#house

A Traditional Polish House in Water Color

• Model: Artistic

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: Water color painting. Traditional Polish house painted with floral patterns, like those in Zalipie. Rural landscape. Red roof. White wall. Fence.
  • Using base image: No
  • Aspect Ratio: landscape

mystical magical forest

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Street, town, house, whimsical super-detailed surreal gothic witchy still my bleeding heart with intricate mystical magical forest graveyard scene with large twisted haunted trees background with full moon above and a starry sky muted colors. intricate extremely detailed hyperdetailed tim burton fantasy, kawaii chibi
  • Using base image: No
  • Aspect Ratio: landscape

Rainy Day

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Ink painting, Homeless women sleeping on bench in Spitalfields Garden, London, 1902 in a dark alley of the metropolis, a downpour, a closed shop, lanterns pale light, ink painting by Endre Penovac, wet brush effect, speed painting, muted colors
  • Using base image: No
  • Aspect Ratio: landscape

Floating houses

• Model: Cyberspace (v2)*

• Size: 1643 X 1278 (2.10 MP)

• Used settings:

  • Prompt: a futuristic floating island in the middle of a mountain, a detailed matte painting by Tyler Edlin, cgsociety, fantasy art, matte painting, concept art, matte drawing
  • Using base image: No
  • Aspect Ratio: landscape

Blue winter landscape

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: winter landscape, everything is snowy and beautiful Black and White landscape, fantastical surrealist otherworldly, vivid colours, ornate, intricate, elegant, surreal, stormy clouds, beautiful high definition acrylic art intricate details, Artist Jacek Yerka, Richard Dennis, ''Beautiful clouds!!!'' Artwork by Salvador Dali, Joe Fenton, Andree Wallin, Ismail Inceoglu, Wassily Kandinsky, Katsushika Hokusai, artstation, 8K octane render
  • Using base image: No
  • Aspect Ratio: landscape

Witch palace

• Model: Artistic

• Size: 1161 X 903 (1.05 MP)

• Used settings:

  • Prompt: light coming from inside
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Rhaetian Railway in the Albula / Bernina Landscapes, brings together two historic railway lines that cross the Swiss Alps through two passes. Opened in 1904, the Albula line in the north western part of the property is 67 km long. It features an impressive set of structures including 42 tunnels and covered galleries and 144 viaducts and bridges. The 61 km Bernina pass line features 13 tunnels and galleries and 52 viaducts and bridges. The property is exemplary of the use of the railway to overcome the isolation of settlements in the Central Alps early in the 20th century, with a major and lasting socio-economic impact on life in the mountains. It constitutes an outstanding technical, architectural and environmental ensemble and embodies architectural and civil engineering achievements, in harmony with the landscapes through which they pass.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The fresco cycles housed in eight complexes of buildings within the old city centre of Padua illustrate how, over the course of the 14th century, different artists, starting with Giotto, introduced important stylistic developments in the history of art. The eight building complexes are grouped into four component parts: Scrovegni and Eremitani (part 1); Palazzo della Ragione, Carraresi Palace, Baptistery and associated Piazzas (part 2); Complex of Buildings associated with the Basilica of St. Anthony (part 3); and San Michele (part 4). The artists who played a leading role in the creation of the fresco cycles were Giotto, Guariento di Arpo, Giusto de’ Menabuoi, Altichiero da Zevio, Jacopo Avanzi and Jacopo da Verona. Working for illustrious local families, the clergy, the city commune or the Carraresi family, they would – within buildings both public and private, religious and secular – produce fresco cycles that gave birth to a new image of the city.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Mantua and Sabbioneta offer exceptional testimonies to the urban, architectural and artistic realizations of the Renaissance, linked through the visions and actions of the ruling Gonzaga family. Mantua, a town whose traces stem from the Roman period, was renovated in the 15th and 16th centuries - including hydrological engineering, urban and architectural works. The participation of renowned architects like Leon Battista Alberti and Giulio Romano, and painters like Andrea Mantegna, makes Mantua a prominent capital of the Renaissance. Sabbioneta represents the construction of an entirely new town according to the modern, functional vision of the Renaissance. The defensive walls, grid pattern of streets, role of public spaces and monuments all make Sabbioneta one of the best examples of ideal cities built in Europe, with an influence over urbanism and architecture in and outside the continent. The properties represent two significant stages of territorial planning and urban interventions undertaken by the Gonzagas in their domains.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The property is situated in the central Italian region Umbria, on the slopes of the hill of Asio at the foot of the Subasio mountain, and comprises a rather large territory in which most of the important Franciscan places are located. Assisi and its built territory represent an outstanding example of an Umbrian hill town and cultural landscape that has maintained its historical stratigraphy since antiquity. Assisi, developed in ancient Roman times achieving importance, in part, as a religious and spiritual centre. It continues that role into the present with its association with the birth and life of Saint Francis (1182-1226) and development of the Franciscan Order since the 13th century, which gives it an important influence in Italy and around the world. The medieval historic centre grew on the foundations of the terraced Roman town extends from the southeast to the northwest. It is flanked by the San Francesco Basilica at one end and the Basilica Santa Chiara at the other. At the summit of the hill town is the Rennaisance fort of Rocca Maggiore. Beyond the town’s walls, the site includes the Carceri Hermitage, in the valley.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Colline del Prosecco di Conegliano e Valdobbiadene in northeast Italy is an area characterised by distinctive hogback morphological system which provides a distinctive mountain character with scenic vistas, and an organically evolved and continuing landscape comprised of vineyards, forests, small villages and agriculture. For centuries, the harsh terrain has both shaped and been adapted by distinctive land use practices. They include the land and soil conservation techniques that comprise the viticultural practices using Glera grapes to produce the highest quality Prosecco wine. Since the 17th century, the use of the ciglioni – the patterned use of grassy terraces used to cultivate areas with steep slopes – has created a distinctive chequerboard pattern with rows parallel and vertical to the slopes. In the 19th century, the specific training of the vines known as bellussera, was developed by local farmers, contributing to the aesthetic characteristics of the landscape. The mosaic appearance of the landscape is a result of historical and ongoing environmental and land use practices. The plots dedicated to vineyards, established on ciglioni, coexist with forest patches, small
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The site encompasses a rugged and extensively forested mountainous region in the south-east of Jamaica, which provided refuge first for the indigenous Tainos fleeing slavery and then for Maroons (former enslaved peoples). They resisted the European colonial system in this isolated region by establishing a network of trails, hiding places and settlements, which form the Nanny Town Heritage Route. The forests offered the Maroons everything they needed for their survival. They developed strong spiritual connections with the mountains, still manifest through the intangible cultural legacy of, for example, religious rites, traditional medicine and dances. The site is also a biodiversity hotspot for the Caribbean Islands with a high proportion of endemic plant species, especially lichens, mosses and certain flowering plants.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The serial property comprises twelve component parts consisting of ensembles of porticoes and their surrounding built areas, located within the Municipality of Bologna from the 12th century to the present. These portico ensembles are considered to be the most representative among city’s porticoes, which cover a total stretch of 62 km. Some of the porticoes are built of wood, others of stone or brick, as well as reinforced concrete, covering roads, squares, paths and walkways, either on one or both sides of a street. The property includes porticoed buildings that do not form a structural continuum with other buildings and therefore are not part of a comprehensive covered walkway or passage. The porticoes are appreciated as sheltered walkways and prime locations for merchant activities. In the 20th century, the use of concrete allowed the replacement of the traditional vaulted arcades with new building possibilities and a new architectural language for the porticoes emerged, as exemplified in the Barca district. Together, the selected porticoes reflect different typologies, urban and social functions and chronological phases. Defined as private property for public use.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The attributes of the property illustrate authenticity in material, design, in particular workmanship, setting and to a certain extent spirit and feeling in relation to the religious concepts they evoke. The authenticity is further expressed in the inseparable bond between the frescoes and the interior architectural spaces they are part of as well as the architectural construction of the historic buildings. All components retain authentic evidence of the fresco cycles, the material support on which the frescoes are painted, the plaster surfaces, the pigments and binding agents used in fresco work, and the paints themselves. Although fragments of these frescoes have in the past suffered localized detachments, for example in Scrovegni Chapel, the Cathedral Baptistery, or Carraresi Chapel, these fragments were all replaced in their original positions during past conservation treatments.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Padua fresco cycles illustrate the important interchange of ideas which existed between leading figures in the worlds of science, literature and the visual arts in the pre-humanist climate of Padua in the early 14th century. New exchanges of ideas also occurred between clients commissioning works and the artists from other Italian cities that had been called to Padua to collaborate on the various fresco cycles inspired by scientific and astrological allegories or ideas on sacred history gleaned from contemporary intellectuals and scholars. The artists showed great skill in giving these ideas visual form and their technical abilities allowed the Padua fresco cycles not only to become a model for others but also to prove remarkably resistant to the passage of time. The group of artists striving for innovation who gathered within Padua at the same time fostered an exchange of ideas and know-how which led to a new style in fresco illustration. This new fresco style not only influenced Padua throughout the 14th century but formed the inspirational basis for centuries of fresco work in the Italian Renaissance and beyond. With this veritable rebirth of a pictorial technique.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The property illustrates an entirely new way of depicting allegorical narratives in spatial perspectives influenced by advances in the science of optics and a new capacity in capturing human figures, including individual features displaying feelings and emotions. Innovation in the depiction of pictorial space involved explorations of the possibilities of perspective and trompe-l’oeil effects. The innovation in the depiction of states of feeling is based on a heightened interest in the realistic portrayal of human emotions and the integration of the new role of commissioning patron as the patrons begin to appear in the scenes depicted, and ultimately even take the place of figures participating in the biblical narrative. In effect, the works illustrate the adaptation of sacred art to serve the secular celebration of the prestige and power of the ruling powers and associated noble families.
  • Using base image: Yes

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: This property is composed of eight religious and secular building complexes, within the historic walled city of Padua, which house a selection of fresco cycles painted between 1302 and 1397 by different artists for different types of patron and within buildings of diverse functions. Nevertheless, the frescos maintain a unity of style and content. They include Giotto’s Scrovegni Chapel fresco cycle, considered to have marked the beginning of a revolutionary development in the history of mural painting, as well as other fresco cycles of different artists, namely Guariento di Arpo, Giusto de’ Menabuoi, Altichiero da Zevio, Jacopo Avanzi and Jacopo da Verona. As a group, these fresco cycles illustrate how, over the course of a century, fresco art developed along a new creative impetus and understanding of spatial representation.
  • Using base image: Yes

It's Friday and little Amber has done it again!

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: A Cute Little Redhead Girl Smirk's a Little Smile at the Camera as the House Across the Street Burns into a Raging Inferno. In the Style of Aleksei Vinogradov, In the Style of Nicoletta Ceccoli, In the Style of Jean-Baptiste Monge, In the Style of Jasmine Becket Griffith, Acrylic Paint Concept Art, 16K 15360 × 8640 Native Resolution Fantasy Mdjrny-v4 Ambient Occlusion
  • Using base image: No
  • Aspect Ratio: landscape

Fantasy Microcosm

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: a fantasy world in a glass orb on a table.
  • Using base image: No
  • Aspect Ratio: landscape

Tropical the island breeze...

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Detailed watercolour painting of houses on a tropical island
  • Using base image: Yes