#samurai

Two Samurai

• Model: Photonic

• Size: 3312 X 2480 (8.21 MP)

• Used settings:

  • Prompt: increase sharpness and clarity, keep style and details and colours exactly as in start image, oil painting
  • Using base image: Yes

Samurai in the harbor

• Model: ChatGPT 2 (Base)

• Size: 3520 X 2352 (8.28 MP)

• Used settings:

  • Prompt: Additional prompt: A samurai stands in the harbor with weapons in his hands# digital painting image illustration#realistic style, dynamic lights and rich textures# in the background, in the harbor water, only two junks and a few seagulls should be visible# intricately crafted image #double exposure, layered, transitional, full-length #in motion, dynamic #interior background #antique paper, intricate layers #colors: silver gray, peacock blue, brown, silver gray, white, purple #bold, mysterious #digital painting #21:9 aspect ratio
  • Using base image: Yes

Floating Temple and Golden Fish

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: Surreal comic concept art of "Descendants of Rong Tien: Big Fish". A colossal celestial carp-god floating in a stormy sky, its scales made of ancient jade, gold, and glowing porcelain, each scale engraved with forgotten prophecies. The fish has a long dragon-like whiskers and a luminous pearl in its mouth. Hanging from its belly, a floating ancestral temple with red lanterns and crumbling stone stairs. Around it, smaller ghostly koi fish swim through clouds made of ink and tea. In the foreground, a lone silhouetted warrior in tattered traditional armor kneels on a floating rock, offering a glowing scroll. Surrealist comic art style, bold black ink outlines, watercolor washes, dramatic chiaroscuro, vibrant vermillion and emerald contrasts, misty atmosphere, cinematic wide shot, intricate details, halftone textures, dreamlike and mystical. --ar 16:9 --style raw --v 6.0
  • Using base image: No
  • Aspect Ratio: landscape_wide

Samurai vs. Bio-Mechanical Insect

• Model: Z-Image Turbo

• Size: 1280 X 960 (1.23 MP)

• Used settings:

  • Prompt: A stoic samurai warrior from feudal Japan discovers a hidden portal leading to a vibrant, alien planet filled with floating islands and strange, crystalline flora. He cautiously steps through, his katana at the ready, facing a bizarre, insectoid alien scout. The sky is a swirling nebula of purple and gold. This 'Comic Universe Mashup' blends historical fiction with science fantasy, rendered in a painterly, epic illustration style with influences from Moebius and modern sci-fi concept artists, emphasizing lush alien environments and dynamic character poses.
  • Using base image: No
  • Aspect Ratio: landscape

Ominous Ink Wash Samurai & Monk

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: A dark, oppressive, traditional Chinese-style piece rendered in charcoal and ink; a low-angle, wide-angle composition looking upward; a massive, blurred human-shaped shadow on the left side of the image, towering and exuding an overwhelming sense of oppression; on the right, a frail, ordinary human figure—the two create a stark contrast in scale; neither figure has distinct facial features; their heads are hollow, circular outlines, with a faint, pallid halo surrounding them; The entire composition is rendered in a monochromatic palette of black, white, and gray, featuring coarse, jagged charcoal strokes. Large areas of dense ink create a dark, misty haze, while splattered ink dots cover the canvas. The rough, sketchy texture evokes an atmosphere of abysmal oppression and despair, conveying the heavy, desolate emotions of a post-apocalyptic world. The artwork features stark contrasts between light and shadow, with a dark, side-backlighting effect. This is a vertical portrait illustration with 8K ultra-high detail. Translated with DeepL.com (free version)
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cyber-Samurai's Gaze

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Cyberpunk samurai female warrior, intricate bionic arm, highly detailed face, black braided hair, wearing dark blue futuristic kimono, katana hilt visible, looking over shoulder, dynamic pose, atmospheric lighting, gold leaf background with large turquoise Japanese calligraphy, black ink splatter art, subtle teal paint drips, highly detailed, sharp focus, octane render, concept art.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Samurai in Golden Cosmos Field

• Model: FluX 2 (Ultra)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Watercolor wash rendering on rough handmade paper of a solitary ronin stands in a sprawling field of vivid orange and yellow wildflowers, viewed from a low three-quarter rear angle. Full-body silhouette framed against misty, jagged cliffs. He wears a wide woven straw hat and flowing black kimono-style cloak with a wrapped sash, a long gleaming katana held horizontally at hip level with the blade extending outward. Posture calm and resolute. Volumetric morning light backlights him, rim-lighting the hat and cloak edges, scattering golden highlights across the flowers and drifting petals and embers in the air. Moody teal-blue mist and distant waterfalls carve the background, creating deep atmospheric perspective. Cinematic composition, detailed textures on fabric, straw, metal and petals, dynamic particles, shallow depth of field with the figure crisply focused and foreground and background softly blurred, dramatic contrast, rich color grading (teal shadows, warm highlights), painterly finish, epic, contemplative, mysterious tone.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Samurai Dragon Fury

• Model: Z-Image Turbo

• Size: 1440 X 2560 (3.69 MP)

• Used settings:

  • Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by Takato yamamoto & Yue Minjun 岳敏君: a male samurai warrior in patterned robes fighting a water dragon, in a mostly dark, blue, black, red colour palette. Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes. Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy. Use the bold, contrasting bright colour palette and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields. Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood. The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
  • Using base image: Yes

Samurai vs. Mythic Serpent

• Model: Z-Image Turbo

• Size: 1440 X 2560 (3.69 MP)

• Used settings:

  • Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by Takato yamamoto & Yue Minjun 岳敏君: male warrior in patterned robes holding a sword in his hand, against a mythical folklore beast, in a mostly dark, blue, black, red colour palette. Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes. Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy. Use the bold, contrasting bright colour palette and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields. Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood. The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
  • Using base image: Yes

Ukiyo-e Tattooed Warrior

• Model: Z-Image Turbo

• Size: 1440 X 2560 (3.69 MP)

• Used settings:

  • Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by Takato yamamoto & Yue Minjun 岳敏君: male warrior in patterned robes holding a sword in his hand, against a mythical folklore beast, in a mostly dark, blue, black, red colour palette. Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes. Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy. Use the bold, contrasting bright colour palette and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields. Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood. The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
  • Using base image: Yes

Fierce Samurai: Dynamic Oil Art

• Model: Z-Image Turbo

• Size: 1440 X 2560 (3.69 MP)

• Used settings:

  • Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by Takato yamamoto & Yue Minjun 岳敏君: male warrior in patterned robes holding a sword in his hand, in a mostly dark, blue, black, red colour palette. Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes. Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy. Use the bold, contrasting bright colour palette and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields. Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood. The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
  • Using base image: Yes

Master Swordsman

• Model: Z-Image Turbo

• Size: 1440 X 2560 (3.69 MP)

• Used settings:

  • Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by Takato yamamoto & Yue Minjun 岳敏君: Ultra-High-Fidelity Prompt — Tsukioka Yoshitoshi “One Hundred Aspects of the Moon” Style Warrior Portrait Optimized for precision art engines A vertically oriented Meiji-era ukiyo-e woodblock print in the style of Tsukioka Yoshitoshi, from the series “One Hundred Aspects of the Moon.” Strict late 19th-century print aesthetics, in a mostly dark, blue, black, red colour palette. Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes. Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy. Use the bold, contrasting bright colour palette and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields. Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood. The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
  • Using base image: Yes

The Two Swords of the Samurai

• Model: Z-Image Turbo

• Size: 1648 X 2192 (3.61 MP)

• Used settings:

  • Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by Takato yamamoto & Yue Minjun 岳敏君: Ultra-High-Fidelity Prompt — Tsukioka Yoshitoshi “One Hundred Aspects of the Moon” Style Warrior Portrait Optimized for precision art engines A vertically oriented Meiji-era ukiyo-e woodblock print in the style of Tsukioka Yoshitoshi, from the series “One Hundred Aspects of the Moon.” Strict late 19th-century print aesthetics, in a mostly dark, blue, black, red colour palette. Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes. Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy. Use the bold, contrasting bright colour palette and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields. Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood. The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
  • Using base image: Yes

An Ambush on Lord Oda on His Wlid Steed

• Model: Z-Image Turbo

• Size: 2352 X 1568 (3.69 MP)

• Used settings:

  • Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by Takato yamamoto & Yue Minjun 岳敏君: Ultra-High-Fidelity Prompt — Tsukioka Yoshitoshi “One Hundred Aspects of the Moon” Style Warrior Portrait Optimized for precision art engines A vertically oriented Meiji-era ukiyo-e woodblock print in the style of Tsukioka Yoshitoshi, from the series “One Hundred Aspects of the Moon.” Strict late 19th-century print aesthetics, in a mostly dark, blue, black, red colour palette. Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes. Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy. Use the bold, contrasting bright colour palette and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields. Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood. The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
  • Using base image: Yes

Samurai vs. Mountain Titan

• Model: Z-Image Turbo

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by Takato yamamoto & Yue Minjun 岳敏君: Ultra-High-Fidelity Prompt — Tsukioka Yoshitoshi “One Hundred Aspects of the Moon” Style Warrior Portrait Optimized for precision art engines A vertically oriented Meiji-era ukiyo-e woodblock print in the style of Tsukioka Yoshitoshi, from the series “One Hundred Aspects of the Moon.” Strict late 19th-century print aesthetics, in a mostly dark, blue, black, red colour palette. Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes. Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy. Use the bold, contrasting bright colour palette and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields. Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood. The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
  • Using base image: Yes

The Lesser of Two Evils

• Model: Z-Image Turbo

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by Takato yamamoto & Yue Minjun 岳敏君: Ultra-High-Fidelity Prompt — Tsukioka Yoshitoshi “One Hundred Aspects of the Moon” Style Warrior Portrait Optimized for precision art engines A vertically oriented Meiji-era ukiyo-e woodblock print in the style of Tsukioka Yoshitoshi, from the series “One Hundred Aspects of the Moon.” Strict late 19th-century print aesthetics, in a mostly dark, blue, black, red colour palette. Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes. Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy. Use the bold, contrasting bright colour palette and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields. Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood. The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
  • Using base image: Yes

Assault on the Eastern Dragon's Palace

• Model: Z-Image Turbo

• Size: 1360 X 768 (1.04 MP)

• Used settings:

  • Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by Takato yamamoto & Yue Minjun 岳敏君: Ultra-High-Fidelity Prompt — Tsukioka Yoshitoshi “One Hundred Aspects of the Moon” Style Warrior Portrait Optimized for precision art engines A vertically oriented Meiji-era ukiyo-e woodblock print in the style of Tsukioka Yoshitoshi, from the series “One Hundred Aspects of the Moon.” Strict late 19th-century print aesthetics, in a mostly dark, blue, black, red colour palette. Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes. Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy. Use the bold, contrasting bright colour palette and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields. Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood. The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
  • Using base image: Yes

Samurai Apprenticeship

• Model: Z-Image Turbo

• Size: 912 X 1600 (1.46 MP)

• Used settings:

  • Prompt: bric-à-brac into a coded visual system using pen, ink, watercolour by Takato yamamoto & Yue Minjun 岳敏君: male Samurai with perfect flawless hands holding a perfect flawless samurai sword. Transform the source image into an expressive contemporary figurative oil painting while preserving its main subject, pose, composition, angle, recognizable features, and essential objects. Reinterpret all forms through loose, confident brushwork, thick impasto texture, visible palette-knife marks, broken edges, layered paint, and simplified semi-abstract shapes. Render faces and fine details suggestively rather than photographically, using broad planes of light and shadow, softened features, partially obscured edges, and emotionally expressive marks. Give human figures slightly elongated, elegant proportions while maintaining believable anatomy. Use a restrained, atmospheric palette of dusty browns, warm ochres, muted rose, faded cream, smoky grey, soft mauve, desaturated blue-grey, deep umber, and occasional pale highlights. Replace sharp background details with large painterly blocks, scraped textures, vertical strokes, hazy architectural suggestions, and softly blended tonal fields. Create soft, diffused directional lighting with gentle chiaroscuro, warm skin highlights, deep muted shadows, and subtle colour transitions. Let some areas remain unfinished or dissolve into the background, producing a quiet, melancholic, contemplative mood. The final result should resemble a hand-painted canvas: tactile paint buildup, irregular brush pressure, dry-brush passages, imperfect contours, expressive colour mixing, subdued elegance, and museum-quality contemporary fine-art presentation. Avoid digital smoothness, excessive realism, crisp outlines, glossy rendering, photographic skin, sharp background objects, text, borders, interface elements, logos, and watermarks.
  • Using base image: No
  • Aspect Ratio: portrait_tall

R O N I N

• Model: DaVinci2

• Size: 1232 X 2168 (2.67 MP)

• Used settings:

  • Prompt: Watercolour illustration in the style of JB Waterhouse, Carne Griffiths, Minjae Lee, and Ana Paula Hoppe featuring a shinobi ninja with beige skin tone, wearing a traditional black overall ninja robe, leaping up into the air while smoke exploded radially from below, while holding up a perfect flawless sword above his head, ready to strike down his opponent as lightning fast as a whirl wind. Use a taichi yin -yang symbol as the background, intricate detailing, complex contrast between sharp and soft textures, HDR quality, volumetric cinematic lighting bathing the scene in pastel colours, wide long shot composition, striving for a perfect masterpiece.
  • Using base image: Yes

Moonlit Samurai

• Model: Photonic

• Size: 2880 X 2880 (8.29 MP)

• Used settings:

  • Prompt: increase sharpness and clarity, keep style and details and colours exactly as in start image, oil painting
  • Using base image: Yes