Comments
Loading Dream Comments...
You must be logged in to write a comment - Log In
Create a dark, richly textured and detailed, gritty tone, atmospheric, cinematic oil painting in a gritty gothic style and dramatic lighting. Inside the decaying heart of the abandoned hospital, the camera pulls back to reveal a wider view of the main interior corridor: cracked tiled floors, flaking wallpaper, exposed beams, and broken fluorescent lights hanging like skeletal ribs. Rusted hospital beds with torn sheets lean against the walls. An old wheelchair lies overturned. A worn doctor’s stand still holds empty pill bottles, rusting scissors, and a shattered bottle of iodine. Cabinets line the far wall, filled with crumbling patient records. Mold creeps up the plaster, ivy curls through broken windows, and a draft carries motes of dust across the light. In the center of the scene, Sophia stands slightly apart from the others, her hand gently brushing a timeworn medical record or chair. The dust swirls in an unnatural pattern. Behind her, faint, translucent ghostly impressions of former patients shimmer within the air—unformed, barely there. Echoes of the past, memories caught in the walls. Sophia is shown in full-body, from the series’ canon description: She has long, straight black hair with wispy bangs that brush her eyebrows, pale gray-blue eyes, and fair skin with a soft, ethereal glow in low light. She wears a gray oversized knit sweater over a long, black skirt with old lace trim, and a small locket pendant. Around her neck hangs her personal modern digital camera. Her expression is thoughtful, distant — half in this world, half in the next. In the background, we glimpse Lark, John, and Nelly spread through the room. Lark examines an old cabinet with maps, her short chestnut brown hair tucked under a cap, wearing her dark green utility jacket and satchel. John adjusts his filming rig, tall and lean, curly blond hair pulled back under a backwards cap, dark hoodie and cargo pants blending into the shadows. Nelly, small and energetic, peers into an old pill drawer, teal hair under tech goggles, wearing a patch-covered bomber jacket, her expression excited yet on edge. Lighting is moody and realistic, with soft shafts of light coming through fractured windows, revealing floating dust and illuminating parts of the room with gentle golden hues. The atmosphere is quiet, reverent — like a sacred place no longer remembered. Color palette: muted brass, soft ash white, ivy green, hospital gray-blue, dust gold, and touches of pale rose. Style: painterly, gothic ruin, cinematic framing, organic textures with subtle supernatural glow.
A highly detailed, painterly scene depicts a dark and abandoned room with a spectral atmosphere. In the center, a young woman with long, dark hair and bangs stands looking directly forward with a serious expression. She wears an oversized, light gray, frayed sweater and a long, dark, tattered skirt. A black camera with a silver lens and a gold star-shaped pendant on a dark string hang around her neck. Her right hand rests on a rusty, old metal cart piled with papers and what looks like a tattered blanket.
Around her, numerous translucent, ghostly figures of people are visible, some standing, some partially obscured. To her left, two men are visible. One, dressed in a dark jacket and cap, is reaching into an open wooden cabinet filled with old books and documents. A vintage wheelchair with a large spoked wheel sits in the foreground below him.
To her right, another man, also in dark attire and a cap, operates an old film camera on his shoulder, filming a person bent over a desk sketching or writing in an open drawer. This individual is dressed in a floral-patterned jacket and dark pants. The room features multiple large windows in the background, partially obscured by grime and possibly vines. Abandoned Hospital.
Serie: Ghost's Story
© Isobel Blundell
All original characters, story, and narrative concepts.
