#obelisk

Spring Morning on Avenida 9 de Julio, Buenos Aires, Argentina

• Model: Krea 2 Turbo

• Size: 1280 X 960 (1.23 MP)

• Used settings:

  • Prompt: An oil painting in the post-impressionist style depicts a vibrant, semi-aerial drone view of Avenida 9 de Julio in Buenos Aires during spring. In the center of the composition, the iconic Obelisco stands tall and commanding, bathed in warm, soft morning sunlight. The expansive avenue stretches across the scene, filled with the classic rhythm of city traffic and yellow-and-black taxis rendered in expressive, textured brushstrokes. Framing the dynamic urban corridor, dense rows of towering Jacaranda trees burst with brilliant purple and violet blossoms, while lush green squares and scattered flowerbeds add vivid pops of color. On both sides of the avenue, detailed mid-20th-century European-style architecture and grand high-rise facades line the streets, their windows and balconies catching golden reflections. The perspective captures the architectural depth of the city looking toward the distant horizon under a soft, clear spring sky. The overall atmosphere is lively yet painterly, characterized by rich oil textures, visible impasto technique, and a bright, harmonious color palette of purples, greens, golden yellows, and urban grays. In the bottom right corner, include a small, elegant, clearly legible handwritten signature reading exactly "Horacio J Cortondo", naturally integrated into the painted surface with refined painterly handwriting and a contrasting color. Do not alter, distort, misspell, or omit the signature.
  • Using base image: No
  • Aspect Ratio: landscape

Vintage 1964 Minsk Postcard

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Style retro postal card. Iconic place of the city of Minsk, Belarus, year 1964.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cairn Blessed Druidess under Eclipse

• Model: ChatGPT (Pro)

• Size: 1776 X 1184 (2.10 MP)

• Used settings:

  • Prompt: A highly detailed, muscular woman. Her hair is a striking, voluminous cascade of vibrant crimson framing her face with a touch of wild elegance. Her long, red, wild hair frames a face with striking white markings around her eyes and a somber, determined expression. Her eyes are glowing white. Pupils are not visible, which gives a mystical atmosphere. Her red lips slightly parted in a relaxed, natural way. She wears a distinctive, wide, metallic choker around her neck, adorned with vertical segmented plates, a tribal aesthetic. She wears a short white-green, long-sleeved tunic with intricate gold trim around the neckline, and a vibrant, almost neon green panties with matching gold accents. She wears a green, revealing outfit consisting of armored pauldrons, a spiked belt, and knee-high armored boots, all rendered in shades of dark gray and metallic tones with intricate, textured details. Draping from her shoulders are fringe-like elements and further adornments. Unique distinguishing features include the detached, severed heads used as trophies on her waist and the prominent elbow spike. Her arms are hand gripping a dark, wooden staff topped with a glowing, luminous green orb emanating soft light. This formidable staff weapon adorned with skull decorations and sharp spikes. The weapon's blast creates a halo of light and subtle particle effects around it. She has her arms raised to the sky, looking upwards, in a pose of reverence. In front of it stands a primitive stone structure of a thin conical shape 5 meters high. Which has a white light on top. In the background, there is a vibrant and dramatic sky with swirling orange and red clouds, and a celestial phenomenon resembling a solar eclipse or a black hole with a bright ring around it. Below, a tranquil body of turquoise water separates the viewer from a field of rice, which stretches to the horizon under a gradient sky that transitions from bright orange to dark teal. The overall scene blends elements of fantasy, mythology, and cosmic wonder, with a strong emphasis on rich colors, textures, and a sense of awe. Realistic style, inspired by the classic fantasy pictures, extremely detailed, clean composition, dramatic yet delicate visual balance, ultra-high resolution.
  • Using base image: No
  • Aspect Ratio: landscape_wide

St. Peter's Cat, Thanks Pavel!

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1668 (3.71 MP)

• Used settings:

  • Prompt: An aerial, hyper-photorealistic image of a colossal ginger tabby cat with no white on its face resting on its side inside St, Peter's Square in Rome. Its massive body nearly fills the circular structure. The cat's fur is richly detailed with warm orange and cream stripes, catching the golden late-afternoon sunlight, eyes gently closed in a serene, contented expression, whiskers softly illuminated. The cat is using the Vatican Obelisk to massage the sides of his cheeks. The cat's right front paw is curled around the base of the Obelisk. The cat's face is tilted so that the length of the Obelisk massages the side of the cat's muzzle. The lighting is warm, golden hour Mediterranean light with long soft shadows stretching across the ancient stone. The image blends ultra-realistic fur and skin textures with a slightly surreal, whimsical scale, shot in a style reminiscent of a high-resolution aerial/drone photograph. Hyper-detailed, photorealistic, cinematic aerial composition, 8k. No humans in image.
  • Using base image: No
  • Aspect Ratio: landscape

Alien Desert Night

• Model: SeeDream

• Size: 2880 X 2880 (8.29 MP)

• Used settings:

  • Prompt: A vast, alien desert landscape at twilight, where strange, crystalline rock formations pierce the horizon. A lone, weathered penny-farthing bicycle leans against a cracked stone obelisk covered in a strange hieroglyphic script. Moody, surrealistic setting.
  • Using base image: Yes

Eurovision Song Contest (Ancient Rome)

• Model: FluX (Base)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: Eurovision Song Contest (Ancient Rome). Realism 3.2 [ultra].
  • Using base image: No
  • Aspect Ratio: landscape_wide

Ethereal Ascendance from Fiery Depths

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: A silhouette of a figure with large, fiery orange and red butterfly wings stands on a volcanic landscape, surrounded by flowing lava. The figure is draped in a translucent, ethereal veil that contrasts with the vibrant colors of the wings and the molten backdrop. The setting features a textured, grid-like wall in warm tones, enhancing the dramatic and mythical atmosphere of the scene, capturing a blend of power and vulnerability.
  • Using base image: No
  • Aspect Ratio: landscape

Vibrant Piazza Scene in Historic Rome

• Model: FluX 2 (Ultra)

• Size: 1664 X 2224 (3.70 MP)

• Used settings:

  • Prompt: A vibrant sunny day in Rome, Italy, with a bustling Piazza in the foreground. The sky is bright blue with wispy white clouds. The piazza is filled with a large crowd of people, many walking, some standing, and others sitting. On the left, partially visible, is the top of a stone column with intricate carvings, possibly from a large ruin or monument. To the left mid-ground, there's a large white marble fountain with statues and an obelisk rising behind it. The buildings surrounding the piazza are multi-story, with facades in shades of light yellow, cream, and orange, featuring numerous windows with dark brown or black shutters, some open, some closed. One prominent building on the right is orange-yellow and has "ALBERGO ABRUZZI" written vertically on its side, indicating a hotel. A white delivery van is parked closest to the right foreground, blending into the crowd. The overall scene depicts a lively European city square, full of architectural detail and human activity under a clear sky.
  • Using base image: No
  • Aspect Ratio: portrait

Mystical Sunset Over Ocean Cliffs

• Model: FluX 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Epic high fantasy landscape painting, sweeping vista of the coast of Eataine, Ulthuan. A breathtaking sunset over the Inner Sea. Majestic, serene, and deeply magical. LANDSCAPE: The foreground is a high cliff of pristine white chalk, dropping dramatically to the calm, shimmering sea below. The cliff edge is covered in a soft carpet of emerald green grass and clusters of delicate, silver-white flowers unique to Ulthuan. A single, ancient waystone — a tall, elegantly carved obelisk of smooth white marble, covered in faintly glowing elven runes — stands sentinel on the cliff's edge. In the far distance, across the still water, the faint, ethereal silhouette of another island kingdom is just visible on the horizon. SKY: The sky is the main subject, a vast, dramatic canvas stretching across the entire upper half of the image. The sun has just dipped below the horizon. The clouds are a breathtaking spectacle: high, sweeping cirrus clouds are painted in brilliant shades of rose gold, soft coral, and pale lavender. Lower, thicker clouds catch the last deep orange and fiery amber light on their underbellies, while their tops fade into soft indigo and deep twilight blue. The clouds are layered, voluminous, and majestic, creating a sense of immense depth and scale. No sun is visible in the frame. MIDGROUND (SEA): The calm Inner Sea reflects the sky like polished sapphire and mother-of-pearl, the colors of the clouds mirrored perfectly in the gentle water. A pod of dolphins or sleek sea creatures breaks the surface, leaving gentle ripples. On the water, a single elegant elven yacht with tall, swan-like white sails glides silently across the glowing reflection, its wake a trail of liquid gold. FOREGROUND DETAILS: Near the waystone, the grass is dotted with more silver-white flowers and a few delicate, pale pink blossoms. A single, white elven lantern on a graceful curved post glows softly, a tiny warm spark against the cooling twilight. The scene is immaculate, tranquil, and timeless. STYLE AND MOOD: Painterly high fantasy, reminiscent of classic landscape masters blended with the ethereal elegance of elven concept art. The color palette is a symphony of soft pastels: rose gold, coral, lavender, soft indigo, emerald green, and pristine white. The lighting is soft, diffuse, and magical, capturing the very last moments of twilight. The mood is profoundly peaceful, majestic, and heartbreakingly beautiful. A land of ancient grace and sublime natural harmony. Highly detailed, 8k, breathtaking environmental art.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Twilight Serenity in an Overgrown Cemetery

• Model: Ideogram (Base)

• Size: 1312 X 736 (0.97 MP)

• Used settings:

  • Prompt: an oil painting in the style of Harald Sohlberg, Vilhelm Hammershøi, Gustav Klimt, of a old beautiful historical cemetery.The Appalachian hills of Kentucky full of green are in the background The background is softly blurred (bokeh effect), showing indistinct shapes of green and brown foliage in a wood with sunlight lighting a narrow section below the center. The overall style is realistism, with a natural and authentic feel. The mood is calm, introspective, and slightly serious or neutral. The color palette is dominated by natural tones, and the greens and blues and gold of the blurred background. Detailed texture,.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Obelisk of Isidorus

• Model: (Mode 20)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Create an abstract scene with a mysterious, otherworldly atmosphere. The composition features a dark, towering obelisk at the center, flanked by two glowing orbs that emit soft, radiant light. The background is a swirling mix of vibrant colors, blending reds, yellows, and greens, creating a sense of depth and movement. The overall style should be ethereal and dreamlike, with a focus on fluid shapes and soft edges, invoking a feeling of intrigue and exploration.
  • Using base image: No
  • Aspect Ratio: landscape

Surreal Architecture: Light and Shadows Unveiled

• Model: SeeDream

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Composizione simbolica astratta e metafisica di altissima scuola, qualità museale, grande formato, olio su tela con velature e materia controllata. Nessuna figura riconoscibile, nessun paesaggio descrittivo: la scena parla solo per simboli. Spazio-ambiente: una vasta camera a volta, ridotta a geometria essenziale, come una navata di pietra sospesa nel vuoto. A destra un monolite verticale scuro (muro morale) che chiude e comprime. A sinistra un varco enorme di luce bianco-latte (il FUTURO), ma il varco non rivela nulla: è un rettangolo/ellisse di luminanza piena, abbagliante e senza immagine, come un “possibile” non ancora decifrato. La salita: una rampa di pietra che non è rampa ma vettore, una diagonale netta che attraversa lo spazio. Lungo questa diagonale, al posto del viandante, un unico segno: un cilindro scuro inclinato (bastone da pioggia) sorretto da due archetti sottili che lo “abbracciano” senza essere mani. Il cilindro è l’asse del Sé, appoggio e scettro, ma ridotto a forma primaria. Il tempo: dall’alto della volta cade una pioggia di micro-granuli e minuscoli trattini, come sabbia e punti di luce insieme, che non si deposita mai. Alcuni granuli si dissolvono prima di toccare terra. Inserire un’ombra “fuori fase”: la proiezione del cilindro non coincide con l’oggetto, è leggermente spostata, come se il tempo scartasse. La cima/pianoro: una piattaforma spoglia, quasi un altare laico. Al centro un torrione astratto costruito a gradoni, simile a una ziggurat monolitica, con incisioni sottilissime come alfabeti illeggibili (competenze che il mondo non sa più leggere). Il torrione deve risultare insieme sacro e inutile, monumento e impasse. La valle non guardata: sul lato sinistro della piattaforma, tre tagli rettangolari nella “parete” (finestre/ferite) che aprono su bianco assoluto, senza prospettiva, solo vertigine luminosa. Nessun dettaglio paesaggistico, solo assenza. La ferita dell’inutilità: una curva sottile, quasi una linea di strada, attraversa la piattaforma in modo innaturale e perfettamente regolare. Su questa linea, tre piccole forme ovoidali metalliche (auto ridotte a segni) come insetti, identiche e impersonali. Accanto, un cartello vuoto: un rettangolo su un’asta senza scritte, segno del mondo che indica ma non nomina. Presenze umane solo come minuscoli segni verticali lontani, senza tratti, quasi cancellati. Tavolozza: bianco minerale, grigi perla, blu ardesia, ocra spenta; contrasti controllati, niente colori saturi. Atmosfera di silenzio e urgenza, sublime trattenuto. Pittura colta: velature, microabrasioni, impasto selettivo sulle masse; bordi netti sulle geometrie principali, sfumature profonde nel vuoto del varco. Nessun testo, nessuna iconografia religiosa esplicita, niente fantasy, niente digitale evidente: pura metafisica simbolica.
  • Using base image: No
  • Aspect Ratio: landscape