#kotsiubiiv

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: I Neo-futurism architecture is an innovative design language that incorporates artificial intelligence and advanced technologies to create intelligent and adaptive structures. In this type of architecture, buildings are designed to learn and adapt to the needs of their occupants and the environment. One key feature of AI Neo-futurism architecture is the use of intelligent building management systems. These systems use machine learning algorithms to analyze data from sensors and other sources, allowing the building to optimize its energy consumption, lighting, temperature, and other systems. For example, a building could adjust its lighting and temperature based on the preferences of individual occupants or the time of day. Another feature of AI Neo-futurism architecture is the use of interactive interfaces. Buildings can be designed to incorporate interactive interfaces that allow occupants to interact with the building's systems, such as adjusting the lighting or temperature with voice commands. The use of robotics and automation is also a common feature of AI Neo-futurism architecture. Buildings can be designed to incorporate robots and other automation technologies.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A chapter house or chapterhouse is a building or room that is part of a cathedral, monastery or collegiate church in which meetings are held. When attached to a cathedral, the cathedral chapter meets there. In monasteries, the whole community often met there daily for readings and to hear the abbot or senior monks talk. When attached to a collegiate church, the dean, prebendaries and canons of the college meet there. The rooms may also be used for other meetings of various sorts; in medieval times monarchs on tour in their territory would often take them over for their meetings and audiences. Synods, ecclesiastical courts and similar meetings often took place in chapter houses.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv

• Model: DreamForge

• Size: 1024 X 1024 (1.05 MP)

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  • Prompt: Ukrainian cyberpunk. Cyberpunk art is a genre that combines elements of science fiction, dystopia, and advanced technology. Blue and yellow colors.
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  • Aspect Ratio: square

Ukraine, Kotsiubiiv

• Model: Artistic

• Size: 864 X 640 (0.55 MP)

• Used settings:

  • Prompt: Neo-futurism architecture is a contemporary architectural style that emphasizes technology, innovation, and futurism. It often features bold geometric forms, clean lines, and a combination of materials such as glass, steel, and concrete. With regards to crater form in Neo-futurism architecture, it is a unique design element that adds a dramatic and futuristic touch to buildings. The crater form is inspired by the idea of creating a space that mimics the natural formation of a crater or volcanic area. This results in a building with a concave or bowl-like shape, with a depression in the center. The use of crater form in Neo-futurism architecture is often seen in buildings such as museums, cultural centers, and public spaces. The design creates an immersive experience for visitors, drawing them into the center of the space where they can interact with the environment in a unique and engaging way.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The present-day Louvre Palace is a vast complex of wings and pavilions which, although superficially homogeneous in scale and architecture, is the result of many phases of building, modification, destruction and reconstruction. Its apparent stylistic consistency is largely due to conscious efforts of architects over several centuries to echo each other's work and preserve a strong sense of historical continuity, mirroring that of the French monarchy and state; American essayist Adam Gopnik has written that "The continuity the Louvre represents is the continuity of the French state."[18] For example, from the 1620s to the 1650s Jacques Lemercier thoroughly replicated the Lescot Wing's patterns for his design of the northern half of the western wing of the Cour Carrée. In the 1660s Louis Le Vau echoed Lemercier's Pavillon de l'Horloge for his redesign of the central pavillon of the Tuileries Palace further west (burnt in 1871 and demolished in 1883), and mostly continued Lescot's and Lemercier's pattern for the completion of the Cour Carrée. A separate design a few years later, that associated with Claude Perrault for the Louvre Colonnade.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The interior of the building features much art nouveau decoration, but is more subdued than the exterior. The vestibule is decorated with curved archways supported on marble columns, with short stairways leading to an apartment (now a dentist's office) on one side and to the main stairway on the other. The stairway is the central decorative of the interior; the entrance has a door decorated with wrought iron and glass, and the railing of the stairway is made up of undulating iron work in exotic vegetal forms. The ground floor also features finely-crafted stonework and sculptural detail. The walls of the stairway are decorated with art nouveau floral designs in subdued browns, golds and reds. At the top of the stairway, another smaller stairway leads to the rooftop terrace. A covered passage on the street level leads to a small interior courtyard, which is more simply decorated than the facade, but has sculpted art nouveau lintels around the windows.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theater

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Neo-futurism architecture is a contemporary architectural style that emphasizes technology, innovation, and futurism. It often features bold geometric forms, clean lines, and a combination of materials such as glass, steel, and concrete. With regards to crater form in Neo-futurism architecture, it is a unique design element that adds a dramatic and futuristic touch to buildings. The crater form is inspired by the idea of creating a space that mimics the natural formation of a crater or volcanic area. This results in a building with a concave or bowl-like shape, with a depression in the center. The use of crater form in Neo-futurism architecture is often seen in buildings such as museums, cultural centers, and public spaces. The design creates an immersive experience for visitors, drawing them into the center of the space where they can interact with the environment in a unique and engaging way.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: These Haitian monuments date from the beginning of the 19th century, when Haiti proclaimed its independence. The Palace of Sans Souci, the buildings at Ramiers and, in particular, the Citadel serve as universal symbols of liberty, being the first monuments to be constructed by black slaves who had gained their freedom. The ensemble was embellished with gardens, basins and fountains. Inaugurated in 1813, the Palace Sans-Souci was looted at the death of the king in 1820. Since then, abandoned, it was seriously damaged by the earthquake of 1842. Nevertheless, by its size, it remains an impressive and coherent ruin, owing its bizarre beauty to an exceptional harmony with the mountainous setting, as well as its recourse to diverse and yet reputedly irreconcilable architectural models. The Baroque staircase and the classical terraces, the stepped gardens reminiscent of Potsdam and Vienna, the canals and basins freely inspired by Versailles, impart an indefinable hallucinatory quality to the creation of the megalomaniac king.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Theatre of Musical Comedy

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Centre Pompidou-Metz is a large hexagon structured round a central spire reaching 77 m (253 ft), alluding to the 1977 opening date of the original Centre Pompidou of Paris. It possesses three rectangular galleries (Gallery 1, 2, and 3) weaving through the building at different levels, jutting out through the roof with huge picture windows angled towards landmarks such as the Saint-Stephen Gothic cathedral, the Imperial railway station, the Arsenal Concert Hall built by Spanish architect Ricardo Bofill, the Arènes indoor sport arena built by French architect Paul Chemetov, and the Seille park. The great nave covers 1,200 m2 (13,000 sq ft) and provides flexibility for the exhibition of large artworks, with the ceiling rising progressively from a height of 5.7 m (19 ft) to 18 m (59 ft).
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: In November 1964, von Braun proposed a more ambitious plan to build a much larger station built from the S-II second stage of a Saturn V. His design replaced the S-IVB third stage with an aeroshell, primarily as an adapter for the CSM on top. Inside the shell was a 10 feet (3.0 m) cylindrical equipment section. On reaching orbit, the S-II second stage would be vented to remove any remaining hydrogen fuel, then the equipment section would be slid into it via a large inspection hatch. This became known as a "wet workshop" concept, because of the conversion of an active fuel tank. The station filled the entire interior of the S-II stage's hydrogen tank, with the equipment section forming a "spine" and living quarters located between it and the walls of the booster. This would have resulted in a very large 33 by 45 feet (10 by 14 m) living area. Power was to be provided by solar cells lining the outside of the S-II stage.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The settlement of the Middle Neolithic (5000–4000 BCE), housed 500–1000 people in more substantial and presumably more family-private homes. Construction was the same, except the windows and doors were timbered, a fixed, raised hearth occupied the center of the main room, and pilasters and other raised features (cabinets, beds) occupied the perimeter. Under the palace was the Great House, a 100 m2 (1,100 sq ft) area stone house divided into five rooms with meter-thick walls suggesting a second story was present. The presence of the house, which is unlikely to have been a private residence like the others, suggests a communal or public use; i.e., it may have been the predecessor of a palace. In the Late or Final Neolithic (two different but overlapping classification systems, around 4000–3000 BCE), the population increased dramatically.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Many elements are often alloyed with steel. The main purpose for alloying most elements with steel is to increase its hardenability and to decrease softening under temperature. Tool steels, for example, may have elements like chromium or vanadium added to increase both toughness and strength, which is necessary for things like wrenches and screwdrivers. On the other hand, drill bits and rotary files need to retain their hardness at high temperatures. Adding cobalt or molybdenum can cause the steel to retain its hardness, even at red-hot temperatures, forming high-speed steels. Often, small amounts of many different elements are added to the steel to give the desired properties, rather than just adding one or two. Most alloying elements (solutes) have the benefit of not only increasing hardness, but also lowering both the martensite start temperature and the temperature at which austenite transforms into ferrite and cementite. During quenching, this allows a slower cooling rate, which allows items with thicker cross-sections to be hardened to greater depths than is possible in plain carbon-steel, producing more uniformity in strength.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Pardubice Crematorium is a crematorium in Pardubice, Czech Republic. It was designed by the Czech architect Pavel Janák in the Czech Art Deco style and built between 1921 and 1923. The project came from a tender that was opened at the end of 1918 and took place in 1919. Janák's project was chosen from 81 architectonical designs. The design of the crematorium was influenced by old Slavic mythology and the concept of ancient Christian basilicas. Janák was inspired by Peter Behrens' conception of the crematorium in Hagen.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: In 1966 Tange designed the Shizuoka Press and Broadcasting Tower in the Ginza district of Tokyo. This time using only a single core Tange arranged the offices as cantilevered steel and glass boxes. The cantilever is emphasised by punctuating the three-storey blocks with a single-storey glazed balcony.[51] The concrete forms of the building were cast using aluminium formwork and the aluminium has been left on as a cladding.[52] Although conceived as a "core-type" system that was included in Tange's other city proposals, the tower stands alone and is robbed of other connections.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape