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A monumental radioactive zombie apocalypse depicted in an ultra-detailed Baroque painting style, inspired by 17th-century European masters and Digirobson, Anjomestre. The scene shows a devastated city transformed into a nightmarish cathedral of ruin, with colossal crumbling architecture, broken domes, shattered columns, and ornate statues collapsing into radioactive ash. Dozens of grotesque zombies roam the scene, their decaying bodies glowing with eerie green and toxic neon radiation, veins illuminated from within, skin partially translucent, exposing irradiated bones and organs. Some zombies wear remnants of royal baroque garments, torn velvet cloaks, gilded armor, and decayed ceremonial robes, blending aristocratic elegance with horrific mutation. A dramatic central composition features survivors in the foreground illuminated by intense chiaroscuro lighting: harsh beams of divine-like light cutting through thick radioactive fog, contrasted with deep, oppressive shadows. The survivors appear desperate and heroic, wearing tattered survival gear mixed with baroque-era clothing elements, their faces marked by fear, determination, and tragedy. The sky is a swirling inferno of dark storm clouds mixed with radioactive auroras, glowing green, yellow, and sickly cyan, raining luminous ash and particles. In the distance, a ruined palace emits a blinding radioactive glow, as if a cursed relic or nuclear event has corrupted the world itself. Every surface is rich in texture: cracked marble, peeling gold leaf, melted stone, decayed flesh, floating embers, and drifting radioactive dust. The color palette is dominated by deep blacks, burnt umbers, blood reds, oxidized golds, and toxic neon greens, maintaining a painterly oil-on-canvas look with visible brush strokes and layered paint depth. Cinematic composition, epic scale, extreme detail, dramatic perspective, volumetric lighting, god rays, heavy atmosphere, emotional intensity, high contrast, masterwork quality, museum-level painting, hyper-realistic textures combined with classical baroque aesthetics, apocalyptic horror, dark fantasy realism, 8K detail.
This is a highly detailed digital painting depicting a chaotic and supernatural scene set in a ruined city. The environment is dark and ominous, with a greenish-yellow aurora borealis-like sky overhead, from which numerous small, glowing green orbs are falling like meteors. The foreground and midground are filled with rubble and debris from destroyed buildings, indicative of a recent catastrophe.
Prominently featured in the left foreground is a large, glowing green skeletal zombie, its body emanating a bright, neon green light that highlights its bones and veins. It wears ornate, golden armor parts, including a chest piece, shoulder pads, and a belt, along with a tattered red cape. Its eyes are glowing yellow, and its mouth is open in a silent scream or snarl. Behind it, to the left, is a tall, ruined classical column topped with a white marble statue of a woman, which appears largely intact despite the destruction around it. The column itself shows significant damage, with patches of golden material exposed and peeling away, and cracks spiderwebbing across its surface.
To the right of the central glowing zombie, several figures, seemingly human or mostly human, are depicted. One figure in the left-midground wears a regal red
