sharpness. The journey begins upon crossing the bridge onto Harbin Cultural Island, where the undulating architectural mass wraps a large public plaza, and during winter months, melts into the snowy winter environment.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: MAD Architects unveils the completed Harbin Opera House, located in the Northern Chinese city of Harbin. In 2010, MAD won the international open competition for Harbin Cultural Island, a master plan for an opera house, a cultural center, and the surrounding wetland landscape along Harbin’s Songhua River. The sinuous opera house is the focal point of the Cultural Island, occupying a building area of approximately 850,000 square feet of the site’s 444 acres total area. It features a grand theater that can host over 1,600 patrons and a smaller theater to accommodate an intimate audience of 400.
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