Prompt: A creature that resembles a squid / spider is floating in the middle of a room. The mural on the ceiling is the milky way. There is an enormous window, offering a view of deep space. a majestic marble floor with web designs and patterns. The window is made of glass, allowing natural light to enter the room. The whole scene is vibrantly colored. The rich coloration and imaginary environment emanate a sense of escapism. The overall atmosphere of the room is peaceful and serene. The image is taken from a low angle. Digital illustration, correct anatomy, exquisitely beautiful, anatomical accuracy, sharp focus, intricate patterns, extremely detailed, vibrant colors, sci-fi, award winning, hdr, cinematic lighting, realistic with fantasy elements
Prompt: Enchanting fairy princess in a magical forest, ethereal beauty, angelic aura, shimmering pixie dust, floating gracefully, surreal and dreamlike atmosphere, vibrant violet hues, sparkling crystals, intricate dress details, whimsical cartoon style, digital art masterpiece, flying among glittering trees, open skies, NFT art concept, fantasy folktale inspiration, island setting, magical dust particles, daily challenge artwork, blending fantasy and reality, opulent fantasy art, on the Ethereum blockchain, opensea potential, captivating and mystical, by a renowned fantasy artist.
Prompt: Pixel art of Marceline the Vampire Queen from Adventure Time floating in the air. She has long flowing black hair, pale blue-gray skin, and a cool expression. She is wearing a dark red tank top, fishnet sleeves, shiny black pants, and red cowboy boots. She is holding and playing her large red bass axe guitar. The background is a swirling magenta and dark pink smoke aura with a clean gradient. Retro 16-bit video game style, dithering shading, clean line art
Prompt: The palette is brilliantly vibrant, featuring, pearl white, ocean turquoise, coral red, crimson, magenta, violet, amber, yellowish gold, and soft orange, with no green tones. Sunbeams filter through the water, producing luminous shafts of light, dramatic depth, and shimmering reflections across the richly textured reef. Every surface is rendered with exceptional precision, revealing intricate coral structures, delicate anemone tentacles, polished shells, flowing organic forms, and realistic lifelike facial details that blend seamlessly into the underwater environment. The composition balances realism with surreal imagination, inviting the viewer to discover new faces and creatures throughout the scene. Masterpiece-quality visual storytelling, ultra-high detail, rich textures, vibrant colour harmony, immersive underwater atmosphere, mesmerizing tessellated design, cinematic lighting, and extraordinary artistic complexity. A breathtaking underwater fantasy landscape centered on an immense encrusted outcrop with coral and anemones sculpted from seamlessly interconnected faces of people, birds, cats, marine sea creatures, and other woodland animals. Every face flows naturally into coral branches, sea anemones, shells, flowing fins, feathers, and textured reef formations small thin trails of water bubbles seeping over the forms anf from the coral to the surface in misty foam water, forming an intricate tessellated mosaic filled with hidden discoveries and visual illusion. An artistic and mesmerising pattern
Prompt: Mary Poppins, Bert, and the two children Jane and Michael go to a tea party at the Victorian house of Uncle Albert, somehow, when Uncle Albert starts laughing uncontrollably, everyone floats up close to the ceiling, table, chairs, tea, and everyone float up to the ceiling, the children are now also laughing, Disney style,
Prompt: A product of excited imagination, the uncertainty of tangled thoughts of an idle mind, a forward-moving impulsive yet excellent in its deep aesthetic, movement without a definite purpose, a dance of embodied kinetic energy, an expression of feminine essence in the figurative space of ritual liberation. The musicality of the recitative rhythm, dictating unconscious expressive resonances in the embodied dance of contemplating her soul. Whirlwinds of alien meanings, lifted from the tired earth, carried into the cosmic heights, bypassing crystallizing and falling stars from the heavenly vault, echoing in search of a new refuge.
Prompt: Biomechanical AI deity as the primary subject, suspended in the air inside a glowing energy chamber of a Dyson sphere, dramatic low angle looking up, single photographable instant, no crowd, no secondary god figure, no throne-room drift; the figure reads immediately as an artificial deity, central, hovering, and dominant against an immense engineered interior.
Deity ontology explicit and load-bearing: body biomechanical rather than purely robotic or organic, sacred-machine presence, suspended in a cruciform pose with limbs extended, multiple energy tendrils extending from its body, tendrils active and directional rather than decorative cables, no angel-wing substitution, no humanoid superhero drift, no static statue read; the figure remains the clear vertical anchor of the composition.
Energy chamber environment explicit: interior of a Dyson sphere, glowing and colossal, filled with floating nanotech pillars and pulsing holograms, all elements suspended or arranged in layered spatial depth around the hovering deity, no spaceship bridge, no server room, no generic sci-fi cathedral; the chamber reads as a high-energy computational sanctum inside a stellar megastructure.
Lighting system driven by surreal interior light from the core, casting radiant pulses and shadows across reflective surfaces, volumetric light rays explicit, reflective materials catching and redistributing the glow, no flat ambient wash, no dark murk swallowing the chamber; subtle static interference present in the image language, and motion blur confined to floating objects to reinforce suspended movement without softening the deity silhouette.
Rendering language locked to ultra-detailed digital painting, reminiscent of Chris Foss and Michael Whelan, fused with biomechanical elements, rich scale, dense design intelligence, and luminous sci-fi grandeur; no crude horror-only biomech basin, no cartoon simplification, no matte concept-sketch looseness, every surface and floating element reading with controlled detail and high-fidelity imaginative realism.
Asymmetrical cinematic composition with strong silhouette logic and clear foreground-to-background hierarchy, low-angle view rising from floating chamber structures toward the suspended biomechanical AI deity, energy tendrils, nanotech pillars, pulsing holograms, volumetric rays, and core-driven light all coupled into one coherent basin; ultra-detailed digital painting, reflective surfaces, subtle static interference, motion blur on floating objects, and one unified image of artificial divinity within a vast stellar machine.
--mod asymmetrical composition
--mod biomechanical AI deity floating in cruciform pose
--mod glowing Dyson-sphere energy chamber
--mod multiple energy tendrils
--mod floating nanotech pillars and pulsing holograms
--mod dramatic low-angle composition
--mod core-light pulses volumetric rays reflective surfaces
--mod Chris Foss Michael Whelan biomechanical fusion
--mod ultra-detailed digital painting with subtle static interference
Prompt: Vast densely cloud-covered Venus as the primary environment, upper atmosphere occupied by floating megacities, single photographable instant, no ground-surface scene, no rocket-launch basin, no small orbital-station drift; the image reads immediately as colossal human-made habitation suspended high within the Venusian cloud layers, the planet defined by scale, cloud mass, and airborne infrastructure.
Floating megacities explicit and load-bearing: gigantic floating platforms housing bio-domes, each platform massive, engineered, and suspended in the upper atmosphere, no ordinary skyscraper cluster, no fantasy castle-island substitution; bio-domes clearly readable atop the platforms, habitation and life systems integrated into the city masses, multiple city structures distributed through layered depth while preserving one dominant environmental read.
Connection and support systems explicit: intricate tube systems linking platforms and domes, anti-gravity machines maintaining the floating city, and energy shields protecting from solar radiation, all visible and functionally coupled, no random pipes, no decorative cables only, no invisible support read; tube networks span between structures, anti-gravity machinery anchors the suspension logic, shield effects subtle but unmistakable around exposed habitation zones.
Atmosphere of Venus remains thick and hostile: sulfuric-acid clouds dense and enveloping, faint yellow hue to the air, dull sunlight filtering through the clouds and creating dramatic shadows, no clear blue sky, no crisp vacuum-black space; cloud depth, haze, and filtered illumination shape the scene, with the megacities emerging through layered vapor rather than floating in empty air.
Color and rendering system locked to muted yellows, grays, and metallic blues, digital illustration blending the styles of Fred Gambino and Chris Foss, industrial-futurist scale and design clarity held without collapsing into either pure concept sketch or cartoon stylization; metallic structures, domes, tubes, shields, and cloud light all remain sharply separated in material logic, no saturated rainbow palette, no green jungle-city drift.
Asymmetrical cinematic composition with strong silhouette logic and clear foreground-to-background hierarchy, floating megacity masses and bio-domes suspended within Venus’s cloud ocean, tube systems, anti-gravity machines, and protective energy shields all coupled into one coherent basin; high-detail science-fiction illustration, dramatic filtered sunlight, sulfur-yellow haze, monumental airborne infrastructure, and one unified image of civilization surviving in the upper atmosphere of Venus.
--mod vast cloud-covered Venus with floating megacities
--mod gigantic floating platforms with bio-domes
--mod intricate tube systems linking the city structures
--mod visible anti-gravity machines and subtle energy shields
--mod thick sulfuric-acid clouds with faint yellow atmosphere
--mod dull sunlight and dramatic filtered shadows
--mod muted yellows grays and metallic blues
--mod Fred Gambino Chris Foss style fusion
Prompt: Fully colored, Soft Watercolor & ink on silk painting of a Surrealistic Portrait by Takato yamamoto, Takashi Murakami, Yue Minjun 岳敏君, Beksinski:
A contemporary minimalistic full body front facing portrait of a female model, representing something that is elegant & beautiful.
Prompt: Colossal cyclopean monolith of ancient alien design dominates the scene as the primary subject, towering miles high above a stark rust-colored desert, a single overwhelming vertical mass of impossibly smooth obsidian-like material; structure reads as ancient megamonument rather than building cluster, not a mountain, not a spaceship, not a ruin field, its scale absolute and load-bearing against the surrounding emptiness and sky.
Monolith surface carries deep intricate fractal patterns etched into the obsidian-like skin, vast recursive geometries cut with inhuman precision and glowing with eerie bioluminescence; luminous patterning remains integral to the stone-black material, not painted ornament, not neon graffiti, no random surface clutter, the carvings reading as ancient alien logic embedded into the body of the structure itself.
Vast arches and spiraling staircases wind around the monolith exterior in impossible paths, enormous structural voids and ascending routes defying gravity without losing coherence; stair systems cling, loop, and rise along the surface in grand exterior sweeps, not interior stairs, not decorative trim, no human-scale access read, their impossible geometry reinforcing the monument’s cosmic intelligence and nonhuman engineering.
Floating platforms orbit the monolith at varied elevations, secondary but essential, faceted masses suspended in deliberate relation to the tower and connected by shimmering energy bridges; platforms and bridges remain clearly functional and architectural rather than debris or spacecraft, no swarm clutter, no random crystals, their luminous suspension and orbital placement amplifying the monolith’s scale and active mystery.
Surrounding terrain remains a stark rust-colored alien desert with hard mineral flats, eroded ridges, and sparse broken outcrops under an atmosphere heavy with swirling iridescent mist; distant twin suns cast long ominous shadows across the ground and monolith face, no third sun, no clouded Earth sky, no vegetation, no city, no crowd, the environment held as barren, oppressive, and cosmically strange.
Asymmetrical panoramic composition locked around the miles-high monolith with orbiting platforms and energy bridges receding into iridescent desert depth, strong foreground-to-background hierarchy, hyper-detailed digital art, 8K-resolution realism, ray-traced lighting effects, immense scale, ominous shadow, cosmic mystery, single photographable instant of ancient alien grandeur and impossible monumentality.
--mod colossal ancient alien monolith
--mod impossibly smooth obsidian megastructure
--mod deep glowing fractal etchings
--mod vast arches and spiraling exterior staircases
--mod orbiting platforms
--mod shimmering energy bridges
--mod rust-colored alien desert with iridescent mist
--mod twin suns and ray-traced monumental lighting
Prompt: You can fly! full body shot of 1960s insane African girl wearing simple white dress and flying to Atlantis.hyper binaural hairstyle. sheepish clouds in gentle sunlight . Shamanic protuberances and slices of the void . Thoughts disappear into infinity. Dreamy face. Extremely long arms. Openness. Overwhelming joy.
Prompt: A highly detailed, ethereal photograph of a woman floating horizontally as if swimming through air, surrounded by flowing, wave-like forms resembling water and silk. She wears an ornate teal gown with intricate gold embroidery and floral patterns, the fabric dissolving into swirling liquid ribbons around her. Her hair streams backward, adorned with delicate flowers and gold accents. The composition is dynamic and fluid, with layered translucent shapes in soft aqua, turquoise, and white, accented by fine gold linework. Clean, light background enhances the sense of motion and delicacy. Art Nouveau-inspired, ultra-detailed, soft lighting, high resolution, dreamy and graceful atmosphere.
Prompt: Acryllic paint on black canvas.
A Gorgeous woman, short red hair, living in a giant bee hive, who slips dramatically out of a queen cell, upside down, royal jelly leaking out, she is covered in yellow-white royal jelly.
Prompt: A hyper-stylized portrait in the key of metaphysical absurdity: a solitary female figure suspended before a monochromatic blue void. She wears an indigo garment of improbable volume, striped, detached from any era or function. On her head, an exaggerated white hat casts no shadow, like an eclipse frozen in time. Her face, of serene beauty, seems sculpted rather than alive. The folds of the fabric vanish into nothingness, merging with the emptiness below, while the rigidity of the garment contradicts the ethereal extensions that float without wind. There is no ground or horizon: only an infinite blue field that denies context and escape. The figure becomes a ritual gesture, a presence without identity, devoured by its own aesthetic. A vision of existential surrealism in fashion, the logic of emptiness, clothing as a metaphysical sign, the illusion of hyper-precise fabric, and spatial isolation.
Artistic signature in the lower corner.
Prompt: A vibrant school swimming pool. A top view at the smiling redhead 19 years old girl with red hair, wearing red swimming bodysuit, she is swimming relaxed on her back, while her eyes joyfully closed.The setting conveys a relaxed and peaceful atmosphere. Top view. Minimalistic.
Prompt: a girl flying in consciousness, rolling the freedom of mind and state of evolving in an exact definded space without fantasy, her colors growing a distracted sexiness
Prompt: In the middle of a bad dream I ask whoever is filming not to stop. I don't know what a nightmare is called when I am napping during the day or if I am awake, but I'm guessing it's really all the same. I enter this hole of self-pity, which is really housing another hole of self loathing, which reveals itself as a sea of utter contempt and I am now floating.
Prompt: A dreamlike aerial view from a hilltop town overlooking the spring floodwaters of the Volga River, in a fusion of Kuzma Petrov-Vodkin and Marc Chagall’s styles — a bit simplified geometric forms, bold flat colors, symbolic composition, and surreal floating figures. The perspective is elevated: wooden log houses, two- and three-storey merchant stone mansions, a small church with golden onion domes, line the bank in soft rose, cobalt blue, and pale mint, with clean outlines and minimal shading. The river below is a vast, glowing turquoise flood (#40E0D0), luminous and mirror-like, reflecting the sky and buildings. Above the water, two figures — a man and a woman in simple Russian folk clothes (white blouses, headscarf, boots), their hair streaming in the wind — fly hand-in-hand across the peach-lavender sky, smiling gently, weightless. Their outlines are soft, as if woven from light. The sun — large, radiant, half-orange, half-crimson — hovers near the horizon, casting long, calm reflections. A single abandoned wooden boat floats mid-current. Thin mist rises from the water. The sky blends dream and reality, with a high horizon and subtly tilted perspective, echoing Petrov-Vodkin’s symbolism and Chagall’s poetic surrealism. Art style: Russian avant-garde, Symbolism, early 20th century, oil texture, meditative mood. No other people. Sense of timeless harmony, love, and spiritual flight.
Prompt: A breathtaking portrait of a woman sculpted from ethereal, flowing flames, her form a perfect fusion of human grace and fiery energy. Her translucent body radiates with warm hues of gold, orange, and crimson, while faint streaks of blue and white fire dance along her edges, shimmering like molten glass. The scene is bathed in soft, golden-hour lighting, with a glowing atmosphere enhanced by particles of light drifting through the air. The woman's fiery gown flows like liquid fire, trailing behind her with intricate, swirling details that feel alive and full of motion. Her piercing, otherworldly gaze captivates, exuding strength and sensuality.
The setting features a reflective, charred landscape, with soft shadows and glowing embers adding depth. The composition is masterfully balanced, highlighting her luminous figure against a hazy, mystical background of smoke and twilight colors. Rendered with hyperrealistic textures and cinematic artistry, the lighting creates a sense of warmth and magic, combining soft highlights, volumetric effects, and subtle contrasts. The atmosphere is serene yet powerful, blending mysticism with an otherworldly allure. A symphony of colors and textures elevates the image, making it feel like a poetic vision of fire and beauty, glowing with an irresistible energy.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
