#industry

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• Model: ChatGPT 2 (Pro)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: A grimdark digital painting of a bloated plague priest character, Warhammer 40k concept art style, massive mutated cybernetic figure with pale decaying flesh and a gas mask with a ribbed hose connected to its chest. On its back is a heavy mechanical rig holding melted burning candles and smoking industrial exhaust pipes billowing thick black smog. The character holds a long staff topped with a large glowing green chemical lantern in one hand, and a spiked iron flail censer emitting toxic yellow gas in the other. Dark grotesque skulls hang from its robes. Gritty hand-drawn sketch texture, heavy shading, muted greens, sickly flesh tones, stark blood-orange and rust background, John Blanche style illustration, highly detailed, dark fantasy sci-fi art
  • Using base image: No
  • Aspect Ratio: portrait

Nitrate Levels: A Whimsical Comparison

• Model: Nano Banana 2 (Pro)

• Size: 1200 X 896 (1.08 MP)

• Used settings:

  • Prompt: whimsical cartoon crazy funky desperate attempt put 1 liter of water with 50mg nitrate in perspective against other nitrate-containing vegetables. The concentration of nitrate in human saliva is typically 10 to 50 times higher than the limit value for drinking water. industry pumps nitrites into the food, our bio-mechanism the body fights, some escape
  • Using base image: No
  • Aspect Ratio: landscape

Defiance

• Model: ChatGPT (Pro) Full

• Size: 2352 X 1568 (3.69 MP)

• Used settings:

  • Prompt: dirty old town. A tired artist paints a vibrant colorful painting on an easel, standing on a bridge over a toxic industrial river
  • Using base image: No
  • Aspect Ratio:

The World After Arrival

• Model: FluX (Ultra)

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Busy futuristic spaceport with spaceships and cargo traffic, futuristic vehicles, mix of dieselpunk and steampunk and cyberpunk, a solitary moon glowing low on the horizon. Inspired by the works of Eddie Del Rio, Luke Aegis, Alex Pronin, Jan Ditlev, and Stas Yurev. Bright midday light, hard shadows.
  • Using base image: No
  • Aspect Ratio: landscape_wide

There might be a problem with the sun II

• Model:

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: There might be a problem with the sun
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cathedral of Alloy

• Model:

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: On the sunlit side of an orbital shipyard, a young pilot stands on a narrow gantry high above a planet’s curve. His brown hair catches the light, a grin across his face betraying excitement and nerves. Through his helmet visor, his gaze fixes on the colossus before him: a starship under construction, vast and gleaming in drydock. The ship’s hull is a continuous sweep of violet alloy, surfaces flowing as though poured into shape. Iridescent striations ripple beneath a pearlescent skin, deepening into midnight lacquer along edges. Emerald panel lines trace vascular paths across its body. Three translucent dorsal domes crown the spine, scattering floodlights into shifting prisms, while ventral reactor nodes glow steady amber. Around it, the drydock hums with industry. Coolant plumes drift in cyan ribbons through the lattice of girders, fogging and revealing the ship’s curvature in turns. Engineers in white exo-suits tether across the surface, welding arcs flashing into brief captured stars. Articulated cranes swing with insect precision, lowering panels that settle into place flush as though grown rather than bolted. The station’s ring arcs behind, dotted with shuttles and storage spheres; far below, the planet glows with blue atmosphere. Golden drones glide on maintenance runs, their lights streaking like sparks in slow orbit. The boy grips the gantry rail, his posture both casual and resolute, balanced at the edge of scale he can hardly fathom. Lighting is industrial clarity: floodlamps rake violet hull plates into silver highlights and soft shadows, coolant fog turns beams into luminous veils, and the alloy itself responds with pulses of reflected color. The palette holds steady to silvers, pearls, violets, emerald accents, cyan vapor, and amber reactor glow. Mood: awe and anticipation, the meeting of human ambition with machine elegance—Burns’ signature techno-sensual futurism. --mod low angle perspective, --mod epic scale framing, --mod heroic pilot figure, --mod colossal starship hull, --mod violet alloy surfaces, --mod iridescent reflections, --mod cyan coolant fog, --mod amber reactor glow, --mod romantic realism, --mod classic sci-fi cover, --mod crisp edge control, --mod industrial awe
  • Using base image: No
  • Aspect Ratio: landscape_wide

Cosmic Harmony: Nature Meets Industry

• Model:

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Create a surreal, cosmic portrait of a person with a large hat, blending the silhouette of their profile with a vibrant galaxy. Inside the profile, include a landscape of lush trees and distant factories under a colorful sunset, transitioning into a bustling cityscape filled with buildings and a water tower. Surround the scene with distant planets and stars, creating a dreamlike atmosphere that evokes a sense of wonder and intrigue. Use rich colors and intricate details to enhance the contrast between the natural and industrial elements.
  • Using base image: No
  • Aspect Ratio: square

Big Blue Descends

• Model:

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A colossal cargo drone—known across the industrial fleet as "Big Blue"—descends with earth-shaking inevitability into the heart of a sprawling shipyard, its enormous spherical hull pitted with scars of reentry and ringed with blazing thruster wells that pour incandescent furnace-light into the smoke-choked air. From the viewer’s low, off-center vantage, the entire machine looms impossibly close, overwhelming the frame with concentric geometry and cascading sparks that rain from its docking arms like a storm of molten steel. Foreground silhouettes of workers in reflective vests blur against the haze, their helmets catching stray glints of light; their presence anchors human scale but is quickly devoured by the machine’s immensity. The asphalt beneath trembles as dust, smoke, and metallic debris are flung outward in violent spirals, while yellow-striped barriers bend beneath the onrush of displaced air. Midground structures—towering gantries, skeletal cranes, and container stacks—strain to frame the arrival, their rigid orthogonals broken by the vast spherical intrusion. Beyond, another drone approaches through the vapor-thick horizon, its silhouette dimmed by atmospheric depth yet echoing the same monstrous form, reinforcing the industrial procession of leviathans. Overhead gulls wheel frantically through the downdraft, their wings backlit by the searing orange of exhaust vapor, while distant dirigibles and auxiliary craft drift like phantoms across the ashen sky. Every surface of the drone seethes with detail: carbon-scored armor plates, exposed mechanical joints, blistered weld seams, luminescent hazard glyphs, and painted corporate sigils half-consumed by rust and flame. Sparks cascade from articulated landing arms, scattering across reflective wet asphalt as if igniting fragments of forgotten battles. Thrusters roar with volcanic force, carving turbulent shockwaves that ripple the gantries’ steel trusses, rattling shipping containers, and forcing human figures to shield their eyes. The viewer’s perspective is locked into a rising three-quarter tilt, cinematic and destabilizing, making the drone not just a machine but a world-consuming presence. The background dissolves into layered atmospheric haze, its density carved by shafts of raytraced light that refract through drifting particulates, bending color into molten gradients of rust-orange, electric blue, and sulfurous gray. Gantry floodlights flare against the haze, their beams fragmented by scaffolds and chains, adding to the kaleidoscope of industrial illumination. Each frame element enacts consequence: gulls scatter, cranes sway, asphalt fractures, sparks rain, steam hisses, and the drone descends inexorably toward its berth. In this theater of engineered awe, the shipyard becomes a crucible where sky and steel converge, and "Big Blue" is no mere machine—it is a cargo monolith, an industrial godform, a descending titan whose weight presses down on the very air. --mod alien starcruiser, --mod industrial fidelity, --mod atmospheric depth, --mod deep perspective, --mod raytraced lighting, --mod exhaust vapor, --mod rust orange mars dust, --mod industrial awe register, --mod cargo monolith descent, --mod smokestack horizon blur, --mod furnace core glow logic
  • Using base image: No
  • Aspect Ratio: landscape_wide

Urban Crawler: Heavy Wheeled Transport

• Model: AI Upscaler

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt:
  • Using base image: No
  • Aspect Ratio: landscape

Confident Female Driver in Urban Construction Scene

• Model: Photonic

• Size: 768 X 1344 (1.03 MP)

• Used settings:

  • Prompt: Nothing.
  • Using base image: Yes

Syd Mead Sunday: Auto-Convoy

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A massive crawler—twenty wheels across five axles—emerges from the underdeck of a city’s lower transport ring. Its surface is segmented in amber-toned ceramic shielding, and industrial arms fold inward as it slows. Suspended pods and sling-lift canisters dangle from its central spine. The crawlway around it glows with pale magenta signals as pedestrians walk overhead on transparent footbridges. A maintenance drone clings to the vehicle's side, spraying reflective sealant as a worker in a navy-blue suit inspects a readout. --mod amberglowplate, --mod chromaticedge, --mod civictechstructure, --mod cinematicdesaturation, --mod deep-perspective, --mod dynamiccomposition, --mod explorer-core, --mod industrialcathedralspace, --mod lowfrequencygrain, --mod mattefinish, --mod megavehicle, --mod modularinfrastructure, --mod pedestrianlayering, --mod polishedcomposite, --mod signalbandlight, --mod translucentfloor
  • Using base image: No
  • Aspect Ratio: landscape_wide

Titans of Industry

• Model: DaVinci2

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Enormous cybernetic electrical turbines (exploded view, details) set into a concrete floor, personnel taking readings, rows of overhead industrial lighting :: futuristic industrial power station :: by Syd Mead, John Wallin Liberto, Col Price, Robert McCall, John Berkey :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed, high definition
  • Using base image: No
  • Aspect Ratio: landscape_wide