#antiwar

Crying Jesus. Version 3

• Model: Photonic

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Crying Jesus by H. R. Giger
  • Using base image: No
  • Aspect Ratio: landscape

Crying Jesus. Version 2

• Model: Z-Image Turbo

• Size: 1600 X 912 (1.46 MP)

• Used settings:

  • Prompt: Crying Jesus
  • Using base image: No
  • Aspect Ratio: landscape_wide

Crying Jesus. Version 1

• Model: SeeDream

• Size: 2560 X 1440 (3.69 MP)

• Used settings:

  • Prompt: Crying Jesus
  • Using base image: No
  • Aspect Ratio: landscape_wide

A star called the Sun. Version 3

• Model: SeeDance 1.5

• Size: 864 X 496 (0.43 MP)

• Used settings:

  • Mode:
  • Generated From: Text
  • Duration: 11 seconds

Iron Flowers: PART II - THE FLOWERS

• Model: ChatGPT 2 (Pro)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: PAGE 2 — „The Flowers” (based on the next half of the poem) Panel 1 — Visual: Zbliżenie na samotny grób żołnierza. Z ziemi wyrasta pierwszy żelazny kwiat — metaliczny, poszarpany, o płatkach przypominających odłamki. Narration: Iron flowers blooming on the soldier’s grave. Panel 2 — Visual: Korzenie żelaznego kwiatu wplątane głęboko w mokre, ciężkie błoto. Wokół leżą fragmenty łusek i rdzawego metalu. Narration: Petals of shrapnel, roots in the mud. Panel 3 — Visual: Deszcz miesza się z krwią, spływa po metalowych płatkach i wsiąka w ziemię. Narration: Watered by sorrow and sanctified blood. Panel 4 — Visual: Spalona strona księgi niesiona wiatrem przez pole bitewne. Na horyzoncie widać zgliszcza i dym. Narration: Written in ink on a scorched, final page. Panel 5 — Visual: Dzwony kościelne kołyszą się na wietrze. Niebo jest ciężkie, poszarpane, jakby świat miał pęknąć. Narration: Dominus… Requiem… The world is thin. Panel 6 — Visual: Ogromne pole żelaznych kwiatów rozciąga się aż po horyzont. Każdy kwiat jest inny — skręcony, ostry, zimny. Narration: Cold and divine, marking the end of your bloodline and mine. Panel 7 — Visual: Jeden żelazny kwiat w zbliżeniu. Jego metaliczny środek świeci słabo w zmierzchu — jak ostatni, cichy puls świata. Narration: Even in silence, they bloom.
  • Using base image: No
  • Aspect Ratio: portrait

Iron Flowers: PART I - THE FIELDS

• Model: ChatGPT 2 (Pro)

• Size: 2496 X 3312 (8.27 MP)

• Used settings:

  • Prompt: PAGE 1 — „The Fields” (based on the first half of the poem) Panel 1 — Visual: A tank plowing through a field, soil exploding under its weight. Narration: The fields are plowed by the weight of the tank. Panel 2 — Visual: A river blackened by soot, names of the fallen drifting like ash. Narration: The names of the fallen are drawn in the bank of a river black with the sky’s soot. Panel 3 — Visual: A valley filled with smoke and bullets raining like a harvest. Narration: A harvest of lead in the valley of breath. Panel 4 — Visual: Two silhouettes dancing in the ruins, shadows merging with death. Narration: We dance a waltz with the shadow of death. Panel 5 — Visual: Children gathering twisted metal like crops. Narration: The children reap what hatred has sown. Panel 6 — Visual: Generals praying in a massive stone cathedral. Narration: The generals pray in cathedrals of stone. Panel 7 — Visual: The sky turning into a funeral shroud. Narration: The sky is a shroud, the earth a cage.
  • Using base image: No
  • Aspect Ratio: portrait

WAR IS GOOD FOR ABSOLUTELY NOTHING

• Model: Nano Banana 2 (Pro)

• Size: 2592 X 1456 (3.77 MP)

• Used settings:

  • Prompt: Edwin Starr in Bruce Springsteen pojeta na velikem odru, ki je posejan z rožicami, ki jim segajo do pasu. V rožicah in travi se skrivajo živali iz celega sveta in boječe kukajo iz rastlinja v stilu Mirjam Duizendstra, Peter Mitchev, Odilon Redon. Okoli odra se dogaja drama in pekel vojen z eksplozijami, letečimi vojnimi raketami in izstrelki, ročnimi bombami v stilu Diego Rivera. Okolica je popolnoma v ognju, v daljavi otroci jokajo v naročjih svojih mam v stilu Frank Frazeta. Vojni invalidi so v invalidskih vozičkih in imajo preveze čez oči. Ljudje v daljavi hodijo z robotskimi nogami, drugi imajo invalidske pripomočke v stilu Egon Schiele in Gustav Klimt. V daljavi so požgana mesta in pšenična polja v stilu Amanda Clark, Zdzisław Beksiński, Jacek Yerka and Yossi Kotler style. Nad odrom je velik napis" War is good for Absolutely nothin", napis je pisan v raznobarvnih barvah in pred in za napisam je znak miru ali Flower Power.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Kriech!

• Model: DaVinci2

• Size: 1144 X 896 (1.03 MP)

• Used settings:

  • Prompt: War of Terror, dada, surrealism, elektrodada, mixed media, collage
  • Using base image: Yes

Bombenwetter

• Model: DaVinci2

• Size: 1144 X 896 (1.03 MP)

• Used settings:

  • Prompt: War of Terror, dada, surrealism, elektrodada, mixed media, collage
  • Using base image: Yes

Ohrloch

• Model: DaVinci2

• Size: 1016 X 1016 (1.03 MP)

• Used settings:

  • Prompt: War of Terror, dada, surrealism, elektrodada, mixed media, collage
  • Using base image: Yes

War of Terror

• Model: DaVinci2

• Size: 1016 X 1016 (1.03 MP)

• Used settings:

  • Prompt: War of Terror, dada, surrealism, elektrodada, mixed media, collage
  • Using base image: Yes

Untergang

• Model: DaVinci2

• Size: 1016 X 1016 (1.03 MP)

• Used settings:

  • Prompt: War of Terror, dada, surrealism, elektrodada, mixed media, collage
  • Using base image: Yes