#text2dream

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Whilst discussing the organic nature of Kikutake's theoretical Marine City project, Kawazoe used the Japanese word shinchintaisha as being symbolic of the essential exchange of materials and energy between organisms and the exterior world (literally metabolism in a biological sense.) The Japanese meaning of the word has a feeling of replacement of the old with the new and the group further interpreted this to be equivalent to the continuous renewal and organic growth of the city.[15] As the conference was to be a world conference, Kawazoe felt that they should use a more universal word and Kikutake looked up the definition of shinchintaisha in his Japanese-English dictionary. The translation he found was the word Metabolism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Egg decoration in Ukraine is widespread and practiced by many; in the premodern era, pysankarstvo was practiced universally outside of big cities (which often had non-Ukrainian populations). Several traditional forms of decoration are common (krashanky, lystovky, pysanky) while others (driapanky, maliovanky, nakleyanky) are practiced less often. Newer forms of egg decoration, like biserky (beadwork eggs), travlenky (etched eggs), and rizblenky (cutwork eggs) are more recent additions, but gaining in popularity, although they are generally practiced by professional artisans rather than the general public. In recent years, shrink wrap decals with traditional designs have become a favorite mode of decoration for many.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: These ceramic eggs were common in Kyivan Rus' and had a characteristic style. They were slightly smaller than life size (2.5 by 4 cm, or 1 by 1.6 inches) and were created from reddish pink clays by the spiral method. The majolica glazed eggs had a brown, green or yellow background and showed interwoven yellow and green stripes. The eggs were made in large cities like Kyiv and Chernihiv, which had workshops that produced clay tile and bricks; these tiles (and pysanky) were not only used locally but were exported to Poland and to several Scandinavian and Baltic countries.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Artisan textile arts play an important role in Ukrainian culture, especially in Ukrainian wedding traditions. Ukrainian embroidery, weaving and lace-making are used in traditional folk dress and in traditional celebrations. Ukrainian embroidery varies depending on the region of origin and the designs have a long history of motifs, compositions, choice of colours and types of stitches. Use of colour is very important and has roots in Ukrainian folklore. Embroidery motifs found in different parts of Ukraine are preserved in the Rushnyk Museum in Pereiaslav.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Jugendstil or Art Nouveau, mostly in connection with Italy also Stile liberty, is an art historical epoch at the turn of the 19th and 20th centuries. Currents that can be assigned to Art Nouveau are the reform style (after the reform movement), the Secession style (after the Vienna Secession), Modernisme in Catalonia, in Switzerland Style Sapin and in the USA Tiffany Style. In addition to the expression Art nouveau, which is dominant in French, English and Italian, Modern Style is also used in English and Stile Floreale in Italian. In terms of time, Art Nouveau belongs to the fin de siècle.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In 1928 Behrens won an international competition for the construction of the New Synagogue, in Zilina, Slovakia, which was restored in 2012–17 as a cultural centre.[5] The same year he designed a renovation of the Feller-Stern department store in central Zagreb, Croatia, transforming it from Art Nouveau to a complex almost De Stijl Modernist composition. His 1931 hillside villa for the Clara Gans, daughter of Frankfurt industrialist Adolf Gans, was a similarly complex interplay of rectangular volumes, clad in stone, a fine example of New Objectivity.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The most prominent graphic artist was Otto Eckmann, who produced numerous illustrations for the movement's journal Jugend, in a sinuous, floral style that was similar to the French style. He also created a type style based upon Japanese calligraphy. Joseph Sattler was another graphic artist who contributed to the style through another artistic journal called Pan. Sattler designed a type face often used in Jugendstil. Another important German graphic artist was Josef Rudolf Witzel (1867–1925), who produced many early covers for Jugend, with curving, floral forms which helped shape the style. The magazine Simplicissimus, published in Munich, was also noted for its Jugendstil graphics, as well as for the modern writers it presented, including Thomas Mann and Rainer Maria Rilke. Important illustrators for the magazine included Thomas Theodor Heine.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: A typical türbe is located in the grounds of a mosque or complex, often endowed by the deceased. However, some are more closely integrated into surrounding buildings. Many are relatively small buildings, often domed and hexagonal or octagonal in shape, containing a single chamber. More minor türbes are usually kept closed although the interior can be sometimes be glimpsed through metal grilles over the windows or door. The exterior is typically masonry, perhaps with tiled decoration over the doorway, but the interior often contains large areas of painted tilework, which may be of the highest quality. Inside, the body or bodies repose in plain sarcophagi, perhaps with a simple inscription, which are, or were originally, covered by rich cloth drapes. Usually these sarcophagi are symbolic, and the actual body lies below the floor. At the head of the tomb a wooden pole was sometimes surmounted by a white cloth Ottoman turban (for men) or by a turban carved in stone.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Romanian Revival architecture is a revival of the Brâncovenesc [brɨŋkovenesk], a style in medieval Romanian art and architecture, more specifically in Wallachia during the reign of Constantin Brâncoveanu (1688–1714). This is because it was seen as the style specific to Romania, which is true. Brâncovenesc buildings are characterised by the use of porticos (mainly the entrances of churches), trilobate or kokoshnik arches, columns (usually Corinthian), sometimes with twisted flutings, and metallic or ceramic tile roof. The main ornaments used for decoration are the interlace and the complex vegetal spiral (aka rinceau). Some of the features of Brâncovenesc architecture derive from Byzantine and Ottoman architecture, and a some can also be found in medieval Russian architecture. Brâncovenesc churches usually have façades decorated with reliefs, most churches being white, while some have elaborate paintings on the façades (like the Stavropoleos Monastery from Bucharest). The walls of their interiors are filled with Byzantine style frescos. Above their main door there is a pisanie, which is an inscribed stone plaque.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Romanian Revival architecture is an architectural style that has appeared in late 19th century in Romanian Art Nouveau, initially being the result of the attempts of finding a specific Romanian architectural style. The attempts are mainly due to the architects Ion Mincu (1852–1912), and Ion N. Socolescu (1856–1924). The peak of the style was the interwar period. The style was a national reaction after the domination of French-inspired Classicist Eclecticism. Apart from foreign influences, the contribution of Romanian architects, who reinvented the tradition, creating, at the same time, an original style, is manifesting more and more strongly. Ion Mincu and his successors, Grigore Cerchez [ro], Cristofi Cerchez, Petre Antonescu, or Nicolae Ghica-Budești declared themselves for a modern architecture, with Romanian specific, based on theses such as those formulated by Alexandru Odobescu around 1870.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Addleshaw Tower is the first free-standing bell tower to be built by an English cathedral since the 15th century. It has a square plan and is 85 feet (26 m) high. The tower is built on a reinforced concrete frame. The base is faced in local pink sandstone, and contains an entrance on the southwest side, with windows on the other three sides. One window on each side contains Dalle de verre stained glass, and these are flanked by smaller pairs of windows. The entrance is deeply recessed and contains two pairs of timber doors. The upper parts of the tower are faced in Bethesda slates on a timber frame. Above the base are two stages with internally inclined walls, the upper stage being taller than the lower stage. Around the top of the lower stage is a ring of small, square windows. At the top of the upper stage is a ring of small louvred bell openings. On the summit of the tower is a pyramidal roof, which is also covered in slates. The base contains a meeting room, a small kitchen, and toilets. A spiral staircase leads up to the ringing chamber, where the bell ropes are arranged in a circle. On the walls of the chamber are tablets commemorating peals previously rung by the guild.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Song bells are a musical instrument in the keyboard percussion family. They are a mallet percussion instrument that is essentially a cross between the vibraphone, glockenspiel, and celesta. They have bars made of aluminum.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Bonshō
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: A bell is a directly struck idiophone percussion instrument. Most bells have the shape of a hollow cup that when struck vibrates in a single strong strike tone, with its sides forming an efficient resonator. The strike may be made by an internal "clapper" or "uvula", an external hammer, or—in small bells—by a small loose sphere enclosed within the body of the bell (jingle bell). Bells are usually cast from bell metal (a type of bronze) for its resonant properties, but can also be made from other hard materials. This depends on the function. Some small bells such as ornamental bells or cowbells can be made from cast or pressed metal, glass or ceramic, but large bells such as a church, clock and tower bells are normally cast from bell metal. Bells intended to be heard over a wide area can range from a single bell hung in a turret or bell-gable, to a musical ensemble such as an English ring of bells, a carillon or a Russian zvon which are tuned to a common scale and installed in a bell tower. Many public or institutional buildings house bells, most commonly as clock bells to sound the hours and quarters.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Parts of a typical tower bell hung for swinging: 1. Bell yoke or headstock 2. canons, 3. crown, 4. shoulder, 5. waist, 6. sound bow, 7. lip, 8. mouth, 9. clapper, 10. bead line
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Le Corbusier's design called for the use of raw concrete, whose surface was not smoothed or polished and which showed the marks of the forms in which it dried. Pierre Jeanneret wrote to his cousin that he was in a continual battle with the construction workers, who could not resist the urge to smooth and finish the raw concrete, particularly when important visitors were coming to the site. At one point one thousand workers were employed on the site of the High Court of Justice. Le Corbusier wrote to his mother, "It is an architectural symphony which surpasses all my hopes, which flashes and develops under the light in a way which is unimaginable and unforgettable. From far, from up close, it provokes astonishment; all made with raw concrete and a cement cannon. Adorable, and grandiose. In all the centuries no one has seen that." The High Court of Justice, begun in 1951, was finished in 1956. The building was radical in its design; a parallelogram topped with an inverted parasol. Along the walls were high concrete grills 1.5 metres (4 feet 11 inches) thick which served as sunshades. The entry featured a monumental ramp and columns that allowed the air to circulate.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Our team’s solution to the current crisis, and to turn it into the best economic opportunities in the future, is the continuous production of electricity from serial and large waterfalls such as Niagara Falls, but this time in the ocean. Large deep waterfalls that surround the prison with a very purposeful approach create another stunning view of Madagascar island as a point of interest for tourists, and many tourists will be traveling there to see this stunning view. In this touristic prison, after receiving the necessary training and skills, the prisoners interact directly with the tourists. Each prisoner is responsible for their physical needs and their society, which they achieve by farming on the farms in prison and trading with the community. This process will reform and rehabilitate prisoners for a healthy economic life in society, which is one important reason for reducing crime in the country. After a few years and decreasing crime, the prison is expected to become a multi-purpose hotel and tourist hub with waterfalls in the ocean to produce green energy.​​​​​​​
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The architectural procession choreographs a conceptual narrative, one that transforms visitors into performers. Upon entering the grand lobby, visitors will see large transparent glass walls spanning the grand lobby, visually connecting the curvilinear interior with the swooping façade and exterior plaza. Soaring above, a crystalline glass curtain wall soars over the grand lobby space with the support of a lightweight diagrid structure. Comprised of glass pyramids, the surface alternates between smooth and faceted, referencing the billowing snow and ice of the frigid climate. Visitors are greeted with the simple opulence of natural light and material sensation—all before taking their seat.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: The steel structure allows for an open and column-free interior space. The seating area was designed to look visually and spatially expansive by arranging the kitchen and WC in a compact fashion at the lower end of the mezzanine. The restaurant, bar, café and other seating areas are connected by a two-story atrium where the atmosphere and wide view can be shared. Overall, the interior design focuses on harmony of place, with varied ceiling heights, stairs, furniture and finishes adding subtle differentiation to its features.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Movable partitions allow the 4,000-square-meter exhibition hall, with its 10-meter-high ceiling, to be divided into three separate areas. Clear glass doors allow the hall to be used jointly with the expansive outdoor exhibition space on the park’s west side. The fourth-floor conference room overlooks the south side rooftop greenery and the north side courtyard, allowing for a ubiquitous feel for the greenery. The south side conference-room floor is aligned at human eye level with Shinkansen (bullet train) passengers visible across the roof, creating a sense of connection with the passing trains.
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