#crates

Corridor Chase

• Model: SeeDream

• Size: 1440 X 2560 (3.69 MP)

• Used settings:

  • Prompt: (gouache oil on canvas:1.2), photorealistic ultrafine detail, depict a broad-shouldered starship engineer and veteran with unruly dark hair and a pointy beard, dimly lit cargo hold filled with high-tech oddities and stacked crates, on the hunt, weapon drawn, Gouache, Impression, ethereal atmosphere, in the technique of old masters
  • Using base image: No
  • Aspect Ratio: portrait_tall

Wonders from Beyond the Map

• Model: ChatGPT 2 (Pro)

• Size: 3812 X 2144 (8.17 MP)

• Used settings:

  • Prompt: Cargo bay interior fills frame as immense enclosed volume inside futuristic steampunk spaceship. Space reads clearly as freight hold, not cockpit, engine room, hangar, or warehouse: metal floor plates run deep toward far bulkhead, high walls rise above crate stacks, ribbed ceiling spans overhead. Small portal-style windows sit high along side walls in repeated intervals, round or slightly oval, functioning as scale markers and secondary light sources. Architecture fuses spacecraft enclosure and steampunk fabrication. Riveted deck is worn by crate skids and traffic marks. Hull walls carry integrated braces, ducts, pressure housings, valves, and pipe runs rather than random clutter. Overhead trusses, chains, pulley rigs, loading hooks, vent housings, and brass-copper fittings reinforce working-ship identity while preserving bay depth. Interior must feel tall, deep, and built for freight inside large interplanetary vessel. Wooden crates dominate contents and establish scale. Crates range from small boxes to massive stacked shipping cases, wood-planked and metal-banded, some stenciled, some plain, some partly open. Between them sit futuristic gadgets awaiting transport: lens assemblies, pressure canisters, folded mechanisms, navigation parts, vacuum-sealed caskets, compact apparatus with gauges and coils. Objects read as cargo, not active arsenal. Packing material litters deck around stacks: straw, shredded paper, protective cloth, rope, excelsior, slats, opened wrapping panels. Composition shows ordered density. Foreground begins on metal deck strewn with packing scraps and one or two partly unpacked devices near crate corners. Midground carries tallest crate clusters, aisle gaps, and cargo groupings stepping across bay width. Background recedes into more stacks, structural ribs, gantry shadows, and distant hatch geometry, preserving enormous volume. Crates must not flatten into one box-wall; layered overlaps, visible aisles, and exposed floor planes keep depth readable. Lighting mixes cool daylight from high portal windows with warmer shipboard lamps and industrial fixtures. Upper walls catch pale window glow; crate edges, brass fittings, gadget housings, and metal floor catch warmer highlights below. Air holds faint dust and packing fibers near windows and lamps. Floor reflects scattered glints; wood stays softer; polished devices return sharper accents. Palette balances steel gray, oxidized copper, warm brass, weathered wood brown, muted cream packing debris, and restrained device color. Digital illustration blending space-opera realism, painterly draftsmanship, luminous surface handling, and crisp illustrative design associated with Jim Burns, Donato Giancola, David Mattingly, Fred Gambino, and Chris Moore. Camera is wide interior view from human height, looking diagonally across bay rather than straight down central axis, far enough back to register full cargo environment while keeping crate textures, scattered packing material, and individual gadgets legible. Image priority is enormous cargo volume, metal floor, high portal windows, wooden crates, futuristic gadgets, and steampunk spaceship identity in one coherent interior scene. --mod asymmetric composition --mod digital illustration --mod wide interior view --mod space-opera cargo hold --mod steampunk spacecraft detailing --mod mixed warm and cool lighting --mod painterly realism
  • Using base image: No
  • Aspect Ratio: landscape_wide

Endless Warehouse of Shadows and Stacks

• Model: DaVinci2

• Size: 1280 X 720 (0.92 MP)

• Used settings:

  • Prompt: Wide-angle shot inside a vast, dimly lit government warehouse from the 1940s, inspired by the final scene of Raiders of the Lost Ark. Endless rows of identical wooden crates stretch into infinite darkness, stacked high to the towering ceiling and disappearing into deep shadows. Thick dust hangs in the air, caught in faint shafts of cold, diffused light filtering from high windows far above. In the foreground, two workers in period suits are slowly pushing a single wooden crate mounted on a simple dolly or wheeled pallet into its final position among the countless others. The crate is unmarked except for subtle stenciled "Top Secret" markings. The workers' faces are partially obscured by shadow and fedora-style hats, giving an anonymous, bureaucratic feel. Moody, desaturated color palette dominated by earthy browns, grays, and muted greens. Strong chiaroscuro lighting with deep blacks and subtle highlights. Volumetric god rays pierce the gloom. Atmospheric haze and floating dust motes add depth and mystery. Photorealistic, filmic grain, shot on 35mm anamorphic lens with slight vignette. Epic sense of scale and secrecy, evoking the overwhelming anonymity of history's hidden artifacts.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Lakeside Serenity: Nature's Tranquil Embrace

• Model: DaVinci2

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: The image depicts a serene landscape with pine trees, a lake in the distance, and men working amidst large chocolate blocks, blending nature with whimsy in a colorful artistic style, Thomas Kinkade
  • Using base image: No
  • Aspect Ratio: landscape

Commercial fishermen preparing for the day

• Model:

• Size: 1536 X 1536 (2.36 MP)

• Used settings:

  • Prompt: Mimimalist line drawing with hatching for shading and watercolor wash of gray - a seascape with commercial lobster boats in the harbor. Fisherman prepare their boats in the early morning sunrise and get ready to cast off.
  • Using base image: No
  • Aspect Ratio: square

Warrior's run

• Model: Ideogram

• Size: 1968 X 1104 (2.17 MP)

• Used settings:

  • Prompt: Elegant and stylish steampunk ninja girl escaping a horde of menacing black panthers in a Victorian city. Action movement, rapidity, full running, holding a dagger in a hand, jumping over crates, in control, action movie, so fast parts are blurry. Running, dodging, bullets lines flying everywhere. Hunted. Dark and gloomy alley. Night. Red moon in the cloudy sky.
  • Using base image: No
  • Aspect Ratio: landscape_wide
  • Ideogram Style: Auto

Dark Carnival is Here

• Model:

• Size: 1536 X 1044 (1.60 MP)

• Used settings:

  • Prompt: Create a dark fairy tale scene titled "The Carnival After Dark" inspired by the fictional narrative of 'Something Wicked This Way Comes' by Ray Bradbury, about two 13-year-old best friends, Jim Nightshade and William Halloway, and their nightmarish experience with a traveling carnival that comes to their Midwestern home, Green Town, Illinois, on October 24. In dealing with the creepy figures of this carnival, the boys learn how to combat fear. The carnival's leader is the mysterious "Mr. Dark", who seemingly wields the power to grant the townspeople's secret desires. In reality, Dark is a malevolent being who, like the carnival, lives off the life force of those it enslaves. Mr. Dark's presence is countered by that of Will's father, Charles Halloway, the janitor of the town library, who harbors his own secret fear of growing older because he feels he is too old to be Will's dad. The artistic depiction draws on the distinctive styles of Hieronymus Bosch, Salvador Dalí, Gustave Doré, Tim Burton, Caspar David Friedrich, William Blake, René Magritte, Alphonse Mucha, John Martin, Max Ernst, Peter Bruegel the Elder, Dr. Seuss, Naota Hatori, and Aubrey Beardsley. This scene is intertwined with whimsical yet dark characters akin to Tim Burton's creations and the bizarre and twisted creatures of Bosch. The carnival combines Friedrich’s moody, atmospheric skies with the chaotic, detailed natural depictions of Bruegel and Bosch, filled with strange Max Ernst like images. Subtle, Magritte-like illusions and inspired ornate elements weave through the scene, hinting at the deeper narrative of dietary domination and cultural conflict. This composition Something Wicked This Way Comes superimposes folk-tale and supernatural elements over a small-town Americana setting in order to explore the dark undercurrents that surround the transition to adulthood. 1969 aesthetic. Metallic rainbow palette.
  • Using base image: No
  • Aspect Ratio: square

Snail-mail

• Model:

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: In an enchanted forest: a huge Burgundy snail with mail-bags hanging on it's shell. The snail is very exhausted.
  • Using base image: No
  • Aspect Ratio: square

Sunny Orchard Bliss: A Farmer's Day

• Model:

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Vibrant orange orchard, ripe citrus fruits hanging from branches, lush green leaves, dappled sunlight filtering through the foliage, a rustic wooden ladder, a woven basket filled with oranges, a farmer in denim overalls picking fruit, a friendly dog resting under the trees, a vintage wooden crate, warm and inviting atmosphere, digital illustration, hyper-realistic details, vivid colors of orange, green, and brown, natural lighting, Artstation.
  • Using base image: No
  • Aspect Ratio: landscape

Mystery in a High-Tech Storage Zone

• Model: DaVinci2

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: Painting in the style of sympunk, cyberpunk, retrofuturism, the style of the artist Jean-Baptiste Monge. Wide-angle shot, format 16 by 9 Based on the book by Andrew Norton "The Queen of the Sun". A huge cargo compartment with stacks of various goods. Supercargo, a tall, stocky man of 45 years old, with a short haircut, in a dark blue jumpsuit, accompanies the goods from the threshold of the airlock to the cargo compartment of the spaceship "The Queen of the Sun". Work of the team of loaders on manipulators. An atmosphere of peace and tranquility
  • Using base image: No
  • Aspect Ratio: landscape

Steampunk Ship in a Busy Shipyard

• Model: DaVinci2

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: True reason can do many things. Almost everything. True spirit knows no bounds. Inner strength can overcome any obstacles, motivation can do the impossible. The ability to wait and endure difficulties always leads to the expected result. I love and know how to work.
  • Using base image: No
  • Aspect Ratio: landscape

Desolate Dusk: Urban Glow & Shadows

• Model: AI Upscaler

• Size: 2880 X 1616 (4.65 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes