#odesa

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Some floors were designed with smaller footprints to attract prospective lessees, so the building's height was increased to meet Sears's floor-area requirements.[17] Architect Bruce Graham and structural engineer Fazlur Rahman Khan, both of whom were partners with SOM, proposed a tower with 55,000-square-foot (5,100 m2) floors in the lower part of the building, as well as a series of setbacks with gradually tapering floor plates, giving the tower its distinctive look.[18] During the design process, one of the architects reportedly pulled out nine cigars and staggered them vertically until the pair both agreed to the arrangement.[18][19] This allowed Sears to occupy the large lower stories, while providing more conventional office space that could be rented out on the upper stories.[20] The firm of Saphier, Lerner, Schindler was responsible for determining Sears's space requirements and designing furniture for the company.[14][21] It conducted a year-long study to determine how 16 of the company's departments should be laid out within the building.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: 330 North Wabash (formerly IBM Plaza also known as IBM Building and now renamed AMA Plaza) is a skyscraper in downtown Chicago, Illinois, United States, at 330 N. Wabash Avenue, designed by the architect Ludwig Mies van der Rohe (who died in 1969 before construction began). A small bust of the architect by sculptor Marino Marini is displayed in the lobby. The 52-story building is situated on a plaza overlooking the Chicago River. At 695 feet (212 meters), 330 North Wabash is the second-tallest building by Mies van der Rohe, the tallest being the Toronto-Dominion Bank Tower at Toronto-Dominion Centre. It was his last American building.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Culzean Castle (/kʌˈleɪn/ kul-AYN, see yogh; Scots: Cullain[1]) is a castle overlooking the Firth of Clyde, near Maybole, Carrick, in South Ayrshire, on the west coast of Scotland. It is the former home of the Marquess of Ailsa, the chief of Clan Kennedy, but is now owned by the National Trust for Scotland. The clifftop castle lies within the Culzean Castle Country Park and is opened to the public. From 1972 until 2015, an illustration of the castle was featured on the reverse side of five pound notes issued by the Royal Bank of Scotland.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The interior of the building features much art nouveau decoration, but is more subdued than the exterior. The vestibule is decorated with curved archways supported on marble columns, with short stairways leading to an apartment (now a dentist's office) on one side and to the main stairway on the other. The stairway is the central decorative of the interior; the entrance has a door decorated with wrought iron and glass, and the railing of the stairway is made up of undulating iron work in exotic vegetal forms. The ground floor also features finely-crafted stonework and sculptural detail. The walls of the stairway are decorated with art nouveau floral designs in subdued browns, golds and reds. At the top of the stairway, another smaller stairway leads to the rooftop terrace. A covered passage on the street level leads to a small interior courtyard, which is more simply decorated than the facade, but has sculpted art nouveau lintels around the windows.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The present-day Louvre Palace is a vast complex of wings and pavilions which, although superficially homogeneous in scale and architecture, is the result of many phases of building, modification, destruction and reconstruction. Its apparent stylistic consistency is largely due to conscious efforts of architects over several centuries to echo each other's work and preserve a strong sense of historical continuity, mirroring that of the French monarchy and state; American essayist Adam Gopnik has written that "The continuity the Louvre represents is the continuity of the French state."[18] For example, from the 1620s to the 1650s Jacques Lemercier thoroughly replicated the Lescot Wing's patterns for his design of the northern half of the western wing of the Cour Carrée. In the 1660s Louis Le Vau echoed Lemercier's Pavillon de l'Horloge for his redesign of the central pavillon of the Tuileries Palace further west (burnt in 1871 and demolished in 1883), and mostly continued Lescot's and Lemercier's pattern for the completion of the Cour Carrée. A separate design a few years later, that associated with Claude Perrault for the Louvre Colonnade.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Exterior details of the 200-foot-long (61 m) by 134-foot-wide (41 m) building were executed in red sandstone; the entrance doors, windows, and skylights were of glass. Floors, stairs, doors, window sills, partitions, desk tops and plumbing slabs were used with magnesite for sound absorption. For floors, cement was mixed with excelsior and poured, over a layer of felt to impart its resiliency. Magnesite was also used for sculptural decoration on the piers surrounding the light court and for panels and beams around the executive offices at the south end of the main floor. Wright designed much of the furniture, the chairs were made out of steel and hung from the tables to make cleaning the floors easy. The interior walls were made of semi-vitreous, hard, cream colored brick. A 76-foot-tall (23 m) light court was located in the center of the building which provided natural sunlight to all of the floors. Between its support piers ran fourteen sets of three inspiration words each, such as: GENEROSITY ALTRUISM SACRIFICE, INTEGRITY LOYALTY FIDELITY, IMAGINATION JUDGEMENT INITIATIVE, INTELLIGENCE ENTHUSIASM CONTROL, CO-OPERATION ECONOMY INDUSTRY.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: The building of the Odesa opera and ballet theater, salvador dali,
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The fresco cycles housed in eight complexes of buildings within the old city centre of Padua illustrate how, over the course of the 14th century, different artists, starting with Giotto, introduced important stylistic developments in the history of art. The eight building complexes are grouped into four component parts: Scrovegni and Eremitani (part 1); Palazzo della Ragione, Carraresi Palace, Baptistery and associated Piazzas (part 2); Complex of Buildings associated with the Basilica of St. Anthony (part 3); and San Michele (part 4). The artists who played a leading role in the creation of the fresco cycles were Giotto, Guariento di Arpo, Giusto de’ Menabuoi, Altichiero da Zevio, Jacopo Avanzi and Jacopo da Verona. Working for illustrious local families, the clergy, the city commune or the Carraresi family, they would – within buildings both public and private, religious and secular – produce fresco cycles that gave birth to a new image of the city.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape