#ruinedstreet

The Titania Incident (3)

• Model: Z-Image Turbo

• Size: 2080 X 1776 (3.69 MP)

• Used settings:

  • Prompt: During night, in an open courtyard of an abandoned, decaying residential area of Victorian architecture, the two hemispheres of a very large Japanese suzu bell are joined by a metal hinge that is fastened to the outer lip or outer circumference of each hemisphere. The bell is hollow, and made of two halves formed by splitting the bell into two hemispheres, along the visible equator of the spherical bell. The sturdy metal hinge fastens to the outer, circular rim or “mouth” of each equatorial half. But in the center of the courtyard, the large bell is on the ground, on its side. When the two equatorial halves of the bell are joined with the metal hinge and slightly parted, the opened bell looks analogous to how a clam looks with its two shells fastened by a hinge ligament. The parted hemispheres of the bell are opened wide enough for the viewer to see one glowing blue ember floating inside, casting a piercing blue light everywhere else. The parted hemispheres are still joined by the metal hinge, which is solidly bolted to the rim of each hemisphere, which is quite visible, even behind the glowing blue ember. On the right hemisphere is the metal attachment ring for the bell, with the rope tassel still fastened to the ring, which touches the ground. In fact, the glowing blue ember is the only source of light, and it lights up the surrounding area, including the Victorian ruins, in a pale blue light. In the courtyard, there are open cracks in the ground because of a recent earthquake. The abandoned residential ruins are deserted and falling apart, revealing the underlying foundations, here and there. Surrounding the bell, there are old-fashioned apothecary bottles made of frosted glass with ground-glass stoppers littering the ground. Some of these bottles have been smashed. However, the glass stoppers that used to be in the bottles are now also littering the ground. Most of the bottles are empty, but a few still contain small quantities of a greenish-gray liquid.
  • Using base image: Yes

Titania Incident (1)

• Model: Z-Image Turbo

• Size: 1776 X 2080 (3.69 MP)

• Used settings:

  • Prompt: Just before sunset, in an open courtyard of a completely abandoned, decaying residential area, the two hemispheres of very large Japanese suzu bell are joined together with a metal hinge. The suzu bell is on the ground, on its side. The two halves of the suzu bell joined with the hinge are slightly parted wide enough for the viewer to see a glowing blue ember floating inside of the bell. In the vicinity of the suzu bell, there are a few open cracks in the ground because of a recent earthquake. The nearby abandoned residential ruins are completely deserted and falling apart. There are old glass bottles littering the ground everywhere, and the glass stoppers that used to be in the bottles are also littering the ground. The architecture of the abandoned residential ruins is Victorian.
  • Using base image: Yes

Ephemeral Being

• Model: Nano Banana 2 (Pro)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: Ultra-detailed fine-art image of a humanoid figure sitting cross-legged on a ruined brick street.The body is built from hundreds of glowing electronic cube-like modules, many of them lifting upward in dense streams,slowly separating from the body and dissolving in the air, symbolizing the passage of time and the end of life.The face is fully rendered,tense and melancholic, aware of its final moment. From the figure’s hands rises a pure white dove, softly illuminated,transcendence
  • Using base image: No
  • Aspect Ratio: landscape_wide

Apocalypse

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Create a fantasy watercolour image of a boy on his knees appearing to be praying in the middle of a road in front of a pile of wrecked cars being held upright by a traffic light pole. The buildings on either side have been destroyed by fire and war, some are still burning. At the far end of the road are one or two humans in rags. On a wall is written "We are forsaken"
  • Using base image: No
  • Aspect Ratio: landscape

Apocalyptic Terminator on Hope St

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: 16:9, 64K, TRUE LIVE-ACTION IMAX CINEMATIC NETFLIX FILM STILL — absolutely photographic, NOT illustration, painting, concept art, digital art, 3D render or game imagery. A terrifying Terminator endoskeleton advances directly toward camera through a devastated rain-soaked future city, authentic blackened chrome and titanium skeleton, exposed pistons, hydraulic joints, cables and servos, skull-like mechanical face, piercing red optical sensors, carrying a massive futuristic plasma rifle low at its side. Wet shattered street reflecting burning wreckage, collapsed concrete buildings, twisted steel, destroyed vehicles, drifting smoke, sparks and distant fires. Shot as a real physical movie production using a full-scale practical animatronic endoskeleton and practical ruined-city set. ARRI ALEXA 65, Panavision 50mm anamorphic lens, T2.8, ISO 800, 1/48 sec, cinematic 180° shutter, realistic lens breathing, subtle anamorphic flare, genuine motion blur, physically accurate reflections, natural atmospheric depth, practical firelight mixed with cold overcast daylight, restrained HDR, authentic filmic contrast, realistic grime, soot, rain droplets and scratched metal, subtle organic sensor texture, deep dimensional blacks, theatrical color science, photochemical finish, razor-sharp mechanical micro-detail. Must look indistinguishable from a frame extracted from a $200-million live-action IMAX science-fiction film.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ruined City Survival

• Model: Grok

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: city of terror
  • Using base image: No
  • Aspect Ratio: landscape

Digital Dissolution

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Ultra-detailed fine-art image of a humanoid figure sitting cross-legged on a ruined brick street.The body is built from hundreds of glowing electronic cube-like modules, many of them lifting upward in dense streams,slowly separating from the body and dissolving in the air, symbolizing the passage of time and the end of life.The face is fully rendered,tense and melancholic, aware of its final moment. From the figure’s hands rises a pure white dove, softly illuminated,transcendence
  • Using base image: No
  • Aspect Ratio: landscape_wide

Transcendence of Time in Artful Elegance

• Model: Grok

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Ultra-detailed fine-art image of a humanoid figure sitting cross-legged on a ruined brick street.The body is built from hundreds of glowing electronic cube-like modules, many of them lifting upward in dense streams,slowly separating from the body and dissolving in the air, symbolizing the passage of time and the end of life.The face is fully rendered,tense and melancholic, aware of its final moment. From the figure’s hands rises a pure white dove, softly illuminated,transcendence
  • Using base image: No
  • Aspect Ratio: landscape_wide

Transcendence of Time and Existence

• Model: Grok

• Size: 3783 X 2128 (8.05 MP)

• Used settings:

  • Prompt: Ultra-detailed fine-art image of a humanoid figure sitting cross-legged on a ruined brick street.The body is built from hundreds of glowing electronic cube-like modules, many of them lifting upward in dense streams,slowly separating from the body and dissolving in the air, symbolizing the passage of time and the end of life.The face is fully rendered,tense and melancholic, aware of its final moment. From the figure’s hands rises a pure white dove, softly illuminated,transcendence
  • Using base image: No
  • Aspect Ratio: landscape_wide

Transcendence of the Humanoid Figure

• Model: (Mode 30)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Ultra-detailed fine-art image of a humanoid figure sitting cross-legged on a ruined brick street.The body is built from hundreds of glowing electronic cube-like modules, many of them lifting upward in dense streams,slowly separating from the body and dissolving in the air, symbolizing the passage of time and the end of life.The face is fully rendered,tense and melancholic, aware of its final moment. From the figure’s hands rises a pure white dove, softly illuminated,transcendence
  • Using base image: No
  • Aspect Ratio: square

Twilight in a Dystopian Urban Landscape

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: A photograph in the style of Gregory Crewdson showcases a captivating 25-year-old woman, her slender form exuding quiet confidence as she stands within a hauntingly beautiful futuristic cityscape, bathed in warm, theatrical lighting that casts dramatic shadows. Her exceptionally long, straight black hair cascades around her like polished obsidian, while delicate musical notes and the ethereal text "Luis Arcy" drift gently near her feet in translucent letters, complementing the form-fitting, high-tech pink minidress adorned with reflective metallic accents she wears. The scene unfolds against a backdrop of fragmented digital brushstrokes and geometric structures, evoking a captivating dystopian world illuminated by bursts of electric orange and blue, with her warm brown eyes sparkling with assurance as she gazes directly forward.
  • Using base image: No
  • Aspect Ratio: landscape

Transcendence of the Electronic Figure

• Model: (Mode 30)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Ultra-detailed fine-art image of a humanoid figure sitting cross-legged on a ruined brick street.The body is built from hundreds of glowing electronic cube-like modules, many of them lifting upward in dense streams,slowly separating from the body and dissolving in the air, symbolizing the passage of time and the end of life.The face is fully rendered,tense and melancholic, aware of its final moment. From the figure’s hands rises a pure white dove, softly illuminated,transcendence
  • Using base image: No
  • Aspect Ratio: square