#briefcase

At the Door

• Model: ChatGPT 2 (Pro)

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: Masterful alla prima oil painting, loose confident brushwork, wet-on-wet handling, expressive visible strokes in selective places instead of uniformly, selective impasto in the highlights, luminous warm interior light, broken color, many lost-and-found edges, gestural figure painting, naturalistic anatomy, intimate and spontaneous atmosphere. The entryway to a modern suburban American home in the late afternoon, two pairs of shoes are left at the door, a pair of female black dress shoes placed carefully along the wall and female low top purple shoes left haphazardly tossed down, car keys left in a dish on a bench, a purple backpack dropped in a hurry and tipped over and a black professional bag left leaning against the wall carefully, a little cool outdoor light comes through the windowed door, while the interior has started turning warm, color palette of muted blue-gray, warm cream, worn wood, deep olive, charcoal, with some warmer accents, no added text, no border, signed in the bottom corner with the name "Ev" represented.
  • Using base image: No
  • Aspect Ratio: landscape

The world in a briefcase

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: The world in a briefcase. Surrealism. Flux 2 Klein 9B Fast.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Moonlit Path Through Dark Woods

• Model: DaVinci2

• Size: 944 X 1256 (1.19 MP)

• Used settings:

  • Prompt: “The journey of a thousand miles begins with a single step.” Surreal composition, in style by Stasia Burrington, Endre Penovac and Jamie Heiden
  • Using base image: Yes

A man

• Model: ChatGPT (Base)

• Size: 2352 X 1323 (3.11 MP)

• Used settings:

  • Prompt: A smiling dark brown-haired man from the 1930s, in his 30s, with soulful eyes, with short moustache, dressed in a formal suit, holds a briefcase in his hand. Realism 3.2 [ultra]. FluX.
  • Using base image: No
  • Aspect Ratio: landscape_wide

The Curtain of Reality

• Model: Krea 2 Turbo

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: In the style of Balthus and Ben Aronson, a scene depicts a cross-dimensional encounter. A businessman in a crisp suit, carrying a leather briefcase, pauses on a city sidewalk. He reaches out to touch a shimmering, iridescent veil that separates the urban world from a lush, fungal forest. On the other side, a woman in a green gown with intricate tattoos sits amidst giant, bioluminescent mushrooms, accompanied by a glowing creature. The lighting is cinematic, blending the cool, architectural shadows of the city with the warm, hazy glow of an alien sunset. The composition is painterly, with thick brushstrokes and a muted, earthy palette contrasted by vibrant neon highlights.
  • Using base image: No
  • Aspect Ratio: portrait

Storm Runner in City Rain

• Model: Nano Banana 2 (Pro)

• Size: 2592 X 1456 (3.77 MP)

• Used settings:

  • Prompt: A dynamic and moody impressionist scene of a woman in a flowing dress, rushing through a rain-soaked city street. Her hair is billowing in the wind, and she carries a basket in one hand. The background features blurred figures of pedestrians shrouded in mist, along with urban elements like a brick wall and glistening wet pavement. The atmosphere conveys a sense of urgency and motion, with soft, diffused light filtering through the rain, creating a dramatic yet beautiful composition.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Man on Tracks

• Model: ChatGPT (Base)

• Size: 2352 X 1323 (3.11 MP)

• Used settings:

  • Prompt: Triple exposure.. Clock silhouette, train and man from the 1930s, about 30 years old, with hat on his head and briefcase in his hand... AI Vision. HiDream I1 Fast.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Celestial Wanderer's Surreal Dream

• Model: DaVinci2

• Size: 1088 X 1088 (1.18 MP)

• Used settings:

  • Prompt: (Masterpiece), (("All surreal eyes in the urban landscape", Side view, Complex texture, Abstract expressionism surrealism, Stunning color oil drawing on textured paper, 16K, Max Quality, Max detailed, Maximum Surrealism, Stunning, Masterpiece)), Inspired by the style illustrations of Picasso, Tomasz Setowski. As if created in the patchwork style of Masamune Shirow, Mamoru Nagano, Catrin Welz-Stein, Satoshi Kon and Van Gogh. Full Size image.
  • Using base image: Yes

Die Geschichte vom Hanns Guck-in-die-Luft

• Model: ChatGPT 2 (Pro)

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: Wenn der Hanns zur Schule ging, Stets sein Blick am Himmel hing. Nach den Dächern, Wolken, Schwalben Schaut er aufwärts, allenthalben: Vor die eignen Füße dicht, Ja, da sah der Bursche nicht, Also daß ein jeder ruft: „Seht den Hanns Guck-in-die-Luft!“ Kam ein Hund daher gerannt; Hännslein blickte unverwandt In die Luft. Niemand ruft: „Hanns! gib acht, der Hund ist nah!“ Was geschah? Pauz! Perdauz! — da liegen zwei! Hund und Hännschen nebenbei. Einst ging er an Ufers Rand Mit der Mappe in der Hand. Nach dem blauen Himmel hoch Sah er, wo die Schwalbe flog, Also daß er kerzengrad Immer mehr zum Flusse trat. Und die Fischlein in der Reih’ Sind erstaunt sehr, alle drei. Noch ein Schritt! und plumps! der Hanns Stürzt hinab kopfüber ganz! — Die drei Fischlein, sehr erschreckt, Haben sich sogleich versteckt. Doch zum Glück da kommen zwei Männer aus der Näh’ herbei, Und sie haben ihn mit Stangen Aus dem Wasser aufgefangen. Seht! Nun steht er triefend naß! Ei! das ist ein schlechter Spaß! Wasser läuft dem armen Wicht Aus den Haaren ins Gesicht, Aus den Kleidern, von den Armen; Und es friert ihn zum Erbarmen. Doch die Fischlein alle drei, Schwimmen hurtig gleich herbei; Strecken ’s Köpflein aus der Flut, Lachen, daß man’s hören tut, Lachen fort noch lange Zeit; Und die Mappe schwimmt schon weit. (((no text in image at all)))
  • Using base image: No
  • Aspect Ratio: landscape_wide

Calendar Man's Dream

• Model: DaVinci2

• Size: 864 X 1152 (1.00 MP)

• Used settings:

  • Prompt: Visualization of "Heavy day" metaphor: antic tear-off calendar in which the "July 6" sheet is made of thick steel sheet with perforations along the tear line, other sheets are paper; surrealistic oil of canvas in style of Magritte, Frank Frazetta art
  • Using base image: No
  • Aspect Ratio: portrait

Umbrella crossing

• Model: ChatGPT 2 (Pro)

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: A desaturated surrealist photograph of a solitary man standing at the edge of a dark rocky cliff above an immense abyss filled with dense swirling fog. The man is seen from behind in three quarter profile, wearing a formal black suit, white shirt, black tie, polished shoes, and a classic bowler hat. In one hand he carries a rigid black briefcase, evoking the appearance of a mid-century businessman frozen in contemplation. Before him, a sequence of floating black umbrellas stretches into the distance through the mist, suspended impossibly in midair like stepping stones across the void. The umbrellas follow a precise sinuous curved trajectory beginning near the lower center foreground, arcing gently toward the left side of the frame, then bending back inward as they recede deep into the background fog. Their spacing becomes progressively tighter and their scale gradually smaller with distance, creating a serpentine perspective line that disappears into the mist. The path resembles an invisible aerial walkway winding through the clouds. Each umbrella tilts slightly differently, enhancing the impression of movement along the curved route. The environment is dreamlike and undefined: jagged dark rock formations emerge faintly through thick white and gray mist, while the abyss itself remains invisible beneath the cloudlike vapor. The fog dominates the composition, softening edges and swallowing the landscape into abstraction. Mood: existential, contemplative, melancholic, absurdist, quietly unsettling, evoking themes of uncertainty, transition, isolation, and impossible journeys. Photography style: cinematic minimalism, soft matte textures, high atmospheric diffusion, subtle film grain, realistic fog physics, poetic visual metaphor, medium format photography look. Composition details: wide horizontal framing, subject positioned on the far right edge, strong negative space, elevated viewpoint looking slightly downward into the fog, balanced asymmetry, stillness and silence emphasized. The curved umbrella trajectory acts as the dominant compositional line guiding the eye through the image into infinity. Color palette: desaturated colors, soft whites, smoky grays, charcoal blacks, muted stone textures. Style references: René Magritte-inspired surrealism, existential conceptual photography, minimalist European surrealist cinema, dream logic imagery.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Journey Through a Vibrant Landscape

• Model: DaVinci2

• Size: 1448 X 824 (1.19 MP)

• Used settings:

  • Prompt: Please walk with me
  • Using base image: Yes

Man in Suit at Sunset on Mountain Peak

• Model: DaVinci2

• Size: 1088 X 1088 (1.18 MP)

• Used settings:

  • Prompt: Keep all the elements the same
  • Using base image: Yes

A Royal mess?

• Model: Nano Banana 2 (Pro)

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Hyperrealistic vibrant whimsical oil painting. A 66 year old posh Prince Andrew (no beard, beardless, clean shaven) slightly podgy wearing pink and white striped silk pyjamas (with the letters HRH embroidered on his pyjama top pocket) holding on to a toothbrush with frothing toothpaste on it as if just about to brush his teeth. He is standing on bare feet on the expensive oak flooring of his posh luxury house hallway, on his head he wears a royal crown which is not on straight. He has an astonished arrogant expression on his face. With his other hand he is holding a bulging old expensive leather briefcase with numerous $100 dollar bills sticking out from it. The leather briefcase has the words in gold "Ill Gotten Gains" in gold. Background two large tough British police officers wearing police uniforms & helmets and with their night sticks drawn and ready. The two policemen both stare at Prince Andrew in utter disgust. Speech bubble coming from a police officer says "Happy Birthday your highness, you're nicked!" by Drew Struzan
  • Using base image: No
  • Aspect Ratio: square

Lil Lilly Liz Lizard Colouring Wizard

• Model: Nano Banana 2 (Turbo)

• Size: 2176 X 3792 (8.25 MP)

• Used settings:

  • Prompt: Gothic Toulouse: Skyscraper No corners drawing lines circles clouds Kandinsky
  • Using base image: Yes

Distressed Man at Steampunk Train Station

• Model: SeeDream

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: A monumental fine-art oil painting on canvas, symbolic and introspective, set in a vast, dimly lit train station that feels like a metaphysical threshold rather than a real place. A solitary adult man, not heroic, slightly bent by an invisible lateral force, adjusts the parting of his hair with one hand while holding a worn suitcase with the other. His gesture is small, precise, almost awkward — a ritual of control before the unknown. His posture suggests balance rather than strength. The station architecture is grand but ambiguous: iron arches, glass vaults, and shadowed corridors dissolve into mist. Time is not linear — behind and around him float exposed mechanical clock mechanisms, marine chronometers with springs, counterweights and gyroscopic systems designed to compensate roll, painted with loving mechanical precision. They do not dominate the scene; they quietly work. Light enters laterally, cold and analytical, illuminating edges without guiding direction. It reveals surfaces but refuses to lead. Reflections multiply subtly: a small convex mirror embedded in the architecture reflects the entire scene and includes the viewer inside it. In the background, glass buildings shimmer like fragile temples of modernity — beautiful, clean, but visibly delicate. Their transparency feels vulnerable, almost brittle. Nearby, anonymous figures linger at the margins: ordinary people, worn faces, persistent presences — not victims, not protagonists, simply there. They are partially obscured by scale and perspective, morally central yet compositionally displaced. A neutral, grey authority figure appears indistinctly — observing, controlling, yet subtly lost. Surveillance increases, meaning decreases. The atmosphere carries restrained pressure, unspoken tension, accumulated weight rather than explosion. Color palette: restrained and serious — warm greys, iron blues, muted ochres, dirty whites, touches of deep red as contained energy, never decorative. Brushwork is layered, material, visible, with oil texture and depth; no smooth digital finish. The overall mood is contemplative, ethical, and adult — not nostalgic, not dramatic, not illustrative. The painting conveys the idea of time as oscillation, maturity as precision within movement, courage as inner posture, technology as ambiguous extension of human will, and humanity as a task rather than a victory. Style references (implicit, not explicit): late Turner atmosphere, muted Hopper solitude, moral density of Goya’s late works, Northern Renaissance attention to symbolic detail, contemporary museum-grade realism. Ultra-high resolution, museum quality, fine-art oil painting, timeless, serious, non-sentimental, morally charged.
  • Using base image: No
  • Aspect Ratio: landscape

Man on a Curved Horizon Path

• Model: DaVinci2

• Size: 944 X 1264 (1.19 MP)

• Used settings:

  • Prompt: The slow disappearance of certainty
  • Using base image: Yes

Journey Through an Otherworldly Desert Landscape

• Model: AI Upscaler

• Size: 3520 X 2352 (8.28 MP)

• Used settings:

  • Prompt:
  • Using base image: Yes

Empowered Elegance: A Stylish Trio

• Model: DaVinci2

• Size: 2224 X 1680 (3.74 MP)

• Used settings:

  • Prompt: Beautiful Woman, Rustic Elegance, Sophisticated Ease, and Refined Tailoring Set In A Festive Tone.
  • Using base image: No
  • Aspect Ratio: landscape