#suspense

Encounter in the Shadows of Suspense

• Model: AI Upscaler

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt:
  • Using base image: No
  • Aspect Ratio: landscape

Vintage Car Soars Over Urban Landscape

• Model: Artistic 2

• Size: 1016 X 1016 (1.03 MP)

• Used settings:

  • Prompt: (palette knife oil painting:1.3) with (acrylic wash:1.2), depicting (a race of old fords from 1924 with pilots:1.3) entwined in (rotten bright textures:1.2) The scene is drenched in (smoke:1.3), capturing the essence of a (race:1.3) with (bright features:1.2) emerging from the chaotic textures. The composition reflects (giger and Beksinski's style:1.3).
  • Using base image: Yes

Embracing the Essence of Horror

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Capturing the True Spirit of Horror
  • Using base image: No
  • Aspect Ratio: square

Tension in the Shadows: A Suspenseful Scene

• Model: AIVision

• Size: 1008 X 1792 (1.81 MP)

• Used settings:

  • Prompt: A surreal black and white illustration of a terrified man with wide, rolling eyes, sweat dripping down his forehead, clutching his hand to his mouth in horror, highly detailed with fine stippling and cross-hatching textures, another eerie figure peering menacingly through a narrow slit of light in the background, intense chiaroscuro lighting, vintage horror pulp magazine style, Virgil Finlay art style, high contrast, intricate shading, dramatic composition, unsettling atmosphere
  • Using base image: No
  • Aspect Ratio: portrait_tall

A Shot in the Dark

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Literally a shot in the dark
  • Using base image: No
  • Aspect Ratio: square

The Murder by the River

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: The Murder by the River (A Painted House – John Grisham): A dark, still river reflects the twisted branches of overhanging trees, its surface disturbed only by the ripples of a single floating straw hat—a haunting reminder of the violence that has taken place. In the background, Luke hides behind the reeds, his small hands gripping the damp earth, his wide eyes filled with horror. The two killers, their faces shadowed by the moonlight, stand over the body, their whispers blending with the chirping crickets. Primary Artist: Inspired by Southern Gothic and noir cinematography. Enhancement Artist: Dark contrast and fog effects for tension. Emotional Impact: Chilling and suspenseful, symbolizing the moment Luke loses his innocence. Additional Elements: A single, torn boot lies half-submerged in the mud.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Shadows of Danger in the Misty Forest

• Model: FluX

• Size: 1728 X 1296 (2.24 MP)

• Used settings:

  • Prompt: Great Britain, 1880. There are monsters in our world, hiding in the shadows. They’re unknown to most, but a threat to us all.
  • Using base image: No
  • Aspect Ratio: landscape

Haunting Encounter in a Dim Subway Car

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Eerie artwork presents a ghostly apparition inside a crowded train, creating a surreal juxtaposition between the supernatural and the mundane. The passengers, who appear to be ordinary commuters, sit in their seats, some frozen in shock, while others avoid eye contact with the spectral figure standing in the aisle. The ghost itself is a pale, ethereal woman, draped in a flowing, translucent white robe, her face expressionless yet haunting. The train's interior is dimly lit, with warm yellow lights from above contrasting against the ghost's cold, bluish aura. The windows reveal a blurred, indistinct landscape, suggesting motion, yet the eerie presence inside seems to make time stand still. The spectral figure's outstretched hand and piercing gaze add to the tension, as if she is either seeking help or about to reach for an unsuspecting passenger. The passengers’ reactions vary – some are visibly disturbed, looking at her in shock, while others remain unnervingly indifferent, adding a psychological layer to the image. The claustrophobic setting of the train carriage intensifies the unease, making it feel as though there is no escape from the supernatural presence. painted with soft, airy brushstrokes, digital painting with photorealistic elements, dark fantasy and surrealism, cinematic effect, scene from a horror film, cool vs. warm contrast, crisp edges, photorealistic, a slight blur, realism and fantasy, cinematic composition, masterful use of lighting, and eerie atmosphere, dark fantasy and supernatural surrealism. art by DEEP DREAM GENERATOR
  • Using base image: No
  • Aspect Ratio: square

Forbidden Ultra-Evil: A Tale of Suspense

• Model: DigitalDaVinci

• Size: 2000 X 1152 (2.30 MP)

• Used settings:

  • Prompt: Retro horror poster art. add a title in ripped paper letters that reads : 'Forbidden Ultra-evil'. Close-up portrait. Bo Derek and Udo Kier stare eerily into the distance, Christopher Lee's eye-monster looming in the background. Bill Sienkiewicz's expressive brushstrokes. Mixed media collage with distressed, grainy finish. High contrast colors, bold typography. Faded ink bleeds into worn, yellowed paper. Creepy atmosphere, eerie backlighting, with deep shadows and vivid, bold colors. Best quality, vintage horror aesthetic. Mixed media chaos, bold brushstrokes, torn edges, classic horror movie feel, nostalgic, worn, atmospheric.
  • Using base image: Yes

The Eye of The Terror From the Deep Beyond of the Night

• Model: DaVinci2

• Size: 2016 X 1152 (2.32 MP)

• Used settings:

  • Prompt: Retro horror poster art. Close-up portrait. Bo Derek and Udo Kier stare eerily into the distance, Christopher Lee's eye-monster looming in the background. Bill Sienkiewicz's expressive brushstrokes. Mixed media collage with distressed, grainy finish. High contrast colors, bold typography. Faded ink bleeds into worn, yellowed paper. Creepy atmosphere, eerie backlighting, with deep shadows and vivid, bold colors. Best quality, vintage horror aesthetic. Mixed media chaos, bold brushstrokes, torn edges, classic horror movie feel, nostalgic, worn, atmospheric.
  • Using base image: Yes

Enigmatic Glow in the Foggy Forest

• Model: DaVinci2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Vector illustration of an invisible character blending into a supernatural setting in double exposure
  • Using base image: No
  • Aspect Ratio: square

A state of fear...

• Model: DaVinci2

• Size: 1376 X 1376 (1.89 MP)

• Used settings:

  • Prompt: Full length portrait of a fearful 1940s beautiful girl by Frank Frazetta, using a combination of oil paint and watercolour, Paranoia, fear and loathing, Somebody's got their eye on me, in the style of a Frank Frazetta dark fantasy novel cover, an epic moody, magical image, thick intense oil paint and watercolour, thick textured brush strokes
  • Using base image: Yes

Mysterious Shadows and a Bold Red Figure

• Model: FluX

• Size: 1296 X 1728 (2.24 MP)

• Used settings:

  • Prompt: create a 1960s comic book cover inspired by pseudo-science fiction in a retro futuristic style featuring a pretty red-haired girl and mysterious characters from Lovecraft's novels
  • Using base image: No
  • Aspect Ratio: portrait

Man of the Oath

• Model: DaVinci2

• Size: 792 X 1296 (1.03 MP)

• Used settings:

  • Prompt: Wild West lawmen
  • Using base image: Yes

Nature's Dark Innovations

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: horror, Natural Technologies
  • Using base image: No
  • Aspect Ratio: landscape

Afraid of Shadows

• Model: AIVision

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Full length portrait of a fearful 1940s noir detective by Frank Frazetta, using a combination of oil paint and watercolour, Paranoia, fear and loathing, Somebody's got their eye on me, in the style of a Frank Frazetta dark fantasy novel cover, an epic moody, magical image, thick intense oil paint and watercolour, thick textured brush strokes
  • Using base image: No
  • Aspect Ratio: square

Is something out to get me or am I just paranoid?

• Model: DaVinci2

• Size: 1376 X 1376 (1.89 MP)

• Used settings:

  • Prompt: Full length portrait of a fearful 1940s beautiful girl by Frank Frazetta, using a combination of oil paint and watercolour, Paranoia, fear and loathing, Somebody's got their eye on me, in the style of a Frank Frazetta dark fantasy novel cover, an epic moody, magical image, thick intense oil paint and watercolour, thick textured brush strokes
  • Using base image: Yes

From out of your nightmares and into this world...

• Model: DaVinci2

• Size: 1040 X 1816 (1.89 MP)

• Used settings:

  • Prompt: ominous bright green shadow man peeking from the corner of a doorway, lean build, no eyes, no face, shadow, silhouette, lurking in a dark house, A haunting scene, dimly lit room, surrounded by shadows and eeriness, surreal imagery, capturing the theme of isolation and detachment by Simon Bisley & Michael Komarck
  • Using base image: Yes

Tension Unleashed in Monochrome Confrontation

• Model: DaVinci2

• Size: 1232 X 832 (1.03 MP)

• Used settings:

  • Prompt: A dramatic and expressive scene featuring a group of figures in an intense confrontation. Two central men face each other, one holding a flashlight, exuding confidence and determination, while the other displays a more stern demeanor. Surrounding them are several other characters, partially obscured, some in distress and others looking on intently. The background is dark and moody, enhancing the tension of the moment, with hints of nature and foliage creeping in. The style is reminiscent of vintage illustrations, with heavy ink lines and a monochromatic palette, evoking a sense of mystery and urgency.
  • Using base image: Yes

Mystery of the Missing Man Unraveled In the pines

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Her husband was a hard working man Just about a mile from here His head was found in a driving wheel But his body never was found
  • Using base image: No
  • Aspect Ratio: landscape