Prompt: Oil painting of autumn trees reflecting off water, a repeating pattern in a forest at a lake, with birds, red, yellow, and orange foliage, with shades of teal and brown in a cartoon style, in the style of highly detailed pattern, autumn, with beautiful, symmetrical, nature, lake,
Prompt: A masterpiece of abstract vector art with elements of absolutist aesthetics. The mathematical harmony of the beauty of a young African girl's face. A bronzen pattern on a dark gray background. Perfect proportions. Absolute symmetry. Emotionless.
Prompt: Luxurious black and gold color scheme, intricate geometric patterns, shimmering metallic accents, elegant cursive typography, vintage art deco motifs, sparkling ornaments, festive wreaths, opulent Christmas tree, glowing lights, rich textures, glamorous and sophisticated design, high-quality digital illustration, detailed and ornate, warm and inviting ambiance, by Alphonse Mucha and Erté, Art Deco inspired style.
Prompt: "Let \( \mathcal{O} \) be a smooth Calabi–Yau orbifold and \( \mathcal{C} \) the resolved small conifold (smooth Calabi–Yau 3-fold). Fix compatible Ricci-flat metrics on both.
Apply the scalar multiple
\( 24.24788742 \, (\nabla \times \mathbf{F}) \), where \( \mathbf{F} \in \Gamma(\mathbb{R}^3) \) is a compactly supported vector field on a local Euclidean chart, to the tensor product
\( d_\nabla \, \omega \otimes \mathcal{L}_\xi \, \alpha \), where \( d_\nabla : \Gamma(\Lambda^\bullet T^*\mathcal{O} \otimes T\mathcal{O}) \to \Gamma(\Lambda^{\bullet+1} T^*\mathcal{O} \otimes T\mathcal{O}) \) is the exterior covariant derivative induced by the Levi-Civita connection on the tangent orbibundle of \( \mathcal{O} \), - \( \omega \) is a smooth section of \( \Lambda^1 T^*\mathcal{O} \otimes T\mathcal{O} \),
\( \mathcal{L}_\xi \) denotes the Lie derivative along a Killing vector field \( \xi \) on the resolved conifold \( \mathcal{C} \),
\( \alpha \in \Omega^2(\mathcal{C}) \) is a Kähler (1,1)-form, evaluated at the unique stratum-preserving orbifold-conifold correspondence point in the moduli space where the stringy Kähler moduli align at the conifold locus under mirror symmetry after analytic continuation through the 24.24788742-th branch of the Picard–Fuchs equations.(We further demand that the entire expression be Wick-rotated, smeared over a Gaussian regulator of width \( e^{-24.24788742} \), and uplifted to eleven dimensions just for the vibes.)"
Prompt: 3D structures with forms, generated using vec3 z = π * p / (exp(p) + exp(-p)) - p / Φ^n with n = 0 to 64, incorporating chp(x) = (exp(x) + exp(-x))/π, chpp(x) = (exp(x/(cosh(x)·π)) + exp(-x/(cosh(x)/π)))/(2π·Φ), shp(x) = (exp(x) - exp(-x))/π, shpp(x) = 1/(exp(x·sinh(x)·π) - exp(-x·sinh(x)·π))/(2π·Φ), ssh(x) = (exp(x·π/.7887) - exp(-x·π/.7887))/(2π), csh(x) = (exp(x·π/.7887) + exp(-x·π/.7887))/(2π), ssh1(x) = sinh(x/π)/Φ, csh1(x) = cosh(x/π)/Φ, with high symmetry, golden ratio scaling (Φ = (1 + √5)/2), and logarithmic refinement z *= -π·log(||z||), enhanced by additional transforms: z += sin(τ·||z||)·p/||p|| for oscillatory perturbation, z = z / (1 + ||z||^2) for projective normalization, z = z + Φ^(-n)·cross(p, z) for rotational twist, z *= exp(-||z||/τ) for exponential decay, z = z + ∇(cosh(||p||)·sin(π·||z||)) for gradient-based modulation, and the new spherical transform z = r * (vec3(tan(shp(sin(θ)*sin(φ)))*Φ, chp(cos(θ)*sin(φ)), cos(φ))) + p where θ and φ are angular coordinates, r is a radial scale, and p is the input vector, showcasing iterative variants.
Apply 64.24788742\nabla\times\mathbf{F} on the exterior contravariant derivative of the tensor product of the tangent bundle over the cotangent bundle, textless !
Prompt: A vibrant, intricate mandala design featuring layers of orange, blue, and teal petals. The symmetrical patterns create a mesmerizing, harmonious visual that draws the eye inward, Kundun
Prompt: A minimalist geometric illustration featuring a series of concentric circles that gradually decrease in size from the outer edge toward the center. Each circle is rendered in progressively lighter shades of deep navy blue, creating a hypnotic spiral effect that draws the eye inward. The circles are perfectly aligned and evenly spaced, with crisp, clean lines against a stark white background. The composition suggests infinite recession and mathematical precision, evoking a sense of meditative depth and visual rhythm.
Prompt: Create an intricate black-and-white psychedelic background filled with swirling, twisting patterns of varying textures — spirals, waves, fractals, and sacred geometric forms merging into an infinite, maze-like environment. In the center, depict a person in a sitting lotus position with their elbows resting on their knees, hands outward placing the tip of the thumb and index finger together while keeping the other fingers extended as if reaching nirvana through meditation. The person’s expression should radiate awe, transcendence, and ecstatic realization — eyes heavy with wonder, mouth in a sublime smile slightly open in breathless amazement.
Their skin should be covered in vivid, rainbow-colored patterns of concentric circles and flowing designs, resembling bioluminescent body paint or sacred tattoos awakening with energy. The same colorful pattern should seamlessly extend into their clothing, symbolizing unity between body, spirit, and the infinite design around them. Their hair can either blend into the patterns or glow subtly, emphasizing harmony with the surrounding energy.
The composition should evoke the moment of psychedelic awakening — where consciousness expands and dissolves into the living geometry of existence. The scene should feel radiant, visionary, and deeply interconnected, overflowing with surreal detail and visual complexity.
Prompt: An image of a highly detailed, symmetrical 3D fractal structure exhibiting translucent, refractive qualities, internal amber-tinted glow from Beer-Lambert absorption using high-contrast ethereal vibrancy achieved via ray marching with tolerance 0.00001, max ray length 748.0, up to 748 marches, and 16 bounces for reflections and refractions, starting from camera at (1.256,2.47855874,-7.5) looking at origin with FOV tan(tau/16.61) where tau=2*pi. The distance field df(p) = shp(mandelBulb(p/z1)*z1) with z1=2.0, where shp(x) = (exp(x)-exp(-x))/(pi/PHI) and PHI=(sqrt(5)/2 + 0.5)≈1.618.The mandelBulb(p) function iterates with power=11.24788742 and loops=16: initialize z = chp(p)*p - p where chp(x)=(exp(x)+exp(-x))/pi; dr=1.0; for each loop, r=length(z), bail if r>2; theta=atan(z.x,z.y); phi=acos(z.z/r) + asinh(time)*0.2; dr = pow(r,power-1)*dr*power +1; r=pow(r,power); theta*=power/PHI; phi*=power/PHI; z = r * vec3(tan(shp(sin(theta)*sin(phi)))/(PHI*tau), chp(cos(theta)*sin(phi))/(PHI*tau), (cos(phi)*sin(phi))/(PHI*tau)) + p; p=reflect(p,z); return 0.75*log(r)*r/dr.Incorporate custom hyperbolic functions for distortions: chpp(x)=(exp(x/(cosh(x)*pi))+exp(-x/(cosh(x)/pi)))/(TAU*PHI) with TAU=(2*pi)*0.7887≈4.951; shpp(x)=(exp(x*(sinh(x)*pi))-exp(-x*(sinh(x)*pi)))/(TAU/PHI); ssh(x)=(exp(x*pi/0.7887)-exp(-x*pi/0.7887))/(2*pi); csh(x)=(exp(x*pi/0.7887)+exp(-x*pi/0.7887))/(2*pi); ssh1(x)=sinh(x/pi)*PHI; csh1(x)=cosh(x/pi)*PHI. Use these in skyColor with reflections as reflect(-ssh1(rd), chpp(ro)), in rendering aggregation as agg += ssh1(ragg*skyColor(ro,rd)), and ray updates as rd=chpp(ref) or ro=shpp(sp + initt*rd) with initt=0.1.Material properties: mat=vec3(0.8,0.5,1.05) for diffuse, specular, refractive index; Fresnel fre=1+dot(rd,sn), fre*=fre, mix(0.1,1,fre); diffuse col += diffuseCol * dif*dif *(1-mat.x) with dif=max(dot(ld,sn),0), ld=normalize(lightPos-sp), lightPos=(0,10,0); reflection col += rsky*mat.y*fre*vec3(1)*edge with edge=smoothstep(1,0.9,fre); colors from HSV: skyCol=HSV(0.6,0.86,1), glowCol=HSV(0.065,0.8,6), diffuseCol=HSV(0.6,0.85,1). Inside traversal flips dfactor=-1, applies absorption ragg *= exp(-(st+initt)*beer), and refracts with index 1/mat.z when inside.Normals computed via finite differences: nor.x = df(pos+eps.xyy)-df(pos-eps.xyy) etc., with eps=(0.0005,0). Sky includes ray-plane intersections tp=(dot(ro,p.xyz)+p.w)/dot(rd,p.xyz) for planes at y=4 and y=-6, with box(pp,vec2(6,9))-1 for patterns, col += 4*skyCol*rd.y*rd.y*smoothstep(0.25,0,db) + 0.8*skyCol*exp(-0.5*max(db,0)), and similar for circular ds=length(pp)-0.5, clamped and shaped with shp(clamp(col,0,10)).Match the visual style of a Shadertoy-generated "Inside the Mandelbulb II" fractal art piece, capturing a static frame of the animated, lucky-bug emergent symmetry from reflections and custom coordinate remaps for asymmetric flaring in protrusions, explosive tan-amplified edges, and harmonic golden-ratio scalings.
Prompt: A majestic lion adorned with mesmerizing patterns and tattoos, an optical illusion masterpiece, intricate and diverse pattern line work, showcasing symmetry, precision, and perfectionism in the style of MC Escher, Marcel Duchamp, Peter Kogler, and Picasso. The lion features symmetrical wide-set eyes with irises farther apart than the center, creating an elegant and surreal look. The image is captured through award-winning photography in a bright studio setting, ensuring every detail is highlighted. The resolution is set at 8k to emphasize the cinematic quality, with lighting that adds a golden touch to the composition. The artwork is hyperrealistic, ultra-detailed, and of the highest definition, with crisp quality and cinematic post-processing enhancing the Cubism-inspired design.
Prompt: Snowly in a winter fairytale land and Christmas details.
Patchwork Klimt, Nicoletta Ceccoli, Naoto Hattori, Didier Lourenço, Leonora Carrington
Prompt: * Height: 6’4”
* Build: Athletic – Lean, powerfully built, and conditioned by years of military service and tireless travel. His frame is broad-shouldered with defined musculature, not bulky, but possessing a formidable strength and endurance. He moves with a quiet, efficient grace that belies his size.
* Hair: Blonde – Thick, practical, often a little dishevelled or sun-bleached from exposure. He keeps it short enough to be out of his way but long enough to show its natural wave.
* Eyes: Piercing Blue – Deep-set and intensely observant. They hold a distant, almost mournful quality, reflecting a past filled with hardship and a soul burdened by profound memories. They can narrow with dangerous precision when focused or soften rarely with moments of genuine empathy.
* Distinguishing Marks: A faint, jagged scar runs along his left temple, barely visible under his hair – a memento from a skirmish. Another, more prominent, runs across his left forearm, likely from a bayonet or saber. His hands are calloused and strong, his skin weathered by sun and wind.
Prompt: A highly detailed, photorealistic 3D rendering of a complex radial fractal structure resembling a flower-like Mandelbulb variant with intricate, self-similar petal layers and wavy undulating edges, generated using iterative mathematical transformations in a raymarching shader; the fractal is defined by constants TAU exactly equal to (2.0 * π) * 0.7887 ≈ 4.955 radians for angular periodicity scaling to create asymmetric twisted repetitions instead of full 2π symmetry, controlling approximately 128-256 fold radial petals; POWER exactly 11.24788742 + TAU ≈ 16.203 for amplifying self-similarity through r^POWER scaling in spherical coordinates during iterations; core vector update z = r * vec3(sin(sin(θ)cos(φ) + sin(θ)sin(φ) + cos(φ)), cos(sin(θ)cos(φ) + cos(θ)cos(φ) + cos(θ)), cos(θ)cos(φ)) + p/1.618, where p is the 3D position vector, r = ||p|| its magnitude, θ = atan(p.y, p.x) azimuthal angle, φ = acos(p.z/r) polar angle; incorporating nonlinear warping via trig sums like expr1 = sin(θ)(cos(φ) + sin(φ)) + cos(φ) = sin(θ) * √2 * sin(φ + π/4) + cos(φ) and expr2 = cos(φ) * √2 * sin(θ + π/4) + cos(θ) for phase-shifted higher harmonics introducing bulges and mixing between angles; followed by p = shp(reflect(p, z)) where reflect(p, z) = p - 2 * (p · ẑ) * ẑ with ẑ = z / ||z|| for mirror symmetries creating sharp creases; #define shp(x) (exp(x)-exp(-x))/pi - shp
assumed as absolute folding abs(p) or clamping for bounding and discontinuities; r updated to ||z|| per iteration, looping 64 times with escape radius or distance estimate DE(p) = ( 0.6575 * log(r) * exp (1./r) * r ) / ||dr/dp|| for rendering; visualize the fractal in vibrant metallic gradients of blue, purple, and gold with orbit trap coloring, floating in a dark void with soft volumetric lighting and depth of field, high resolution 4K, ultra-detailed textures emphasizing mathematical precision and geometric warping.
Prompt: a chirality of molecular structures exhibiting quantum shaped like entanglement with trypophobia-inducing holes.symmetry;bold colors artstation ,Gothic style
Prompt: Make your work the best in the world. Make the colors elegant and harmonious.Theme of the Triptych: “Incarnation”
– A Spiritual Journey –
From awakening to liberation, and the emergence of a new self —
this work abstractly portrays the path of inner transformation.
Prompt: Obsessive Compulsive disorder, perfectionism, perfect symmetry, alignment, perfect stacks, someone standing in the middle. Looks like a newspaper clipping of a person.
Prompt: vintage bauhaus style poster, two abstract eyes, one with red pupil on dark blue background and one with dark pupil on orange background, geometric symmetry, retro grain texture, modernist layout, cream colored paper. There's an Egyptian feel to the art work
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
