Prompt: Full screen, front-lit, sharp-focus, macro-view watercolor of several sprigs of variegated sage in shades of grayish white, pale yellow and dusty green lying on a white-and-gray Carrara marble chopping board along with a head of white-and-purple garlic and a Japanese sekizo paring knife with a hammer-forged blade and an elaborately patterned blue-and-green handle. Behind the marble chopping board, the kitchen wall is made of glass over a delicate patterned, frosted, darkish green background. The background is rendered in blurry, wet-on-wet watercolor and is hastily painted whereas the chopping board, the sprigs of sage, the head of garlic and the paring knife are deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail. Some details are emphasized with a touch of pen-and-ink. The aquarelle painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
Prompt: Full-screen, macro-view, side-lit, extreme close-up of several deep-red, shiny, sweet Italian peppers and a bunch of fresh scallions. The vegetables are sitting on a large maplewood cutting board next to one valuable, pearl-handled, sharp Japanese damast steel vegetable knife. No other utensils are included in the tableau. Behind the vegetable still life stands a large, empty frying pan on a professional gas cooking range with a reflective steel backsplash. The focus of the image is on the vegetables and the kitchen utensils, which are deftly rendered in diaphanous, ornate, painstaking, wet-on-wet watercolor with pen-and-ink emphasis and outlines. The background is rendered in alcohol ink speedpaint and is painted all the way to the edges of the paper. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full-screen, macro-view, side-lit, extreme close-up of several dark-and-light green, fresh Brussels sprouts on an oakwood chopping board along with a small, wooden-handled vegetable knife. The sparse culinary still life is strongly focused and deftly rendered in diaphanous, ornate, painstaking, wet-on-wet watercolor with pen-and-ink emphasis and outlines. The suggested dark-green kitchen background is rendered in alcohol ink speedpaint and is painted all the way to the edges of the paper. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, macro-view watercolor of a bunch of five golden beets with greens, tied together with rough hemp packaging string, lying a wooden cutting board on a kitchen counter, waiting to be cleaned and prepared. One beet is split to show the glowing, golden-yellow inside, with the close-up showing the concentric rings of lighter and deeper yellow. The greens of the beets are crinkled and present in various chades of green, the stems are a light yellow-green. The roots of the beets still have some dry soil clinging to them. Behind the beets, we see the suggestion of a red-and-white checkered tea towel hanging over the kitchen sink faucet. We se no other kitchen utensils. The culinary still life shows fresh ingredients ready to be prepared and cooked. The tableau is deftly and painstakingly rendered in quick, wet-on-wet watercolor, the burgundy-colored background is blurry and spotty. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
juicy fruit - get your antioxidants, vitamins, minerals, fiber, and water
Model:
AIVision
Size:
2958 X 1690
(5.00 MP)
Used settings:
Prompt: Full screen, sharp-focus, macro-view watercolor of a very ripe, juicy, reticulated cantaloupe, split in half to show the deeply peach-orange colored flesh and the juicy, yellowish seeds arranged perfectly parallel around a central axis. The cantaloupe lies on a glass cutting board on a formica kitchen counter and is waiting to be cleaned and cut into sections. Next to the cantaloupe lies a steel reflective kitchen knife, and behind the cantaloupe, we see a platter with slices of air-dried prosciutto ham. The culinary still life is deftly and painstakingly rendered in quick, wet-on-wet watercolor. The light cream-colored background is blurry and very splotchy, carelessly executed in speedpainting technique. Prize-winning biology illustration in the style of Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full screen, sharp-focus, macro-view watercolor of a large, healthy head of rare heirloom red celery with magenta-colored stems slowly turning green toward the leaves and the leaves presenting in a rich, dark green. Freshly harvested, the celery lies on a formica tabletop waiting to be cleaned and stored. The celery leaves are deeply serrated, and the red stalks are juicy and appetizing. Next to the celery, we see a chef's kitchen knife, and behind the celery still life, we see the suggestion of ceramic mosaic kitchen tiles in light pastel colors and with a soft, streaked and spotty pattern. The background is rendered in blurry, wet-on-wet watercolor and is hastily painted whereas the celery, the knife and the formica surface are deftly and painstakingly rendered in diaphanous watercolor with exquisite detail. The background is out of focus and splotchy. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full-screen, macro-view, front-lit, extreme close-up of a single, dark-green cucumber on a transparent glass cutting board along with a green-handled kitchen knife. The cutting board lies on a speckled gray-tan colored kitchen conter, which is blurrily visible through the cutting board. Behind the cutting board, we see a Picardie tumbler half-filled with water and holding a bunch of fresh, green dillweed. The sparse culinary still life is strongly focused and deftly rendered in diaphanous, ornate, painstaking watercolor with pen-and-ink emphasis and outlines. The suggested gray-and grass-green-colored kitchen background is rendered in alcohol ink speedpaint and is painted all the way to the edges of the paper. Prize-winning biology illustration in the style of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Full-screen, strongly toplit, sharp-focus, macro-view, close-up watercolor of several leek stems lying on a reflective stainless steel professional kitchen counter. Behind the leek stems, we see a pile of red potatoes on a wooden cutting board. The vegetables are waiting to be prepared for vichysoisse soup.In the background behind the culinary still life, we can barely make out a professional gas range, which is rendered in splotchy, wet-on-wet watercolor and is painted completely and all the way to the edges of the paper. Conversely, the leeks and potatoes are lovingly, deftly and painstakingly rendered in diaphanous watercolor with exquisite detail, with some outline details highlighted in pen-and-ink. Above all the leeks are painted with great attention to detail, like a biology illustration. No other utensils or objects are included in the painting. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
eat your veggies - or do you consider avocados fruits?
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Full screen, side-lit, sharp-focus, macro-view large watercolor of a shallow, light-green, rough-patterned, ceramic bowl containing several avocado fruits. The avocados have a green-and-borwn speckled, rough, leathery skin. One avocado outside the bowl is halved to show the large, smooth, brown pit and the delicately olive-green, creamy edible part. The bowl stands on a smooth beechwood cutting board along with a small, simple, green-handled paring knife. The wall behind the culinary arrangement is apricot-colored, and the sunrays cast a pattern of pink, orange, apricot and gold onto the wall. The avocados, the bowl and the cutting board with the knife are deftly, lovingly and painstakingly rendered in diaphanous watercolor with exquisite detail. Above all the avocados are extremely detailed, with the details partly emphasized with pen-and-ink. The wall is out of focus, blurry, splotchy and is speedpainted in wet watercolor and alcohol ink. The aquarelle is painted all the way to the edges of the heavy, handmade rag paper. Prize-winning, museum quality biology aquarelle illustration in the style of famous contemporary biological illustration artists and Simonetta Occhipinti Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin.
juicy fruit - mangosteens, dedicated to the DDG Team
Model:
AIVision
Size:
5912 X 3376
(19.96 MP)
Used settings:
Prompt: Create a full-screen, side-lit, sharp-focused macro watercolor painting of a light-green, textured ceramic bowl holding several mangosteen fruits. The mangosteens have a dark reddish-purple, leathery exterior with clusters of greenish-brown leaves on top. One mangosteen outside the bowl is cut open to reveal shiny white segments inside. The bowl is placed on a smooth beechwood cutting board alongside a simple golden-handled paring knife. Behind the arrangement, an apricot-and-magenta wallpapered wall is softly illuminated by sunlight, casting ornate patterns of pink, orange, apricot, and gold. The mangosteens, bowl, and cutting board with the knife are intricately and lovingly detailed with transparent watercolor, while the wall appears slightly blurred with a watercolor-and-ink effect. The artwork extends to the edges of heavy, handmade rag paper, capturing a high-quality, museum-style botanical illustration inspired by renowned contemporary and classical biological artists.
Prompt: a hauntingly vivid, high-contrast illustration of a menacing jack-o-lantern, its carved face twisted into a grotesque grimace, sitting atop a rustic wooden cutting board surrounded by a scattering of terrified vegetables - a wilting lettuce leaf, a trembling tomato, and a petrified pepper - each rendered in exquisite detail, with bold brushstrokes and vibrant colors, evoking a sense of autumnal unease, against a warm, golden background that recalls the flickering glow of candlelight, with intricate textures and subtle shading that give the image a tangible, three-dimensional quality, in ultra-high resolution, with a level of realism that borders on the uncanny.
Prompt: Three sliced sushi rolls on a light teal cutting board. The rolls are composed of a dark, slightly textured nori sheet, filled with visible pieces of rice and a mixture of orange carrots and light green vegetables. The fillings are arranged neatly inside the rolls in a repeating pattern. A metal chef's knife lies diagonally across the cutting board, angled to the upper left. The rolls are in sharp focus, while the knife and lighting are a bit softer. The cutting board has a slightly mottled texture and shows the light reflecting off its surface. A soft, diffused light source illuminates the scene from above, casting subtle shadows underneath the rolls. The overall mood is calm, focused and practical, reflecting the process of preparing sushi. The composition is straightforward, emphasizing the food's presentation and its simple preparation.
Prompt: A photo realistic image of a tomato looking at a mandoline slicer with a look of horror on its face. Both are sitting on a countertop with a kitchen background. Exaggerated expression and big cartoon style.
Prompt: Culinary still life rendered full-screen, sidelit by sunlight streaming in the kitchen window, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a wooden cutting board with a small, sharp, stainless-steel kitchen knife used to cut large, fully ripe, Purple Stripe Garlic in half. Behind the wooden cutting board lies a pile of cloves of Purple Stripe Garlic on one side and a pile of whole bulbs of Purple Stripe Garlic on the other side.The Hardneck Garlic stems are piled up on the right side of the cutting board. The board and the garlic lie on a dark stone kitchen counter. Behind the seemingly artless arrangement, we can make out a rough, whitewashed, stone kitchen wall. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the apricots, the kernels, the cutting board and the reflective knife are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a Ultra Realistic Style
Prompt: The image showcases a kitchen scene with a focus on fresh vegetables ready for cooking. In the foreground, there is a cutting board with bright red bell peppers, green onions (scallions), a large cabbage, and ripe tomatoes. A beautifully crafted knife with a decorative handle rests on the cutting board, its blade gleaming under the light. In the background, a gas stove is visible, with a stainless steel frying pan positioned over a lit burner, hinting at the preparation of a meal. The overall atmosphere of the image is warm, with rich colors and textures, and it captures the essence of a well-equipped kitchen ready for cooking.
Prompt: A classic full-body portrait of a reclining woman made entirely of vegetables. She is lying on a cutting board with her elbow propped on an onion, butcherblock counter, knife nearby
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
