#alienmachines

Deepel of the Peep

• Model: QWEN

• Size: 2592 X 1440 (3.73 MP)

• Used settings:

  • Prompt: COMBINE the images. Mixed media surrealsim. Illuminati is the machine. A futuristic biodome urban dystopian horror. The city on a face. The thing that's in front of the head. Yes eyes it has. Faces. The witch of slightly nice face and hat. Scared man. Group of eyes. Brutadist eastern european dystopian framework building. People from the deep. H r. Giger machines.
  • Using base image: Yes

London

• Model: SeeDream

• Size: 2224 X 1664 (3.70 MP)

• Used settings:

  • Prompt: London under attack by the Harbingers from Mass Effect 3, massive dark alien machines towering over the city, glowing red energy cores and thrusters, laser beams cutting across the skyline the Shard, Big Ben, and the London Eye partially damaged but still recognizable, streets in chaos with debris flying, overturned vehicles, smoke plumes rising into a stormy sky dynamic action — explosions, red energy arcs striking buildings, sparks and flying rubble, civilians running in panicked motion, rain-slicked streets reflecting the red glow of alien weapons epic cinematic composition, high-detail futuristic sci-fi realism, dramatic lighting with glowing energy contrasted against dark clouds, motion and scale emphasized, perspective showing humans tiny beneath the colossal machines, no modern futuristic tech added outside the Mass Effect aesthetic “Harbingers so massive that their legs crush entire blocks, glowing cores illuminating the dark clouds” “perspective from slightly above street level, showing humans and military forces dwarfed” “over-the-shoulder view of a soldier looking up at the Harbinger, explosions in the distance, red lens flares, rain streaking the camera”
  • Using base image: No
  • Aspect Ratio: landscape

Sci-Fi battle with alien

• Model:

• Size: 1152 X 864 (1.00 MP)

• Used settings:

  • Prompt: Futuristic illustration with flat colors in a comic book style. Theme: Alien monsters with ray guns and their enormous war machines pursue and annihilate humans, like in H.G. Wells's War of the Worlds.
  • Using base image: No
  • Aspect Ratio: landscape

Iron Harvesters from Planet 9!

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A lattice of spidery alien machines crawls methodically across the plain—twelve-limbed constructs of black chitin and glass-metal. Their movements are patient, almost devotional. Each machine tilts a segmented head toward the soil as they drag furrows with mandible plows, exhaling vapor from vents like sighs. One unit in the foreground has paused—its upper limbs raised as if listening for instructions that will never come. The landscape: an endless grid of furrowed rows under a tiny blue-white sun, so distant it gives more glare than warmth. The horizon is warped by heat mirage; ancient mountain spines rise faintly in the haze. The camera hovers low and oblique, near the soil line, so the tilling rows converge toward infinity—emphasizing vastness and repetition. Scattered relics of habitation protrude half-buried: antenna masts, wind-eroded domes, and a long-dead irrigation drone caught mid-turn centuries ago. A faint wind drives thin dust across the plain, filling every furrow. Each harvester moves with unhurried precision, their plow arms trailing faint phosphorescence that lingers like ghostlight before fading. Occasionally, one stops and releases a short coded burst into the air—modulated light or radio pulses—to which no answer returns. The planet’s day is near its end; the sun’s angle throws long, needle-like shadows that crosshatch the furrows. Metallic limbs show pitting and oxide blooms; clear carapace segments reveal the slow churn of coolant fluid glowing faint turquoise. Soil granules shimmer with faint bio-luminescent spores released by the plows—alien crops that never germinated beyond residue. Static flickers across the machines’ sensor domes; one eye lens is cracked and filled with drifting sand. Everything bears the gentle corrosion of millennia, but the forms still gleam with purpose. Foreground: one halted harvester, limbs poised mid-gesture, phosphorescent furrow glowing behind it. Midground: five to six other harvesters continuing their pattern across the plain, dust veiling their midsections. Background: the distant ridge line and the small, bluish sun, haloed in thin cloud and refractive ice haze. Single, cold key light from the miniature sun — high but weak. Secondary glow from furrow phosphorescence, rising from below like reflected water light. Occasional glints on metal limbs provide visual rhythm. Color palette: muted copper, ash grey, faint teal — punctuated by the pale blue sun and greenish glow from the soil. Atmosphere hazy, particulate, quiet—the light of a world that forgot to stop working. --mod cinematic lighting, --mod atmosphericdepth, --mod ambient haze, --mod rim light, --mod dynamic composition, --mod desaturated palette core, --mod mythic realism, --mod bioluminescent haze, --mod structuregrain, --mod central subject lockup, --mod phosphorescent soil glow, --mod oxidized alloy patina, --mod cold sun falloff, --mod mechanical devotion gesture, --mod repetition symmetry discipline, --mod dust veil occlusion
  • Using base image: No
  • Aspect Ratio: landscape_wide