#antigravitysystems

Skytower

• Model:

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: Digital illustration of a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Construction of the Space Elevator

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Digital illustration of a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Keller Planetary Complex, Formosa VI

• Model:

• Size: 2688 X 1512 (4.06 MP)

• Used settings:

  • Prompt: A rocky planet with a colossal space elevator extending up out of the atmosphere, high-tech stations at the base and the top, with alien designs woven into their structures. Advanced anti-gravity systems keeping the elevator stable as ships travel up and down. A thin, wispy atmosphere, with the planet's curvature visible in the distance. Faint glows from distant stars, with intense lights coming from the elevator stations. Cold blues, bright whites, and metallic grays, photorealistic in the style of Chris Moore and Michael Whelan. Shot with ARRI Alexa 35, Signature Prime 35mm f/2.8 lens, ISO 100, tripod-mounted, ultra-sharp optics.
  • Using base image: No
  • Aspect Ratio: landscape_wide