#sciencefiction

Space Truckin'

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A celestial freight rig built for stellar traversal barrels forward across a suspended galactic highway. Its segmented chrome chassis is studded with glowing navigation veins and reinforced with hex-spined armor plates, each surface catching the blaze of nearby coronal bursts in a shifting reflection. Thick plasma fog drapes the path ahead, curling in weightless ribbons around its silhouette. Behind it, a black wormhole pulses with inner flame, ringed in collapsing light—an aperture still charged from its crossing. The rig’s long rear conduit glows with silent propulsion fields as it sails past fractured constellations and auroral debris. The highway beneath it is an invisible lattice traced in slow-moving photons, converging and dissolving beneath its weightless mass. Above, a band of pale stars arcs through a nebular sky, their forms distorted in the rig’s reflective shell. The scene is silent, vast, and immense—only the radiative shimmer of stellar light stirs in its wake.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Dust Between Stars

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A grizzled space cowboy bounty hunter strides confidently across alien terrain—mid-forties, weathered skin, stubble, rugged build, blue eyes, wearing a battered brown leather duster, dusty hat low over his brow, dark denim, wide belt with heavy brass buckle, old-style revolver holstered at his hip, futuristic blaster slung across his back; at his side, a yellow Labrador Retriever with pale fur and intelligent eyes walks faithfully, head tilted upward, looking at the man as they move in unison. Scene rendered in cinematic high-fidelity realism, hyper-detailed and texturally grounded; heroically lit arrival moment, with deep shadows and warm edge light across weathered clothing and fur; dust just settling, suggesting recent landing. Ship in midground: dented, scorched, retrofitted with industrial detailing—part freighter, part gunboat; hard sci-fi surface design emphasized with ‘exploded view’ texturing logic; inspired by Star Wars-era aesthetic realism. Landscape evokes alien Southwest: scrub brush, pale dry grass, cracked soil, towering stone spires warped into otherworldly shapes; soft haze veils distant terrain; gradient sky glows with early light, dusty blue blending to soft violet and gold. Color palette favors ochre, brown, slate, dusty cyan, metallic gray; deep shadow anchoring figures, faint glow off ship’s cooling engines; no pastel or saturated cartoon colors. Eye-level wide-angle perspective, frontal composition; bounty hunter and dog dominate lower mid-frame, spaceship recedes diagonally back-right; strong silhouette logic, clear spatial layering, full-body visibility, naturalistic pose dynamics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Butterfly Logic

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A highly detailed digital artwork in a photorealistic, cyberpunk style: inside a sleek, high-tech robotics workshop filled with futuristic machinery and ambient neon light, a humanoid robot master meticulously repairs a delicate butterfly-shaped robot. The master—tall, elegant, constructed of brushed titanium and composite alloys—has articulated fingers and precision tool attachments integrated into its multi-jointed arms. Its posture is focused, almost reverent, as it holds the butterfly’s microchassis open, revealing intricate exposed circuitry, fiber optics, and glowing microprocessors. Scattered around the workspace are metallic tools, spare micro-servos, diagnostic tablets, and transparent canisters filled with artificial wing membranes. LED strips embedded in the ceiling and workbench cast a rich interplay of electric blue, neon green, and metallic silver across the space, while orange sparks briefly fly from a micro-welding operation. A suspended digital display above the scene shows real-time diagnostic data: voltages, structural integrity graphs, and biomimetic flight algorithms. In the background, articulated robotic arms hang from ceiling mounts, holding trays of micro-parts and surgical-grade tools. Mechanical gears and hydraulic pistons hum quietly in the periphery, adding a subtle kinetic life to the environment. The workshop walls are layered with holographic schematics and dim reflections of synthetic materials. Rendered in the style of Simon Stålenhag with a slight stylized realism edge, designed for ArtStation feature-level quality. Clean framing, dynamic lighting with shadowplay, ultra-sharp textures, vibrant palette, and futuristic ambience.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Debate Breaks Down

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: <L1> A chrome-plated humanoid robot throws a tantrum mid-debate in an alien galactic senate. Photorealistic, jointed limbs flail in exaggerated outrage: fingers splayed, arms raised, foot lifted mid-stomp, shoulders flared. Though its glowing eyes remain cold, its posture is absurdly human—chest forward, weight shifted, fists clenched. The drama is all body, stylized yet mechanical, like a spoiled child caught mid-tantrum. <L2> Hyper-detailed cinematic digital painting with chrome and luminous fabric textures <L3> In the style of Peter Elson and Michael Whelan, with expressive gesture realism akin to James Bama; architectural logic and surreal scale influenced by Chris Foss and John Harris <L4> Atmospheric chamber lighting with layered fog volume, ambient occlusion, rim highlights, and ray-traced reflections on metal surfaces <L5> Cold-toned color palette with saturated blues, glowing violet accents, reflective chrome, and warm secondary highlights on translucent alloys <L6> Wide-angle 16:9 cinematic shot. The robot and a white-haired senator are centered in the frame, standing in emotional conflict. The senator's scowling face is caught mid-rebuke—hand raised, voice silent but stern. He wears a high-collared ceremonial robe woven with glowing circuit filaments. Background alien delegates sit blurred in radial rings, behind suspended glyphs and translucent alloy pillars. The camera isolates the central drama in sharp relief, depth-blurring all else. Frozen mid-conflict, the absurd tantrum and dignified rebuke are clear without need for violence.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cathedral in Vacuum

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A massive orbital drydock under construction, cathedral-scale voids and towering scaffolds encase the hull of a vessel mid-assembly. Lone workers float like ants along red hazard rails and tether lines, surrounded by crawlspaces, exposed steel struts, and industrial netting. Cold white light casts volumetric shafts through the debris field, with scorched insulation and painted hull segments catching the dusty atmosphere. Observed through a wide-angle lens, the composition reveals engineering clarity and compositional vastness, rendered in a Syd Mead × Chris Foss style with muted complementary hues and precision concept finish.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Command Override

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> Heroic starship captain standing tall and proud on a high-tech command platform, his posture commanding and resolute; futuristic navy-blue uniform with silver trim, rank insignia glowing subtly on the chestplate; clean-shaven, strong-jawed, with piercing eyes locked on the unfolding battle beyond. <L2> Ultra-detailed science fiction illustration with cinematic depth and crisp design elements; bold, dramatic character lighting with reflective metallic accents and subtle bloom. <L3> Rendered in the refined sci-fi realism style of Chris Foss, John Harris, and Ralph McQuarrie, with an idealized balance of heroic scale and painterly atmosphere. <L4> Vivid space battle rages in the background: distant capital ships exchange energy volleys, fighter craft streak past in arcs of ion fire; glowing debris and shield flares punctuate the void. <L5> Color palette includes deep navy, slate gray, and cool blues for the captain and platform, contrasted with vibrant reds and fiery oranges in the battle scene; space lit by explosions and starfield. <L6> Frontal portrait-style composition with the captain centered in frame, three-quarter standing view, starfield and battle receding behind him in epic perspective. cinematiclight, metalreflectance, glasseffect, atmosphericdepth, volumetricshafts, brushedsteeltexture, highlightbandlayer, lightvolume, bloomcore, ionizedcolorburst, sharpfocus, dynamiccomposition, heroicpose, epicperspective, commanddeckenvironment, militaryuniformglow, spacebattleenergy, vfxclarity
  • Using base image: No
  • Aspect Ratio: landscape_wide

Sky Beneath the River

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A luminous river of golden light flows through a canyon of obsidian, its glowing surface threaded with slow-moving constellations like a celestial bloodstream. Towering basalt cliffs rise on either side, carved with titanic statues whose faces are eroded by time, yet still watch the sky with divine indifference. In the center of the river stands a cloaked figure atop a stone outcrop—tall, faceless, crowned with a diadem of fractured crystal. Their presence warps the air around them like heat shimmer. Above, the night sky churns with nebulae, auroras, and spiraling stardust, as if the heavens themselves are descending into the canyon. This scene is rendered in hyperreal digital oil, rich with layered textures and luminous atmosphere. The style blends the surreal divinity of Zdzisław Beksiński, the mystical clarity of Moebius, and the ornate metaphysical gravitas of Gustave Doré. Compositionally, the perspective is slightly elevated, looking down into the canyon from a high angle, drawing the viewer's eye along the light-river toward the central figure and sky beyond. The mood is sacred, awe-struck, and ancient beyond reckoning.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Natalie Portman

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: natalie portman science fiction costum sexy
  • Using base image: No
  • Aspect Ratio: landscape

Forge of Titans

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Interior of colossal, hyper-advanced, enclosed spacecraft manufacturing facility—world-class engineering marvel, designed by visionary minds at peak of human innovation. Cavernous space gleams with polished floors and seamless metal walls, lined with articulated support and magnetic crane rails. Tinted observation windows stretch across upper level, hinting at command deck behind impact-resistant glass. Scale and structure are awe-inspiring, reminiscent of award-winning sci-fi cinematography, lit dramatically by overhead industrial lights and flickering sparks from machinery. Dozens of elite aerospace technicians in sleek, next-generation spacesuits, work on assembly of interstellar spacecraft. Engineers hover via anti-grav harnesses, while others operate robotic manipulators or coordinate via holographic displays. In continuous motion, automated robotic units with multi-jointed limbs and wheeled chassis transport massive alloy panels, plasma welders, and precision tools. Workers calibrate systems, weld hulls with blinding light. Semi-transparent hologram shows an exploded 3D view of spacecraft's internal systems. Technicians review schematics, checklists on digital clipboards, and engage in animated discussion. Every surface glows with smart indicators: color-coded pipelines, illuminated floor guides, interactive wall panels. Heat waves shimmer near high-energy devices. Sparks fly from cutting torches. Subtle lens flares highlight glossy textures. In the distant background, mech lift an engine core while robotic arms synchronize with military precision. Epic, intense, reverent—an operatic portrayal of industrial brilliance. Atmosphere crackles with kinetic energy and human ambition. Breathtaking fusion of science, scale, and craftsmanship. Cinematic ultra-HD, photorealistic, rendered in impeccable detail, with masterful lighting, depth of field, and rich metallic textures. An award-worthy masterpiece—envisioned by legendary sci-fi concept designer at peak of
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cradled in Lightfall

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> A majestic, futuristic cityscape beneath an alien night sky, its towers and domes rising like polished crystal spires from a vast reflective wetland; the city’s architecture fuses organic curvature with intricate mechanical detail—each building a unique amalgam of spires, hemispheres, and flowing latticework; large, faceted glass chambers emit warm, golden glows from within, suggesting vibrant life inside; suspended walkways and canal bridges connect platforms across shallow, mirror-still waters; lush alien trees and glowing bioluminescent plants frame the foreground with quiet intensity <L2> Highly detailed digital painting with fantasy realism and concept art precision; blended media logic evokes painterly texture layered with cinematic visual clarity <L3> Aesthetic fusion of James Gurney’s world-building romanticism and Stephan Martinière’s futuristic complexity, with subtle influence from Studio Ghibli’s dreamlike architectural flow <L4> Lit by twin auroras—green and yellow—cascading across the sky, casting surreal ambient reflections across the water; warm internal lighting from structures contrasts with the aurora’s cool spectrum; rim lighting defines crystalline geometry and organic silhouettes <L5> Dominated by cool greens, deep blues, and reflected golds; bursts of amber and sapphire glimmer in the vegetation and structure interiors; the night sky shimmers with stars, nebulae, and subtle cosmic dust veils <L6> Wide-angle panoramic composition; layered with deep background mountains and sky, middle-ground cityscape rising from water, and a detailed foreground of glowing flora and glassy terrain; subtle lens depth and atmospheric falloff reinforce spatial grandeur
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Bloom Cathedral

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A sleek interstellar spaceship cruising low and slow through an alien jungle of enormous, luminous flowers, each bloom nearly as large as the ship itself. The vegetation towers like colossal sequoias, their petals glowing with iridescent hues—violet, teal, bioluminescent amber. Vines as thick as subway tunnels dangle from their branches, some brushing against the hull. The jungle is dense and otherworldly, pulsing faintly with light, mist curling from the undergrowth. Dramatic angle from below and behind the ship, showing scale contrast between vessel and flowers :: ambient light diffused through petals and mist, deep shadows under canopy :: hyper-detailed, cinematic realism, vivid color palette, fantastical but believable structure, awe-inspiring scale, surreal atmosphere :: masterpiece, ultra high resolution, sharp focus, 8k detail, photorealistic, highly intricate, perfectly composed
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Singularity Gate

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: <L1> Interdimensional power generator fills massive industrial warehouse, mounted in steel floor, rising like alien monument; fusion of molten-looking alloys, crystalline transparencies, and asymmetrical sculptural tech; pulsing conduits weave through glass-metal chassis; unknown components twist into smooth, inhuman geometries—each fitted with sleek control interfaces, access panels, or glowing telemetry nodes; drone arms hover nearby, while figures in exo-suits monitor from catwalks <L2> Ultra-detailed digital render with exploded-view overlays, industrial realism, refracted light paths, and high-fidelity surface logic; materials include polished alloy, pressure-cast composite, semitransparent crystal, and fused biomech tubing <L3> Visual style of Jim Burns and Alex Ries—melted mechanical surrealism with cinematic hard sci-fi influence; echoes of Arrival and Annihilation <L4> Sharp industrial lighting from above; underlit with color-shifting interior glow; beam shadows from trusses and understructure cast rhythmic bands across floor; diagnostic displays emit cool light; volumetric mist carries faint particle glow <L5> Palette: silver, cobalt, graphite chrome, and plasma violet; iridescent highlights in crystal panels; soft orange HUD glows and amber contrast from scaffolds and safety markings <L6> Wide-angle, slightly low perspective; generator centered, rising into steel rafters; background filled with scaffolding, tools, cables, wall plating; minor depth blur in corners to emphasize generator scale and presence
  • Using base image: No
  • Aspect Ratio: landscape_wide

✌️ & ❤️ : Futuristic Shamanism in Digital Art

• Model: AIVision

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Deep Dream Generator
  • Using base image: No
  • Aspect Ratio: square

Heavy Isotope Freight Carrier

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> A futuristic tractor-trailer rig stopped in the middle lane of a wide, neomodern city street, surrounded by several equally advanced automobiles waiting behind and beside it. The truck features a chromed exoshell cab with a spherical cockpit canopy, beveled panel seams, and articulated axles for terrain adaptation. The trailer is modular and angular, with signal-orange access panels, hydraulic vents, and stylized caution glyphs. Cars behind it are low-profile floaters with podular geometry and ambient underglow, suggesting hybrid civic-industrial usage. Pedestrian crosswalks, transit markings, and modular sidewalks suggest a hyperfunctional urban infrastructure. Background structures include towering brutalist civic towers, modular skyways, and suspended rail lines. The street is flanked by curved pylons, amber-lit signage, and overhanging foliage. Light glints from every polished surface, with a strong sunset bounce casting long ambient shadows and highlighting the chrome-matte contrast across vehicles and buildings. The scene is rendered with high-fidelity surface logic—each panel, light, and reflection treated with industrial realism. The camera captures the moment from low observer-height, emphasizing the monumental scale of the truck and the harmony of human-scale technology. Environmental color grading reflects Syd Mead’s palette of industrial whites, charcoal greys, signal orange, and chrome blue. Optional figures in white-orange jumpsuits ground the civic theme. <L2> digital painting, concept art, cinematic realism <L3> Syd Mead-style civic futurism, techno-optimism, streamlined modular industrial design <L4> sunset bounce light, HDR-style reflection logic, warm ambient haze <L5> chrome, matte white, signal orange, industrial off-white, amber glow <L6> low-angle civic scale framing, centered main rig, flanking midground detail, rule-of-thirds urban depth
  • Using base image: No
  • Aspect Ratio: landscape_wide

Timeburner Drive Core, Model B6

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> A steampunk clockwork engine made entirely of translucent cobalt-blue glass, gears and cogs visibly embedded within shimmering surfaces, refracting light through layered crystalline machinery; sculpted brass and chrome fittings contrast the gleaming blue interior; exposed pistons, rotating flywheels, delicate gauges, and a glowing pressure core radiating internal illumination <L2> digital painting with cinematic polish and physically plausible texture logic; blue glass transparency layered with brushed metal, fine filigree, and luminous internal structure rendered with material-specific lighting response <L3> stylistic fusion of Jim Burns, Donato Giancola, David Mattingly, Fred Gambino, and Chris Moore; evokes the painted hyperrealism of late-20th-century science fiction illustration with a touch of visionary futurism <L4> studio-style lighting with internal glows, bounce highlights, and crisp focus on reflective surfaces; subtle ambient occlusion emphasizes glass density and gear contours; rim light accentuates glass edges <L5> twilight blue-gold palette with radiant reflections and subtle iridescent scattering in the translucent components; color accents in brass, steel, and warm glows against cooler cyan and cobalt tones <L6> centered full-body shot in a deep steampunk laboratory setting; surrounded by anachronistic Atompunk devices, glowing gauges, and retro-futuristic consoles; slight low-angle hero shot emphasizes scale and complexity; foreground framing elements add layered depth
  • Using base image: No
  • Aspect Ratio: landscape_wide

All That Crosses the Horizon

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: <L1> A striking sci-fi woman stands hipshot in the foreground of a dusty exoplanetary mining town; her posture is confident and relaxed, one hip cocked, blaster holstered at her side; her expression is cool and enigmatic, with piercing, expressive eyes and a half-smile that suggests grit and charm; attention is focused on her sharply rendered face, framed by windswept hair and shadow play; she wears retro-futuristic workwear with stylized seams, reinforced boots, and minimal accessories—evoking functional elegance in a harsh environment <L2> Mixed-media digital illustration simulating colorful ink wash, colored pencil, and expressive linework; surfaces have raw, tactile quality with layered pigment bloom, hatching, and dry-brush grain; medium deliberately avoids photorealism in favor of iconic visual storytelling <L3> In the visual style of Moebius, Darius Puia, Bakaarts, Sable, Ladrönn, Marc Brunet, Rlon Wang, David Ligare, Michael Whelan, and Laurent Durieux—bold minimalist composition with heavy contour lines, stylized facial definition, and space-age surrealism <L4> High-contrast lighting with stylized shadows and fluctuating ink washes; background is a black-to-deep-purple gradient with faded silhouettes of machinery and modular outbuildings; warm edge lighting defines figure silhouette and catches on dust particles in the air <L5> Bold ink colors—sapphire, rust red, ochre, cobalt, and lime—interplay with muted desert tones and dark negative space; heavy pigment shadowing around the face and folds of the clothing create strong form definition <L6> Centered portrait-focused vertical composition; subject is framed from upper thigh to top of head, occupying the lower third of the image with expansive space above; light atmospheric haze and diagonal hatching suggest heat and mineral dust in the exoplanetary air
  • Using base image: No
  • Aspect Ratio: landscape_wide

Observatory at Spiral Edge

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: <L1> An alien research station perched on a crystalline ridge above a surreal frozen valley; the structure is geometric and enigmatic, with stylized domes, curved antennae, and odd protrusions in vivid pastel hues; its surface is matte and lightly weathered, marked with glyphs and glowing portholes; the scene includes towering, irregular ice formations and surreal alien plants—luminous, spiraled, or coral-like—sprouting from crystalline soil; the station’s lights pulse faintly, casting long shadows over icy ridgelines; a sense of quiet observation and scientific curiosity pervades the scene <L2> Digital illustration with flat-toned painterly textures and graphic contour lines; evokes comic-book surrealism and hand-drawn dimensionality; subtle texture grain enhances the sense of physical media <L3> Rendered in the style of Jean Giraud Moebius—clean lines, pastel palette, and symbolic spatial logic—blended with mid-century sci-fi illustration and mild psychedelic influence; visual storytelling rooted in the absurd and wondrous <L4> Lit by a pitch-black sky filled with stars and a massive, brightly glowing spiral galaxy that dominates the upper sky; soft underlighting from the crystalline terrain and the station’s diffused glows provide surreal depth and color contrast <L5> Dominant palette of soft blues, pale oranges, icy violets, and cosmic white; building lights pulse amber and aquamarine; glowing flora in pink, teal, and radioactive green subtly punctuate the foreground <L6> Wide-angle 3/4 perspective; station is left of center, distant mountain ridges arc across the background, and alien flora in the foreground anchors the frame; visual rhythm balances stylized geometry with natural asymmetry and negative space
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Future, if Things go terribly wrong! : A Sci-Fi Art Journey

• Model: Artistic 2

• Size: 3456 X 2592 (8.96 MP)

• Used settings:

  • Prompt: 39 days to melee
  • Using base image: No
  • Aspect Ratio: landscape

Symbiogenesis

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: An alien bio-mechanical drone exploring an unknown world. The ship has a sleek, organic design with a blend of alien biology and futuristic technology. Its intricate biomechanical structure is composed of metallic exoskeletons interwoven with glowing, bioluminescent details and pulsating energy cores. Long, flexible tentacles extend from its body, coiling and shifting with eerie fluidity. The drone drifts through a cosmic landscape, surrounded by swirling clouds of nebulae and cosmic debris. The vast expanse of space is filled with distant stars, with eerie darkness emphasizing the isolation of this strange world. The scene is bathed in dramatic lighting that casts sharp, deep shadows, highlighting the complexity of the drone’s form. The color palette is a vibrant mix of deep purples, blues, and greens, creating a striking contrast against the dark void of space. The scene is inspired by the visionary works of Peter Elson, Peter Andrew Jones, and Syd Mead, with a high-resolution digital art style perfect for ArtStation-level quality, full of intricate details and a sense of futuristic wonder.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Threshold of the Infinite

• Model: AIVision

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A figure in a futuristic spacesuit (from behind) standing on a large stony rock outcropping (detailed) with snow drifts high around its base, looking up at an oversized moon (blue-green, white highlights, glowing corona) high in the ((starry:1.9)) night sky :: Arctic valley, alien world, midday :: by Pino Daeni, Luis Royo, and Tom Bagshaw, John William Waterhouse, Hoàng Lập, Justin Gerard :: wide angle shot, eye level, soft focus :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed
  • Using base image: No
  • Aspect Ratio: landscape_wide