Comments
Loading Dream Comments...
You must be logged in to write a comment - Log In
A single atmospheric cinematic oil painting composed as a two-panel diptych, showing two connected moments within one image. The panels are visually separated not by a hard line, but by drifting snow, frost, and cold mist, as if the Arctic air itself flows between them. Fine ice particles cross the central seam, subtly binding the two scenes while keeping their spaces distinct. LEFT PANEL — THE RESPONSE Inside a cold, utilitarian Arctic research facility. The interior is industrial and subdued: metal walls, exposed cables, equipment racks, and instrument panels. Snow clings to boots and coats near the entrance, melting into dark patches on the floor. Multiple monitors glow in the dim light, displaying abstract data and irregular readings. Red indicator lights and warning LEDs glow on several instruments, small but unmistakable signals that something is abnormal. A few red buttons and status lights punctuate the otherwise muted color palette. Several members of a research team stand close together, bundled in heavy Arctic clothing with hoods, scarves, and high collars obscuring their faces. Among them stands a tall, lean man in his 40s, wearing a heavy parka, dark knit cap, and scarf pulled high over his lower face. Only his eyes are clearly visible. He stands still, focused on the monitors, posture rigid and controlled, absorbing the implications of what the instruments are showing. RIGHT PANEL — THE CAVERN Deep inside the ice cavern near the ancient UFO craft. The space is now brightly illuminated by human floodlights, contrasting with the natural blue tones of the ice. The massive craft looms in the background, partially obscured by equipment and structural elements placed around the area. At the center of the scene stands the tall alien being with large, totally black almond-shaped eyes. Its tall, slender, unclothed form is fully biological, with pale matte white skin. Its form is entirely biological, elongated and fragile in appearance, with long limbs and four long narrow fingers on each hand ***no sign of nipples on his chest***. Its posture is subdued and still, elongated limbs hanging lower than before. The soft internal glow once visible around its body is now faint, reduced by the harsh environment and lighting. Clear partitions, transparent barriers, or structural separations define the space around the alien, creating distance rather than physical struggle. The alien does not move or react. The light from its hand is absent. The ice on the craft remains unchanged. Human presence is suggested indirectly: silhouettes beyond glass, equipment positioned at a distance, cables and lights arranged with careful precision. There are no visible weapons, no confrontation — only control through environment and procedure. OVERALL MOOD The two panels are linked by cold and consequence. The left shows awareness through data and warning lights. The right shows quiet isolation within a changed space. The palette across both panels remains restrained — icy blues, slate grays, muted whites — with the red warning lights on the left and the alien’s fading glow on the right providing subtle contrast. The mood is solemn, procedural, and irreversible.
A digital painting depicts a mysterious encounter in a dark, icy, subterranean setting combining elements of a research facility, a frozen cavern, and an alien environment. On the left side, three figures, presumably humans, are bundled in heavy, military-style winter parkas and balaclavas, obscuring their faces. They are standing near a control panel with multiple screens displaying glowing blue abstract graphs, possibly data or surveillance feeds. Red indicator lights are visible on the machinery. The environment around them is industrial and cluttered with wires and conduits, possibly part of a base or research station. The ground is wet and slushy, and the air is filled with what looks like heavy snow, mist, or ice particles, creating a sense of extreme cold and a harsh atmosphere.
A clear glass partition or force field separates this human observation area from another zone on the right. Beyond this barrier, the scene transitions into a larger, more alien landscape. The ground is covered in ice and water, and the air is laden with mist or snow. In the foreground, facing the viewer, stands a tall, slender humanoid alien with grey skin, a typical "grey alien" appearance—large, dark, almond-shaped eyes, a small mouth, and no visible nose.
The father found signals of the presence of an alian in the cave where is the spaceship. He thinks he is responsable of the death of one of his team.
Serie 2: UFO
© Isobel Blundell
All original characters, story, and narrative concepts
