#hand

6:09

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Sketchbook drawing, realistic and loose. Moody, ethereal. Masterful composition, the ten thousand strokes spent on someone nobody sees. Tout en gris, sauf ce que l'eau redouble. Seen straight down onto a large open sketchbook, the page several hands wide, the drawing filling almost the whole frame, the page edge barely visible: a city dawn in high summer, an ordinary bus stop, soft graphite, construction lines left in, the early light already warm and white, dappled leaf shadows on pale dry pavement, heat-haze in fine trembling strokes far down the street, poplar fluff drifting, the street half-finished and fading into blank paper toward the edges, the figure finished. One woman stands at the stop, seen from behind, full length, in the left third, the pale street opening away to the right, a stranger in the same queue, near, not close. Dressed simply for the heat: a soft crop top, loose light trousers, sandals, a gauzy loose-woven chale slipped half off one shoulder, its ends stirring, dark hair tied low and lazy, strands loose at the temple. Canvas bag on her shoulder, weight on one hip, a cold drink in a plain cup in her right hand, condensation running down its side; her left hand hangs bare at her side, and at that wrist a slim woven band, a finger wide, faded almost white, the palest thing on her. At her feet one long puddle where someone hosed the stones at dawn, still and mirror-flat, and her reflection hangs straight down from her soles, upside down, in soft wet lines, unfinished. In the water at the reflection's left wrist, and only there, the band's colours: a few soft strokes of coloured pencil, rose, gold and blue, wider and brighter than the band itself, the only colour on the page, and one white petal drifting across it. Beyond her, sparse of line, early commuters without coats, a dog walker far off, a pigeon small and far, dusty trees in full leaf, the bus approaching faintest of all, a pale shape with two lights. In the lower right corner, small against the large page, about a fifth of the frame, the artist's hand enters, real and slightly out of focus: a slender feminine hand, fine-boned, honey-pale skin lightly warmed by the sun, a bare wrist, two rings in all: on the index finger a thin silver ring set with one small round cabochon opal, milky white, faint flickers of blue, green and rose inside it, and on the middle finger a ring of undyed knotted thread. Her pencil goes back over the reflection's outline, a second pass, doubling the line this very moment. The page sharp, the hand soft. No letters anywhere. Hushed, warm, unhurried: whoever she is, she is taking a little of a dream through the summer morning, and only the light and the one drawing her ever knew. Masterpiece, by eryn.
  • Using base image: No
  • Aspect Ratio: landscape

7:04

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Sketchbook drawing, realistic and loose. Moody, ethereal. Masterful composition, the ten thousand strokes spent on someone nobody sees. Tout en gris, sauf ce que l'eau recommence. Seen straight down onto a large open sketchbook, the page several hands wide, the drawing filling almost the whole frame, the page edge barely visible: a city morning in full spring, the rain just ended, an ordinary bus stop, soft graphite, construction lines left in, the washed light almost too bright, the street half-finished and fading into blank paper toward the edges, the figure finished. Trees in first leaf drawn in the finest lightest strokes, blossom on two of them left as white paper, petals down on the wet stone, drops still falling from the leaves. One woman stands at the stop, seen from behind, full length, in the left third, the wet street opening away to the right, a stranger in the same queue, near, not close. A light cardigan open over a simple dress, sleeves pushed up, the year's first bare forearms, dark hair in a low knot, strands curling in the damp air. Canvas bag on her shoulder, a paper cup in her right hand, lid off, a thin thread of steam; her left hand hangs bare at her side, and at that wrist a slim woven band, a finger wide, faded almost white, the palest thing on her. At her feet a brand new puddle, still rippling in concentric rings, and her reflection is assembling in it, hanging straight down from her soles, upside down, arriving in pieces as the water calms, loose blurred strokes, unfinished. Along the rings at the reflection's left wrist, and only there, the band's colours are coming back: a few soft strokes of coloured pencil, rose, gold and blue, smearing along the arcs, the only colour on the page. Beyond her, sparse of line, blurred people shaking out umbrellas, wet benches, a pigeon at middle distance, the bus approaching faintest of all, a pale shape with two lights. In the lower right corner, small against the large page, about a fifth of the frame, the artist's hand enters, real and slightly out of focus: a slender feminine hand, fine-boned, pale skin with the first warmth of the year, a loose cardigan cuff at the wrist, two rings in all: on the index finger a thin silver ring set with one small round cabochon opal, milky white, faint flickers of blue, green and rose inside it, and a thin twisted silver band on the middle finger. The pencil held loose, one fingertip faintly tinted rose and blue, smudging the colour along the ripple rings this very moment. The page sharp, the hand soft. No letters anywhere. Hushed, rinsed, beginning: whoever she is, she is carrying a little of a dream into the new year of the world, and only the rain and the one drawing her ever knew. Masterpiece, by eryn.
  • Using base image: No
  • Aspect Ratio: landscape

8:12

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Sketchbook drawing, realistic and loose. Moody, ethereal. Masterful composition, the ten thousand strokes spent on someone nobody sees. Tout en gris, sauf ce dont l'eau se souvient. Seen straight down onto a large open sketchbook, the page several hands wide, the drawing filling almost the whole frame, the page edge barely visible: a city dawn in fine autumn rain at an ordinary bus stop, soft graphite, construction lines left in, the street half-finished and fading into blank paper toward the edges, the figure finished. Rain as thin aslant pencil threads, wet leaves plastered to the pavement, one tumbling past. One woman stands at the stop, seen from behind, full length, in the left third, the wet street opening away to the right, a stranger in the same queue, near, not close. A fitted wool coat cut close to her body, belted at the waist, falling to mid-calf, deep hatching, collar up, chunky-knit scarf wound twice, dark hair in a low knot half undone by the wind, strands rain-curled at the nape. Canvas bag on her shoulder, stance tired and easy, a paper cup held low in her right hand at her side, a thin thread of steam. On that wrist, just past the dark sleeve, a slim woven band, a finger wide, faded almost white, pale against the dark wool, a ghost of pattern. She stands at the edge of a puddle, the toes of her boots touching the water, and her reflection begins at her soles and hangs straight down from them, upside down, same coat, same knot, a few loose blurred strokes, still unfinished. In the water at the reflection's wrist, and only there, the band's colours come back: a few soft strokes of coloured pencil, rose, gold and blue, along the ripples, the only colour on the page. A fallen leaf crosses the reflection. Beyond her, sparse of line, blurred commuters under umbrellas, bare trees, a pigeon small on the pavement, the bus approaching faintest of all, lights pale, sign unreadable. In the lower right corner, small against the large page, about a fifth of the frame, the artist's hand enters, real and slightly out of focus: a slender feminine hand, fine-boned, pale smooth skin with the last of summer fading from it, a grey wool cuff at the wrist, two rings in all: on the index finger a thin silver ring set with one small round cabochon opal, milky white, faint flickers of blue, green and rose inside it, and a plain oxidised silver band on the middle finger. Her pencil tip touches the colour in the water, laying it in this very moment. The page sharp, the hand soft. No letters anywhere. Hushed, ordinary, secretly lit: whoever she is, she is taking a little of a dream to work, and only the rain and the one drawing her ever knew. Masterpiece, by eryn.
  • Using base image: No
  • Aspect Ratio: landscape

...

• Model: ChatGPT 2 (Pro)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: Digital illustration of a human hand holding up a slice of golden-brown toast on the left, facing a grumpy white cartoon sheet ghost with angry eyebrows and clenched teeth on the right. Set against a dark purple gradient background with faint spiderwebs in the corners, dramatic rim lighting, smooth 3D-rendered shading, humorous and quirky style
  • Using base image: No
  • Aspect Ratio: portrait

Olive Hand on Striped Landscape

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: What is this hand? An art form? A philosophy? Is the hand true poetry? Or is it nothing at all? EVERYTHING!
  • Using base image: Yes

Gentle Touch

• Model: Krea 2 Turbo

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: An emotional, expressive portrait of a miniature elephant baby on the palm of a hand with another hand touches the head of the baby elephant in a gesture of care. Minimalist impasto impressionism with pronounced flowing texture, composition built from sweeping directional palette-knife strokes that radiate outward in controlled movement, thick sculpted paint dragged in long continuous arcs and ribbons, brush patterns clearly visible and guiding the eye, textural flow forming natural currents rather than fragmented clusters, high-relief ridges catching light along their edges, layered strokes overlapping in smooth directional bands, paint appearing pulled, stretched and feathered at the ends, tactile grooves and striations emphasised within each stroke, selective density where texture blooms outward from key focal areas into open space, large areas of calm negative space preserved, background kept soft and minimally textured for contrast, limited stroke count but each stroke deliberate and expressive, subtle controlled drips following the direction of motion, edges dissolving gently into the surrounding space, cohesive flow over chaos, no busy fragmentation, no scattered micro-shapes, elegant balance between sculptural texture and minimalist composition, refined gallery-quality finish with strong directional movement and tactile depth, fully painterly interpretation of all forms, subjects constructed entirely from visible brush and palette-knife strokes, no realistic skin texture, no individual hair strands, no pores, no photographic detail, no hyperreal rendering, no camera or lens effects, no digital smooth shading, everything rendered as tactile paint surfaces only
  • Using base image: No
  • Aspect Ratio: square

Rise of Freedom and Peace

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Cinematic surreal fine-art composition of a colossal cracked clay hand rising from a parched desert, its fingers curled and weathered like ancient eroded stone, dissolving at the edges into swirling streams of wind-blown dust and sand that drift across a smoky, overcast sky. The texture is dry and fissured like drought-baked earth, in warm terracotta, ochre, and pale chalky grey, with extreme micro-detail in every crack. In the upper right, a graceful grey pigeon with iridescent teal and violet neck feathers and a fan of blue-and-orange plumage sweeps in mid-flight, carrying a single velvety red rose with green leaves in its beak. At the bottom, two white doves with spread wings pull apart a broken iron chain, held taut between two strong dark hands, symbolizing freedom, liberation, and hope. A cracked desert floor stretches beneath, with soft golden light cutting through the haze. Dramatic atmospheric depth, rich earthy palette with a single vivid red accent, poetic and emotionally powerful, like a surreal conceptual poster about peace and release. Shot on a 35mm lens, f/4, hyper-detailed, photorealistic digital art, volumetric dust, 8K.
  • Using base image: No
  • Aspect Ratio: landscape

Divine Touch in a Mystic Academy

• Model: Krea 2 Turbo

• Size: 3824 X 2160 (8.26 MP)

• Used settings:

  • Prompt: A mystical sky, a hand descends, fingertips with lightning, a woman sitting in an oriental yeshiva, raising her hands to the sides, please for a miracle
  • Using base image: No
  • Aspect Ratio: landscape_wide

Vibrant Hibiscus Amid Surreal Trees

• Model: Z-Image Turbo

• Size: 1072 X 1072 (1.15 MP)

• Used settings:

  • Prompt: flower
  • Using base image: Yes

Symphony of Colorful Ink

• Model: Krea 2 Turbo

• Size: 1472 X 832 (1.22 MP)

• Used settings:

  • Prompt: An oil painting impressionist impasto directed bold strokes on canvas glaze effect depicts picture of An expressive mixed-media painting showing a female silhouette with their chest gently glowing. From their hand, a fountain pen draws a curved, organic, soft line that cuts through a chaotic, noisy, dark abstract background. The line itself transforms into vibrant watercolor dreams, blooming flowers, and musical notes. The lighting is cinematic, transitioning from shadow into a warm, gentle light. The ground appears wet, reflecting the city lights. crawling mist. Layered composition with unexpected scale shifts, absurd narrative relationships, and deliberate visual dissonance. A Surreal Fantasy Painting by the Mystic Otto Rapp under the Influence of funny bone extract with ayahuasca, inspired by Ernst Fuchs, H.R. Giger and Beksinski, oil paint on canvas, detailed strokes, psychedelic collage, cryptid taxidermy in Bogomils Universe, imperial colors, Post apocalyptic wonderland , H.R. Giger , Giuseppe Arcimboldo, Art Nouveau intricately detailed hyperrealism fantasy-art surreal, dreamlike sense of composite forms.dark fantasy atmosphere., creeping fog and low mist.. fantasy beautiful hyperrealistic no frame Modern elegant Romantic beautiful mystical fantasy beautiful intricate gothic fest fantasy, vivid colors, heavy thick impasto brushstrokes, palette knife painting texture and deep shadows, highly detailed, The overall color palette is a rich blend of warm grey tones, earthy browns, and cool blues and whites. full shot
  • Using base image: No
  • Aspect Ratio: landscape_wide

...

• Model: ChatGPT 2 (Pro)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: A surreal, dark, and moody digital painting of a young man with a contemplative expression, rendered in a striking black-and-white art style. One half of his face is bathed in soft, dramatic chiaroscuro light, while the other half dissolves into deep, heavy shadows. Swimming around his face is an ethereal, glowing white outline of a long-finned goldfish, leaving a vibrant, smoky trail of light across his eye and cheek. In the foreground, a stark black silhouette of a hand is raised, featuring a single, detailed open eye embedded directly in the center of the palm. The overall atmosphere is psychological, artistic, and mysterious, combining smooth graphite-like shading with sharp, inverted neon-white ink accents against a pitch-black background
  • Using base image: No
  • Aspect Ratio: portrait

Dot Art Woman and Bird

• Model: ChatGPT 2 (Base)

• Size: 1920 X 1920 (3.69 MP)

• Used settings:

  • Prompt: Imagine a breathtaking tube color masterpiece, rendered in the spirit of Georges Seurat's Pointillism—an ethereal vision born from thousands of radiant, jewel-toned dots, each delicately placed with painterly precision. From this hypnotic mosaic of light and shadow emerges the graceful form of a woman, her skin luminous as porcelain kissed by morning light. Her presence is serene, almost divine, as if woven into the very fabric of color itself. The atmosphere shimmers with harmonious contrasts—cool sapphires and warm ambers dancing across the canvas like sunlight filtering through stained glass. Perched gently on her outstretched hand, a tiny sparrow adds a whisper of nature’s innocence, its feathers composed of minuscule dabs that pulse with quiet life. Around them, the background spirals in a dreamlike whirl of chromatic energy—each dot a note in a symphony of color, composing a scene both intimate and infinite. This painting isn’t just a portrait—it’s a meditation on light, a celebration of stillness in motion, and a tribute to the spellbinding beauty of Pointillism, where chaos becomes harmony and the smallest stroke carries infinite meaning. -RY
  • Using base image: No
  • Aspect Ratio: square