#neobaroque

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Embedded within Harbin’s wetlands, the Harbin Opera House was designed in response to the force and spirit of the northern city’s untamed wilderness and frigid climate. Appearing as if sculpted by wind and water, the building seamlessly blends in with nature and the topography—a transfusion of local identity, art, and culture. “We envision Harbin Opera House as a cultural center of the future – a tremendous performance venue, as well as a dramatic public space that embodies the integration of human, art and the city identity, while synergistically blending with the surrounding nature,” said Ma Yansong, founding principal, MAD Architects.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Therein lies the biggest pitfall of Solarpunk. The movement risks being whittled down to an aesthetic dimension, which in turn will undermine its own ecological philosophy. Solarpunk risks becoming a style without principles; a “green” architecture without green policies. Worse still, the movement could easily be co-opted by developers eager on giving the impression that their projects are environmentally sustainable while they continue to rely to carbon-emitting materials and energy-intensive design principles.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: It’s difficult to evaluate an architectural movement that exists almost entirely in conceptual terms. At present, the closest thing stylistically to Solarpunk architecture might be Singapore’s Garden City: a political initiative introduced by Lee Kuan Yew in 1967 to transform the dense city into an urban environment brimming with greenery. In recent years, Singaporean architecture has produced dozens of stunning projects evoking the Solarpunk ethos: the Supertree Groves, the Cloud Fountain, the Jewel Changi Airport and the Marina Bay Sands are but a few prominent examples. Such projects regularly make waves on the Solarpunk Reddit to varying degrees of approval, and some Redditors have offered mitigated praise for the city with the slogan: “Singapore minus cars = Solarpunk”.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Taking advantage of the orientation of the plot, the function of the central cylinder is to allow the passage of light to the central space, where the pool is located, however, given its great camber, it provides the space with enough shade during sunrise and sunset to exempt the use of a roof on the terrace, allowing the space to be inhabited below shade most of the day. Its strategic location, right next to the interior social area, achieves the link between both spaces by opening all the sliding doors that separate the interior from the exterior.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: A futuristic building with lots of lines and waves would feature a highly innovative and dynamic architectural design that is both striking and functional. The building would be designed with a focus on fluidity and movement, with curved lines and wave-like forms that create a sense of energy and momentum. The exterior of the building could be made of sleek and reflective materials, such as glass or polished metal, to create a futuristic look. Lines and waves could be used to create patterns and shapes that emphasize the building's flow and motion. At night, the building could be illuminated with dynamic lighting that highlights its lines and waves. The lighting could change colors and patterns, creating an ever-changing spectacle that is visible from afar. Inside the building, the lines and waves could be used to create an immersive and dynamic experience for visitors. Spaces could be designed with fluid shapes and curves that create a sense of movement and flow. Interactive technologies could be used to create an engaging and interactive experience for visitors, allowing them to navigate the building's spaces in a unique and innovative way.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: urrealist architecture is a design style that emerged in the 1920s and 1930s as a way to challenge traditional architectural norms and explore the relationship between the built environment and the subconscious mind. Surrealist architecture often features dream-like elements such as unexpected juxtapositions of materials, spaces that seem to defy the laws of physics, and the use of organic shapes and forms. It often incorporates elements of surprise, whimsy, and subversion. Examples of surrealist architecture can be found in the works of architects such as Antoni Gaudi, Salvador Dali, and Frank Gehry. Famous structures in this style include the Casa Batlló and Sagrada Familia in Barcelona, Spain, and the Guggenheim Museum in Bilbao, Spain. Overall, surrealist architecture is a highly imaginative and playful style that challenges our preconceptions of what buildings should look like and how they should function. It encourages us to see the built environment in new and unexpected ways, and can be a source of joy and inspiration for those who encounter it.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism is a style of architecture that emerged in the 21st century as a continuation of the earlier futurist movement. It is characterized by an emphasis on innovative technologies and sustainable design, as well as a fluid and organic approach to form and space. In contrast, modernism is a style of architecture that emerged in the early 20th century and emphasized simplicity, functionality, and the use of new materials and technologies. In the context of contemporary architecture, neo-futurism and modernism have been combined to create buildings that are both innovative and practical. Contemporary architects often incorporate modernist design principles, such as the use of clean lines and simple forms, and combine them with neo-futurist elements, such as the use of organic shapes, biomorphic structures, and sustainable materials. Examples of this combination of styles can be seen in buildings such as the Heydar Aliyev Center in Baku, Azerbaijan, designed by architect Zaha Hadid, which features a sweeping, fluid form that incorporates both modernist and neo-futurist design principles. Another example is the Shanghai Tower in China, designed by the American architectural fir
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Domaine de Bayssan Auditorium and Open-Air Amphitheater is a modern cultural complex located in Béziers, France. Designed by the French architectural firm Coloco, the complex is situated on a large estate and features a number of distinctive architectural elements. The auditorium is a large, cylindrical structure made of solid earth and planted with native vegetation, giving it a natural and organic appearance. The open-air amphitheater is a more traditional performance space, with a large semi-circular stage and seating for up to 1,800 people. The amphitheater is surrounded by a series of stepped terraces, which provide additional seating and create a sense of intimacy and connection between performers and audience members. The complex also includes a number of smaller buildings, including a reception area, a ticket office, and a storage facility. Overall, the Domaine de Bayssan Auditorium and Open-Air Amphitheater is a unique and innovative example of contemporary cultural architecture, which seamlessly blends natural and man-made elements to create a space that is both functional and visually striking.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Neo-futurism with Art Nouveau elements is a unique architectural style that combines the sleek, futuristic forms of neo-futurism with the curvilinear lines and natural motifs of Art Nouveau. This style blends together the latest technologies and construction techniques with the elegance and refinement of Art Nouveau. One of the key features of neo-futurism with Art Nouveau elements is the use of organic shapes and natural motifs. Buildings in this style often feature undulating curves and flowing lines, creating a sense of movement and fluidity. The use of natural motifs such as flowers and leaves adds an element of elegance and sophistication to the design. Another hallmark of neo-futurism with Art Nouveau elements is the use of advanced materials and technology. Buildings in this style often incorporate the latest in sustainable materials and construction techniques, such as solar panels and green roofs. The combination of these elements creates a style that is both futuristic and timeless, incorporating the best of modern technology with the beauty and elegance of Art Nouveau.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: St. Hripsime Church is a domed tetraconch enclosed in a rectangle, with two angular niches on the northern and southern side. German art historian Wilhelm Lübke wrote that the church is built on "a most complicated variation of the cruciform ground-plan." The monumental exterior of the church is "considered one of the great achievements of medieval Armenian architecture." It has been described as a "gem of Armenian architecture" and "one of the most complex compositions in Armenian architecture." Along with Saint Gayane Church, it stands as a "model of the austere beauty of early Armenian ecclesiastical architecture." The church is not the earliest example of this architectural form, however, the form is widely known in architectural history as the "Hripsime-type" since the church is the best-known example of the form. It has also been variously named "Jvari-type" or "Jvari-Hripsime-type" for Jvari in Georgia. Notable churches with similar plans include the Surb Hovhannes (Saint John) Church of Avan (6th century), Surb Gevorg (Saint George) Church of Garnahovit (6th century), Church of the Holy Cross at Soradir (6th century), Targmanchats monastery of Aygeshat (7th century).
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Etchmiadzin Cathedral is the mother church of the Armenian Apostolic Church, located in the city dually known as Etchmiadzin (Ejmiatsin) or Vagharshapat, Armenia. It is usually considered the first cathedral built in ancient Armenia, and is often considered the oldest cathedral in the world. The original church was built in the early fourth century—between 301 and 303 according to tradition—by Armenia's patron saint Gregory the Illuminator, following the adoption of Christianity as a state religion by King Tiridates III. It was built over a pagan temple, symbolizing the conversion from paganism to Christianity. The core of the current building was built in 483/4 by Vahan Mamikonian after the cathedral was severely damaged in a Persian invasion. From its foundation until the second half of the fifth century, Etchmiadzin was the seat of the Catholicos, the supreme head of the Armenian Church.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Ishtar Gate. After the glaze firing, the bricks were assembled, leaving narrow horizontal seams from one to six millimeters. The seams were then sealed with a naturally occurring black viscous substance called bitumen, like modern asphalt. The Ishtar Gate is only one small part of the design of ancient Babylon that also included the palace, temples, an inner fortress, walls, gardens, other gates, and the Processional Way. The lavish city was decorated with over 15 million baked bricks, according to estimates. The main gate led to the Southern Citadel, the gate itself seeming to be a part of Imgur-Bel and Nimitti-Bel, two of the most prominent defensive walls of Babylon. There were three primary entrances to the Ishtar Gate: the central entrance which contained the double gate structure (two sets of double doors, for a fourfold door structure), and doors flanking the main entrance to the left and right, both containing the signature double door structure. The walls were finished in glazed bricks mostly in blue, with animals and deities in low relief at intervals, these were also made up of bricks that are molded and colored differently.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Peruvudaiyar temple's plan and development utilizes the axial and symmetrical geometry rules.[30] It is classified as Perunkoil (also called Madakkoil), a big temple built on a higher platform of a natural or man-made mounds.[31] The temple complex is a rectangle that is almost two stacked squares, covering 240.79 metres (790.0 ft) east to west, and 121.92 metres (400.0 ft) north to south. In this space are five main sections: the sanctum with the towering superstructure (sri vimana), the Nandi hall in front (Nandi-mandapam) and in between these the main community hall (mukhamandapam), the great gathering hall (mahamandapam) and the pavilion that connects the great hall with the sanctum (Antrala). The temple complex integrates a large pillared and covered veranda (prakara) in its spacious courtyard, with a perimeter of about 450 metres (1,480 ft) for circumambulation. Outside this pillared veranda there are two walls of enclosure, the outer one being defensive and added in 1777 by the French colonial forces with gun-holes with the temple serving as an arsenal. They made the outer wall high, isolating the temple complex area.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Ishtar Gate. The bricks of the Ishtar gate were made from finely textured clay pressed into wooden forms. Each of the animal reliefs was also made from bricks formed by pressing clay into reusable molds. Seams between the bricks were carefully planned not to occur on the eyes of the animals or any other aesthetically unacceptable places. The bricks were sun-dried and then fired once before glazing. The clay was brownish red in this bisque-fired state. The background glazes are mainly a vivid blue, which imitates the color of the highly prized lapis lazuli. Gold and brown glazes are used for animal images. The borders and rosettes are glazed in black, white, and gold. It is believed that the glaze recipe used plant ash, sandstone conglomerates, and pebbles for silicates. This combination was repeatedly melted, cooled, and then pulverized. This mixture of silica and fluxes is called a frit. Color-producing minerals, such as cobalt, were added in the final glaze formulations. This was then painted onto the bisque-fired bricks and fired to a higher temperature in a glaze firing.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: According to Greek mythology, Arcadia of Peloponnesus was the domain of Pan, a virgin wilderness home to the god of the forest and his court of dryads, nymphs and other spirits of nature. It was one version of paradise, though only in the sense of being the abode of supernatural entities, not an afterlife for deceased mortals. In the 3rd century BCE the Greek poet Theocritus wrote idealised views of the lives of peasants in Arcadia for his fellow educated inhabitants of the squalid and disease-ridden city of Alexandria. Greek mythology inspired the Roman poet Virgil to write his Eclogues, a series of poems set in Arcadia.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In terms of external appearances dwarven structures in mountains would often create beautiful flourishes and accents to buildings to add flavour and beauty to the existing stone to accentuate the designs and mirror the beautiful caverns. On the surface however such beauty could not be afforded to the lower and middle classes, with more basic and slimmed designs bein uncommon in surface settlements. however on important buildings, structures or wealth homes such classically designs still existed and were seen as a symbol of wealth and status. Often Stone pillars would a brought and support houses, with more beautifully designed symbols of wealth being important status symbols like the lawns of America, tulips of Holland and gardens of Japan. Some of the earlier dwarven designs for surface structures mirrored greek designs such as the parthenon with importance placed on stone pillars, roof and floors, with creative interpretations from town to town. This design became synonymous with early dwarven surface designs and became an important symbol for surface dwellings as a symbol of wealth and history in the settlement. upcoming settlements might seek to acquire.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. These structures would often be used in new settlements until a supply of stone could be adopted or used by the lower class. Dwarven Architecture has historically been completely stonework. Houses, halls, barracks, and temples were carved from solid stone. When solid stone could not be used, stone was often carved to fit these spaces (imagine incan walls at Macu picu) This method proved perfect for dwarven holds in the mountains, but outside these spaces, dwarves had little knowledge of how to work with wood to build larger buildings. Often lugging large stones long distances to then carves small houses initially. The dwarves that did accept woodworking often adopted a viking design, with hints towards early medieval roots. These structures would often be used in new settlements until a supply of stone could be adopted or used by the lower class. Dwarves refuse to work with bricks as their false stone is seen as flimsy and unsustainable. Instead, they use stone bricks when possible when the solid stone is unavailable, leading to unique designs amongst their people.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Achaemenid architecture. The most impressive hall in the complex is the Apadana hall, occupying an area of about 109 square meters with 36 Persian columns, each more than 19 m tall. Each column is fluted, with a square base (except a few in the porticos), and an elaborate capital with two animals supporting the roof. The structure was originally closed off from the elements by mud-brick walls over 5 meters thick and over 20 meters tall.[20] The columns have a composite capital depicting addorsed bulls or creatures. The columns in the porticoes have circular bases and are capped by ornate capitals after the end of the fluting, themselves topped by detailed addorsed bulls, supporting the roof. Apadana's relief is also unique in that it delineates the presence and power of the king. Known as "Treasure reliefs" the depicted scenes on Apadana stress the continuity of the kingdom through Darius the Great, and stress his presence throughout the empire, as well as depict his army of Persian immortals. Perhaps this was Darius's attempt to create a symbol of the assured continuity of his line.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Patriarchal Cathedral Basilica of Saint Mark is the cathedral church of the Catholic Patriarchate of Venice; it became the episcopal seat of the Patriarch of Venice in 1807, replacing the earlier cathedral of San Pietro di Castello. It is dedicated to and holds the relics of Saint Mark the Evangelist, the patron saint of the city. As built, the Contarini church was a severe brick structure. Adornment inside was limited to the columns of the arcades, the balusters and parapets of the galleries, and the lattice altar screens. The wall surfaces were decorated with moulded arches that alternated with engaged brickwork columns as well as niches and a few cornices. With the exception of the outside of the apse and the western façade that faced Saint Mark's Square, the stark brick exterior was enlivened only by receding concentric arches in contrasting brick around the windows. The western façade, comparable to middle-Byzantine churches erected in the tenth and eleventh centuries, was characterized by a series of arches set between protruding pillars.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Synagogue architecture often follows styles in vogue at the place and time of construction. There is no set blueprint for synagogues and the architectural shapes and interior designs of synagogues vary greatly. According to tradition, the Shekhinah or divine presence can be found wherever there is a minyan, a quorum, of ten. In the second half of the 16th century masonry synagogues whose interiors present an original structural solution, found in no other kind of building, were constructed in the Polish–Lithuanian Commonwealth. These were synagogue halls whose bimah was surrounded by four pillars. Placed upon a podium, connected above by arcading, in one powerful pier, the pillars constituted the bimah-support (or bimah-tower) supporting the vault, consisting of four barrels with lunettes intersecting at the corners. The bases of the vault-rips rested on the podium or were transmitted through a balustrade, solid or pierced. A small cupola covered the field above the bimah. These cupolas were occasionally significantly lowered in comparison with the remaining fields of vaulting. Thus a kind of inner chapel, built inside the bimah-tower, was created.
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