#kotsiubiiv

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: This property is a historic sericulture and silk mill complex established in the late 19th and early 20th century in the Gunma prefecture, north-west of Tokyo. It consists of four sites that correspond to the different stages in the production of raw silk: a large raw silk reeling plant whose machinery and industrial expertise were imported from France; an experimental farm for production of cocoons; a school for the dissemination of sericulture knowledge; and a cold-storage facility for silkworm eggs. The site illustrates Japan’s desire to rapidly access the best mass production techniques, and became a decisive element in the renewal of sericulture and the Japanese silk industry in the last quarter of the 19th century. Tomioka Silk Mill and its related sites became the centre of innovation for the production of raw silk and marked Japan’s entry into the modern, industrialized era, making it the world’s leading exporter of raw silk, notably to Europe and the United States.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The beauty of the solitary, often snow-capped, stratovolcano, known around the world as Mount Fuji, rising above villages and tree-fringed sea and lakes has long been the object of pilgrimages and inspired artists and poets. The inscribed property consists of 25 sites which reflect the essence of Fujisan’s sacred and artistic landscape. In the 12th century, Fujisan became the centre of training for ascetic Buddhism, which included Shinto elements. On the upper 1,500-metre tier of the 3,776m mountain, pilgrim routes and crater shrines have been inscribed alongside sites around the base of the mountain including Sengen-jinja shrines, Oshi lodging houses, and natural volcanic features such as lava tree moulds, lakes, springs and waterfalls, which are revered as sacred. Its representation in Japanese art goes back to the 11th century, but 19th century woodblock prints of views, including those from sand beaches with pine tree groves have made Fujisan an internationally recognized icon of Japan and have had a deep impact on the development of Western art.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The boundaries of the serial property cover the key values of the property and are well designed. The zonation and the legal protection provide an appropriate framework, while the boundaries of Ogasawara National Park serve as a functional overall buffer zone. Marine protected areas are partly included, contributing to more effective management of the terrestrial-marine interface and thus integrity. Integrity issues are mostly related to external threats, most importantly invasive alien species. The effects of invasive alien species and historic logging have already altered many of the archipelago's habitats. Future invasions have the potential to compromise the very values the Ogasawara Islands have been recognized for and therefore need careful and continuous attention. Possible future air access, as well as increased visitation and corresponding development potentially have strong and even irreversible effects in a fragile island environment. Control of access to the islands and of alien invasive species, two in part overlapping issues, is of critical importance for the conservation of the archipelago.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The property's ecosystems reflect a range of evolutionary processes illustrated through its rich assemblage of plant species from both a Southeast Asian and a Northeast Asian origin. There is also a very high percentage of endemic species in selected taxonomic groups, resulting from these evolutionary processes. Within the flora it is an important centre for active, ongoing speciation. The Ogasawara Islands provide valuable evidence of evolutionary processes through their significant on-going ecological processes of adaptive radiation in the evolution of the land snail fauna as well as in their endemic plant species. The examples of fine-scale adaptive radiation between and sometimes within the different islands of the archipelago are central to the study and understanding of speciation and ecological diversification. This is further enhanced by the relatively low extinction rates in taxa such as the land snails. It is the combination of both the concentration of endemism and extent of adaptive radiation evident in the Ogasawara Islands which sets the property apart from other places illustrating evolutionary processes.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Ogasawara Islands are located in the North-Western Pacific Ocean roughly 1,000 km south of the main Japanese Archipelago. The serial property is comprised of five components within an extension of about 400 km from north to south and includes more than 30 islands, clustered within three island groups of the Ogasawara Archipelago: Mukojima, Chichijima and Hahajima, plus an additional three individual islands: Kita-iwoto and Minami-iwoto of the Kazan group and the isolated Nishinoshima Island. These islands rest along the Izu-Ogasawara Arc Trench System. The property totals 7,939 ha comprising a terrestrial area of 6,358 ha and a marine area of 1,581 ha. Today only two of the islands within the property are inhabited, Chichijima and Hahajima. The landscape is dominated by subtropical forest types and sclerophyllous shrublands surrounded by steep cliffs. There are more than 440 species of native vascular plants with exceptionally concentrated rates of endemism as high as 70% in woody plants. The islands are the habitat for more than 100 recorded native land snail species, over 90% of which are endemic to the islands.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The property and its buffer zone are well protected through a range of designations - Historic Sites, Special Historic Sites, Places of Scenic Beauty or Special Places of Scenic Beauty. Protecting views between sites and protecting their setting will be crucial to ensure that the sites have the ability to demonstrate their relationship with the landscape in a meaningful way though allowing them to be oases of contemplation. Iwate Prefecture and the relevant municipal government have set up the Iwate Prefecture World Heritage Preservation and Utilization Promotion Council to provide the overall management framework for the property. This Council receives expert advice from the Instructing Committee for Research and Conservation of the Group of Archaeological Sites of Hiraizumi.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The property encompasses the remains of the temple complexes with their Pure Land Gardens and the sacred mountain of Mount Kinkeisan to which they are visually aligned. Although the sites of Chûson-ji, Môtsû-ji, Kanjizaiô-in Ato and Mount Kinkeisan conserve their visual links in a complete manner, at the Muryôko-in site, houses and other structures have a negative influence. The visual links between the temples and Mount Kinkeisan span areas outside the property in the buffer zone. To protect the spatial landscape relating to Pure Land cosmology, the spatial integrity of these links need to be sustained. There is no doubt of the authenticity of the excavated remains. Two of the gardens have been reconstructed and this work has been underpinned by rigorous analysis of the built and botanical evidence. For the surviving structures, the main building Chûson-ji Konjikidô is a remarkable survival and has been conserved with great skill in a way that ensures its authenticity of materials and construction. The authenticity of the temple in its landscape has to a certain extent been compromised by the concrete sheath building that now surrounds it.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Much of the area was destroyed in 1189 when the city lost its political and administrative status. Such was the spectacular rise and conspicuous wealth of Hiraizumi and its equally rapid and dramatic fall, that it became the source of inspiration for many poets. In 1689, Matsuo Basho, the Haiku poet, wrote: 'Three generations of glory vanished in the space of a dream...'. The four temple complexes of this once great centre with their Pure Land gardens, a notable surviving 12th century temple, and their relationship with the sacred Mount Kinkeisan are an exceptional group that reflect the wealth and power of Hiraizumi, and a unique concept of planning and garden design that influenced gardens and temples in other cities in Japan. The temples and Pure Land gardens of Hiraizumi demonstrate in a remarkable way how the concepts of garden construction introduced from Asia along with Buddhism evolved on the basis of Japan's ancient nature worship, Shintoism, and eventually developed into a concept of planning and garden design that was unique to Japan. The gardens and temples of Hiraizumi influenced those in other cities, notably Kamakura where one of the temples was based on Chûson-ji.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The four Pure Land gardens of Hiraizumi, three focused on the sacred mountain Mount Kinkeisan, exemplify a fusion between the ideals of Pure Land Buddhism and indigenous Japanese concepts relating to the relationship between gardens, water and the surrounding landscape. Two gardens are reconstructed, with many details recovered from excavations, and two remain buried. The short-lived city of Hiraizumi was the political and administrative centre of the northern realm of Japan in the 11th and 12th century and rivalled Kyoto, politically and commercially. The four gardens were built by the Ôshû Fujiwara family, the northern branch of the ruling clan, as symbolic manifestations of the Buddhist Pure Land on this earth, a vision of paradise translated into reality through the careful disposition of temples in relation to ponds, trees and the peaks of Mount Kinkeisan. The heavily gilded temple of Chûson-ji - the only one remaining from the 12th century -, reflects the great wealth of the ruling clan.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Hiraizumi - Temples, Gardens and Archaeological Sites Representing the Buddhist Pure Land comprises five sites, including the sacred Mount Kinkeisan. It features vestiges of government offices dating from the 11th and 12th centuries when Hiraizumi was the administrative centre of the northern realm of Japan and rivalled Kyoto. The realm was based on the cosmology of Pure Land Buddhism, which spread to Japan in the 8th century. It represented the pure land of Buddha that people aspire to after death, as well as peace of mind in this life. In combination with indigenous Japanese nature worship and Shintoism, Pure Land Buddhism developed a concept of planning and garden design that was unique to Japan.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Technological developments in metal mining and production in Japan resulted in the evolution of a successful system based on small-scale, labor-intensive units covering the entire range of skills from digging to refining. The political and economic isolation of Japan during the Edo Period (1603 to 1868) impeded the introduction of technologies developed in Europe during the Industrial Revolution and this, coupled with the exhaustion of commercially viable silver-ore deposits, resulted in the cessation of mining activities by traditional technologies in the area in the second half of the 19th century, leaving the site with well-preserved archaeological traces of those activities. The abundant traces of silver production, such as mines, smelting and refining sites, transportation routes, and port facilities, that have survived virtually intact in the Iwami Ginzan Silver Mine Site, are now concealed to a large extent by the mountain forests that have reclaimed the landscape. The resulting relict landscape, which includes the surviving settlements of the people related to the silver production, bears dramatic witness to historic land-uses of outstanding universal value.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Iwami Ginzan Silver Mine in the south-west of Honshu Island is a cluster of mountains, rising to 600 m and interspersed by deep river valleys featuring the archaeological remains of large-scale mines, smelting and refining sites and mining settlements worked between the 16th and 20th centuries. The site also features routes used to transport silver ore to the coast, and port towns from where it was shipped to Korea and China. The mines contributed substantially to the overall economic development of Japan and south-east Asia in the 16th and 17th centuries, prompting the mass production of silver and gold in Japan. The mining area is now heavily wooded. Included in the site are fortresses, shrines, parts of Kaidô transport routes to the coast, and three port towns, Tomogaura, Okidomari and Yunotsu, from where the ore was shipped.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Set in the dense forests of the Kii Mountains on a peninsula in the southernmost part of mainland Japan, overlooking the Pacific Ocean, three sacred sites – Yoshino and Omine, Kumano Sanzan, and Koyasan – are linked by pilgrimage routes to the ancient capital cities of Nara and Kyoto. Together these sites, the connecting pilgrimage routes, and surrounding forests form a cultural landscape that reflect the fusion of Shintoism, rooted in the ancient tradition of nature worship in Japan, and Buddhism, which was introduced from China and the Korean Peninsula. The sacred sites are connected by 307 km of pilgrimage routes which cover a total area of 506.4 ha. With the surrounding forest landscape, they reflect a persistent and extraordinarily well-documented tradition of sacred mountains maintained over 1,200 years.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Set in the dense forests of the Kii Mountains overlooking the Pacific Ocean, three sacred sites – Yoshino and Omine, Kumano Sanzan, Koyasan – linked by pilgrimage routes to the ancient capital cities of Nara and Kyoto, reflect the fusion of Shinto, rooted in the ancient tradition of nature worship in Japan, and Buddhism, which was introduced from China and the Korean Peninsula. The sites (506.4 ha) and their surrounding forest landscape reflect a persistent and extraordinarily well-documented tradition of sacred mountains over 1,200 years. The area, with its abundance of streams, rivers and waterfalls, is still part of the living culture of Japan and is much visited for ritual purposes and hiking, with up to 15 million visitors annually. Each of the three sites contains shrines, some of which were founded as early as the 9th century.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Five hundred years of Ryukyuan history (12th-17th centuries) are represented by this group of sites and monuments. The nine component parts of the property include the sites and archaeological ruins of two stone monuments, five castles, and two cultural landscapes. They are scattered across Okinawa Island, collectively covering 54.9 ha. The surrounding buffer zone covers a total area of 559.7 ha. In the 10th-12th centuries, Ryukyuan farming communities (gusuku) began to enclose their villages with simple stone walls for protection. From the 12th century onwards powerful groups known as aji began to emerge. They enlarged the defences of their own settlements, converting them into fortresses for their own households; these adopted the term gusuku to describe these formidable castles. The castle ruins of the Gusuku sites on imposing elevated locations, are evidence for the social structure over much of that period, while the sacred sites provide mute testimony to the rare survival of an ancient form of religion into the modern age. The wide-ranging economic and cultural contacts of the Ryukyu Islands over that period gave rise to a unique culture.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The entire region suffered considerable damage during the Second World War and reconstruction work has taken place on many of the component parts. In Japan the authenticity of the form/design and materials/substance of each part of the property remains at a very high level, as they have been rehabilitated and restored under strict rules for more than one hundred years. Authenticity of location/setting has been maintained in that none of the component parts of the property has been moved from its original location and traces of buildings discovered through archeological excavations have been preserved underground. Extensive measures have been taken to make it possible to differentiate original materials from those used for rehabilitation and restoration, while sufficient care has been taken in the course of choosing materials. In the immediate aftermath of the Second World War, there were some cases of using improper materials, but adequate steps have been taken to replace these with proper materials or to establish clear distinctions between proper and improper materials. All the projects for such procedures are based on detailed surveys and research conducted in advance.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The shrine and temple buildings, together with their natural surroundings, have for centuries constituted a sacred site and the home of architectural and decorative masterpieces. The site continues to function today as a place of religious rituals and other activities which maintain its traditions, both physically and spiritually. The site has suffered from natural disasters (e.g. fire, falling trees, and earthquakes) over the centuries. Each time, the damaged building was restored faithfully, following rigorously the original plans and techniques, using the original materials whenever possible with attention and care to the preservation of colouring, materials and decorative works. Detailed documents about these operations have been kept. Most of the buildings as elements of the property remain in their original locations. The setting, with its relationship between buildings and old growth forest planted in the early 17th century, has also been maintained. The mountains and forests retain their sacred meanings, and the shrines and temples of Nikko are in active religious use. As described above, the property retains high level of authenticity in terms of form/design.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Nikko shrines and temples is a perfect illustration of the architectural style of the Edo period as applied to Shinto shrines and Buddhist temples. The Gongen-zukuristyle of the two mausoleums, the Tôshôgû and the Taiyû-in Reibyô, reached the peak of its expression in the Nikko shrines and temples, and was later to exert a decisive influence. The ingenuity and creativity of its architects and decorators are revealed in an outstanding and distinguished manner.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The level of authenticity of the various buildings on the property is high from the view of form and design, materials and substance, traditions and techniques, and location and setting. Japanese conservation principles have ensured that replacement of damaged or degraded architectural elements has respected the materials and techniques used by the original builders. The archaeological site of the Nara Palace Site, protected for a long period under cultivated rice fields, has also a high level of authenticity in form, materials and substance, and location and setting. Unearthed archaeological remains have been reburied for protection. There has been some reconstruction of the gate, the study hall, and the garden at the Nara Palace Site. The continuity of traditional architecture in Japan and the substantial amount of data recovered by archaeological excavation has ensured that the reconstructed buildings have a high level of authenticity in form and design. The State Party is currently addressing how to best maintain that continuity in ongoing reconstruction work emphasizing the need for a clear rationale and justification for all interventions.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Historic Monuments of Ancient Nara bear exceptional witness to the evolution of Japanese architecture and art and vividly illustrate a critical period in the cultural and political development of Japan, when Nara functioned as its capital from 710 to 784. During this period, the framework of national government was consolidated and Nara enjoyed great prosperity, emerging as the fountainhead of Japanese culture. Located in the modern city of Nara, the property includes eight component parts composed of seventy-eight different buildings covering 617.0 ha, which is surrounded by a buffer zone (1,962.5 ha) and the “historic environment harmonization area (539.0 ha)”. The site of Heijô-kyô was carefully selected in accordance with Chinese geomantic principles. A grand city plan, based on Chinese examples such as Chang'an, was laid out, with palaces, Buddhist temples, Shinto shrines, public buildings, houses, and roads on an orthogonal grid. The palace itself, located at the northern end of the central avenue, occupied 120 ha. It comprised the official buildings where political and religious ceremonies took place, notably the Daigokuden (imperial audience hall) and Chôdô-in.
  • Using base image: Yes