#kotsiubiiv

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: One Vanderbilt's facade and design is intended to harmonize with Grand Central Terminal immediately to the east. The building's base contains a wedge-shaped void, and the tower tapers as it rises, with several "pavilions" and a pinnacle at the top. The facade is made mostly of glass panels, while the spandrels between stories are made of terracotta. The superstructure is made of steel and concrete, and the interior spaces are designed to be as high as 105 feet (32 m). The lobby has a bank branch and an entrance to the nearby railroad terminal and the associated subway station, while the second floor contains the Le Pavillon restaurant. Most of the building is devoted to office space. The top stories contain the Summit One Vanderbilt observation deck.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: One Vanderbilt is a 93-story supertall skyscraper at the corner of 42nd Street and Vanderbilt Avenue in the Midtown Manhattan neighborhood of New York City. Designed by Kohn Pedersen Fox for developer SL Green Realty, the skyscraper opened in 2020. Its roof is 1,301 feet (397 m) high and its spire is 1,401 feet (427 m) above ground, making it the city's fourth-tallest building after One World Trade Center, Central Park Tower, and 111 West 57th Street.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Florey Building is a modernist student accommodation building by James Stirling in Oxford, United Kingdom. It is the third and last building of “The Red Trilogy” (together with the Leicester Engineering Faculty building and the Cambridge History Faculty building), all of which are now listed. The main structure consists of 11 reinforced concrete frames of irregular A shape placed at 7m spacings linked by spine beams at each floor. Red ceramic tiles clad the main structure and paving for the courtyard.[3] Stirling's design was heavily influenced by the Bauhaus movement and uses bold and sculptural forms which make clear each part of the building's function. The building is set back from the road and designed in a horse shoe shape, with the open side facing north. All residential rooms feature floor-to-ceiling glazing, facing the inner court of the building. Only a few small windows face outward and are visible from the outside. This gives every room a view across the River Cherwell to the Angel and Greyhound Meadow beyond.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The Engineering Building is part of the University of Leicester. It was designed by the architects James Stirling and James Gowan. The Engineering Building is a large and complex structure. Stirling and Gowan were tasked to design spaces for offices, laboratories, auditorium, and workshops with heavy machinery. The design also includes a water tank on top. The workshops are located in the low-rise section of the building, in a hall with a rectangular floor plan. Connected to the workshop hall is the tower, which houses auditorium, offices, and laboratories. The water tank sits on top of the tower. The tower section is notable for its chamfered edges and its prismatic geometry. The auditorium is located at the base of the tower. The auditoriums seating arrangement is designed typically stadium-like with staggered rows of seats. The angled auditorium floor results in a pronounced wedge-shape on the building's exterior. The tower's facades are clad in glass and red tiles, the workshop hall's facade is entirely made of frosted glass. A unique feature of the workshop hall is its roof construction. The roof's geometry is rotated by 45 degrees in respect to the floor plan's orientation.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In 2008, the university announced that Robarts Library would be receiving a significant upgrade, the first phase of which was completed in the spring of 2011. During these years a major transformation gradually took place at Robarts, beginning with the renovation of the apexes on each stack floor in 2008 (finished in 2010), the Map & Data Library on the 5th floor in 2009, the Media Commons on the 3rd floor in 2010, and the second floor porticos in 2011. The renovations were intended to create a welcoming environment that would both provide informal study space and function to let people know about the services and resources available throughout the building. Signage throughout the building was redesigned and refreshed to improve navigation and usability of the library and its resources, and new touch screens are already improving communication with students, providing information such as the number of available workstations on each floor at any given time. Robarts outdoor signage can be scanned with the smartphone app Layar for augmented reality links.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The John P. Robarts Research Library, commonly referred to as Robarts Library, is the main humanities and social sciences library of the University of Toronto Libraries and the largest individual library in the university. Opened in 1973 and named for John Robarts, the 17th Premier of Ontario, the library contains more than 4.5 million bookform items, 4.1 million microform items and 740,000 other items. Robarts Library occupies a 3-acre (12,000 m2) site on a field of open space and mature tree cover. The building rests on an equilateral triangle footprint with each side measuring 330 feet (100 m), the same length as a Canadian football field from goal post to goal post.[2] The building is oriented such that one side of the equilateral triangle faces west while the other two sides face northeast and southeast. From the southeast corner, the building appears as a peacock.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The distinctive original building was designed in the late 1960s by William Pereira to sit at the head of a canyon. The building's arches, in combination with the design of the individual floors, are intended to look like hands holding up a stack of books. William Pereira & Associates prepared a detailed report in 1969. Pereira originally conceived of a mushroom-shaped, steel-framed building, but the projected construction and maintenance costs forced him to switch to a reinforced concrete structure. This change of material presented an opportunity for a more sculptural design, as well as opening up interior spaces that would have been bisected by steel trusses. Prior to construction, a 1/2-scale model of one of the outer columns was built and subjected to various tests. It was envisioned that future additions to the original building would form terraced levels around the tower base descending into the canyon. In keeping with the original master plan, these are "deliberately designed to be subordinated to the strong, geometrical form of the existing library."[16] Within its two subterranean levels are the other library sections as well as study spaces and computer labs.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: HABITAT 67, or simply Habitat, is a housing complex at Cité du Havre, on the Saint Lawrence River, Montreal, Quebec, Canada, designed by Israeli-Canadian architect Moshe Safdie. It originated in his master's thesis at the School of Architecture at McGill University and then an amended version was built for Expo 67, a World's Fair held from April to October 1967. Its address is 2600 Avenue Pierre-Dupuy, next to the Marc-Drouin Quay. Habitat 67 is considered an architectural landmark and a recognized building in Montreal.Habitat 67 comprises 354 identical,[7] prefabricated concrete forms (11.7 m × 5.3 m × 3 m [38 ft 5 in × 17 ft 5 in × 9 ft 10 in])[7] arranged in various combinations, divided into three pyramids,[11][7] reaching up to 12 residential storeys, with a parking level, and a building services level. Together these units created 146 residences of varying sizes and configurations, each formed from one to eight linked concrete units.[12] The complex originally contained 158 apartments,[13] but several apartments have since been joined to create larger units, reducing the total number. Each unit is connected to at least one private landscaped garden terrace,[7] built on t
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Balfron Tower is a 26-storey residential building in Poplar, Tower Hamlets, East London. Built in a Brutalist style, it forms part of the Brownfield Estate, an area of social housing between Chrisp Street Market and the A12 northern approach to the Blackwall Tunnel. It was designed by Ernő Goldfinger in 1963 for the London County Council, built 1965–67 by the GLC, and has been a listed building since 1996. Balfron Tower is stylistically similar to Goldfinger's later Trellick Tower in London. Balfron Tower is 84 metres (276 ft) high and contains 146 homes (136 flats and 10 maisonettes). Lifts serve every third floor; thus, to reach a flat on the 11th, 12th, or 13th floors, residents or visitors would take a lift to the 12th. The lift shaft sits in a separate service tower, also containing laundry rooms and rubbish chutes, and joined to the residential tower by eight walkways.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Brutalist architecture is an architectural style that emerged during the 1950s in the United Kingdom, among the reconstruction projects of the post-war era. Brutalist buildings are characterised by minimalist constructions that showcase the bare building materials and structural elements over decorative design. The style commonly makes use of exposed, unpainted concrete or brick, angular geometric shapes and a predominantly monochrome colour palette; other materials, such as steel, timber, and glass, are also featured. New brutalism is not only an architectural style; it is also a philosophical approach to architectural design, a striving to create simple, honest, and functional buildings that accommodate their purpose, inhabitants, and location. Stylistically, brutalism is a strict, modernistic design language that has been said to be a reaction to the architecture of the 1940s, much of which was characterised by a retrospective nostalgia. Peter Smithson believed that the core of brutalism was a reverence for materials, expressed honestly, stating "Brutalism is not concerned with the material as such but rather the quality of material", and "the seeing of materials for what they
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Truth to materials is a tenet of modern architecture (as opposed to postmodern architecture), which holds that any material should be used where it is most appropriate and its nature should not be hidden. Concrete, therefore, should not be painted and the means of its construction should be celebrated by, for instance, not sanding away marks left by timber shuttering (béton brut). As another example, porcelain is infrequently used in the exterior facing of buildings, but one modern example is the Dakin Building, Brisbane, California; therefore, the porcelain panels of this building have been left uncovered by any paint or preservative.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Quinta da Regaleira [ˈkĩ.tɐ dɐ ˈʁɨ.ɡɐ.lɐj.ɾɐ] is a quinta located near the historic centre of Sintra, Portugal. It is classified as a World Heritage Site by UNESCO within the "Cultural Landscape of Sintra". Along with the other palaces in the area such as the Quinta do Relógio, Pena, Monserrate and Seteais palaces, it is considered one of the principal tourist attractions of Sintra. The property consists of a Romantic palace and chapel, and a luxurious park that features lakes, grottoes, wells, benches, fountains, and a vast array of exquisite constructions. The palace is also known as "The Palace of Monteiro the Millionaire", which is based on the nickname of its best known former owner, António Augusto Carvalho Monteiro. The palace was designed by the Italian architect Luigi Manini.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Africanfuturism is a cultural aesthetic and philosophy of science that centers on the fusion of African culture, history, mythology, point of view, with technology based in Africa and not limiting to the diaspora.[1][2] It was coined by Nigerian American writer Nnedi Okorafor in 2019 in a blog post as a single word. Nnedi Okorafor defines Africanfuturism as a sub-category of science fiction that is "directly rooted in African culture, history, mythology and point-of-view..and...does not privilege or center the West," is centered with optimistic "visions in the future," and is written by (and centered on) "people of African descent" while rooted in the African continent. As such its center is African, often does extend upon the continent of Africa, and includes the Black diaspora, including fantasy that is set in the future, making a narrative "more science fiction than fantasy" and typically has mystical elements.[3] It is different from Afrofuturism, which focuses mainly on the African diaspora, particularly the United States. Works of Africanfuturism include science fiction, fantasy, alternate history, horror and magic realism.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Science fiction elements can include, among others: Temporal settings in the future, or in alternative histories.[271] Space travel, settings in outer space, on other worlds, in subterranean earth, or in parallel universes.[31] Aspects of biology in fiction such as aliens, mutants, and enhanced humans.[272][273] Predicted or speculative technology such as brain-computer interface, bio-engineering, superintelligent computers, robots, and ray guns and other advanced weapons.[272][274] Undiscovered scientific possibilities such as teleportation, time travel, and faster-than-light travel or communication.[275] New and different political and social systems and situations, including Utopian, dystopian, post-apocalyptic, or post-scarcity.[276] Future history and evolution of humans on Earth or on other planets.[277] Paranormal abilities such as mind control, telepathy, and telekinesis.[278]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Respected authors have written science fiction. Mary Shelley wrote a number of science fiction novels including Frankenstein; or, The Modern Prometheus (1818), and is considered a major writer of the Romantic Age.[221] Aldous Huxley's Brave New World (1932) is often listed as one of England's most important novels, both for its criticism of modern culture and its prediction of future trends including reproductive technology and social engineering.[222][223][224][225] Kurt Vonnegut was a highly respected American author whose works contain science fiction premises or themes.[226][227][228] Other science fiction authors whose works are widely considered to be "serious" literature include Ray Bradbury (including, especially, Fahrenheit 451 (1953) and The Martian Chronicles (1951)),[229] Arthur C. Clarke (especially for Childhood's End),[230][231] and Paul Myron Anthony Linebarger, writing under the name Cordwainer Smith.[232] In his book "The Western Canon", literary critic Harold Bloom includes Brave New World, Solaris, Cat's Cradle (1963) by Vonnegut, and The Left Hand of Darkness as culturally and aesthetically significant works of western literature.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Ursula K. Le Guin also criticized the more traditional view on the difference between "hard" and "soft" SF: "The 'hard' science fiction writers dismiss everything except, well, physics, astronomy, and maybe chemistry. Biology, sociology, anthropology—that's not science to them, that's soft stuff. They're not that interested in what human beings do, really. But I am. I draw on the social sciences a great deal."
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: In social science and politics, power is the social production of an effect that determines the capacities, actions, beliefs, or conduct of actors.[1] Power does not exclusively refer to the threat or use of force (coercion) by one actor against another, but may also be exerted through diffuse means (such as institutions).[1][2] Power may also take structural forms, as it orders actors in relation to one another (such as distinguishing between a master and an enslaved person, a householder and their relatives, an employer and their employees, a parent and a child, a political representative and their voters...), and discursive forms, as categories and language may lend legitimacy to some behaviors and groups over others.[1]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Transhumanism is a philosophical and intellectual movement which advocates the enhancement of the human condition by developing and making widely available sophisticated technologies that can greatly enhance longevity and cognition. Transhumanist thinkers study the potential benefits and dangers of emerging technologies that could overcome fundamental human limitations, as well as the ethics of using such technologies. Some transhumanists believe that human beings may eventually be able to transform themselves into beings with abilities so greatly expanded from the current condition as to merit the label of posthuman beings. Another topic of transhumanist research is how to protect humanity against existential risks, such as nuclear war or asteroid collision.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Some theories, most notably special and general relativity, suggest that suitable geometries of spacetime or specific types of motion in space might allow time travel into the past and future if these geometries or motions were possible.[23]: 499  In technical papers, physicists discuss the possibility of closed timelike curves, which are world lines that form closed loops in spacetime, allowing objects to return to their own past. There are known to be solutions to the equations of general relativity that describe spacetimes which contain closed timelike curves, such as Gödel spacetime, but the physical plausibility of these solutions is uncertain.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Science fiction aliens are both metaphors and real possibilities. One can probe the nature of humanity with aliens that by contrast illustrate and comment upon human nature. Still, as evidenced by widespread belief in alien visitors (see UFOs) and efforts to detect extraterrestrial radio signals, humans also crave companionship in a vast, cold universe and aliens may represent hopeful, compensatory images of the strange friends we have been unable to find. Thus, aliens will likely remain a central theme in science fiction until we actually encounter them.[2]
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