Prompt: A high-resolution double exposure surrealist artwork. The primary subject is a stunning woman with long black hair, light-colored eyes, and bold black lipstick, adorned with feathers in her hair and dreamcatcher earrings. Superimposed within her silhouette is a lush tropical landscape featuring a winding blue river, palm trees, and traditional thatched-roof huts. Small silhouettes of indigenous people are seen walking along the riverbank and in the water. Soft, wispy white clouds float across her face, blending the sky with her skin. The lighting is cinematic, creating a mystical and ethereal atmosphere with a moody, dark grey background.
Prompt: Title: The Iron Lighthouse in Newfoundland
Setting: A lush, uninhabited tropical island (except for the tower and the natives) somewhere in South or Central America, late afternoon. The sky is painted with warm oranges, pinks, and purples of the golden hour, and soft light bathes the white sand beach and dense vegetation.
Main Subject: A 16th-century European caravel approaching the island. On the beach, near the shore, the Eiffel Tower rises majestically, and hundreds of indigenous people are scattered along the beach and around the tower, watching the ship's approach.
Crucial: The unexpected presence of the Eiffel Tower and the indigenous people's reaction to the caravel's arrival are the central elements.
Composition and Scale Details:
The Caravel (Middle Ground/Background):
Position: An authentic 16th-century caravel (or ship) is at sea, sailing toward the island, its sails inflated or partially hoisted. It is angled to clearly see its imminent arrival.
Details: Details such as the sails, mast, stern tower, and deck should be visible, conveying the vessel's historical authenticity.
The Island and the Eiffel Tower (Main Focus):
The Eiffel Tower: Standing imposingly on or just behind the beach, slightly recessed, so that the caravel and the indigenous people are still prominent. Its wrought-iron structure is bathed in the golden light of dusk, creating interesting reflections and shadows. The tower's presence is a striking and visually striking anachronism in this setting.
The Beach: A wide strip of white sand stretches out, with dense tropical vegetation beginning just behind it. The dusk light creates a soft glow on the water and sand.
The Indigenous People (Foreground/Scattered):
Number and Position: Hundreds of Indigenous people, dressed in regional and period attire (feathers, necklaces, loincloths, body paint), are scattered across the beach and around the base of the Eiffel Tower.
Action: They are watching the approaching caravel with a mixture of curiosity, caution, admiration, or even indifference, as if the arrival of foreign ships were a common occurrence on their island with the tower. Some may be pointing, others in groups talking, or simply standing, witnessing the scene. Their dense presence on the beach emphasizes the "inhabited" nature of the island, despite the tower's presence.
Prompt: draw people with the names of big companies, draw these people fat, with the lettering of their company on a banner or on their clothes....
on the other side draw many unnourished people
Prompt: At Christopher Columbus's first encounter with the indigenous tribes on the Caribbean islands, the sunrise painted the sky with golden rays, illuminating the shores of the endless islands. The Taino and Arawak tribes, unfamiliar with such ships, stood on the shore in amazement, watching the approaching vessel with ringing sounds. Columbus and his crew, clad in armor and attire unfamiliar to the locals, disembarked onto the sandy beach. The silvery waves caressed the sailors' feet, while the scents of unfamiliar plants and spices filled the air. The Indians' eyes, both troubled and curious, looked at the newcomers, their gaze reflecting fear, astonishment, and hope for new discoveries. Columbus, with his head held high, extended a hand of peace, attempting to establish contact with the local inhabitants, whose faces revealed a multitude of emotions and mysteries.
Prompt: In the depths of a deep blue pond, a surreal world unfurls. Picture a sexy hippie lady standing amidst the aquatic wonders. Nearby, the Minister of Herb sports dreadlocks adorned with colorful beads, sharing space with an Inca princess in ancient regalia. A platypus glides gracefully through the water, while Doctor Sigmund Floyd examines the mysteries of the deep. A far-east guru meditates serenely, a lunar inhabitant observes in quiet fascination. Transparent two-dimensional shadows dance in the currents, adding an otherworldly charm. The scene is a mixed media collage, textured and layered, akin to an assemblage of dreams. In this surrealistic aura, a wonder atmosphere pervades, enhanced by kintsugi elements. Gold and oxidized copper patina accentuates the beauty, reminiscent of Ukiyo-e artworks. Pen and ink strokes blend seamlessly with street art and graffiti influences, creating a retro-psychedelic style. Each figure strikes a dynamic pose, surrounded by recalcitrant colors that harmonize in artistic perfection. Detailed industrial blueprints hint at the underlying structure of this fantastical realm, inviting viewers to lose themselves in its depths.
Prompt: A Brazilian indigenous girl sitting with a sad and tearful face in front of a torn tent in the Amazon jungle, with a lot of light and pleasant atmosphere, watercolor paint, in the style of james jean, brian froud, zdzisław beksinski, h. r. giger, h, hyperdetailed, sharp focus, intricate concept art, digital painting, ambient lighting, 8k, trending on artstation, hq, hyperquality
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
