Prompt: A queen sits upon a crumbling throne that rises from a desolate wasteland. Her royal attire is worn, yet she radiates an aura of defiance. In the distance, a colossal, mutated beast slumbers amidst the ruins of a city. The style is that of an urban "dark fantasy"—gritty and somber, with a touch of surrealism—all rendered using the sharp, stylized illustrative techniques characteristic of Frank Frazetta and Mike Mignola.
Prompt: a haunting, cinematic image of childlike innocence and apocalyptic dread, rendered in a hyper-realistic style with a desaturated, gritty color palette. In the upper third of the frame, a cluster of ninety-nine vibrant, translucent red balloons drifts serenely through a smoggy, ash-filled sky, their bright primary color acting as a jarring contrast to the charcoal grays of the atmosphere. In the center a lone, solitary figure is seen from behind, a silhouette clad in tattered rags, reaching one trembling hand upward toward a single, weathered red balloon flosting precariously above a landscape of pulverized concrete, rusted rebar, and the skeletal remains of a modern metropolis, which serves as the only source of saturation in a monochromatic world of ruin. The perspective is a wide-angle vista of a sprawling, futuristic city—now a skeletal ruin of twisted rebar and shattered glass—where the same balloons are mirrored in a stagnant, oil-slicked puddle on the cracked asphalt. Emerging from the wreckage is a single, rusted radar dish, its surface pitted and worn, pointing upward toward the balloons as if mistaking them for a coordinated aerial assault. The lighting is eerie, filtered through a thick layer of nuclear winter haze, casting long, oppressive shadows across a landscape littered with the remnants of a civilization that destroyed itself over a misunderstanding. The mood is a suffocating blend of whimsicality and tragedy, capturing the exact moment the "game" of war ended and the silence of a dead world began.
Prompt: Red sky. A city destroyed by a major earthquake. Shadowy people walking on a street full of debris from fallen buildings. Some people searching the ruins for survivors. Use only black, gray, red and white.
Prompt: An epic-scale graphic novel cover or hyper-realistic cinematic oil painting poster, An oil brushstroke and watercolor blend creates a fantastical yet semi-realistic atmosphere, steeped in mystery with cinematic lighting, bold shadows, and rich depth of field reminiscent of high-end photography. Thin black outlines frame a fine art airbrush piece influenced by Jean Giraud (Moebius), Hajime Sorayama, Julie Bell, Ralph McQuarrie, and Chris Foss, and Bradhamel’s signature style. Theme: A monumental, shattered megacity and smoking craters following a kinetic strike by a space-fleet from orbit. Style / Technique: Painterly concept art depicting action and destruction, dramatic contour lighting (chiaroscuro), a colour palette dominated by ashen grey, charcoal black, the blood-red of fires and the yellow of toxic clouds. Frame: Low-angle apocalyptic shot, emphasising the scale of the destruction from the perspective of a flattened square. Setting: The boundless ruins of a futuristic megacity on an alien colony. Massive skyscrapers have collapsed like a house of cards, forming mountains of rubble and twisted metal. A gigantic mushroom cloud hovers above the horizon, whilst in the background, the outlines of enemy space-ships circling in orbit pierce through the searing, toxic atmosphere. inspired by the gritty realism of The Expanse and Battlestar Galactica. Silhouette of hostile capital space-warships lingering in the smoky upper atmosphere. Dark military sci-fi concept art, highly detailed, cinematic scale, 8k resolution.--style raw, --stylize 250, (masterpiece, best quality, amazing quality, very aesthetic, high resolution, ultra-detailed, absurdres, newest, colorful, rim light, backlit, highest detailed, very awa). [Modifer: elegant, fantasy, oil on canvas, beautifu, limperial colors, Zdzisław Beksiński, Ralph McQuarrie, Julie Bell, Chris Foss, Mmilo Manara, hand-painted, Jean Giraud (Moebius), Dramatic lightning, Visual Poetry, wet-on-wet technique, time appears suspended, quiet longing, atmosphere of remembrance, silence becoming landscape, breathing shadows, (misty, tranquil atmosphere), subtle illumination, Oil Brushstrokes Painting, blend oil painting brushstrokes with watercolor painting, Giger alien art, Detailed texture of oil paints, Detailed texture of watercolor paints ]
Prompt: retty, blonde 45 year old woman with a loose blonde bun and some loose tendrils. In the morning, She sits on big atomic bomb in the morning sun cross legged at the edge, her arms and legs wrapped, long neckline. Her shoulders and arms are bare, and she is barefoot. She looks at us sleepily and hungover, with a sweet tired smile . in a ruined town, with flames in the background, rain, wind, storm
Prompt: Photorealistic image, portrait orientation (2:3), Germany 1945:
A single broken church spire rising from rubble in the center,
dark overcast sky, in the foreground a narrow empty street with
autumn leaves, moody backlighting,
dramatic shadows, high contrast, black-and-white toning with a
slight sepia cast, 35mm lens, documentary photography style,
no people, no text.
Nach dem Kriege (2) Städte in Trümmern. Bomben fielen auf alte Menschen, Kinder und Witwen.
Model:
Krea 2 Turbo
Size:
1280 X 960
(1.23 MP)
Used settings:
Prompt: 35mm color film photograph, 1946 Germany, elevated wide-angle view from the broken edge of a half-standing building looking down over a heavily destroyed narrow city quarter. The high vantage point reveals a sweeping overview of three to four intersecting street blocks branching in different directions, all lined with rubble. Shattered facades, collapsed walls, charred roof beams, and torn-up streets fill the entire frame. A makeshift shelter built from rubble and corrugated tin sits among the debris, a single dirty towel hangs on a clothesline strung between two broken walls. A maximum of four thin, gaunt figures in worn winter clothing — women with headscarves, one man — scattered far apart across the streets, one pushing an empty handcart. Patches of poverty everywhere: patched coats, improvised wall niches, a single crooked wooden cross. Cold diffuse winter light, slightly hazy air, long soft shadows, muted desaturated color palette in grey, brown, and dull blue tones. Fine 35mm film grain, slight vignette, natural unbalanced composition, no perfect symmetry. No text, no signage, no logos, no watermarks. Documentary war photography, unflinching, melancholic.
Prompt: (((Masterpiece))) sketchy and chaotic ink hatching with squiggly lines, textures of loose and irregular strokes, coloured with pastel watercolours and dirty aquarelle, splashing, blotting, scratching, splatter and overspray of colour on cold pressed rough paper. A deserted, partially destroyed two-story house with crumbling walls and exposed rebar, surrounded by debris. The building shows signs of significant damage, with several windows broken and large sections of the structure missing. In the foreground, a person in dark clothing sits on the ground among the rubble, looking contemplative. The scene is set against a clear blue sky, highlighting the contrast between the devastation of the building and the calmness of the day. Delicate but chaotic ink work defines the ruined house, the exposed rebar, the broken windows, the scattered debris, the seated person, and the clear blue sky, while loose watercolor washes in deep charcoal, warm grey, muted brown, soft blue, cream, and touches of soft white for light and sky highlights flow organically, with splatter, blotting, scratching, and overspray, creating texture, depth, and a grainy, grungy, ephemeral, contemplative devastation atmosphere. Masterpiece, gorgeous, beautiful, evocative, sumptuous, aesthetic, unique, HD, enchanting, fuzzy, ephemeral, spectacular, dreamy and ethereal. Ultra fine texture of fine lines. 16:9.
Prompt: A sleek, metallic humanoid robot is seated on a stool to the right of an antique upright piano, its silver-grey body and articulated limbs showing signs of wear. The robot's head is bowed, with its metallic fingers poised over the yellowed piano keys, as if in mid-performance or contemplation. It is positioned slightly off-center to the right in the frame. The scene is set in a desolate urban wasteland, with the skeletal remains of bombed-out buildings stretching into the hazy, overcast sky in the background. Debris, including bricks and rubble, litters the ground around the piano. The perspective is eye-level with the robot, creating a somber and reflective atmosphere. The lighting is muted and diffused, consistent with an overcast day, casting long, soft shadows and emphasizing the post-apocalyptic mood. The overall style is realistic with a touch of melancholic sci-fi, evoking a sense of loneliness and quiet resilience amidst destruction.
Prompt: A bitten red apple in a post-apocalyptic landscape, its surface covered with intricate integrated circuit patterns seamlessly embedded into and printed directly onto the apple's skin. The circuitry consists exclusively of fine metallic conductive traces, microelectronic pathways, contact pads and transistor-like circuit patterns integrated into the surface, following the natural curvature of the apple. No physical components, no mounted chips, no circuit boards, no wires and nothing protruding from the apple's surface. The electronic patterns should look like microfabricated circuits, as if the apple itself had been transformed into a semiconductor device. The apple remains clearly organic and recognizable, with realistic red skin, natural texture and a single large bite revealing its flesh. Post-apocalyptic ruined city in the background, destroyed buildings, rubble, smoke and a dark dramatic sky. Cinematic lighting, dystopian atmosphere, photorealistic, highly detailed, sophisticated science-fiction aesthetic, strong contrast between organic matter and microelectronics.
Prompt: A colossal, photorealistic urban chaos scene. In the sky helicopters hovering above, their rotors churning dust and debris.
A gigantic domestic cat is scratching building walls. The cat towering over buildings and cars, its fur fluffy but dirty. The cat is furiously baring its teeth.
The city around is in disarray: scratched building walls, overturned buses and cars, snapped utility poles with dangling wires, and bent traffic lights. Some windows are broken, and street signs are knocked askew. No people are visible in the immediate area – they have fled.
The composition is dynamic, with the cat in the foreground, helicopters above, and destruction radiating outward. The lighting is dramatic – a mix of overcast sky and golden sunset rays breaking through. Style: epic, realistic. Everything must look life‑size and massive.
Prompt: Kyiv 2026. Very sad gray cat. After arriving at the house, an adult blind cat was left alone in the rubble, named "Mura", her owner was taken to a nursing home, the cat is about 6-7 years old, very scared and may not be able to be handled. No one will take her, the house will be demolished because there is no point in restoring it and she will have nowhere to live at all, it became difficult for me to go to her since she arrived and we moved into our house, it is difficult to feed A full shot of a grey tabby cat with green eyes sitting proudly on a stone block in the foreground of a ruined building. The cat has thick grey fur with darker tabby stripes. . There are large, broken concrete slabs, twisted metal, and splintered wooden beams scattered everywhere. The colors in the background are mostly muted grays, whites, and dark browns, highlighting the cat as the focal point. The lighting is soft and even, suggesting an overcast day..Masterpiecea sense of mystery and elegance, by Sarah Johansson, Escher.
Prompt: Transform this historical illustration into a high-end contemporary photograph. The final output must be a single image in its original aspect ratio. Strictly maintain the identical original lighting and the exact uniform colors. Ensure the human faces have flawless, realistic anatomy and sharp focus. Strictly maintain the identical original lighting and the exact, highly saturated colors from the source image. Do not desaturate, mute, or look for modern color grading; the color palette must be a 100% faithful vivid match to the original illustration. matte photographic background. no frame, no watermark, no text or signature. The scene should look like a modern, crisp historical reenactment shot with a professional 50mm f/4 lens.
Serena's Literary Diary- "The Earthquake in Chile" by Heinrich von Kleist
Model:
Z-Image Turbo
Size:
1280 X 960
(1.23 MP)
Used settings:
Prompt: Colour painting. The year is 1647. The city of Santiago, Chile has been destroyed by an earthquake. Lurid red sky. Amid the ruins two young lovers, Jeronimo and Josefa, embrace each other. Josefa is holding their baby son. She is a beautiful Latina girl aged 20, wavy black hair, features reminiscent of Catherine Zeta Jones and Jennifer Connelly.
Prompt: Bulldozer réfléchissant composé de fragments de miroir contondants basculant à travers un paysage anamorphique de formations rocheuses tordues qui se dissolvent en motifs macrographiques complexes ressemblant à des virus, rendus dans la fusion stylisée de l'intensité expressionniste d'Otto Dix et de l'œuvre fantastique de la ligne d'Arthur Rackham ; une rivière de fer rouillé améthyste circulant surréalistement à travers une scène fantastique panoramique incurvée, la rivière liquide scintillante avec des teintes de lumière. no artist signature.
Prompt: Curious setup of indistinct forms and colors displaying the portal of entry to another realm of chaos With crazy magic storm of different shades from grey to blue with sparks of yellow coming out
Prompt: Damaged downtown area after a very bad earthquake , inspiring writing above states: "No matter how bad things seem, you can bet the Sun is going to rise tomorrow!".
Prompt: Make the picture in a realistic style. No muddy brushstrokes, just a clear, high-quality painting in a realistic style. The most realistic photographic style. More violence crusade atmosphere. The flag should depict a devil crucified on a cross.
Prompt: A muscular Caucasian man in his late 30s, with short dark hair and a stern expression, is holding a Caucasian woman with long, wavy red hair in his arms. The man wears a white tank top with blood splatters and dark shorts. The woman is wearing a flowing red dress and black high heels, her head tilted back with her eyes closed. They are positioned centrally in the frame, looking towards the viewer. The background depicts a devastated cityscape with skyscrapers engulfed in a massive explosion, streaks of light from missiles, and fighter jets flying overhead. The foreground is littered with shattered glass and debris, suggesting the aftermath of an aerial attack. The lighting is dramatic, with the intense orange and yellow hues of the explosion illuminating the scene and casting harsh shadows. The overall style is reminiscent of comic book art or a movie poster, with a heroic and dramatic atmosphere. The composition is dynamic, with a low-angle perspective emphasizing the power of the explosion and the heroic pose of the couple.
Prompt: in a dystopian metropolis, amidst the rubble of a decayed society, the club de jazz de fin de soirée stands as a beacon of anarchy and defiance, its decrepit facade reimagined in vibrant, 8-bit pixel art, with its walls composed of small, square pixels in a limited palette of neon blues and electric pinks, blending seamlessly into the surrounding monstrous marmite, bathed in the warm, golden light of late-afternoon, where shadows dance across its ornate, blocky biological machinery like a gentle, soothing melody, its sprite-like details and repetitive patterns imbuing the scene with a sense of playful, pre-sunset calm, as if plucked straight from the golden age of arcade gaming. 3D Fractal chrome with polish lace. no signature.
Prompt: An anime swordsman stands poised in a dramatic battle stance, his robes flowing elegantly in the wind, embodying strength and determination. The backdrop features a chaotic scene of a burning city, with explosions erupting and embers swirling through the air, casting an orange glow on his determined face. His sword gleams with a fierce light, ready for combat, while the smoke and flames create a dynamic atmosphere around him. The scene captures the intensity of battle, highlighting the contrast between the swordsman's calm demeanor and the chaos surrounding him, evoking a sense of heroism amidst destruction.
Prompt: A whimsical, darkly fairytale-like illustration depicts a colossal mythical dragon standing at dusk on a grafitti tags painted rock in an apocaliptic scenario, after a war in the middle east. The dragon's body is armored in a futuristic ancient guardian: ridged spines, and powerful claws that dig into the stone. Its dragon head is bright red, spiked, long sharp teeth, and piercing, fearful eyes. Destroyed futuristic arabic buildings surround the scene, and a cool smoke hangs low over the place. The atmosphere is tense, still, and ominous, as if the creature guards a forbidden threshold.
Prompt: Cinematic hyperrealistic photograph, documentary
photography style, chaotic historical street scene —
smoke and debris, crumbling architecture,
crowds fleeing in background,
dramatic harsh natural light,
in the foreground — a young child standing completely
still among the chaos, clothes dusty and worn,
looking directly into the camera with ancient knowing
eyes beyond their years, no fear, only witnessing,
the child sees everything,
holding hands tightly with an adult beside them —
the adult wearing ordinary everyday clothes,
coat and trousers worn and dirty,
imperfect and lived in, not clean not whole,
but over their eyes an extremely filthy
heavily worn cloth strip wrapped around their head —
deeply stained, blackened with grime,
fabric rotting and fraying at edges,
threads unraveling, worn for so long
it has become part of them,
they stand composed as if this is normal,
the child grips the adult's hand —
quietly leading without the adult knowing,
the child is the only real witness here,
muted earthy tones, ash and brown palette,
faded greens and dusty amber,
single ray of natural light falling
only on the child's face and eyes,
heavy emotional atmosphere,
cinematic color grading,
documentary photography style,
8k ultra detailed, sharp focus,
Pulitzer Prize winning photograph quality
the adult has a single dirty worn cloth strip
tied specifically across their eyes only —
horizontally across the eye area,
knotted at the side of the head,
covering only the eyes like a sleep mask,
NOT wrapped around the forehead or top of head,
NOT a turban or hat,
cloth sits directly over the eyes
and nowhere else on the head,
the child looking DIRECTLY into the camera lens,
eyes locked forward, making direct eye contact
with the viewer, not looking sideways or down
Prompt: apply core principles of Verism (or Verismo in its broader sense); use ferocious impasto technique; dictation of thought in the absence of all control exercised by reason, and outside all aesthetic or moral preoccupations; insert the marvellous into the everyday observable world without explanation or apology
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
