Prompt: A dark, atmospheric oil painting of a lonely, abandoned brewery at night, styled with soft brushstrokes and a visible canvas texture. The massive industrial fermentation tanks and rusted copper pipes are old and decaying, blending subtly with the surrounding elements. The factory interior navigates a fluid sky-like ceiling of dark olive-green and murky jade shadows, with thick paint furrows forming the soot and steam formations. The entire scene is drenched in an oppressive, heavy moss-green fog and a smoky, toxic ocre haze. High contrast chiaroscuro, muted lighting, avoiding any hard edges or digital sharpness. In the melancholic style of Zdzisław Beksiński and the sickly green palette of H.R. Giger.
Prompt: Sprawling workshop in near-future industrial complex, well illuminated by ambient strip lighting and embedded ceiling arrays. Wide, heavy worktables dominate floor, layered with photonic tools, solid-light interfaces, holographic schematics, and translucent blueprints projected in midair. Semi-material holograms show circuit overlays, exploded-view schematics, and component clusters hovering just above surface, as if “assembled in light.” Smart racks along walls store programmable tool heads and modular parts pulsing with embedded LEDs. Diagnostic arms and solid-state manipulators extend from ceiling rails, working in tandem with real-world components and holo-tools. Workbenches are cluttered with hybrid objects: part tangible tech, part luminous construct. Soft haze from thermal vents curls near floor. Glass panel walls reveal adjacent labs with similar layouts. Stark contrast between clean architectural lines and chaotic invention. Fluorescent blues, clean whites, and vibrant neon reflect off brushed alloy and polymer. Lighting is bright and even without central source. Mood is focused, inventive, alive. Workspace is clearly used: organized clutter, stacked gear, hovering schematics infused with cutting-edge tactile holography. Full shot, eye-level, with deep perspective and wide composition. Clear z-axis layering: foreground tools and benches, midground interface arrays, background support walls and robotics. Resembles fusion of Tony Stark’s garage and Tron: Legacy’s light-grid, anchored in functional realism.
--mod asymmetric composition
--mod layered detail
--mod volumetric shafts
--mod structure grain
--mod highlight scatter
--mod crystal mechanica
--mod digital illustration
--mod photorealism
--mod hyper-detail
--mod cinematic lighting
--mod holo interface
--mod industrial futurism
--mod solidlight design
--mod lab depth composition
--mod interactive UI
--mod workbench chaos
Prompt: SUBJECT (1.0): "A monumental, lonely ghost scrapyard featuring an endless accumulation of early 20th-century vintage cars at night. The weathered, rusted iron chassis and classic locomotives are decaying. Their geometric front grills create a rhythmic repetition that mimics rows of calcified crypt entries, while their exhaust pipes and steering columns fuse together like interconnected spinal cords and ribcages."
ENVIRONMENT (1.0): "A fluid, oppressive, and vast junkyard landscape. The decaying sea of vehicles emerges from an endless terrain of dark fluid mud and petrified scrap mounds, with thick paint furrows forming the cracked, organic soil, all shrouded in a heavy, dense fog and a smoky, dreamlike haze under a pitch-black sky."
STYLE & TEXTURE (1.0): "Dark atmospheric oil painting with soft brushstrokes and a highly visible canvas texture. Weathered, old, and decaying aesthetic. High contrast chiaroscuro with muted, ghostly lighting, completely avoiding any hard edges, clean lines, or digital sharpness."
ARTISTIC INFLUENCE (1.0): "In the deeply melancholic, surreal style of Zdzisław Beksiński fused with the early, dark, and symbolic palette of H.R. Giger (invoking the solemn, heavy architecture and fúnebre atmosphere of 'Hommage à Böcklin' and 'Satan I')."
CANON / ATMOSPHERE: "A silent, monochromatic purgatory of forgotten human industry. Every element feels ancient, abandoned, and slowly dissolving into a dark, foggy void where mechanical technology and organic decay fuse into a single mass."
Prompt: Panoramic black-and-white early 20th century cityscape photographed from a grassy hillside overlooking an industrial town.
Wide horizontal composition with deep focus: foreground a group of children in period clothing and simple dresses gathered on a dirt path and grassy slope, rustic fence and small half-timbered cottage to the right, middle ground rows of modest brick and stone houses and terraced streets, long low industrial buildings and a railway embankment, numerous tall factory chimneys and a single prominent smokestack rising against the skyline, background a Gothic church with a tall spire and distant town rooftops.
Moody overcast sky, muted tonal range, film grain, scratches and slight vignette for authentic vintage silver‑gelatin print feel, high architectural and textural detail, natural soft lighting, historically accurate clothing and building materials, no modern elements. Wide aspect ratio, documentary realism.
Prompt: Munch, Jenny Saville, de Kooning, Van Gogh, Cezanne: winter landscape, with Fiddlers Ferry power station and cooling towers. Along the bank of the river Mersey all painted in textured oil paints.
Prompt: A pencil drawing with spectacular shading and long shadows. A coal miner walks down an early evening street in Bethlehem, Pennsylvania. He is covered from head to toe in coal dust after a long day in the mines. He walks alongside the hulking rusty remains of the Bethlehem Steel plant, long abandoned. The mood is bleak, yet a new day of hope is portended by a few rays of the setting sun.
Prompt: More about Cyberpunk Samurai in a Snowy Dystopia
A dystopian, cyberpunk samurai stands in a desolate, snowy landscape, his armor adorned with wires and glowing orange lights. He wears a traditional samurai helmet with horns and a menacing-looking mask covering his face. A katana with a glowing orange hilt hangs at his side, partially drawn. In the background, a large, dark, industrial building with multiple smokestacks looms under a cloudy, stormy sky, emitting faint orange lights from within. Snow falls gently around the samurai, and the ground is covered in uneven, snow-dusted terrain. The overall mood is cold, dark, and intense.
Prompt: variety of flowers blooming in dystopian wasteland, mammatus skies. oil-painting with multiple textured thick layers of detailed oil paint using the technique of glazing, 8k resolution. Textured painting by an extremely talented surrealist painter.
Prompt: A landscape with robots and machines around a power plant. Fine hand drawing, high detail, high quality, professional illustration, sharp focus, 3d, colored pencil, ink, alcohol wash, rich textures, rusty, steampunk, cartoon, line art details, robotic, in the style of artist Jean-Baptiste Monge and “Machinerium” artist Adolf Lachman.
Prompt: A landscape with robots and machines. Fine hand drawing, high detail, high quality, professional illustration, sharp focus, 3d, colored pencil, ink, alcohol wash, rich textures, rusty, steampunk, cartoon, line art details, robotic, in the style of artist Jean-Baptiste Monge and “Machinerium” artist Adolf Lachman.
Prompt: Sprawling workshop fills large bay inside near-future industrial complex, shown from eye level in wide view. Room reads as active laboratory: heavy rectangular worktables dominate floor, central aisle runs through space, glass walls reveal adjoining labs, ceiling carries service rails, cable trays, vents, and lighting grids. Metal floor, brushed alloy bench frames, glazed partitions, and wall panels read clean but used, with scuffs, wheel marks, and hand-worn edges.
Foreground tables carry realistic equipment mixed with advanced tools. One bench holds ESD mat, inspection microscope, soldering station, oscilloscope, power supply, component trays, circuit boards and parts drawers beneath. Another bench supports clamped electromechanical module in steel fixture, service laptop, scanner, cable bundle, and bins beneath. Nearby sit portable meter, docking cradle, and service case. Packing foam, leads, fasteners, and small parts create organized clutter.
Only four holographic systems are active, each from visible emitters and registered to a physical workstation. One compact exploded-view schematic hovers above clamped actuator, aligned to hardware below. One translucent blueprint panel floats above electronics bench, mapping wiring routes across real board. One diagnostic volumetric model hovers over central assembly block. One overhead panel displays machine-section drawing above rear work zone. No wall-filling projections, no interface fog, no decorative hologram swarm.
Along walls, smart racks store programmable tool heads, parts, containers, and hand tools in orderly arrays. A pegboard-style tool wall, charging docks, and modular storage reinforce workshop use. Ceiling rails carry articulated diagnostic arms and solid-state manipulators above benches; each arm has visible joints, cable routing, end effectors, interacting with real parts. Work surfaces combine tangible machinery and projected guidance: physical housings, lens assemblies, canisters, actuator blocks, and test fixtures remain primary objects. Holo-overlays annotate or align them. Adjoining labs through glass continue same logic.
Lighting is high-key and workmanlike. Diffuse white ceiling panels and linear strips illuminate most ceiling bays, casting broad even light across tables, floors, walls, distant rooms. Secondary wall wash and reflected light keep corners, under-bench areas, and adjoining labs visible. Holograms glow blue-cyan but remain accents, not primary exposure drivers. Metal surfaces hold soft highlights, polymer panels stay matte, glass partitions show controlled reflections, and open shadows retain detail from foreground to background.
Digital illustration of functional industrial futurism. Camera looks diagonally across room so foreground tools, midground benches, background partitions, and ceiling manipulators layer cleanly along z-axis. Thermal haze stays light near floor. Palette balances neutral whites, silver-gray metal, graphite, muted tool colors, and restrained cyan holograms. Image priority is bright workable laboratory volume, realistic machinery, bounded holograms, organized clutter, and adjoining rooms through glass.
--mod asymmetric composition
--mod digital illustration
--mod wide interior view
--mod high-key industrial lighting
--mod realistic equipment
--mod deep focus exposure
--mod bounded holograms
Prompt: A futuristic phantom Big Rig truck transformer transformed and standing with a sleek, dark outline with a glazing Red design featuring neon blue accents and advanced technology. It showcases bold Phantom branding and intricate mechanical details in a high-tech industrial city setting, with enchanting atmosphere, a Leonid Aftremov and Thomas Kinkade painting style, city is in a Ethereal beauty and surrealism of Van Gogh style impressionism evoking a dreamlike atmosphere with cosmic elements, the painting is highly detailed with a wet on wet high glossy shine and reflective surface, crisp hyper realistic.
#advanced technology #futuristic truck #industrial setting #neon blue accents #sleek design #transformer
Prompt: An oil painting, a vibrant fantasy piece: a dramatic scene of a large rocket launch against a backdrop of chaotic structures and smoke. The rocket, adorned with intricate designs, is positioned on a launch pad, with smoke visible in the background against a peaceful sky. The sky is filled with swirling clouds of smoke. The overall atmosphere is intense and awe-inspiring, exuding a sense of power.
Prompt: Massive science fiction-style stargate towers over barren landscape of a desolate moon, primary subject and dominant vertical mass, colossal ring planted into the cratered surface with monumental scale, not small portal device, not ruin, not decorative arch; ring structure immense, engineered, load-bearing, and unmistakable against open lunar emptiness, event horizon active within the aperture as shimmering liquid-light field.
Colossal ring pulses with energy through segmented channels, structural ribs, inset emitters, conduit bands, and synchronized luminous seams; event horizon swirls like liquid light inside the gate, surface dynamic and dense rather than flat glow, not fire, not mist cloud, not transparent window, no fantasy magic basin, energy behavior confined to the aperture and ring architecture with clear technological causality.
Immense industrial complex surrounds the stargate in layered radial hierarchy: towering structures, gantries, reactor blocks, docking pylons, pipeline trunks, crane frameworks, communications towers, and intricate machinery clustered around the gate base and extending across the moon’s surface; complex reads as active interstellar infrastructure, not city skyline, not refinery alone, not military fortress only, every mass reinforcing the gate as the operational center.
Moon surface remains lifeless and heavily cratered, broad desolate terrain cut by impact bowls, regolith ridges, dust plains, and long hard shadows; nearby gas giant hangs in the sky as singular celestial anchor, immense but secondary, casting eerie reflected luminance across the landscape while distant starlight contributes cold metallic illumination, no atmosphere, no vegetation, no water, no human crowd, lunar emptiness preserved.
Sleek starships glide steadily toward the gate through the near sky and middle distance, ranging from nimble fighters to colossal freighters, all clearly subordinate to the gate but essential to the traffic logic; hull silhouettes clean and futuristic, engines leaving blue ion-light trails in disciplined approach vectors, no dogfight, no chaotic swarm, no launch explosion, motion calm and purposeful, ship scale progression proving the magnitude of the complex.
Asymmetrical cinematic composition locked around the towering gate and surrounding industrial field with starship approach lanes cutting depth across cratered moon terrain, strong foreground-to-background hierarchy, digital science-fiction illustration, detailed and immersive, cold starlight, eerie gas-giant glow, shimmering event horizon, single photographable instant of monumental interstellar transit on a lifeless moon.
--mod colossal stargate megastructure
--mod liquid-light event horizon
--mod surrounding industrial complex
--mod cratered lifeless moon surface
--mod nearby gas giant glow
--mod cold distant starlight
--mod multi-scale starship traffic
--mod blue ion engine trails
Prompt: ((A masterpiece of unparalleled excellence)), (((A cyberpunk-inspired image of two gigantic female faces adorned with sliver pipes and mechanisms, floating amidst clouds under a blue sky with scattered white and orange-tinged clouds. Below the colossal faces, a cyberpunk architectural structure emerges from the clouds, also festooned with neon and pipes, and emitting steam. A lone man, viewed from the back, stands on a stone pathway or cliff edge, looking up at the magnificent floating structure. The man is wearing a dark suit and his figure is silhouetted against the bright light and clouds. The overall scene suggests a blend of fantasy, technology, and awe))), Stunning Chinese watercolors, Pen and Ink, Pencil drawings, As if created by Arthur Rackham, Ernst Haeckel.
Prompt: cybernetic encrusted cyborg. multicolored, deep color psychedelic surreal jewelry, machine in the desert. PCB factory, iridescent explosion of art nouveau fireworks, weird interwoven surrealism. Salvador Dali, Carrie Ann Baade, Escher. patchwork quilling mosaic, surreal jewels and gems and pearls. award winning, trending on artstation
Prompt: fog and industral complexes with scaffoldings, pipes, spheric storages as the background. Art of Takato yamamoto, Hayao Miyazaki, Takashi Murakami, yayoi kusama: pen sketches, Watercolor & ink on washi paper, painting of a Surrealistic full body of a cute pale ultra pale kyoto space girl in blue, green, black psychedelic military camouflage deep space diving suits & mine-like diving blue, green, black psychedelic military camouflage helmet, perfect flawless hands in black gloves, with clear spheric headgear, with black tubings or cables linked to large suspended spherical mine-like high tech balls, suspended in dynamic artistic pose.
Prompt: Place a fat man in his underwear on top of a pile of money. He's covered in sores and blemishes. Give him a gas mask. In the background, a petrochemical plant with smoking chimneys and flare stacks. The air is polluted. The smoke slowly drifts into the foreground like mist. Spilled oil flows through the money. In the oil, you can still see birds covered in a thick layer of gunk.
Prompt: Colour painting. Early morning in an industrial town with the first red of dawn visible against a dark sky. Two beautiful young women, Eurasian features, long dark hair, wearing elaborate, embroidered dark blue kaftan-style garments, walking along the banks of a river, industrial buildings on the opposite bank.
Prompt: A gritty industrial district at the heart of TREST, known as the Hammer and Anvil. Towering forges and colossal anvils dominate the skyline, their silhouettes cutting through smoke-choked skies. Rivers of molten metal flow through stone channels, casting an orange glow that reflects off iron bridges, gears, and crane arms. Blacksmith guildhalls and factory-fortresses line the streets, built from dark stone, riveted steel, and brass.
Workers, artificers, and armored enforcers move through the scene—silhouetted figures wielding massive hammers, hauling glowing ingots, and tending roaring furnaces. Sparks rain through the air like fiery snow. Banners bearing sigils of craft guilds hang from gantries, scorched and oil-stained.
The atmosphere is heavy, loud, and oppressive, yet awe-inspiring: heat haze distorts the air, steam vents hiss, and the ground vibrates with the rhythmic pounding of steel on steel. The composition is wide and cinematic, with strong vertical structures, dramatic lighting contrasts, and a high level of environmental storytelling. Style: dark fantasy industrial, painterly comic art, ultra-detailed, dynamic perspective, epic scale.
Prompt: A riverside scene, likely in an industrial city, painted in a realistic style. Several abandoned and derelict brick buildings, with many windows and arched doorways, line both sides of the river. The sky is a light blue, with scattered white clouds. Natural light illuminates the scene, casting soft shadows. The perspective is from a slightly elevated position looking along the river. The overall atmosphere is quiet but gloomy. The composition is balanced with the buildings reflecting in the water, leading the eye through the scene. The colors are muted and natural, primarily consisting of shades of brown, gray, and muted blues. The style is realistic, oil painting, focusing on detailed representations of the crumbling buildings.
Industrial Railway Through Smoke and Steel- Homage to Charles Sheeler
Model:
Ideogram
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: Industrial landscape painting, depicting a factory complex with large orange grain silos, white and beige buildings, and a red smokestack. A railway track runs through the foreground, leading into the distance, over piles of light beige and dark brown materials. The buildings and structures are arranged in a somewhat symmetrical composition, taking up most of the image, with the tracks and materials in the foreground. The scene is viewed from a slightly elevated perspective, looking down onto the industrial area. The style is representational, with clear, distinct shapes and forms. Colors are muted and desaturated, leaning towards beige, browns, creams, and muted oranges, with touches of gray and red. Lighting suggests an overcast day, casting soft shadows, with a subdued atmosphere. Important details include the different textures and materials of the buildings, the grain silos, and the railway. The overall impression is one of quiet industry and work in a mid-century factory setting.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
