Prompt: Generate an abstract image featuring a central figure with comically distorted, mismatched features: one eye a small triangle, the other a rose, a pear shaped nose, and a zipper-shaped mouth, all in disproportionate sizes. The figure should be rendered in a fusion of Alen Kopera's vibrant naive surrealism and Jean Arp's biomorphic abstraction, with elements of cubist fragmentation, Arabian abstract motifs (like mask patterns and bold Irregular designs), and cartoonish exaggeration. Surround the figure with floating abstract freeform shapes and Arabian-inspired patterns. The background is a detailed fabric pattern with repeating Icosahedron shapes and organic designs. Use a vivid, saturated color palette dominated by powder blues, melon oranges, mint greens, and soft yellows, with high contrast and intricate details. The overall atmosphere is joyful chaos and cultural fusion, with every element richly textured and layered.
Prompt: Generate an image in the hyper-stylized fusion of Tim Burton's gothic whimsy and Jean-Michel Basquiat's raw, neo-expressionist energy. Visualize: A fractured, cubist portrait emerging from heavily textured, coffee-stained paper resembling ancient parchment or crumbling wall. Render the subject with exaggerated, Burton-esque proportions – elongated limbs, a spindly neck – but fractured into angular, overlapping planes of Basquiat's abstract cubism.
Prompt: Headline: MAD MAGAZINE: (A direct, satirical play on the classic "This is your brain on drugs" PSA.)
MAD Magazine Parody Cover Concept
Cover Line:
"YOUR BRAIN ON SCREENS"
Visual:
The cover is bright, chaotic, and meticulously detailed in the classic MAD style. It features their mascot, Alfred E. Neuman, but with a major twist.
Alfred E. Neuman 2.0: Alfred is depicted as a half-human, half-robot hybrid. The left side of his face is his classic, freckled, grinning self. The right side of his face is a sleek, glowing screen, with a robotic eye and a pixelated, glitching version of his famous grin.
The "Screened" Reality: He's holding up a cracked smartphone in one hand, but the "crack" is actually a fissure in reality, leaking classic MAD-style cartoon chaos (spilling ink, tiny "What, me worry?" symbols, etc.).
Background: He's surrounded by a whirlwind of pop-culture icons, all zombified and staring at their own phones:
A superhero scrolling mindlessly through a "super-villain's" social media.
A famous cartoon mouse with giant, dilated eyes from screen time.
A political figure giving a speech to an audience of empty chairs, all holding up phones instead of faces.
Color Palette: Vivid and explosive. Electric yellows, hot pinks, and cyan blues, contrasting with the metallic silver of Alfred's robotic half. The classic MAD logo in its trademark red and white.
Taglines & Text (scattered around the cover in the classic MAD font):
"SATIRE SO DEEP, EVEN THE ALGORITHMS CAN'T KILL IT!"
"INSIDE: AI WRITES THIS ENTIRE ISSUE! (JUST KIDDING. OR ARE WE?)"
"POLITICIONS: A SPECIAL CROSSWORD PUZZLE WHERE EVERY ANSWER IS A LIE!"
"ScREAMING SERVICES: WE PARODY ALL 700 OF THEM!"
At the very bottom, in small print: "NOW AVAILABLE IN COMIC BOOK STORES BECAUSE NEWSSTANDS ARE A THING WE PARODY IN THIS ISSUE."
The "What, Me Worry?" Twist:
The classic phrase is updated. A small speech bubble from Robotic Alfred reads:
"WHAT, ME WORRY? MY PRIVACY POLICY WAS 40,000 WORDS LONG!"
Prompt: Zombie clown, very scary in a place like the world of the dead, which is full of the realm of the dark lords, and the green mist is everywhere.
Prompt: A full-body cinematic masterpiece portrait of Wednesday Addams (Jenna Ortega version) in a dynamic, supernatural moment. Her signature deadpan expression holds intense focus, her eyes gleaming with a hint of psychic power. She stands in a powerful stance, one hand resting on a weathered, ancient cello, the other clenched into a fist, from which a swarm of ethereal, glowing black ravens erupts into the air.
VIBRANT & COLORFUL ELEMENTS:
Contrasting Background: She is centered in a dark, gothic courtyard of Nevermore Academy at night, but the scene is alive with color. Bioluminescent, venomous-looking flowers in electric blue and neon purple glow at her feet.
Supernatural Effects: The ravens leaving her hand are semi-transparent, trailing swirls of shimmering, dark energy like ink dropped in water. A few falling autumn leaves in vibrant crimson and gold are frozen in mid-air around her, defying gravity.
The Shoes: On her feet, a pair of clashing, bright vibrant orange platform Crocs, their chunky silhouette adding to her formidable stance. The Crocs are hyper-detailed, with a few small, spooky "Jibbitz" charms (a tiny skull, a miniature raven, a small dagger) tucked into the holes.
Lighting: Dramatic, cinematic lighting. A cold, moonlit spotlight illuminates her pale skin, black braids, and the shocking orange of the Crocs, creating a stark, eye-catching contrast against the deep blues and purples of the night. The glowing flora and magical energy provide pockets of intense, saturated color.
CHARACTER DETAILS: Hyper-detailed, 8K resolution, full render from head to toe. She wears her iconic black dress with a white collar, the fabric having rich texture. Her braids are perfectly defined. A single, perfectly captured hive is visible on her wrist. Thing is seen crawling dramatically over the neck of the cello.
STYLE: Dark fantasy, cinematic, hyper-realistic. Visual style of Tim Burton and Guillermo del Toro. Volumetric lighting, shallow depth of field, vibrant color palette against a gothic foundation. The absurdity of the orange Crocs adds a layer of surreal, modern goth humor. --ar 2:3 --style raw --q 2
Prompt: Whimsy Insanity, surreal surrealism, Mysticism, unorthodox silkscreen,
Interpret:
You are stuck in the matrix.
Agents coming saying they can make you "internet famous"
Giving Freddy Kruger nightmares,
Even Lex Luther said I was diabolical,
Brainwashing.
Prompt: oil on canvas, Strangely surreal, whimsical, Picasso,
SEXY, white fish-scale sky, opposing cocoa leaves, bright blue sun,
hazy strange cloudy earwigs,
ticking time bomb,
the bond of the grasshopper and woodcut woodchuck,
paranoic beetles and sophisticated mosquitoes,
evil bunch of crickets,
the real honey,
aristocratic, paralyzing, hyper-evident bread,
anti-humanitarian sheds,
Prompt: ((Masterpiece, 8K, Ultra-realistic, oil on canvas)), a contemporary reinterpretation of Friedensreich Hundertwasser's "622 Mourning Schiele," fusing the melancholic line work of Egon Schiele with Hundertwasser's vibrant, organic patterns.
The portrait features a woman's upper body, her pose evocative and graceful. She possesses an expressive gaze that is both serene and intensely captivating, looking directly at the viewer. She wears a stunning, crimson red dress, its fabric rendered with hyperrealistic texture. Draped over her shoulders is an elaborate, colorful shawl that explodes in a patchwork of floral compositions, reminiscent of intricate Japanese kimonos and the bio-mechanical detail of Masamune Shirow.
The style is a breathtaking synthesis: the cold, precise structural design and graphic illustrations of Hajime Sorayama define her facial features and the sleek lines of the dress, while the dramatic, gritty atmosphere of Katsuhiro Otomo's dystopian worlds influences the lighting. The background is not a studio but a surreal, bright fantasy setting, where geometric architectural elements from Satoshi Kon's dreamscapes merge with Hundertwasser's signature spirals and bold, imperial colors.
Technical Execution: Rendered with crisp quality and shallow depth of field, the image has the luminous, colourful watercolor fluidity of a Schiele drawing, but with the stunning color and texture of oil on canvas. The result is a very attractive, beautiful portrait that is both intricate and powerfully graphic.
Modifiers: hyperrealistic, high definition, fantastic view, expressive portrait, woman in red, colorful shawl, Japanese modernist, bio-organic, melancholic elegance, vibrant, detailed, sharp focus.
Prompt: "Novacane Kaleidoscope" A psychosomatic surrealism masterpiece visualizing the lyrics' descent into numb, superhuman detachment. The scene is a fractured, Beksinski-esque landscape of a distorted collegiate campus at dusk, where the lawn is a sheet of cracked, ice-blue glass. Centered in the composition is a figure, their face a glitching, multi-perspective portrait merging Picasso's fractured forms with Egon Schiele's raw, nervous lines. Their expression is a vacant, "muted emotion" stare, capturing the lyric, "I can't feel my face." One eye is wide open, filmy and unseeing; the other is sutured shut, echoing "pleasure with my eyes wide shut." From their mouth, a ghostly, M.C. Escher-like staircase of smoke coils upward, morphing into the words "Don't let the high go to waste" in a Jean-Michel Basquiat graffiti scrawl. At their feet, an "ice-blue bong" lies on its side, spilling a liquid that transforms into a sink full of dishes rendered in the gritty, textural style of Francis Bacon. The background is a chaotic collage: a "chemist on campus" appears as a skeletal figure in a Tim Burton style, holding a beaker that bubbles with Andy Warhol's repetitive Coca-Cola logos. The sky is a Henri Matisse cut-out of vivid color, but sickly and stained, while the ground pulses with the organic, neural patterns of Alex Grey. The entire scene is framed by a grotesque, smiling mouth--a la Louis Wain in his later period--whispering the word "DISGUST." This is not a painting but a visceral experience--a "visionary stuff" tapestry of abstract expressionism and art brut, where you can "taste a little taste of Novacane" through sheer visual overload. It's the moment where pleasure, academia, and chemical numbness collapse into one another. Modifiers: Psychosomatic surrealism, hyper-detailed, chaotic collage, fractured perspective, glitch art, raw texture, high contrast, morbid whimsy, Zdzisław Beksiński, Picasso, Francis Bacon, Egon Schiele, Jean-Michel Basquiat, Tim Burton, Andy Warhol, Alex Grey, M.C. Escher, Louis Wain, abstract expressionism, art brut.
Prompt: ((He sips his red wine)) A masterpiece of psychedelic post-impressionism and raw, outsider art. A vivid tableau of thugs and women, drenched in the themes of lust, and envy and (A glass of red wine)
Visual Style: Imagine the raw, primal energy of Jean-Michel Basquiat colliding with the psychosomatic surrealism of Francis Bacon and the bold, clashing colors of Henri Matisse. The composition has the cinematic drama of Tim Burton and the distorted perspectives of Egon Schiele.
Execution: Rendered with the intensity of alcohol ink and the textured grit of art brut. The scene should feel hyperreal yet fractured, with figures that are both tangible and dreamlike. A chaotic, explosive palette of ruby red, deep gold, acid green, and electric blue dominates.
Drenched, Clashing, Fractured, Distorted, Smoldering, Gleaming, Tangled, Defiant.
Prompt: Recreate a colorful comic book style scene featuring a young rocker man with long, messy hair and a dark beard that only extends from his chin, sitting and playing a Spanish guitar in a psychedelic environment inspired by Pink Floyd’s The Wall. The environment should include vibrant colors and surreal drawings, with constantly changing lysergic shapes and patterns. Pay special attention to the hands: they should be anatomically correct, natural, and perfectly synchronized with the guitar. Ensure that the fingers are well proportioned, with believable positions that reflect the action of playing strings. The art style includes defined lines, detailed shading, and textures.
Prompt: "Les Demoiselles d'Avignon reimagined by Jean Basquiat: a vibrant, raw, and fiercely expressive blend of graffiti, Neo-Expressionism, and powerful social commentary/exaggerated cartoon pathos/Raw brushstroke vigorous, unrestrained brushstrokes that appear frenetic and intense, conveying a sense of urgency and emotional depth. Signature feature: each possesses uniquely bizarre, elongated necks, arm, legs/mask-like faces/crossed out words/ historical references, and street commentary/ (geometric chaos). Created on heavily textured, artisanal paper."
Prompt: cubism naive african abstract cartoon art style Tim Burton with funny eyes of different shape and size Art on textured paper #abstractfigures #emotionsabstraction #geometricshapes #patternedbackground #vibrantcolors
Prompt: A formidable Korean fashion icon, their face a mask of serene power, strides with lethal grace. They wear a stark black Hanbok jeogori over blood-red baji, crowned by a towering, blood-red gat hat. They lead two mythical, elongated Hounds of Heaven, their silken white fur adorned with miniature, meticulous Hanbok jackets in black and blood-red. The beasts are tethered by taut, gleaming ribbons of liquid crimson. The scene is a masterpiece of Gongbi painting: hyper-detailed, with vivid color blocks of jet black, violent red, and ghostly white against a gold-leaf background. The model's black leather boots crunch on unseen ground. A hyper-stylized, royal-core fashion illustration that crackles with energy.
Ode to Debbie Eh? And The New York SubWay. (A rewrite of a MasterPiece)
Model:
AIVision
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: Style: A breathtaking masterpiece of Hyperrealism seamlessly fused with Metaphysical and Symbolist Surrealism. The image must have the technical precision and tactile detail of a high-resolution photograph, but with the mind-bending, dreamlike logic of the referenced masters. Core Concept: A figure is swimming, in a perfect breaststroke, through the flooded tunnels of the New York City subway. The scene is not chaotic, but eerily serene and impossibly clear. This is a dream of effortless movement through a space typically defined by congestion and noise. Artistic Fusion: From René Magritte: The surreal, impossible juxtaposition: a swimmer in a tunnel. The water is as clear and glassy as a Magritte sky, creating a profound optical illusion--is it water or is it a wall of air? The swimmer's face is obscured or turned, emphasizing anonymity and archetype over individuality. From Giorgio de Chirico: The profound, melancholic atmosphere of empty public spaces. The long, receding perspective of the tunnel creates a deep sense of loneliness and enigmatic, unsettling stillness. The sharp, long shadows and dramatic, unnatural lighting feel both real and staged. From Carrie Ann Baade & Jamie Heiden: A rich, surreal patchwork of symbolic details. The tiles on the wall are not just grimy; they are intricately patterned with faint, acrylic art-like motifs--geometric shapes, eyes, or archaic symbols that tell a hidden story. Posters on the walls are layered and peeling, revealing older, more bizarre advertisements beneath. From Endre Penovac: The masterful, hyperrealistic rendering of texture and fluidity. Every single water droplet on the tunnel wall and the swimmer's skin is visible. The way the water parts around the arm is captured with perfect, slow-motion clarity. The sheen of wet skin against the dull, gritty concrete is tactile and stunning. Composition: Dynamic, low-angle view, as if we are another swimmer following just behind. The tunnel stretches into a perfectly converging vanishing point, creating a powerful optical illusion of infinite depth. The swimmer is off-center, leading the eye on the journey. Lighting: Dramatic and cinematic. A single, mysterious light source from the end of the tunnel illuminates the scene, catching the swirl of particles in the water and creating god rays. The contrast between the murky shadows and the brilliant, clear water is extreme. Details: (The Hyperrealism) Ultra HD, 8k resolution. The gritty texture of the concrete tunnel is visible, with every crack and stain. The swimmer's wet hair is individual strands stuck to their neck. Distorted reflections on the surface of the water show the tunnel ceiling upside down. Bubbles of air trail from the swimmer's lips, each one a perfect sphere. The sense of weightlessness and slow motion is palpable. Keywords: hyperrealism, surrealism, masterpiece, cinematic lighting, 8k, dramatic, low angle, subsurface scattering, god rays, water droplets, New York City subway, swimming, tunnel, solitude, serene, enigmatic, metaphysical art, symbolic, optical illusion, clear water, grunge, texture, Carrie Ann Baade, Jamie Heiden, René Magritte, Giorgio de Chirico, Endre Penovac.
Rain drops keep falling on my day. In a world called fantasy. Early this morning the devil knocked
Model:
DaVinci2
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: Rain drops keep falling on my day. In a world called fantasy. Early this morning the devil knocked on my door and didn't bring food. Silly bastard.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
