#opera

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Darmstadt Artists' Colony is a remarkable collection of Jugendstil buildings created beginning in 1899 by Ernest Ludwig, Grand Duke of Hesse, a grandson of Queen Victoria, to promote both commerce and the arts. He brought together a group of designers to create his new community, including Peter Behrens, Hans Christiansen, and Joseph Maria Olbrich. The Colony architecture represented a complete break with the earlier floral style, and was much bolder in its design. Behrens and several of the other architects built their own houses there, and designed every detail, from the doorknobs to the dishes.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Çifte Minareli Medrese is an architectural monument of the late Seljuk period in Erzurum City, Erzurum Province, Turkey. Built as a theological school a few years before 1265, it takes its name, Twin Minaret Madrasa, from the two fluted minarets that crown the monumental façade. The Çifte Minareli Medrese is thought to be the model for the Gök Medrese in Sivas. According to the inscription on the portal, it was built in 1271 by Khudavand Khatun, the daughter of Seljuq Sultan Kayqubad I. The madrasa probably had an impact on the Buruciye Madrasa too. The east entrance of the madrasa and the enormous stone facade of ornamental brick and tile masonry with two minarets are remarkable works of art. On each side of the entrance there is a panel. The right side is decorated with a double-headed eagle. The motif on the left side does not seem to be completed.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A typical türbe is located in the grounds of a mosque or complex, often endowed by the deceased. However, some are more closely integrated into surrounding buildings. Many are relatively small buildings, often domed and hexagonal or octagonal in shape, containing a single chamber. More minor türbes are usually kept closed although the interior can be sometimes be glimpsed through metal grilles over the windows or door. The exterior is typically masonry, perhaps with tiled decoration over the doorway, but the interior often contains large areas of painted tilework, which may be of the highest quality. Inside, the body or bodies repose in plain sarcophagi, perhaps with a simple inscription, which are, or were originally, covered by rich cloth drapes. Usually these sarcophagi are symbolic, and the actual body lies below the floor. At the head of the tomb a wooden pole was sometimes surmounted by a white cloth Ottoman turban (for men) or by a turban carved in stone.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The influences of peasant houses were manifested through ornaments and elements used under various interpretations, but which retain their origin. Among the elements are the loggia, the trilobed arch, wooden pillars, a treatment of the cornice as an ordinary eaves of a peasant house, the inclusion of the roof in the image of the facade as an element of ornament, carved wooden awnings, and tiled roofs. Commonly used ornaments are knots and ropes (aka interlace), peacocks drinking symmetrically from a cup, and complex vegetable spirals (aka rinceaux). Some of the ornaments of some Neo-Romanian buildings from the Belle Époque are made of polychrome glazed ceramic, as is the case of the Școala Centrală National College in Bucharest.[9] Considering the fact that most Romanians were and are Orthodox, the architects sometimes added Byzantine-inspired elements (like the two peacocks drinking from a cup) or with Christian significance. A characteristic of the style is the use of elements grouped in threes (for example a row of three windows), which refers to a Christian concept, representing the Holy Trinity (Father, Son and Holy Spirit).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Romanian Revival architecture is a revival of the Brâncovenesc [brɨŋkovenesk], a style in medieval Romanian art and architecture, more specifically in Wallachia during the reign of Constantin Brâncoveanu (1688–1714). This is because it was seen as the style specific to Romania, which is true. Brâncovenesc buildings are characterised by the use of porticos (mainly the entrances of churches), trilobate or kokoshnik arches, columns (usually Corinthian), sometimes with twisted flutings, and metallic or ceramic tile roof. The main ornaments used for decoration are the interlace and the complex vegetal spiral (aka rinceau). Some of the features of Brâncovenesc architecture derive from Byzantine and Ottoman architecture, and a some can also be found in medieval Russian architecture. Brâncovenesc churches usually have façades decorated with reliefs, most churches being white, while some have elaborate paintings on the façades (like the Stavropoleos Monastery from Bucharest). The walls of their interiors are filled with Byzantine style frescos. Above their main door there is a pisanie, which is an inscribed stone plaque.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Romanian Revival architecture is an architectural style that has appeared in late 19th century in Romanian Art Nouveau, initially being the result of the attempts of finding a specific Romanian architectural style. The attempts are mainly due to the architects Ion Mincu (1852–1912), and Ion N. Socolescu (1856–1924). The peak of the style was the interwar period. The style was a national reaction after the domination of French-inspired Classicist Eclecticism. Apart from foreign influences, the contribution of Romanian architects, who reinvented the tradition, creating, at the same time, an original style, is manifesting more and more strongly. Ion Mincu and his successors, Grigore Cerchez [ro], Cristofi Cerchez, Petre Antonescu, or Nicolae Ghica-Budești declared themselves for a modern architecture, with Romanian specific, based on theses such as those formulated by Alexandru Odobescu around 1870.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The settlement of the Middle Neolithic (5000–4000 BCE), housed 500–1000 people in more substantial and presumably more family-private homes. Construction was the same, except the windows and doors were timbered, a fixed, raised hearth occupied the center of the main room, and pilasters and other raised features (cabinets, beds) occupied the perimeter. Under the palace was the Great House, a 100 m2 (1,100 sq ft) area stone house divided into five rooms with meter-thick walls suggesting a second story was present. The presence of the house, which is unlikely to have been a private residence like the others, suggests a communal or public use; i.e., it may have been the predecessor of a palace. In the Late or Final Neolithic (two different but overlapping classification systems, around 4000–3000 BCE), the population increased dramatically.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Arthur Evans, who unearthed the palace of Knossos in modern times, estimated that c. 8000 BCE a Neolithic people arrived at the hill, probably from overseas by boat, and placed the first of a succession of wattle and daub villages (modern radiocarbon dates have raised the estimate to c. 7000–6500 BCE). Large numbers of clay and stone incised spools and whorls attest to local cloth-making. There are fine ground axe and mace heads of colored stone: greenstone, serpentine, diorite and jadeite, as well as obsidian knives and arrowheads along with the cores from which they were flaked. Most significant among the other small items were a large number of animal and human figurines, including nude sitting or standing females. Evans attributed them to the worship of the Neolithic mother goddess and figurines in general to religion.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The typical nuraghe is situated in areas where previous prehistoric Sardinian cultures had been distributed, that is not far from alluvial plains (though few nuraghes appear in plains currently as they were destroyed by human activities such as agriculture, dams, road building etc.) and has the outer shape of a truncated conical tower, thus resembling a medieval tower, with a tholos-like vault inside. The structure's walls consist of three components: an outer layer (tilted inwards and made of many layers of stones whose size diminishes with increasing height: mostly, lower layers consist of rubble masonry, while upper layers tend to be of ashlar masonry); an inner layer, made of smaller stones (to form a corbelled dome of the bullet-shaped tholos type, and where ashlar masonry is used more frequently); and an intermediate layer of very small pieces and dirt, which makes the whole construction very sturdy: it stands only by virtue of the weight of its stones, which may each amount to several tons. Some nuraghes are about 20 meters in height, the tallest one known, Nuraghe Arrubiu, reached a height of 25–30 meters.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Navigation had an important role: historian Pierluigi Montalbano mentions the finding of nuragic anchors along the coast, some weighing 100 kg (220 lb).[79] This has suggested that the Nuragic people used efficient ships, which could perhaps reach lengths up to 15 meters (49 ft). These allowed them to travel the whole Mediterranean, establishing commercial links with the Mycenaean civilization (attested by the common tholos tomb shape, and the adoration of bulls), Spain, Italy, Cyprus, Lebanon. Items such as Cyprus-type copper ingots have been found in Sardinia, while bronze and early Iron Age Nuragic ceramics have been found in the Aegean region, Cyprus,[82] in Spain (Huelva, Tarragona, Málaga, Teruel and Cádiz)[83] up to the Gibraltar strait, and in Etruscan centers of the Italian peninsula such as Vetulonia, Vulci and Populonia (known in the 9th to 6th centuries from Nuragic statues found in their tombs).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In the ceramics, the skill and taste of the Sardinian artisans are manifested mainly in decorating the surfaces of vessels, certainly used for ritual purposes in the course of complex ceremonies, perhaps in some cases even to be crushed at the end of the rite, as the jugs found in the bottom of the sacred wells. Ceramics also display geometric patterns on lamps, pear-shaped vessels (exclusive of Sardinia) and the askos. Imported (e.g. Mycenaeans) and local forms were found in several sites all over the island. Also found in the Italian peninsula, Sicily, in Spain and in Crete everything points to Sardinia being very well integrated in the ancient trade of the Mediterranean Sea.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Giants of Mont'e Prama are a group of 32 (or 40) statues with a height of up to 2.5 m (8.2 ft), found in 1974 near Cabras, in the province of Oristano. They depict warriors, archers, wrestlers, models of nuraghe and boxers with shield and armed glove. Depending on the different hypotheses, the dating of the Kolossoi – the name that archaeologist Giovanni Lilliu gave to the statues[72]: 84–86  – varies between the 11th and the 8th century BC.[73] If this is further confirmed by archaeologists, like the C-14 analysis already did, they would be the most ancient anthropomorphic sculptures of the Mediterranean area, after the Egyptian statues, preceding the kouroi of ancient Greece. They feature disc-shaped eyes and eastern-like garments. The statues probably depicted mythological heroes, guarding a sepulchre; according to another theory, they could be a sort of Pantheon of the typical Nuragic divinities. Their finding proved that the Nuragic civilization had maintained its peculiarities, and introduced new ones across the centuries, well into the Phoenician colonization of part of Sardinia.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The holy wells were structures dedicated to the cult of waters. Though initially assigned to the 8th–6th centurie BC, due to their advanced building techniques, they most likely date to the earlier Bronze Age, when Sardinia had strong relationships with the Mycenaean kingdoms of Greece and Crete, around the 14–13th century BC. The architecture of the Nuragic holy wells follows the same pattern as that of the nuraghe, the main part consisting of a circular room with a tholos vault with a hole at the summit. A monumental staircase connected the entrance to this subterranean (hypogeum) room, whose main role is to collect the water of the sacred spring. The exterior walls feature stone benches where offerings and religious objects were placed by the faithful. Some sites also had sacrificial altars. Some scholars think that these could be dedicated to Sardus, one of the main Nuragic divinities.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The representations of animals, such as the bull, belong most likely to pre-Nuragic civilizations, however they kept their importance among the Nuraghe people, and were frequently depicted on ships, bronze vases, used in religious rites. Small bronze sculptures depicting half-man, half-bull figures have been found, as well as characters with four arms and eyes and two-headed deer: they probably had a mythological and religious significance. Another holy animal which was frequently depicted is the dove. Also having a religious role were perhaps the small chiseled discs, with geometrical patterns, known as pintadera, although their function has not been identified yet.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Remodernism in general embraces the bravery of the amateur, so craft is a strange thing to think about. Craft is usually about something striving for perfection, without flaws, to be "professional". I don't like that. However if you consider craft something that can be developed and grown, I like that. I like the idea of filmmakers teaching themselves to paint pictures, to try acting in their own movies and those of others (especially if they are shy), to be nude models for other artists, to meditate, worship if they are religious, to do things that affect their levels of consciousness, try things that make them nervous or uncomfortable, to go out and be involved in life, to find adventure, to jump in the ocean. I think that is the exploration of craft.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neomodern or neomodernist architecture is a reaction to the complexity of postmodern architecture and eclecticism in architecture, seeking greater simplicity. The architectural style, which is also referred to as New Modernism, is said to have legitimized an outlook of comprehensive individualism and relativism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neomodern architecture continues Modern architecture as a dominant form of architecture in the 20th and 21st centuries, especially in corporate offices. It tends to be used for certain segments of buildings. Many residential houses tend to embrace postmodern, new classical and neo-eclectic styles, for instance, and major monuments today most often opt for starchitect inspired uniqueness. Neomodern architecture shares many of the basic characteristics of modernism. Both reject classical ornamentation, decorations, and deliberate ambitions to continue pre-modernist traditions. Neomodernist buildings, like modernist ones, are designed to be largely monolithic and functional. The emphasis on rationalism and calculation in creating the aesthetic experience is augmented by the focus on utility, economy, and natural selection.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Edwardian architecture is a Neo-Baroque architectural style that was popular in the British Empire during the Edwardian era (1901–1910). Architecture up to the year 1914 may also be included in this style. Typical details of Edwardian Baroque architecture include extensive rustication, usually more extreme at ground level, often running into and exaggerating the voussoirs of arched openings (derived from French models); domed corner rooftop pavilions and a central taller tower-like element creating a lively rooftop silhouette; revived Italian Baroque elements such as exaggerated keystones, segmental arched pediments, columns with engaged blocks, attached block-like rustication to window surrounds; colonnades of (sometimes paired) columns in the Ionic order and domed towers modelled closely on Wren's for the Royal Naval College in Greenwich. Some Edwardian Baroque buildings include details from other sources, such as the Dutch gables of Norman Shaw's Piccadilly Hotel in London.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This monument for Olomouc was the culmination of work of several artists and master craftsmen, but it did not bring much fortune to them. The first to die during the work was Wenzel Render, a monumental mason and privileged imperial architect. He came first with the idea to build the column, enforced his will upon the city council, designed it, built the first stage and helped to finance it.[4] His followers Franz Thoneck, Johann Wenzel Rokický and Augustin Scholtz also did not live long enough to see the column finished; it was completed by Johann Ignaz Rokický. The sculptural decoration was started by Phillip Sattler.[1]: 19–21  After his death Andreas Zahner continued[1]: 21  and made 18 sculptures and 9 reliefs in 7 years before he died as well. Goldsmith Simon Forstner, who made gilded copper sculptures of the Holy Trinity and of the Assumption of the Virgin,[1]: 35–39  was somewhat luckier and managed to finish his brilliant work. However he lost his health when working on the sculptures and using toxic mercury compounds during the gilding process.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The indigenous groups that inhabit the region are the Kollas and Lupacas in present Peruvian territory and Omasuyos and Pacajes on Bolivian. All were subject to the Mita de Potosí and periodically migrated to the valleys and coastal lowlands. The Baroque of Arequipa and Potosí is a conjunction in this region with a strong Pre-Columbian flavor. The Puno Cathedral picks iconographic elements as mermaids, pumas, papayas and a monkey and even the charango. Lake Titicaca was named in honor of the puma, Titi, in Aymara, because of its shape. In the region of Lupacas rise the three groups of baroque churches: Juli, Pomata and Zepita. Juli has been the great Jesuit missionary center of the altiplano, had four churches: San Juan de Letrán, Santa Cruz de Jerusalén, Nuestra Señora de la Asunción and San Pedro Mártir. The Dominicans possessed the Pomata Sanctuary where they venerate Our Lady of the Rosary, the most famous of this region after the Basilica of Our Lady of Copacabana who was in charge of the Augustinians. The church of St. James of Pomata marks the culmination of the Mestizo style.
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