#city

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Even stories set in the far future or fantasy worlds portray societal failures recognizable to contemporary audiences.[22] These failures may include oppressive imbalances of wealth or power, degradation of natural habitat or processes, and impacts of climate change. Evidence of injustices, like social exclusion and environmental racism, may be present. Disastrous consequences are not necessarily averted but solarpunk tends to present a counter-dystopian perspective. Their worlds are not necessarily utopian but rather solarpunk seeks to present an alternative to a pessimistic, consequential dystopian outcome.[23] To achieve this, themes of do it yourself ethics, convivial conservation, self-sustainability, social inclusiveness and positive psychology are often present. This perspective also more closely embeds the ideals of punk ideologies, such as anti-consumerism, egalitarianism and decentralization, than cyberpunk which typically includes protagonists with punk beliefs but in settings that are used more of a warning of a potential future.[23][24]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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• Size: 1024 X 576 (0.59 MP)

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  • Prompt: While solarpunk has no specific political ideation, it does by default embrace the need for a collective movement away from polluting forms of energy.[19] It practices prefigurative politics, creating spaces where the principles of a movement can be explored and demonstrated by enacting them in real life. Solarpunks practice the movement in various ways, including creating and living in communities (such as ecovillages), growing their own food, and a DIY ethic of working with what is available, including the thoughtful application of technology.[20][21]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: The term solarpunk was coined in 2008 in a blog post titled "From Steampunk to Solarpunk",[8] in which the anonymous author, taking the design of the MS Beluga Skysails (the world's first ship partially powered by a computer-controlled kite rig) as inspiration, conceptualizes a new speculative fiction subgenre with steampunk's focal point on specific technologies but guided by practicality and modern economics.[9] Steampunk is a subgenre of science fiction that incorporates retrofuturistic technology and aesthetics inspired by 19th-century industrial steam-powered machinery.[10][11][12] Along a similar vein, in 2009, literary publicist Matt Staggs posted a "GreenPunk Manifesto" on his blog describing his vision of a technophilic genre focused on knowable, do it yourself technologies and with emphasis on positive ecological and social change.[13][14] After visual artist Olivia Louise posted concept art on Tumblr of a solarpunk aesthetic in 2014,[15] researcher Adam Flynn contributed to the science fiction forum Project Hieroglyph with further definition of the emerging genre.[16][17] Based on Flynn's notes and contributions on the website solarpunks.net, A Solarpunk Manifesto was pu
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Solarpunk is a literary and artistic movement that envisions and works toward actualizing a sustainable future interconnected with nature and community.[3][4] The "solar" represents solar energy as a renewable energy source and an optimistic vision of the future that rejects climate doomerism,[5] while the "punk" refers to the countercultural, post-capitalist, and decolonial enthusiasm for creating such a future.[6]
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City

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  • Prompt: cyborg future city
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Maya guy in a modern city

• Model: PhotoReal

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  • Prompt: maya citizen in a modern city
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Hesitance

• Model: Artistic

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  • Prompt: Full body photo, Euro-Asian anime girl, wearing an open silk shirt high heels and short skirt, looking shy, walking in an explosion of thick coloured paint, walking in a futuristic city park
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Walking down the street

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  • Prompt: a cyberpunk-style illustration of people walking down the street in various directions amidst crumbling old buildings. The predominant colors of the illustration are deep brown, dark blue and ochre.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: A space Western typically emphasizes space exploration as "the final frontier". These Western themes can be explicit, such as cowboys in outer space, or they can be a more subtle influence in space opera.[1]: 3–4  Gene Roddenberry described Star Trek: The Original Series as a space Western (or, more poetically, as "Wagon Train to the stars").[2] Firefly and its cinematic follow-up Serenity literalized the Western aspects of the genre popularized by Star Trek: it used frontier towns, horses, and the styling of classic John Ford Westerns.[3][4] Worlds that have been terraformed may be depicted as presenting similar challenges as that of a frontier settlement in a classic Western.[5] Six-shooters and horses may be replaced by ray guns and rockets.[6] The term is often synonymous with "science fiction western". The idea is that the vast distances of space have formed barriers, forcing people to become independent or even restricted. Popular themes within the genre are new frontiers in the galaxy and trying to "control" the vast expanse of space. The stories focus on the hardship and adventure of the unexplored space frontier.[7]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Steampunk is a subgenre of science fiction that incorporates retrofuturistic technology and aesthetics inspired by 19th-century industrial steam-powered machinery.[1][2][3] Steampunk works are often set in an alternative history of the Victorian era or the American "Wild West", where steam power remains in mainstream use, or in a fantasy world that similarly employs steam power. Steampunk most recognizably features anachronistic technologies or retrofuturistic inventions as people in the 19th century might have envisioned them — distinguishing it from Neo-Victorianism[4] — and is likewise rooted in the era's perspective on fashion, culture, architectural style, and art.[5] Such technologies may include fictional machines like those found in the works of H. G. Wells and Jules Verne.[6] Other examples of steampunk contain alternative-history-style presentations of such technology as steam cannons, lighter-than-air airships, analog computers, or such digital mechanical computers as Charles Babbage's Analytical Engine.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Biopunk (a portmanteau of "biotechnology" or "biology" and "punk") is a subgenre of science fiction that focuses on biotechnology. It is derived from cyberpunk, but focuses on the implications of biotechnology rather than mechanical cyberware and information technology. Biopunk is concerned with synthetic biology. It is derived of cyberpunk involving bio-hackers, biotech megacorporations, and oppressive government agencies that manipulate human DNA. Most often keeping with the dark atmosphere of cyberpunk, biopunk generally examines the dark side of genetic engineering and represents the low side of biotechnology.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: Afrofuturism is a cultural aesthetic, philosophy of science, and history that explores the intersection of the African diaspora culture with science and technology. It addresses themes and concerns of the African diaspora through technoculture and speculative fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afro-diasporic experiences.[1] While Afrofuturism is most commonly associated with science fiction, it can also encompass other speculative genres such as fantasy, alternate history, and magic realism.[2] The term was coined by Mark Dery, an American Cultural critic in 1993[3] and explored in the late 1990s through conversations led by Alondra Nelson.[4]
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Bernard takes a holiday with Lenina outside the World State to a Savage Reservation in New Mexico, in which the two observe natural-born people, disease, the ageing process, other languages, and religious lifestyles for the first time. The culture of the village folk resembles the contemporary Native American groups of the region, descendants of the Anasazi, including the Puebloan peoples of Hopi and Zuni.[25] Bernard and Lenina witness a violent public ritual and then encounter Linda, a woman originally from the World State who is living on the reservation with her son John, now a young man. She, too, visited the reservation on a holiday many years ago, but became separated from her group and was left behind. She had meanwhile become pregnant by a fellow holidaymaker (who is revealed to be Bernard's boss, the Director of Hatcheries and Conditioning). She did not try to return to the World State, because of her shame at her pregnancy. Despite spending his whole life in the reservation, John has never been accepted by the villagers, and his and Linda's lives have been hard and unpleasant. Linda has taught John to read, although from the only book in her possession—a scientific man
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Hemendra Kumar Ray’s "Meghduter Morte Agomon" (The Ascension of God’s Messengers on Earth), a work inspired by Wells’ "The War of The Worlds", describes the first contact between two sentient species. Ray's Martians, instead of invading a metropolis like Calcutta or London, descends at a rural Bengal village called Bilaspur. Though the superstitious villagers were calling the new arrivals creatures of supernatural chaos, the protagonist, Binoy-babu, a person of scientific temper, had said, “This is neither the work of ghost nor human. This is the work of an unknown force like you will not find on this Earth. That power which scientists all over the world have been seeking has made its very first appearance here, in this Bengal! Oh, Kamal, you cannot imagine how happy I am!” (Rachanabali 1, 113–114). As the father of Bengali adventure fiction, Ray puts the reader through Binoy's narrative. Divided into two parts, while the first one is a futuristic, indianized take on Fermi paradox, the second one is a prehistoric adventure inspired by Wells’ "The Time Machine". In his later novels, Roy also indianized Doyle's "The Lost World" as "Maynamatir Mayakanon" (The Surreal Gar
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

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  • Prompt: Brian Aldiss described science fiction as "cultural wallpaper." Evidence for this widespread influence can be found in trends for writers to employ science fiction as a tool for advocacy and generating cultural insights, as well as for educators when teaching across a range of academic disciplines not limited to the natural sciences. Scholar and science fiction critic George Edgar Slusser said that science fiction "is the one real international literary form we have today, and as such has branched out to visual media, interactive media and on to whatever new media the world will invent in the 21st century. Crossover issues between the sciences and the humanities are crucial for the century to come."
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

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  • Prompt: One of the writers who used science fiction to explore the sociology of near-future topics was H. G. Wells, with his classic The Time Machine (1895) revealing the human race diverging into separate branches of Elois and Morlocks as a consequence of class inequality: a happy pastoral society of Elois preyed upon by the Morlocks but yet needing them to keep their world functioning—a thinly veiled criticism of capitalist society, where the exploiter class, or the bourgeoisie, is symbolized by the useless, frivolous Elois, and the exploited working class, or the proletariat, is represented by the subterranean-dwelling, malnourished Morlocks. Wells' The Sleeper Awakes (1899, 1910) predicted the spirit of the 20th century: technically advanced, undemocratic and bloody. Next to prognoses of the future of society if current social problems persisted, as well as depictions of alien societies that are exaggerated versions of ours (exemplified by The War of the Worlds of 1897), Wells also heavily criticized the then-popular concept of vivisection, experimental "psychiatry" and research that was done for the purpose of restructuring the human mind and memory (clearly emphasized in The Island
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Planetary romance is a subgenre of science fiction in which the bulk of the action consists of adventures on one or more exotic alien planets, characterized by distinctive physical and cultural backgrounds. Some planetary romances take place against the background of a future culture where travel between worlds by spaceship is commonplace; others, particularly the earliest examples of the genre, do not, and invoke flying carpets, astral projection, or other methods of getting between planets. In either case, it is the planetside adventures which are the focus of the story, not the mode of travel.[1]
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Land_107T2D01 (mirages)

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  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Ivan Bilibin, by Harry Clarke, by Walter Crane, by Giovanni Battista Piranesi, by Robert Hubert, intricate detailed, colored
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Land_112T2D01 (mirages)

• Model: Artistic

• Size: 881 X 1190 (1.05 MP)

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  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Giovanni Battista Piranesi, by Robert Hubert, by Harry Clarke, by Walter Crane, intricate detailed, colored
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Land_110T2D01 (mirages)

• Model: Artistic

• Size: 1190 X 881 (1.05 MP)

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  • Prompt: urban suite, street, street cafe and landscape, lake, rocks, trees, swirling clouds, style by Ivan Bilibin, by Giovanni Battista Piranesi, by Robert Hubert, by Harry Clarke, by Walter Crane, intricate detailed, colored
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